Evening on the Farm
From out the hills where twilight stands,Above the shadowy pasture lands,With strained and strident cry,Beneath pale skies that sunset bands,The bull-bats fly.
A cloud hangs over, strange of shape,And, colored like the half-ripe grape,Seems some uneven stainOn heaven's azure; thin as crape,And blue as rain.
By ways, that sunset's sardonyxO'erflares, and gates the farm-boy clicks,Through which the cattle came,The mullein-stalks seem giant wicksOf downy flame.
From woods no glimmer enters in,Above the streams that, wandering, winTo where the wood pool bids,Those haunters of the dusk begin,--The katydids.
Adown the dark the firefly marksIts flight in gold and emerald sparks;And, loosened from his chain,The shaggy mastiff bounds and barks,And barks again.
Each breeze brings scents of hill-heaped hay;And now an owlet, far away,Cries twice or thrice, "T-o-o-w-h-o-o";And cool dim moths of mottled grayFlit through the dew.
The silence sounds its frog-bassoon,Where, on the woodland creek's lagoon,--Pale as a ghostly girlLost 'mid the trees,--looks down the moonWith face of pearl.
Within the shed where logs, late hewed,Smell forest-sweet, and chips of woodMake blurs of white and brown,The brood-hen cuddles her warm broodOf teetering down.
The clattering guineas in the treeDin for a time; and quietlyThe henhouse, near the fence,Sleeps, save for some brief rivalryOf cocks and hens.
A cowbell tinkles by the rails,Where, streaming white in foaming pails,Milk makes an uddery sound;While overhead the black bat trailsAround and round.
The night is still. The slow cows chewA drowsy cud. The bird that flewAnd sang is in its nest.It is the time of falling dew,Of dreams and rest.
The beehives sleep; and round the walk,The garden path, from stalk to stalkThe bungling beetle booms,Where two soft shadows stand and talkAmong the blooms.
The stars are thick: the light is deadThat dyed the west: and Drowsyhead,Tuning his cricket-pipe,Nods, and some apple, round and red,Drops over-ripe.
Now down the road, that shambles by,A window, shining like an eyeThrough climbing rose and gourd,Shows Age and young RusticitySeated at board.
Words in this poem
- strident a.
- Characterized by harshness; grating; shrill. [L. stridens, -entis, p.pr. of stridere to make a grating or creaking noise.]
- sardonyx n.
- A variety of onyx consisting of sard and white chalcedony in alternate layers. [L., fr. Gr. Sard, and Onyx.]
- adown adv.
- From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
- firefly n.
- Any luminous winged insect, esp. luminous beetles of the family Lampyridæ.
- owlet n.
- A small owl; especially, the European species (Athene noctua), and the California flammulated owlet (Megascops flammeolus). Owlet moth (Zoöl.), any noctuid moth. [Dim. of owl. Cf. Howlet.]
- flit a.
- Nimble; quick; swift. See Fleet.
- lagoon n.
- A shallow sound, channel, pond, or lake, especially one into which the sea flows; as, the lagoons of Venice. [It. or Sp. laguna, L. lacuna ditch, pool, pond,lacus lake. See Lake, and cf. Lacuna.]
- ghostly a.
- Relating to the soul; not carnal or secular; spiritual; as, a ghostly confessor. [OE. gastlich, gostlich, AS. gastlic. See Ghost.]
- henhouse n.
- A house or shelter for fowls.
- streaming a.
- Sending forth streams.
- rusticity n.
- The quality or state of being rustic; rustic manners; rudeness; simplicity; artlessness. [L. rusticatus: cf. F. rusticité.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Evening on the Farm is in the public domain. This text is taken from Poems, Project Gutenberg ebook #7796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Madison Julius Cawein, Evening on the Farm, in Poems (1911), text of Project Gutenberg ebook #7796, Laurel, https://laurelpoetry.com/poem/cawein-poems/evening-on-the-farm.html, id L10927.
