The Thorn Tree
The night is sad with silver and the day is glad with gold,And the woodland silence listens to a legend never old,Of the Lady of the Fountain, whom the faery people know,With her limbs of samite whiteness and her hair of golden glow,Whom the boyish South Wind seeks for and the girlish-stepping Rain;Whom the sleepy leaves still whisper men shall never see again:She whose Vivien charms were mistress of the magic Merlin knew,That could change the dew to glowworms and the glowworms into dew.There's a thorn tree in the forest, and the faeries know the tree,With its branches gnarled and wrinkled as a face with sorcery;But the Maytime brings it clusters of a rainy fragrant white,Like the bloom-bright brows of beauty or a hand of lifted light.And all day the silence whispers to the sun-ray of the mornHow the bloom is lovely Vivien and how Merlin is the thorn:How she won the doting wizard with her naked lovelinessTill he told her dæmon secrets that must make his magic less.
How she charmed him and enchanted in the thorn-tree's thorns to lieForever with his passion that should never dim or die:And with wicked laughter looking on this thing which she had done,Like a visible aroma lingered sparkling in the sun:How she stooped to kiss the pathos of an elf-lock of his beard,In a mockery of parting and mock pity of his weird:But her magic had forgotten that "who bends to give a kissWill but bring the curse upon them of the person whose it is":So the silence tells the secret.--And at night the faeries seeHow the tossing bloom is Vivien, who is struggling to be free,In the thorny arms of Merlin, who forever is the tree.
Words in this poem
- samite a.
- A species of silk stuff, or taffeta, generally interwoven with gold. [OF. samit, LL. samitum, examitum, from LGr. Six, and cf. Dimity.]
- boyish a.
- Resembling a boy in a manners or opinions; belonging to a boy; childish; trifling; puerile.
- girlish a.
- Like, or characteristic of, a girl; of or pertaining to girlhood; innocent; artless; immature; weak; as, girlish ways; girlish grief.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- merlin n.
- A small European falcon (Falco lithofalco, or F. æsalon). [OE. merlion, F. émerillon ; cf. OHG. smirl, G. schmerl ; prob. fr. L. merula blackbird. Cf. Merle.]
- gnarled a.
- Knotty; full of knots or gnarls; twisted; crossgrained.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- doting a.
- That dotes; silly; excessively fond.
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Thorn Tree is in the public domain. This text is taken from Poems, Project Gutenberg ebook #7796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Madison Julius Cawein, The Thorn Tree, in Poems (1911), text of Project Gutenberg ebook #7796, Laurel, https://laurelpoetry.com/poem/cawein-poems/the-thorn-tree.html, id L10855.
Form and metre
The Thorn Tree is 27 lines in 2 verse paragraphs. It is in rhyming couplets, 81% of the lines. The metre is iambic heptameter, measured from the stress the words themselves fix (confidence 83%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 14.6 syllables. 2 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.
See other poems in rhyming couplets, other poems in iambic heptameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD--EEFFGG goldA · oldA · knowB · glowB · rainC · againC · knewD · dewD · tree · sorcery · whiteE · lightE · mornF · thornF · lovelinessG · lessG
- 2 AABBCC--DDD lieA · dieA · doneB · sunB · beardC · weirdC · kiss · is · seeD · freeD · treeD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic heptameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The night is sad with silver and the day is glad with gold, | 14 | ·····/˘······· |
| And the woodland silence listens to a legend never old, | 15 | ··/·/˘/˘··/˘/˘· |
| Of the Lady of the Fountain, whom the faery people know, | 15 | ··/˘··/˘····/˘· |
| With her limbs of samite whiteness and her hair of golden glow, | 15 | ····/˘/˘····/˘· |
| Whom the boyish South Wind seeks for and the girlish-stepping Rain; | 15 | ··/˘······/˘/˘· |
| Whom the sleepy leaves still whisper men shall never see again: | 15 | ··/˘··/˘··/˘·˘/ |
| She whose Vivien charms were mistress of the magic Merlin knew, | 15 | ··/˘··/˘··/˘/˘· |
| That could change the dew to glowworms and the glowworms into dew. | 15 | ··············· |
| There's a thorn tree in the forest, and the faeries know the tree, | 14 | ······/˘······ |
| With its branches gnarled and wrinkled as a face with sorcery; | 15 | ··/˘··/˘····/˘˘ |
| But the Maytime brings it clusters of a rainy fragrant white, | 15 | ······/˘··/˘/˘· |
| Like the bloom-bright brows of beauty or a hand of lifted light. | 15 | ······/˘····/˘· |
| And all day the silence whispers to the sun-ray of the morn | 15 | ····/˘/˘······· |
| How the bloom is lovely Vivien and how Merlin is the thorn: | 15 | ····/˘/˘··/˘··· |
| How she won the doting wizard with her naked loveliness | 15 | ····/˘/˘··/˘/˘˘ |
| Till he told her dæmon secrets that must make his magic less. | 15 | ······/˘····/˘· |
| How she charmed him and enchanted in the thorn-tree's thorns to lie | 15 | ·····˘/˘······· |
| Forever with his passion that should never dim or die: | 14 | ˘/˘··/˘··/˘··· |
| And with wicked laughter looking on this thing which she had done, | 15 | ··/˘/˘/˘······· |
| Like a visible aroma lingered sparkling in the sun: | 15 | ··/˘˘˘/˘/˘/˘··· |
| How she stooped to kiss the pathos of an elf-lock of his beard, | 15 | ······/˘······· |
| In a mockery of parting and mock pity of his weird: | 15 | ··/˘˘·/˘··/˘··· |
| But her magic had forgotten that "who bends to give a kiss | 15 | ··/˘·˘/˘······· |
| Will but bring the curse upon them of the person whose it is": | 15 | ··········/˘··· |
| So the silence tells the secret.--And at night the faeries see | 14 | ··/˘··/˘······ |
| How the tossing bloom is Vivien, who is struggling to be free, | 15 | ··/˘··/˘··/˘··· |
| In the thorny arms of Merlin, who forever is the tree. | 15 | ··/˘··/˘·˘/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.