Canto III: Canto III XVII
These greetings o'er, the feelings that o'erflow,Yet grieve to win him back without a blow;They sailed prepared for vengeance--had they knownA woman's hand secured that deed her own,She were their Queen--less scrupulous are theyThan haughty Conrad how they win their way.With many an asking smile, and wondering stare,They whisper round, and gaze upon Gulnare;And her, at once above--beneath her sex,Whom blood appalled not, their regards perplex.ihTo Conrad turns her faint imploring eye,She drops her veil, and stands in silence by;Her arms are meekly folded on that breast,Which--Conrad safe--to Fate resigned the rest.Though worse than frenzy could that bosom fill,Extreme in love or hate, in good or ill,The worst of crimes had left her Woman still!
This Conrad marked, and felt--ah! could he less?--Hate of that deed--but grief for her distress;What she has done no tears can wash away,And Heaven must punish on its angry day:But--it was done: he knew, whate'er her guilt,For him that poniard smote, that blood was spilt;And he was free!--and she for him had givenHer all on earth, and more than all in heaven!And now he turned him to that dark-eyed slaveWhose brow was bowed beneath the glance he gave,Who now seemed changed and humbled, faint and meek,But varying oft the colour of her cheekTo deeper shades of paleness--all its redThat fearful spot which stained it from the dead!He took that hand--it trembled--now too late--So soft in love--so wildly nerved in hate;He clasped that hand--it trembled--and his ownHad lost its firmness, and his voice its tone."Gulnare!"--but she replied not--"dear Gulnare!"iiShe raised her eye--her only answer there--At once she sought and sunk in his embrace:If he had driven her from that resting-place,His had been more or less than mortal heart,But--good or ill--it bade her not depart.Perchance, but for the bodings of his breast,His latest virtue then had joined the rest.Yet even Medora might forgive the kissijThat asked from form so fair no more than this,The first, the last that Frailty stole from Faith--To lips where Love had lavished all his breath,To lips--whose broken sighs such fragrance fling,As he had fanned them freshly with his wing!ik
Words in this poem
- haughty a.
- High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
- imploring a.
- That implores; beseeching; entreating.
- meekly adv.
- In a meek manner.
- resigned a.
- Submissive; yielding; not disposed to resist or murmur.
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- bade
- A form of the pat tense of Bid.
- depart v. i.
- To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
- frailty n.
- The condition quality of being frail, physically, mentally, or morally, frailness; infirmity; weakness of resolution; liableness to be deceived or seduced. [OE. frelete, freilte, OF. fraileté, fr. L. fragilitas. See Frail, a., and cf. Fragility.]
- stole n.
- A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Canto III: Canto III XVII is in the public domain. This text is taken from The Works of Lord Byron. Vol. 3, Project Gutenberg ebook #21811; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Lord Byron, Canto III: Canto III XVII, in The Giaour, and Other Poems (1816), text of Project Gutenberg ebook #21811, Laurel, https://laurelpoetry.com/poem/byron-works-3/canto-iii-canto-iii-xvii.html, id L23926.
