Quiet Lanes
Now rests the season in forgetfulness,Careless in beauty of maturity;The ripened roses round brown temples, sheFulfills completion in a dreamy guess.Now Time grants night the more and day the less:The gray decides; and brownDim golds and drabs in dulling green expressThemselves and redden as the year goes down.Sadder the fields where, thrusting hoary highTheir tasseled heads, the Lear-like corn-stocks die,And, Falstaff-like, buff-bellied pumpkins lie.--Deepening with tenderness,Sadder the blue of hills that lounge alongThe lonesome west; sadder the songOf the wild redbird in the leafage yellow.--Deeper and dreamier, aye!Than woods or waters, leans the languid skyAbove lone orchards where the cider pressDrips and the russets mellow.Nature grows liberal: from the beechen leavesThe beech-nuts' burrs their little purses thrust,Plump with the copper of the nuts that rust;Above the grass the spendthrift spider weavesA web of silver for which dawn designsThrice twenty rows of pearls: beneath the oak,That rolls old roots in many gnarly lines,--The polished acorns, from their saucers broke,Strew oval agates.--On sonorous pinesThe far wind organs; but the forest nearIs silent; and the blue-white smokeOf burning brush, beyond that field of hay,Hangs like a pillar in the atmosphere:But now it shakes--it breaks, and all the vinesAnd tree tops tremble; see! the wind is here!Billowing and boisterous; and the smiling dayRejoices in its clamor. Earth and skyResound with glory of its majesty,Impetuous splendor of its rushing by.--But on those heights the woodland dark is still,Expectant of its coming.... Far awayEach anxious tree upon each waiting hillTingles anticipation, as in graySurmise of rapture. Now the first gusts play,Like laughter low, about their rippling spines;And now the wildwood, one exultant sway,Shouts--and the light at each tumultuous pause,The light that glooms and shines,Seems hands in wild applause.
How glows that garden!--Though the white mists keepThe vagabonding flowers reminded ofDecay that comes to slay in open love,When the full moon hangs cold and night is deep;Unheeding still their cardinal colors leapGay in the crescent of the blade of death,--Spaced innocents whom he prepares to reap,--Staying his scythe a breathTo mark their beauty ere, with one last sweep,He lays them dead and turns away to weep.--Let me admire,--Before the sickle of the coming coldShall mow them down,--their beauties manifold:How like to spurts of fireThat scarlet salvia lifts its blooms, which heapWith flame the sunlight. And, as sparkles creepThrough charring vellum, up that window's screenThe cypress dots with crimson all its green,The haunt of many bees.Cascading dark old porch-built lattices,The nightshade bleeds with berries; drops of bloodHanging in clusters 'mid the blue monk's-hood.
There is a garden old,Where bright-hued clumps of zinnias unfoldTheir formal flowers; where the marigoldLifts a pinched shred of orange sunset caughtAnd elfed in petals; the nasturtium,Deep, pungent-leaved and acrid of perfume,Hangs up a goblin bonnet, pixy-broughtFrom Gnomeland. There, predominant red,And arrogant, the dahlia lifts its head,Beside the balsam's rose-stained horns of honey,Lost in the murmuring, sunnyDry wildness of the weedy flower bed;Where crickets and the weed-bugs, noon and night,Shrill dirges for the flowers that soon shall die,And flowers already dead.--I seem to hear the passing Summer sigh:A voice, that seems to weep,--"Too soon, too soon the Beautiful passes by!And soon, among these bowersWill dripping Autumn mourn with all her flowers"--
If I, perchance, might peepBeneath those leaves of podded hollyhocks,That the bland wind with odorous murmurs rocks,I might behold her,--whiteAnd weary,--Summer, 'mid her flowers asleep,Her drowsy flowers asleep,The withered poppies knotted in her locks.
Words in this poem 20
- dreamy a.
- Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
- hoary a.
- White or whitish."The hoary willows."
- lonesome a.
- Secluded from society; not frequented by human beings; solitary.
- leafage n.
- Leaves, collectively; foliage.
- lone n.
- A lane. See Loanin.
- beechen a.
- Consisting, or made, of the wood or bark of the beech; belonging to the beech. [AS. b.]
- gnarly a.
- Full of knots; knotty; twisted; crossgrained.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- boisterous a.
- Rough or rude; unbending; unyielding; strong; powerful. [OE. boistous; of uncertain origin; cf. W. bwyst wild, savage, wildness, ferocity, bwystus ferocious.]
- wildwood n.
- A wild or unfrequented wood. Also used adjectively; as, wildwood flowers; wildwood echoes. Burns.
- exultant a.
- Inclined to exult; characterized by, or expressing, exultation; rejoicing triumphantly. [L. exsultans, exsultantis, p. pr. of exsultare. See Exult.]
- reap n.
- A bundle of grain; a handful of grain laid down by the reaper as it is cut. Wright. [Cf. AS. rip harvest. See Reap, v.]
- admire v. t.
- To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- salvia n.
- A genus of plants including the sage. See Sage. [L., sage.]
- nasturtium n.
