The Garden of Dreams

Madison Julius Cawein (1865–1914) · 1911

iambic tetrameter · ABAB · 32 lines · from Poems

Not while I live may I forgetThat garden which my spirit trod!Where dreams were flowers, wild and wet,And beautiful as God.

Not while I breathe, awake, adream,Shall live again for me those hours,When, in its mystery and gleam,I met her 'mid the flowers.

Eyes, talismanic heliotrope,Beneath mesmeric lashes, whereThe sorceries of love and hopeHad made a shining lair.

And daydawn brows, whereover hungThe twilight of dark locks: wild birds,Her lips, that spoke the rose's tongueOf fragrance-voweled words.

I will not tell of cheeks and chin,That held me as sweet language holds;Nor of the eloquence withinHer breasts' twin-moonéd molds.

Nor of her body's languorousWind-grace, that glanced like starlight throughHer clinging robe's diaphanousWeb of the mist and dew.

There is no star so pure and highAs was her look; no fragrance suchAs her soft presence; and no sighOf music like her touch.

Not while I live may I forgetThat garden of dim dreams, where IAnd Beauty born of Music met,Whose spirit passed me by.

Words in this poem

shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
talismanic a.
Of or pertaining to a talisman; having the properties of a talisman, or preservative against evils by occult influence; magical. [Cf. F. talismanique.]
lair n.
A place in which to lie or rest; especially, the bed or couch of a wild beast. [OE. leir, AS. leger; akin to D. leger, G. lager couch, lair, OHG. laga, Goth. ligrs, and to E. lie. See Lie to be prostrate, and cf. Layer, Leaguer.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
languorous a.
Producing, or tending to produce, languor; characterized by languor. [From Languor: cf. F. langoureux.]
starlight n.
The light given by the stars.
diaphanous a.
Allowing light to pass through, as porcelain; translucent or transparent; pellucid; clear. [Gr. diaphane. See Phantom, and cf. Diaphane, Diaphanic.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Garden of Dreams is in the public domain. This text is taken from Poems, Project Gutenberg ebook #7796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Madison Julius Cawein, The Garden of Dreams, in Poems (1911), text of Project Gutenberg ebook #7796, Laurel, https://laurelpoetry.com/poem/cawein-poems/the-garden-of-dreams.html, id L10899.

Form and metre

The Garden of Dreams is 32 lines in 8 stanzas of 4 lines each. Every stanza rhymes ABAB. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 7.6 syllables. 4 lines end on an unstressed syllable, a feminine ending. 44% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB forgetA · trodB · wetA · godB
  2. 2 ABAB adreamA · hoursB · gleamA · flowersB
  3. 3 ABAB heliotropeA · whereB · hopeA · lairB
  4. 4 ABAB hungA · birdsB · tongueA · wordsB
  5. 5 ABAB chinA · holdsB · withinA · moldsB
  6. 6 ABAB languorousA · throughB · diaphanousA · dewB
  7. 7 ABAB highA · suchB · sighA · touchB
  8. 8 ABAB forgetA · iB · metA · byB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Not while I live may I forget8······˘/
That garden which my spirit trod!8·/˘··/˘·
Where dreams were flowers, wild and wet,8···/˘···
And beautiful as God.6·/˘˘··
Not while I breathe, awake, adream,8····˘/··
Shall live again for me those hours,9··˘/···/˘
When, in its mystery and gleam,8···/˘˘··
I met her 'mid the flowers.7·····/˘
Eyes, talismanic heliotrope,8·····/˘·
Beneath mesmeric lashes, where8·····/˘·
The sorceries of love and hope8·/˘˘····
Had made a shining lair.6···/˘·
And daydawn brows, whereover hung8········
The twilight of dark locks: wild birds,8·/······
Her lips, that spoke the rose's tongue8·····/˘·
Of fragrance-voweled words.7·/˘/˘˘·
I will not tell of cheeks and chin,8········
That held me as sweet language holds;8·····/˘·
Nor of the eloquence within8···/˘˘··
Her breasts' twin-moonéd molds.5·····
Nor of her body's languorous8···/˘/˘˘
Wind-grace, that glanced like starlight through8·····/··
Her clinging robe's diaphanous8·/˘·˘/˘˘
Web of the mist and dew.6······
There is no star so pure and high8········
As was her look; no fragrance such8·····/˘·
As her soft presence; and no sigh8···/˘···
Of music like her touch.6·/˘···
Not while I live may I forget8······˘/
That garden of dim dreams, where I8·/˘·····
And Beauty born of Music met,8·/˘··/˘·
Whose spirit passed me by.7·/˘·˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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