Canto III

Arthur Hugh Clough (1819–1861) · 1858

dactylic hexameter · 39 lines · from Amours de Voyage

Yet to the wondrous St. Peter's, and yet to the solemn Rotunda,Mingling with heroes and gods, yet to the Vatican Walls,Yet may we go, and recline, while a whole mighty world seems above us,Gathered and fixed to all time into one roofing supreme;Yet may we, thinking on these things, exclude what is meaner around us;Yet, at the worst of the worst, books and a chamber remain;Yet may we think, and forget, and possess our souls in resistance.--Ah, but away from the stir, shouting, and gossip of war,Where, upon Apennine slope, with the chestnut the oak-trees immingle,Where, amid odorous copse bridle-paths wander and wind,Where, under mulberry-branches, the diligent rivulet sparkles,Or amid cotton and maize peasants their water-works ply,Where, over fig-tree and orange in tier upon tier still repeated,Garden on garden upreared, balconies step to the sky,--Ah, that I were far away from the crowd and the streets of the city,Under the vine-trellis laid, O my beloved, with thee!

Why doesn't Mr. Claude come with us? you ask.--We don't know,You should know better than we. He talked of the Vatican marbles;But I can't wholly believe that this was the actual reason,--He was so ready before, when we asked him to come and escort us.Certainly he is odd, my dear Miss Roper. To change soSuddenly, just for a whim, was not quite fair to the party,--Not quite right. I declare, I really almost am offended:I, his great friend, as you say, have doubtless a title to be so.Not that I greatly regret it, for dear Georgina distinctlyWishes for nothing so much as to show her adroitness. But, oh, myPen will not write any more;--let us say nothing further about it.Yes, my dear Miss Roper, I certainly called him repulsive;So I think him, but cannot be sure I have used the expressionQuite as your pupil should; yet he does most truly repel me.Was it to you I made use of the word? or who was it told you?Yes, repulsive; observe, it is but when he talks of ideasThat he is quite unaffected, and free, and expansive, and easy;I could pronounce him simply a cold intellectual being.--When does he make advances?--He thinks that women should woo him;Yet, if a girl should do so, would be but alarmed and disgusted.She that should love him must look for small love in return,--like the ivyOn the stone wall, must expect but a rigid and niggard support, andE'en to get that must go searching all round with her humble embraces.

Words in this poem

wondrous adv.
In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
vatican n.
A magnificent assemblage of buildings at Rome, near the church of St. Peter, including the pope's palace, a museum, a library, a famous chapel, etc. [L. Vaticanus, mons, or collis, Vaticanus, the Vatican hill, in Rome, on the western bank of the Tiber: cf. F. Vatican, It. Vaticano.]
apennine a.
Of, pertaining to, or designating, the Apennines, a chain of mountains extending through Italy. [L. Apenninus, fr. Celtic pen, or ben, peak, mountain.]
immingle v. t.
To mingle; to mix; to unite; to blend. Thomson.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
copse n.
A wood of small growth; a thicket of brushwood. See Coppice. [Contr. from coppice.]
roper n.
A maker of ropes. P. Plowman.
doubtless a.
Free from fear or suspicion.
adroitness n.
The quality of being adroit; skill and readiness; dexterity.
unaffected a.
Not affected or moved; destitute of affection or emotion; uninfluenced.
expect v. t.
To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Canto III is in the public domain. This text is taken from Amours De Voyage, Project Gutenberg ebook #1393; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Arthur Hugh Clough, Canto III, in Amours de Voyage (1858), text of Project Gutenberg ebook #1393, Laurel, https://laurelpoetry.com/poem/clough-amours/canto-iii.html, id L01596.

