Act the Second: Scene X
POLONIA. Oh, hold thy bloody hand!Though love be dead, let Christian faith command.My honour take; but, oh, my poor life spare,That suppliant at thy feet pours out its humble prayer.
LUIS. Hapless Polonia, since creation's hourBeauty has ever one unvarying dower,It brings misfortune with it, it is thisMakes beauty rarely live long time with bliss.I, who less pity feelThan any headsman who e'er held death's steel,May by thy death procureMy life, since with it I will go secure.If thee I bring where fortune's hand may guide meI bring the witness of my woes beside me,By whom they may pursue me,Track me, discover me, in fact, undo meIf here I leave thee living,I leave thee angry, vengeful, unforgiving;Leave thee, in fact, to beOne enemy more (and what an enemy!);Thus equally I grieve thee,Thus evil do whether I take or leave thee;And so 'tis better thus,That I a wretch, cruel and infamous,False, impious, fierce, abandoned, wicked, bannedBy God and man, should slay thee by my hand,Since buried here,Within the rustic entrails dark and drearOf this rude realm of stone,My worst misfortune shall remain unknown.My fury, too, shall gainA novel kind of vengeance when thou'rt slain,Remaining satisfiedThat Philip, too, by the same stroke has died,If in thy heart he lived; and then mine ireWill need no victim more except thy sire.Through thee first cameMy first disgrace, the cause of all my shame,And so the first of allOn thee my vengeful strokes shall furious fall.
POLONIA. Ah me! my fate pursuing,I have but only worked my own undoing,Like to the worm that by its subtle artSpins its own grave. Hast thou a human heart?
LUIS. I am a demon. So to prove it, die.Thus --
POLONIA. God of Patrick, listen to my cry!
LUIS. She fell on flowers, there sowingBoth lives and horrors in her blood outflowing.Thus now with greater easeI can escape, and carry o'er the seas,In many a gem and chain,Treasure enough to make me rich in Spain,Until so changed by time,Disguised by wandering in a foreign clime,I may return to reapMy vengeance; for a wrong doth never sleep.But whither do I stray,Treading the shades of death in this dark way?My path is lost: I goWhither I do not know;Perchance escaping from my prison bandsTo fall again into my tyrant's hands.If the dark night doth not my sight deceive,Yonder a rustic cabin I perceive.Yes, I am right. I'll knock; I can't much err,They'll know the way.
Words in this poem 16
- honour n.
- Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
- suppliant a.
- Asking earnestly and submissively; entreating; beseeching; supplicating. [F., p.pr. of supplier to entreat, L. supplicare. See Supplicate, and cf. Supplicant.]
- hapless a.
- Without hap or luck; luckless; unfortunate; unlucky; unhappy; as, hapless youth; hapless maid.
- headsman
- An executioner who cuts off heads.
- discover v. i.
- To discover or show one's self.
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- vengeful a.
- Vindictive; retributive; revengeful.
- drear n.
- Sadness; dismalness.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- sire n.
- A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
- undoing n.
- The reversal of what has been done.
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- clime n.
- A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
- reap n.
- A bundle of grain; a handful of grain laid down by the reaper as it is cut. Wright. [Cf. AS. rip harvest. See Reap, v.]
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act the Second: Scene X is in the public domain. This text is taken from The Purgatory of St. Patrick, Project Gutenberg ebook #6371, the Denis Florence MacCarthy translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Pedro Calderón de la Barca, Act the Second: Scene X, in The Purgatory of St. Patrick (1873), text of Project Gutenberg ebook #6371, Laurel, https://laurelpoetry.com/poem/calderon-purgatorio-san-patricio/act-the-second-scene-x.html, id L26678.