Form and metre
Canto III: Canto III XVII is 49 lines in 2 verse paragraphs. It is in rhyming couplets, 73% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 91%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD--EEFFGGG o'erflowA · blowA · knownB · ownB · theyC · wayC · stareD · gulnareD · sex · perplex.ih · eyeE · byE · breastF · restF · fillG · illG · stillG
- 2 AABBCC--DDEEFFGGHH--IIJJKK------ lessA · distressA · awayB · dayB · guiltC · spiltC · given · heaven · slaveD · gaveD · meekE · cheekE · redF · deadF · lateG · hateG · ownH · toneH · ii · there · embraceI · placeI · heartJ · departJ · breastK · restK · kissij · this · faith · breath · fling · wing!ik
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| These greetings o'er, the feelings that o'erflow, | 10 | ·/˘··/˘··· |
| Yet grieve to win him back without a blow; | 10 | ·········· |
| They sailed prepared for vengeance--had they known | 10 | ··˘/·/˘··· |
| A woman's hand secured that deed her own, | 10 | ·/˘·˘/···· |
| She were their Queen--less scrupulous are they | 10 | ·····/˘˘·· |
| Than haughty Conrad how they win their way. | 10 | ·/˘/˘····· |
| With many an asking smile, and wondering stare, | 10 | ·/·/˘··/˘· |
| They whisper round, and gaze upon Gulnare; | 10 | ·/˘······· |
| And her, at once above--beneath her sex, | 10 | ·········· |
| Whom blood appalled not, their regards perplex.ih | 11 | ··˘/··˘/˘/· |
| To Conrad turns her faint imploring eye, | 10 | ·/˘···˘/˘· |
| She drops her veil, and stands in silence by; | 10 | ·······/˘· |
| Her arms are meekly folded on that breast, | 10 | ···/˘/˘··· |
| Which--Conrad safe--to Fate resigned the rest. | 10 | ·/˘···˘/·· |
| Though worse than frenzy could that bosom fill, | 10 | ···/˘··/˘· |
| Extreme in love or hate, in good or ill, | 10 | ˘/········ |
| The worst of crimes had left her Woman still! | 10 | ·······/˘· |
| This Conrad marked, and felt--ah! could he less?-- | 10 | ·/˘······· |
| Hate of that deed--but grief for her distress; | 10 | ········˘/ |
| What she has done no tears can wash away, | 10 | ········˘/ |
| And Heaven must punish on its angry day: | 10 | ·/·/˘··/˘· |
| But--it was done: he knew, whate'er her guilt, | 11 | ······˘˘/·· |
| For him that poniard smote, that blood was spilt; | 10 | ···/˘····· |
| And he was free!--and she for him had given | 11 | ·········/˘ |
| Her all on earth, and more than all in heaven! | 11 | ·········/˘ |
| And now he turned him to that dark-eyed slave | 10 | ·········· |
| Whose brow was bowed beneath the glance he gave, | 10 | ·········· |
| Who now seemed changed and humbled, faint and meek, | 10 | ·····/˘··· |
| But varying oft the colour of her cheek | 10 | ·/˘··/˘··· |
| To deeper shades of paleness--all its red | 10 | ·/˘··/˘··· |
| That fearful spot which stained it from the dead! | 10 | ·/˘······· |
| He took that hand--it trembled--now too late-- | 10 | ·····/˘··· |
| So soft in love--so wildly nerved in hate; | 10 | ·····/˘··· |
| He clasped that hand--it trembled--and his own | 10 | ·····/˘··· |
| Had lost its firmness, and his voice its tone. | 10 | ···/˘····· |
| "Gulnare!"--but she replied not--"dear Gulnare!"ii | 11 | ····˘/····· |
| She raised her eye--her only answer there-- | 10 | ·····/˘/˘· |
| At once she sought and sunk in his embrace: | 10 | ········˘/ |
| If he had driven her from that resting-place, | 10 | ···/···/˘· |
| His had been more or less than mortal heart, | 10 | ·······/˘· |
| But--good or ill--it bade her not depart. | 10 | ········˘/ |
| Perchance, but for the bodings of his breast, | 10 | ˘/········ |
| His latest virtue then had joined the rest. | 10 | ·/˘/˘····· |
| Yet even Medora might forgive the kissij | 11 | ·/˘/˘·˘/··· |
| That asked from form so fair no more than this, | 10 | ·········· |
| The first, the last that Frailty stole from Faith-- | 10 | ·····/˘··· |
| To lips where Love had lavished all his breath, | 10 | ·····/˘··· |
| To lips--whose broken sighs such fragrance fling, | 10 | ···/˘··/˘· |
| As he had fanned them freshly with his wing!ik | 11 | ·····/˘···· |
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