Form and metre

Canto III is 39 lines in 2 stanzas. 68% of its stressed syllables fall where the metre puts the beat. The lines average 15.7 syllables. 19 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --A-A------B-B-B rotunda · walls · usA · supreme · usA · remain · resistance · war · immingle · wind · sparkles · plyB · repeated · skyB · city · theeB
  2. 2 A---A--A-B---B--------- knowA · marbles · reason · us · soA · party · offended · soA · distinctly · myB · it · repulsive · expression · meB · you · ideas · easy · being · him · disgusted · ivy · and · embraces
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
Yet to the wondrous St. Peter's, and yet to the solemn Rotunda,17···/˘·/˘····/˘˘/˘
Mingling with heroes and gods, yet to the Vatican Walls,15/˘˘·/˘·····/˘˘·
Yet may we go, and recline, while a whole mighty world seems above us,17·····˘/···/˘·····
Gathered and fixed to all time into one roofing supreme;14/˘········/˘˘/
Yet may we, thinking on these things, exclude what is meaner around us;17···/˘···˘/··/˘···
Yet, at the worst of the worst, books and a chamber remain;14··········/˘˘/
Yet may we think, and forget, and possess our souls in resistance.--17·····˘/·˘//˘··˘/˘
Ah, but away from the stir, shouting, and gossip of war,14··˘/···/˘·/˘··
Where, upon Apennine slope, with the chestnut the oak-trees immingle,17···/˘····/····˘/˘
Where, amid odorous copse bridle-paths wander and wind,14·˘//˘˘·/˘·/˘··
Where, under mulberry-branches, the diligent rivulet sparkles,17···/·˘/˘·/˘˘/˘˘/˘
Or amid cotton and maize peasants their water-works ply,14·˘//˘··/˘·/˘··
Where, over fig-tree and orange in tier upon tier still repeated,17······/˘······˘/˘
Garden on garden upreared, balconies step to the sky,--14/˘·/˘··/˘˘····
Ah, that I were far away from the crowd and the streets of the city,17·····˘/········/˘
Under the vine-trellis laid, O my beloved, with thee!13····/˘···˘/··
Why doesn't Mr. Claude come with us? you ask.--We don't know,14·/˘/˘·········
You should know better than we. He talked of the Vatican marbles;16···/˘······/˘˘/˘
But I can't wholly believe that this was the actual reason,--16···/˘˘/····/˘˘/˘
He was so ready before, when we asked him to come and escort us.17···/˘·········˘/·
Certainly he is odd, my dear Miss Roper. To change so14/˘˘······/˘···
Suddenly, just for a whim, was not quite fair to the party,--15/˘˘··········/˘
Not quite right. I declare, I really almost am offended:15····˘/·/˘/··˘/˘
I, his great friend, as you say, have doubtless a title to be so.16········/˘·/˘···
Not that I greatly regret it, for dear Georgina distinctly16···/˘˘/····/˘˘/˘
Wishes for nothing so much as to show her adroitness. But, oh, my17/˘·/˘······˘/˘···
Pen will not write any more;--let us say nothing further about it.17····/˘····/˘/˘···
Yes, my dear Miss Roper, I certainly called him repulsive;15····/˘·/˘˘··˘/˘
So I think him, but cannot be sure I have used the expression16·····/˘······˘/˘
Quite as your pupil should; yet he does most truly repel me.15···/˘·····/˘˘/·
Was it to you I made use of the word? or who was it told you?16················
Yes, repulsive; observe, it is but when he talks of ideas16·˘/˘˘/·······˘/˘
That he is quite unaffected, and free, and expansive, and easy;17·····˘/˘···˘/˘·/˘
I could pronounce him simply a cold intellectual being.--16··˘/·/˘···˘/˘˘/˘
When does he make advances?--He thinks that women should woo him;15····˘/˘···/˘···
Yet, if a girl should do so, would be but alarmed and disgusted.16··········˘/·˘/˘
She that should love him must look for small love in return,--like the ivy17···········˘/··/˘
On the stone wall, must expect but a rigid and niggard support, and17·····˘/··/˘·/˘˘/·
E'en to get that must go searching all round with her humble embraces.17······/˘····/˘˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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