Stanzas Composed During a Thunderstorm.H

Lord Byron (1788–1824) · 1816

common measure · ABAB · 72 lines · from The Giaour, and Other Poems

Chill and mirk is the nightly blast,Where Pindus' mountains rise,And angry clouds are pouring fastThe vengeance of the skies.

Our guides are gone, our hope is lost,And lightnings, as they play,But show where rocks our path have crost,Or gild the torrent's spray.

Is yon a cot I saw, though low?When lightning broke the gloom--How welcome were its shade!--ah, no!'Tis but a Turkish tomb.

Through sounds of foaming waterfalls,I hear a voice exclaim--My way-worn countryman, who callsOn distant England's name.

A shot is fired--by foe or friend?Another--'tis to tellThe mountain-peasants to descend,And lead us where they dwell.

Oh! who in such a night will dareTo tempt the wilderness?And who 'mid thunder-peals can hearOur signal of distress?

And who that heard our shouts would riseTo try the dubious road?Nor rather deem from nightly criesThat outlaws were abroad.

Clouds burst, skies flash, oh, dreadful hour!More fiercely pours the storm!Yet here one thought has still the powerTo keep my bosom warm.

While wandering through each broken path,O'er brake and craggy brow;While elements exhaust their wrath,Sweet Florence, where art thou?

Not on the sea, not on the sea--Thy bark hath long been gone:Oh, may the storm that pours on me,Bow down my head alone!

Full swiftly blew the swift Siroc,When last I pressed thy lip;And long ere now, with foaming shock,Impelled thy gallant ship.

Now thou art safe; nay, long ere nowHast trod the shore of Spain;'Twere hard if aught so fair as thouShould linger on the main.

And since I now remember theeIn darkness and in dread,As in those hours of revelryWhich Mirth and Music sped;

Do thou, amid the fair white walls,If Cadiz yet be free,At times from out her latticed hallsLook o'er the dark blue sea;

Then think upon Calypso's isles,Endeared by days gone by;To others give a thousand smiles,To me a single sigh.

And when the admiring circle markThe paleness of thy face,A half-formed tear, a transient sparkOf melancholy grace,

Again thou'lt smile, and blushing shunSome coxcomb's raillery;Nor own for once thou thought'st on one,Who ever thinks on thee.

Though smile and sigh alike are vain,When severed hearts repine,My spirit flies o'er Mount and Main,And mourns in search of thine.

Words in this poem

mirk a.
Dark; gloomy; murky. Spenser. Mrs. Browning. [See Murky.]
nightly a.
Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
dubious a.
Doubtful or not settled in opinion; being in doubt; wavering or fluctuating; undetermined. [L. dubius, dubiosus, fr. duo two. See Two, and cf. Doubt.]
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
dreadful a.
Full of dread or terror; fearful.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
aught n.
Property; possession. [AS. , fr. agan to own, p. p. ahte.]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
admiring a.
Expressing admiration; as, an admiring glance.
repine v. i.
To fail; to wane. [Pref. re- + pine to languish.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Stanzas Composed During a Thunderstorm.H is in the public domain. This text is taken from The Works of Lord Byron. Vol. 3, Project Gutenberg ebook #21811; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lord Byron, Stanzas Composed During a Thunderstorm.H, in The Giaour, and Other Poems (1816), text of Project Gutenberg ebook #21811, Laurel, https://laurelpoetry.com/poem/byron-works-3/stanzas-composed-during-a-thunderstorm-h.html, id L23828.

Form and metre

Stanzas Composed During a Thunderstorm.H is 72 lines in 18 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 13 of its 18 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 91%).