Form and metre
Evening on the Farm is 70 lines in 14 stanzas of 5 lines each. The rhyme scheme is AABAB, complete in 9 of its 14 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 7.0 syllables. 4 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABAB standsA · landsA · cryB · bandsA · flyB
- 2 AABAB shapeA · grapeA · stainB · crapeA · rainB
- 3 -ABAB sardonyx · clicksA · cameB · wicksA · flameB
- 4 AABAB inA · winA · bidsB · beginA · katydidsB
- 5 AABAB marksA · sparksA · chainB · barksA · againB
- 6 AA-A- hayA · awayA · o · grayA · dew
- 7 AABAB bassoonA · lagoonA · girlB · moonA · pearlB
- 8 A-BAB hewedA · wood · brownB · broodA · downB
- 10 AABAB railsA · pailsA · soundB · trailsA · roundB
- 11 AABAB chewA · flewA · nestB · dewA · restB
- 12 AABAB walkA · stalkA · boomsB · talkA · bloomsB
- 13 AABAB deadA · drowsyheadA · pipeB · redA · ripeB
- 14 AAB-B byA · eyeA · gourdB · rusticity · boardB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| From out the hills where twilight stands, | 8 | ·····/·· |
| Above the shadowy pasture lands, | 8 | ···/˘/˘· |
| With strained and strident cry, | 7 | ··˘·/˘· |
| Beneath pale skies that sunset bands, | 8 | ·····/·· |
| The bull-bats fly. | 4 | ···· |
| A cloud hangs over, strange of shape, | 8 | ········ |
| And, colored like the half-ripe grape, | 8 | ·/˘····· |
| Seems some uneven stain | 6 | ··˘/˘· |
| On heaven's azure; thin as crape, | 8 | ·/˘/˘··· |
| And blue as rain. | 4 | ···· |
| By ways, that sunset's sardonyx | 8 | ···/·/˘˘ |
| O'erflares, and gates the farm-boy clicks, | 8 | ········ |
| Through which the cattle came, | 6 | ···/˘· |
| The mullein-stalks seem giant wicks | 8 | ·/˘··/˘· |
| Of downy flame. | 4 | ·/˘· |
| From woods no glimmer enters in, | 8 | ···/˘/˘· |
| Above the streams that, wandering, win | 8 | ·····/˘· |
| To where the wood pool bids, | 6 | ······ |
| Those haunters of the dusk begin,-- | 8 | ······˘/ |
| The katydids. | 4 | ·/˘· |
| Adown the dark the firefly marks | 9 | ˘/···/˘·· |
| Its flight in gold and emerald sparks; | 8 | ·····/˘· |
| And, loosened from his chain, | 7 | ·/˘˘··· |
| The shaggy mastiff bounds and barks, | 8 | ·/˘/˘··· |
| And barks again. | 4 | ··˘/ |
| Each breeze brings scents of hill-heaped hay; | 8 | ········ |
| And now an owlet, far away, | 8 | ···/˘·˘/ |
| Cries twice or thrice, "T-o-o-w-h-o-o"; | 12 | ·······/˘··· |
| And cool dim moths of mottled gray | 8 | ·····/˘· |
| Flit through the dew. | 4 | ···· |
| The silence sounds its frog-bassoon, | 8 | ·/˘···˘/ |
| Where, on the woodland creek's lagoon,-- | 8 | ···/··˘/ |
| Pale as a ghostly girl | 6 | ···/˘· |
| Lost 'mid the trees,--looks down the moon | 8 | ········ |
| With face of pearl. | 4 | ···· |
| Within the shed where logs, late hewed, | 8 | ········ |
| Smell forest-sweet, and chips of wood | 8 | ·/˘····· |
| Make blurs of white and brown, | 6 | ······ |
| The brood-hen cuddles her warm brood | 8 | ···/˘··· |
| Of teetering down. | 5 | ·/˘˘· |
| The clattering guineas in the tree | 8 | ·/˘/˘··· |
| Din for a time; and quietly | 8 | ·····/˘˘ |
| The henhouse, near the fence, | 6 | ·/···· |
| Sleeps, save for some brief rivalry | 8 | ·····/˘˘ |
| Of cocks and hens. | 4 | ···· |
| A cowbell tinkles by the rails, | 8 | ·/·/˘··· |
| Where, streaming white in foaming pails, | 8 | ·/˘··/˘· |
| Milk makes an uddery sound; | 7 | ······· |
| While overhead the black bat trails | 8 | ·/˘/···· |
| Around and round. | 4 | ···· |
| The night is still. The slow cows chew | 8 | ········ |
| A drowsy cud. The bird that flew | 8 | ·/˘····· |
| And sang is in its nest. | 6 | ······ |
| It is the time of falling dew, | 8 | ·····/˘· |
| Of dreams and rest. | 4 | ···· |
| The beehives sleep; and round the walk, | 8 | ·/······ |
| The garden path, from stalk to stalk | 8 | ·/˘····· |
| The bungling beetle booms, | 7 | ·/˘˘/˘· |
| Where two soft shadows stand and talk | 8 | ···/···· |
| Among the blooms. | 4 | ···· |
| The stars are thick: the light is dead | 8 | ········ |
| That dyed the west: and Drowsyhead, | 8 | ········ |
| Tuning his cricket-pipe, | 6 | /˘·/˘· |
| Nods, and some apple, round and red, | 8 | ···/˘··· |
| Drops over-ripe. | 4 | ···· |
| Now down the road, that shambles by, | 8 | ·····/˘· |
| A window, shining like an eye | 8 | ·/˘/˘··· |
| Through climbing rose and gourd, | 6 | ·/˘··· |
| Shows Age and young Rusticity | 8 | ····˘/˘˘ |
| Seated at board. | 4 | /˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.