Form and metre
Act the Second: Scene X is 67 lines in 6 verse paragraphs. It is in rhyming couplets, 81% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB handA · commandA · spareB · prayerB
- 2 --AABBCC--DDEED-DDFFGGHHIIJJKK--LLMM hour · dower · thisA · blissA · feelB · steelB · procureC · secureC · me · me · meD · meD · livingE · unforgivingE · beD · enemy · theeD · theeD · thusF · infamousF · bannedG · handG · hereH · drearH · stoneI · unknownI · gainJ · slainJ · satisfiedK · diedK · ire · sire · cameL · shameL · allM · fallM
- 3 AABB pursuingA · undoingA · artB · heartB
- 6 AABBCCDDEEFFGGHHII-F sowingA · outflowingA · easeB · seasB · chainC · spainC · timeD · climeD · reapE · sleepE · strayF · wayF · goG · knowG · bandsH · handsH · deceiveI · perceiveI · err · wayF
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| POLONIA. Oh, hold thy bloody hand! | 9 | ······/˘· |
| Though love be dead, let Christian faith command. | 10 | ·····/˘·˘/ |
| My honour take; but, oh, my poor life spare, | 10 | ·/˘······· |
| That suppliant at thy feet pours out its humble prayer. | 13 | ·/˘˘······/˘· |
| LUIS. Hapless Polonia, since creation's hour | 12 | ˘//˘····˘/˘/ |
| Beauty has ever one unvarying dower, | 10 | /˘·/˘····· |
| It brings misfortune with it, it is this | 10 | ··˘/˘····· |
| Makes beauty rarely live long time with bliss. | 10 | ·/˘/˘····· |
| I, who less pity feel | 6 | ···/˘· |
| Than any headsman who e'er held death's steel, | 10 | ·/˘/˘····· |
| May by thy death procure | 6 | ····˘/ |
| My life, since with it I will go secure. | 10 | ········˘/ |
| If thee I bring where fortune's hand may guide me | 11 | ·····/˘···· |
| I bring the witness of my woes beside me, | 11 | ···/˘···˘/· |
| By whom they may pursue me, | 7 | ····˘/· |
| Track me, discover me, in fact, undo me | 11 | ··˘/˘···˘/· |
| If here I leave thee living, | 7 | ·····/˘ |
| I leave thee angry, vengeful, unforgiving; | 11 | ···/˘/˘˘˘/˘ |
| Leave thee, in fact, to be | 6 | ······ |
| One enemy more (and what an enemy!); | 11 | ·/˘˘····/˘˘ |
| Thus equally I grieve thee, | 7 | ·/˘˘··· |
| Thus evil do whether I take or leave thee; | 10 | ·/········ |
| And so 'tis better thus, | 6 | ···/˘· |
| That I a wretch, cruel and infamous, | 10 | ····/˘·/˘˘ |
| False, impious, fierce, abandoned, wicked, banned | 11 | ·˘/˘·˘/˘/˘· |
| By God and man, should slay thee by my hand, | 10 | ·········· |
| Since buried here, | 4 | ·/˘· |
| Within the rustic entrails dark and drear | 10 | ···/˘/˘··· |
| Of this rude realm of stone, | 6 | ······ |
| My worst misfortune shall remain unknown. | 10 | ··˘/˘·˘/˘/ |
| My fury, too, shall gain | 6 | ·/˘··· |
| A novel kind of vengeance when thou'rt slain, | 10 | ·/˘··/˘··· |
| Remaining satisfied | 6 | ˘/˘/˘· |
| That Philip, too, by the same stroke has died, | 10 | ·/˘······· |
| If in thy heart he lived; and then mine ire | 10 | ·········· |
| Will need no victim more except thy sire. | 11 | ···/˘····/˘ |
| Through thee first came | 4 | ···· |
| My first disgrace, the cause of all my shame, | 10 | ··˘/······ |
| And so the first of all | 6 | ······ |
| On thee my vengeful strokes shall furious fall. | 10 | ···/˘··/˘· |
| POLONIA. Ah me! my fate pursuing, | 10 | ·······˘/˘ |
| I have but only worked my own undoing, | 11 | ···/˘···˘/˘ |
| Like to the worm that by its subtle art | 10 | ·······/˘· |
| Spins its own grave. Hast thou a human heart? | 10 | ·······/˘· |
| LUIS. I am a demon. So to prove it, die. | 12 | ˘/···/˘····· |
| Thus -- | 1 | · |
| POLONIA. God of Patrick, listen to my cry! | 12 | ·····/˘/˘··· |
| LUIS. She fell on flowers, there sowing | 10 | ˘/···/˘·/˘ |
| Both lives and horrors in her blood outflowing. | 11 | ···/˘···/·˘ |
| Thus now with greater ease | 6 | ···/˘· |
| I can escape, and carry o'er the seas, | 10 | ··˘/·/˘··· |
| In many a gem and chain, | 7 | ·/˘···· |
| Treasure enough to make me rich in Spain, | 10 | /˘˘/······ |
| Until so changed by time, | 6 | ······ |
| Disguised by wandering in a foreign clime, | 10 | ˘/·/˘··/˘· |
| I may return to reap | 6 | ··˘/·· |
| My vengeance; for a wrong doth never sleep. | 10 | ·/˘····/˘· |
| But whither do I stray, | 6 | ·/˘··· |
| Treading the shades of death in this dark way? | 10 | /˘········ |
| My path is lost: I go | 6 | ······ |
| Whither I do not know; | 6 | /˘···· |
| Perchance escaping from my prison bands | 10 | ˘/˘/˘··/˘· |
| To fall again into my tyrant's hands. | 10 | ··˘/···/˘· |
| If the dark night doth not my sight deceive, | 10 | ········˘/ |
| Yonder a rustic cabin I perceive. | 10 | /˘·/˘/˘·˘/ |
| Yes, I am right. I'll knock; I can't much err, | 10 | ·········· |
| They'll know the way. | 4 | ···· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.