Noon
All how silent and how still;Nothing heard but yonder mill:While the dazzled eye surveysAll around a liquid blaze;And amid the scorching gleams,If we earnest look, it seemsAs if crooked bits of glassSeem’d repeatedly to pass.Oh, for a puffing breeze to blow!But breezes are all strangers now;Not a twig is seen to shake,Nor the smallest bent to quake;From the river’s muddy sideNot a curve is seen to glide;And no longer on the streamWatching lies the silver bream,Forcing, from repeated springs,“Verges in successive rings.”Bees are faint, and cease to hum;Birds are overpower’d and dumb.Rural voices all are mute,Tuneless lie the pipe and flute:Shepherds, with their panting sheep,In the swaliest corner creep;And from the tormenting heatAll are wishing to retreat.Huddled up in grass and flowers,Mowers wait for cooler hours;And the cow-boy seeks the sedge,Ramping in the woodland hedge,While his cattle o’er the valesScamper, with uplifted tails;Others not so wild and mad,That can better bear the gad,Underneath the hedge-row lunge,Or, if nigh, in waters plunge.Oh! to see how flowers are took,How it grieves me when I look:Ragged-robins, once so pink,Now are turn’d as black as ink,And the leaves, being scorch’d so much,Even crumble at the touch;Drowking lies the meadow-sweet,Flopping down beneath one’s feetWhile to all the flowers that blow,If in open air they grow,Th’ injurious deed alike is doneBy the hot relentless sun.E’en the dew is parched upFrom the teasel’s jointed cup:O poor birds! where must ye fly,Now your water-pots are dry?If ye stay upon the heath,Ye’ll be choak’d and clamm’d to death:Therefore leave the shadeless goss,Seek the spring-head lin’d with moss;There your little feet may stand,Safely printing on the sand;While, in full possession, wherePurling eddies ripple clear,You with ease and plenty blest,Sip the coolest and the best.Then away! and wet your throats;Cheer me with your warbling notes:T’will hot noon the more revive;While I wander to contriveFor myself a place as good,In the middle of a wood:There aside some mossy bank,Where the grass in bunches rankLifts its down on spindles high,Shall be where I’ll choose to lie;Fearless of the things that creep,There I’ll think, and there I’ll sleep;Caring not to stir at all,Till the dew begins to fall.
Words in this poem
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- scorching a.
- Burning; parching or shriveling with heat.
- puffing
- a. & n. from Puff, v. i. & t. Puffing adder. (Zoöl.) Same as Puff adder (b), under Puff.
- tuneless a.
- Without tune; inharmonious; unmusical.
- cooler n.
- That which cools, or abates heat or excitement.
- scamper v. i.
- To run with speed; to run or move in a quick, hurried manner; to hasten away. [OF. escamper to escape, to save one's self; L. ex from + campus the field (sc. of battle). See Camp, and cf. Decamp, Scamp, n., Shamble, v. t.]
- relentless a.
- Unmoved by appeals for sympathy or forgiveness; insensible to the distresses of others; destitute of tenderness; unrelenting; unyielding; unpitying; as, a prey to relentless despotism.
- shadeless a.
- Being without shade; not shaded.
- purling n.
- The motion of a small stream running among obstructions; also, the murmur it makes in so doing. [See 3d Purl.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Noon is in the public domain. This text is taken from Poems, Project Gutenberg ebook #52601; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Clare, Noon, in Poems (1820–1835), text of Project Gutenberg ebook #52601, Laurel, https://laurelpoetry.com/poem/clare-poems/noon.html, id L06655.
Form and metre
Noon is 76 lines in a single stanza. It is in rhyming couplets, 95% of the lines. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 91%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 7.1 syllables. 2 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.