See other poems in common measure.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB blastA · riseB · fastA · skiesB
  2. 2 ABAB lostA · playB · crostA · sprayB
  3. 3 ABAB lowA · gloomB · noA · tombB
  4. 4 ABAB waterfallsA · exclaimB · callsA · nameB
  5. 5 ABAB friendA · tellB · descendA · dwellB
  6. 6 ABAB dareA · wildernessB · hearA · distressB
  7. 7 A-A- riseA · road · criesA · abroad
  8. 8 ABAB hourA · stormB · powerA · warmB
  9. 9 ABAB pathA · browB · wrathA · thouB
  10. 10 A-A- seaA · gone · meA · alone
  11. 11 ABAB sirocA · lipB · shockA · shipB
  12. 12 ABAB nowA · spainB · thouA · mainB
  13. 13 -A-A thee · dreadA · revelry · spedA
  14. 14 ABAB wallsA · freeB · hallsA · seaB
  15. 15 ABAB islesA · byB · smilesA · sighB
  16. 16 ABAB markA · faceB · sparkA · graceB
  17. 17 A-A- shunA · raillery · oneA · thee
  18. 18 A-A- vainA · repine · mainA · thine
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.

LineSyl.Stress
Chill and mirk is the nightly blast,8·····/˘·
Where Pindus' mountains rise,6···/˘·
And angry clouds are pouring fast8·/˘··/˘·
The vengeance of the skies.6·/˘···
Our guides are gone, our hope is lost,8/···/···
And lightnings, as they play,6·/˘···
But show where rocks our path have crost,8····/···
Or gild the torrent's spray.6···/˘·
Is yon a cot I saw, though low?8········
When lightning broke the gloom--6·/˘···
How welcome were its shade!--ah, no!8·/˘·····
'Tis but a Turkish tomb.6···/˘·
Through sounds of foaming waterfalls,8···/˘/˘·
I hear a voice exclaim--6····˘/
My way-worn countryman, who calls8···/˘˘··
On distant England's name.6·/˘/˘·
A shot is fired--by foe or friend?8···/····
Another--'tis to tell6˘/˘···
The mountain-peasants to descend,8·/˘/˘·˘/
And lead us where they dwell.6······
Oh! who in such a night will dare8········
To tempt the wilderness?6···/˘˘
And who 'mid thunder-peals can hear8···/˘···
Our signal of distress?7/˘/˘·˘/
And who that heard our shouts would rise8····/···
To try the dubious road?7···/˘˘·
Nor rather deem from nightly cries8·/˘··/˘·
That outlaws were abroad.6·/··˘/
Clouds burst, skies flash, oh, dreadful hour!9·····/˘/˘
More fiercely pours the storm!6·/˘···
Yet here one thought has still the power9·······/˘
To keep my bosom warm.6···/˘·
While wandering through each broken path,8·/˘··/˘·
O'er brake and craggy brow;6···/˘·
While elements exhaust their wrath,8·/˘˘˘/··
Sweet Florence, where art thou?6·/˘···
Not on the sea, not on the sea--8········
Thy bark hath long been gone:6······
Oh, may the storm that pours on me,8········
Bow down my head alone!6····˘/
Full swiftly blew the swift Siroc,8·/˘···/˘
When last I pressed thy lip;6······
And long ere now, with foaming shock,8·····/˘·
Impelled thy gallant ship.6˘/·/˘·
Now thou art safe; nay, long ere now8········
Hast trod the shore of Spain;6······
'Twere hard if aught so fair as thou8········
Should linger on the main.6·/˘···
And since I now remember thee8····˘/˘·
In darkness and in dread,6·/˘···
As in those hours of revelry9···/˘·/˘˘
Which Mirth and Music sped;6···/˘·
Do thou, amid the fair white walls,8··˘/····
If Cadiz yet be free,6·˘/···
At times from out her latticed halls8·····/˘·
Look o'er the dark blue sea;6······
Then think upon Calypso's isles,8····˘/··
Endeared by days gone by;6˘/····
To others give a thousand smiles,8·/˘··/˘·
To me a single sigh.6···/˘·
And when the admiring circle mark9···˘/˘/˘·
The paleness of thy face,6·/˘···
A half-formed tear, a transient spark8·····/˘·
Of melancholy grace,6·/˘·˘·
Again thou'lt smile, and blushing shun8˘/···/˘·
Some coxcomb's raillery;6···/˘˘
Nor own for once thou thought'st on one,8········
Who ever thinks on thee.6·/˘···
Though smile and sigh alike are vain,8····˘/··
When severed hearts repine,6·/˘·˘/
My spirit flies o'er Mount and Main,8·/˘·····
And mourns in search of thine.6······

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