- A genus of cruciferous plants, having white or yellowish flowers, including several species of cress. They are found chiefly in wet or damp grounds, and have a pungent biting taste. [L. nasturtium, for nasitortium, fr. nasus nose + torquere, tortum, to twist, torture, in allusion to the causing one to make a wry face by its pungent taste. Se]
- pixy n.
- An old English name for a fairy; an elf. [For Pucksy, from Puck.]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- weedy a.
- Of or pertaining to weeds; consisting of weeds.
- dripping n.
- A falling in drops, or the sound so made.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Quiet Lanes is in the public domain. This text is taken from Poems, Project Gutenberg ebook #7796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Madison Julius Cawein, Quiet Lanes, in Poems (1911), text of Project Gutenberg ebook #7796, Laurel, https://laurelpoetry.com/poem/cawein-poems/quiet-lanes.html, id L10883.
Form and metre
Quiet Lanes is 97 lines in 4 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 12 lines end on an unstressed syllable, a feminine ending. 39% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A--AABABCCC-DDEFF-EGHHGIJIJIKJLK-KLM-MNONOOPOQPQ forgetfulnessA · maturity · she · guessA · lessA · brownB · expressA · downB · highC · dieC · lieC · tenderness · alongD · songD · yellowE · ayeF · skyF · press · mellowE · leavesG · thrustH · rustH · weavesG · designsI · oakJ · linesI · brokeJ · pinesI · nearK · smokeJ · hayL · atmosphereK · vines · hereK · dayL · skyM · majesty · byM · stillN · awayO · hillN · grayO · playO · spinesP · swayO · pauseQ · shinesP · applauseQ
- 2 ABBAACACAADEEDAAFFGGHH keepA · ofB · loveB · deepA · leapA · deathC · reapA · breathC · sweepA · weepA · admireD · coldE · manifoldE · fireD · heapA · creepA · screenF · greenF · beesG · latticesG · bloodH · hoodH
- 3 AAAB--BCCDDC-ECE-EFF oldA · unfoldA · marigoldA · caughtB · nasturtium · perfume · broughtB · redC · headC · honeyD · sunnyD · bedC · night · dieE · deadC · sighE · weep · byE · bowersF · flowersF
- 4 ABB-AAB peepA · hollyhocksB · rocksB · white · asleepA · asleepA · locksB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Now rests the season in forgetfulness, | 10 | ···/˘·˘/˘˘ |
| Careless in beauty of maturity; | 10 | /˘·/˘·˘/˘˘ |
| The ripened roses round brown temples, she | 10 | ·/˘/˘··/˘· |
| Fulfills completion in a dreamy guess. | 10 | ˘/˘/˘··/˘· |
| Now Time grants night the more and day the less: | 10 | ·········· |
| The gray decides; and brown | 6 | ··˘/·· |
| Dim golds and drabs in dulling green express | 10 | ·····/˘·˘/ |
| Themselves and redden as the year goes down. | 10 | ˘/·/˘····· |
| Sadder the fields where, thrusting hoary high | 10 | /˘···/˘/˘· |
| Their tasseled heads, the Lear-like corn-stocks die, | 10 | ·/˘······· |
| And, Falstaff-like, buff-bellied pumpkins lie.-- | 10 | ·/···/˘/˘· |
| Deepening with tenderness, | 7 | /˘˘·/˘˘ |
| Sadder the blue of hills that lounge along | 10 | /˘······˘/ |
| The lonesome west; sadder the song | 8 | ·/˘·/˘·· |
| Of the wild redbird in the leafage yellow.-- | 11 | ···/···/˘/˘ |
| Deeper and dreamier, aye! | 6 | /˘···· |
| Than woods or waters, leans the languid sky | 10 | ···/˘··/˘· |
| Above lone orchards where the cider press | 10 | ···/˘··/˘· |
| Drips and the russets mellow. | 7 | ···/˘/˘ |
| Nature grows liberal: from the beechen leaves | 10 | /˘·/˘··/˘· |
| The beech-nuts' burrs their little purses thrust, | 10 | ·····/˘/˘· |
| Plump with the copper of the nuts that rust; | 10 | ···/˘····· |
| Above the grass the spendthrift spider weaves | 10 | ·····/·/˘· |
| A web of silver for which dawn designs | 10 | ···/˘···˘/ |
| Thrice twenty rows of pearls: beneath the oak, | 10 | ·/˘······· |
| That rolls old roots in many gnarly lines,-- | 10 | ·····/˘/˘· |
| The polished acorns, from their saucers broke, | 10 | ·/˘/˘··/˘· |
| Strew oval agates.--On sonorous pines | 10 | ·/˘/˘·/˘˘· |
| The far wind organs; but the forest near | 10 | ···/˘··/˘· |
| Is silent; and the blue-white smoke | 8 | ·/˘····· |
| Of burning brush, beyond that field of hay, | 10 | ·/˘······· |