See other poems in rhyming couplets, other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD--EEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYY--ZZaabbccddeeffgghhiijj stillA · millA · surveysB · blazeB · gleamsC · seemsC · glassD · passD · blow · now · shakeE · quakeE · sideF · glideF · streamG · breamG · springsH · ringsH · humI · dumbI · muteJ · fluteJ · sheepK · creepK · heatL · retreatL · flowersM · hoursM · sedgeN · hedgeN · valesO · tailsO · madP · gadP · lungeQ · plungeQ · tookR · lookR · pinkS · inkS · muchT · touchT · sweetU · feetU · blowV · growV · doneW · sunW · upX · cupX · flyY · dryY · heath · death · gossZ · mossZ · standa · sanda · whereb · clearb · blestc · bestc · throatsd · notesd · revivee · contrivee · goodf · woodf · bankg · rankg · highh · lieh · creepi · sleepi · allj · fallj
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| All how silent and how still; | 7 | ··/˘··· |
| Nothing heard but yonder mill: | 7 | /˘··/˘· |
| While the dazzled eye surveys | 7 | ··/˘·˘/ |
| All around a liquid blaze; | 7 | ····/˘· |
| And amid the scorching gleams, | 7 | ·˘/·/˘· |
| If we earnest look, it seems | 7 | ··/˘··· |
| As if crooked bits of glass | 7 | ··/˘··· |
| Seem’d repeatedly to pass. | 7 | ·˘/˘˘·· |
| Oh, for a puffing breeze to blow! | 8 | ···/˘··· |
| But breezes are all strangers now; | 8 | ·/˘··/˘· |
| Not a twig is seen to shake, | 7 | ······· |
| Nor the smallest bent to quake; | 7 | ··/˘··· |
| From the river’s muddy side | 7 | ··/˘/˘· |
| Not a curve is seen to glide; | 7 | ······· |
| And no longer on the stream | 7 | ··/˘··· |
| Watching lies the silver bream, | 7 | /˘··/˘· |
| Forcing, from repeated springs, | 7 | /˘·˘/˘· |
| “Verges in successive rings.” | 7 | /˘·˘/˘· |
| Bees are faint, and cease to hum; | 7 | ······· |
| Birds are overpower’d and dumb. | 8 | ···˘/˘·· |
| Rural voices all are mute, | 7 | /˘/˘··· |
| Tuneless lie the pipe and flute: | 7 | /˘····· |
| Shepherds, with their panting sheep, | 7 | /˘··/˘· |
| In the swaliest corner creep; | 7 | ····/˘· |
| And from the tormenting heat | 7 | ···/·˘· |
| All are wishing to retreat. | 7 | ··/˘·˘/ |
| Huddled up in grass and flowers, | 9 | /˘˘····/˘ |
| Mowers wait for cooler hours; | 8 | /˘··/˘/˘ |
| And the cow-boy seeks the sedge, | 7 | ······· |
| Ramping in the woodland hedge, | 7 | /˘··/·· |
| While his cattle o’er the vales | 7 | ··/˘··· |
| Scamper, with uplifted tails; | 7 | /˘·/˘˘· |
| Others not so wild and mad, | 7 | /˘····· |
| That can better bear the gad, | 7 | ··/˘··· |
| Underneath the hedge-row lunge, | 7 | ·˘/···· |
| Or, if nigh, in waters plunge. | 7 | ····/˘· |
| Oh! to see how flowers are took, | 8 | ····/˘·· |
| How it grieves me when I look: | 7 | ······· |
| Ragged-robins, once so pink, | 7 | /˘/˘··· |
| Now are turn’d as black as ink, | 7 | ······· |
| And the leaves, being scorch’d so much, | 8 | ···/˘··· |
| Even crumble at the touch; | 7 | /˘/˘··· |
| Drowking lies the meadow-sweet, | 7 | ····/·· |
| Flopping down beneath one’s feet | 7 | /˘····· |
| While to all the flowers that blow, | 8 | ····/˘·· |
| If in open air they grow, | 7 | ··/˘··· |
| Th’ injurious deed alike is done | 9 | ˘/˘˘·˘/·· |
| By the hot relentless sun. | 7 | ···˘/˘· |
| E’en the dew is parched up | 6 | ······ |
| From the teasel’s jointed cup: | 7 | ····/˘· |
| O poor birds! where must ye fly, | 7 | ······· |
| Now your water-pots are dry? | 7 | ··/˘··· |
| If ye stay upon the heath, | 7 | ······· |
| Ye’ll be choak’d and clamm’d to death: | 7 | ······· |
| Therefore leave the shadeless goss, | 7 | ····/˘· |
| Seek the spring-head lin’d with moss; | 7 | ······· |
| There your little feet may stand, | 7 | ··/˘··· |
| Safely printing on the sand; | 7 | /˘/˘··· |
| While, in full possession, where | 7 | ···˘/˘· |
| Purling eddies ripple clear, | 7 | /˘/˘/˘· |
| You with ease and plenty blest, | 7 | ····/˘· |
| Sip the coolest and the best. | 7 | ··/˘··· |
| Then away! and wet your throats; | 7 | ·˘/···· |
| Cheer me with your warbling notes: | 8 | ····/˘˘· |
| T’will hot noon the more revive; | 7 | ·····˘/ |
| While I wander to contrive | 7 | ··/˘·˘/ |
| For myself a place as good, | 7 | ··/···· |
| In the middle of a wood: | 7 | ··/˘··· |
| There aside some mossy bank, | 7 | ·˘/·/˘· |
| Where the grass in bunches rank | 7 | ····/˘· |
| Lifts its down on spindles high, | 7 | ····/˘· |
| Shall be where I’ll choose to lie; | 7 | ······· |
| Fearless of the things that creep, | 7 | /˘····· |
| There I’ll think, and there I’ll sleep; | 7 | ······· |
| Caring not to stir at all, | 7 | /˘····· |
| Till the dew begins to fall. | 7 | ···˘/·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.