| Hangs like a pillar in the atmosphere: | 10 | ···/˘··/˘· |
| But now it shakes--it breaks, and all the vines | 10 | ·········· |
| And tree tops tremble; see! the wind is here! | 10 | ···/˘····· |
| Billowing and boisterous; and the smiling day | 10 | /˘·/˘··/˘· |
| Rejoices in its clamor. Earth and sky | 10 | ˘/˘··/˘··· |
| Resound with glory of its majesty, | 10 | ·/·/˘··/˘˘ |
| Impetuous splendor of its rushing by.-- | 10 | ˘/˘/˘··/˘· |
| But on those heights the woodland dark is still, | 10 | ·····/···· |
| Expectant of its coming.... Far away | 10 | ˘/˘··/˘·˘/ |
| Each anxious tree upon each waiting hill | 10 | ·/˘····/˘· |
| Tingles anticipation, as in gray | 10 | /˘˘·˘/˘··· |
| Surmise of rapture. Now the first gusts play, | 10 | ˘/·/˘····· |
| Like laughter low, about their rippling spines; | 10 | ·/˘····/˘· |
| And now the wildwood, one exultant sway, | 10 | ···/··˘/˘· |
| Shouts--and the light at each tumultuous pause, | 10 | ·······/˘· |
| The light that glooms and shines, | 6 | ······ |
| Seems hands in wild applause. | 6 | ····˘/ |
| How glows that garden!--Though the white mists keep | 10 | ···/˘····· |
| The vagabonding flowers reminded of | 10 | ·/˘˘˘/˘/˘· |
| Decay that comes to slay in open love, | 10 | ˘/·····/˘· |
| When the full moon hangs cold and night is deep; | 10 | ·········· |
| Unheeding still their cardinal colors leap | 10 | ·····/˘/˘· |
| Gay in the crescent of the blade of death,-- | 10 | ···/˘····· |
| Spaced innocents whom he prepares to reap,-- | 10 | ·/˘˘··˘/·· |
| Staying his scythe a breath | 6 | /˘···· |
| To mark their beauty ere, with one last sweep, | 10 | ···/˘····· |
| He lays them dead and turns away to weep.-- | 10 | ······˘/·· |
| Let me admire,-- | 4 | ··˘/ |
| Before the sickle of the coming cold | 10 | ···/˘··/˘· |
| Shall mow them down,--their beauties manifold: | 10 | ·····/˘/˘· |
| How like to spurts of fire | 7 | ·····/˘ |
| That scarlet salvia lifts its blooms, which heap | 10 | ·/˘/˘····· |
| With flame the sunlight. And, as sparkles creep | 10 | ···/···/˘· |
| Through charring vellum, up that window's screen | 10 | ·/˘/˘··/˘· |
| The cypress dots with crimson all its green, | 10 | ·/˘··/˘··· |
| The haunt of many bees. | 6 | ···/˘· |
| Cascading dark old porch-built lattices, | 10 | ˘/˘····/˘˘ |
| The nightshade bleeds with berries; drops of blood | 10 | ·/···/˘··· |
| Hanging in clusters 'mid the blue monk's-hood. | 10 | /˘·/˘····· |
| There is a garden old, | 6 | ···/˘· |
| Where bright-hued clumps of zinnias unfold | 10 | ·····/˘˘˘/ |
| Their formal flowers; where the marigold | 10 | ·/˘/˘··/˘· |
| Lifts a pinched shred of orange sunset caught | 10 | ·····/˘/·· |
| And elfed in petals; the nasturtium, | 10 | ··˘·/˘·˘/˘ |
| Deep, pungent-leaved and acrid of perfume, | 10 | ·/˘··/˘·˘/ |
| Hangs up a goblin bonnet, pixy-brought | 10 | ···/˘/˘··· |
| From Gnomeland. There, predominant red, | 10 | ·····˘/˘˘· |
| And arrogant, the dahlia lifts its head, | 10 | ·/˘˘·/˘··· |
| Beside the balsam's rose-stained horns of honey, | 11 | ˘/·/˘····/˘ |
| Lost in the murmuring, sunny | 8 | ···/˘˘/˘ |
| Dry wildness of the weedy flower bed; | 10 | ·/˘··/˘/˘· |
| Where crickets and the weed-bugs, noon and night, | 10 | ·/˘······· |
| Shrill dirges for the flowers that soon shall die, | 10 | ·/˘··/···· |
| And flowers already dead.-- | 7 | ·/˘˘/˘· |
| I seem to hear the passing Summer sigh: | 10 | ·····/˘/˘· |
| A voice, that seems to weep,-- | 6 | ······ |
| "Too soon, too soon the Beautiful passes by! | 10 | ·····/˘/˘· |
| And soon, among these bowers | 7 | ·····/˘ |
| Will dripping Autumn mourn with all her flowers"-- | 11 | ·/˘/˘····/˘ |
| If I, perchance, might peep | 6 | ··˘/·· |
| Beneath those leaves of podded hollyhocks, | 10 | ·····/˘/˘· |
| That the bland wind with odorous murmurs rocks, | 10 | ·····/˘/˘· |
| I might behold her,--white | 6 | ··˘/·· |
| And weary,--Summer, 'mid her flowers asleep, | 10 | ·/˘/˘··/˘/ |
| Her drowsy flowers asleep, | 7 | ·/˘/˘˘/ |
| The withered poppies knotted in her locks. | 10 | ·/˘/˘/˘··· |
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