The Humble Petition of Bruar Water
My lord, I know your noble earWoe ne’er assails in vain;Embolden’d thus, I beg you’ll hearYour humble slave complain,How saucy Phoebus’ scorching beams,In flaming summer-pride,Dry-withering, waste my foamy streams,And drink my crystal tide.
The lightly-jumping, glowrin’ trouts,That thro’ my waters play,If, in their random, wanton spouts,They near the margin stray;
If, hapless chance! they linger lang,I’m scorching up so shallow,They’re left the whitening stanes amang,In gasping death to wallow.
Last day I grat wi’ spite and teen,As poet Burns came by.That, to a bard, I should be seenWi’ half my channel dry;A panegyric rhyme, I ween,Ev’n as I was, he shor’d me;But had I in my glory been,He, kneeling, wad ador’d me.
Here, foaming down the skelvy rocks,In twisting strength I rin;There, high my boiling torrent smokes,Wild-roaring o’er a linn:Enjoying each large spring and well,As Nature gave them me,I am, altho’ I say’t mysel’,Worth gaun a mile to see.
Would then my noble master pleaseTo grant my highest wishes,He’ll shade my banks wi’ tow’ring trees,And bonie spreading bushes.Delighted doubly then, my lord,You’ll wander on my banks,And listen mony a grateful birdReturn you tuneful thanks.
The sober lav’rock, warbling wild,Shall to the skies aspire;The gowdspink, Music’s gayest child,Shall sweetly join the choir;The blackbird strong, the lintwhite clear,The mavis mild and mellow;The robin pensive Autumn cheer,In all her locks of yellow.
This, too, a covert shall ensure,To shield them from the storm;And coward maukin sleep secure,Low in her grassy form:Here shall the shepherd make his seat,To weave his crown of flow’rs;Or find a shelt’ring, safe retreat,From prone-descending show’rs.
And here, by sweet, endearing stealth,Shall meet the loving pair,Despising worlds, with all their wealth,As empty idle care;The flow’rs shall vie in all their charms,The hour of heav’n to grace;And birks extend their fragrant armsTo screen the dear embrace.
Here haply too, at vernal dawn,Some musing bard may stray,And eye the smoking, dewy lawn,And misty mountain grey;Or, by the reaper’s nightly beam,Mild-chequering thro’ the trees,Rave to my darkly dashing stream,Hoarse-swelling on the breeze.
Let lofty firs, and ashes cool,My lowly banks o’erspread,And view, deep-bending in the pool,Their shadow’s wat’ry bed:Let fragrant birks, in woodbines drest,My craggy cliffs adorn;And, for the little songster’s nest,The close embow’ring thorn.
So may old Scotia’s darling hope,Your little angel bandSpring, like their fathers, up to propTheir honour’d native land!So may, thro’ Albion’s farthest ken,To social-flowing glasses,The grace be—“Athole’s honest men,And Athole’s bonie lasses!
Words in this poem 20
- phoebus n.
- Apollo; the sun god.
- scorching a.
- Burning; parching or shriveling with heat.
- withering a.
- Tending to wither; causing to shrink or fade.
- hapless a.
- Without hap or luck; luckless; unfortunate; unlucky; unhappy; as, hapless youth; hapless maid.
- whitening n.
- The act or process of making or becoming white.
- teen n.
- Grief; sorrow; affiction; pain. Chaucer. [OE. tene, AS. teóna reproach, wrong, fr. teón to accuse; akin to G. zeihen, Goth. gateihan to tell, announce, L. dicere to say. See Token.]
- ween v. i.
- To think; to imagine; to fancy. [OE. wenen, AS. w, fr. w hope, expectation, opinion; akin to D. waan, OFries. w, OS. & OHG. wan, G. wahn delusion, Icel. van hope, expectation, Goth. w, and D. w]
- delighted a.
- Endowed with delight.
- tuneful a.
- Harmonious; melodious; musical; as, tuneful notes.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- aspire v. t.
- To aspire to; to long for; to try to reach; to mount to.
- mavis n.
- The European throstle or song thrush (Turdus musicus). [F. mauvis, Arm. milvid, milfid, milc'hhouid, Corn. melhuez.]
- ensure v. t.
- To make sure. See Insure.
- endearing a.
- Making dear or beloved; causing love.
- stealth n.
- The act of stealing; theft. [OE. staple. See Steal, v. t.]
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- nightly a.
- Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
- scotia n.
- A concave molding used especially in classical architecture. [L., fr. Gr. skoti`a darkness, a sunken molding in the base of a pillar, so called from the dark shadow it casts, from sko`tos darkness.]
- honour n.
- Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Humble Petition of Bruar Water is in the public domain. This text is taken from Poems and Songs of Robert Burns, Project Gutenberg ebook #1279; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Burns, The Humble Petition of Bruar Water, in Poems and Songs (1786–1796), text of Project Gutenberg ebook #1279, Laurel, https://laurelpoetry.com/poem/burns-poems/the-humble-petition-of-bruar-water.html, id L03096.
Form and metre
The Humble Petition of Bruar Water is 88 lines in 12 stanzas. The commonest rhyme scheme is ABABCDCD, in 5 of the 12 stanzas; the rest vary or could not be confirmed. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 95%). 100% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 9 lines end on an unstressed syllable, a feminine ending. 9% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDCD earA · vainB · hearA · complainB · beamsC · prideD · streamsC · tideD
- 2 -A-A trouts · playA · spouts · strayA
- 3 A-A- langA · shallow · amangA · wallow
- 4 ABABACAC teenA · byB · seenA · dryB · weenA · meC · beenA · meC
- 5 -----A-A rocks · rin · smokes · linn · well · meA · mysel · seeA
- 6 AAAA-B-B pleaseA · wishesA · treesA · bushesA · lord · banksB · bird · thanksB
- 7 A-A-BCBC wildA · aspire · childA · choir · clearB · mellowC · cheerB · yellowC
- 8 ABABCDCD ensureA · stormB · secureA · formB · seatC · flow'rsD · retreatC · show'rsD
- 9 ABABCDCD stealthA · pairB · wealthA · careB · charmsC · graceD · armsC · embraceD
- 10 ABABCDCD dawnA · strayB · lawnA · greyB · beamC · treesD · streamC · breezeD
- 11 ABABCDCD coolA · o'erspreadB · poolA · bedB · drestC · adornD · nestC · thornD
- 12 -A-ABCBC hope · bandA · prop · landA · kenB · glassesC · menB · lassesC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| My lord, I know your noble ear | 8 | ·····/˘· |
| Woe ne’er assails in vain; | 6 | ··˘/·· |
| Embolden’d thus, I beg you’ll hear | 8 | ˘/˘····· |
| Your humble slave complain, | 6 | ·/˘·˘/ |
| How saucy Phoebus’ scorching beams, | 8 | ·/˘/˘/˘· |
| In flaming summer-pride, | 6 | ·/˘/˘· |
| Dry-withering, waste my foamy streams, | 8 | ·/˘··/˘· |
| And drink my crystal tide. | 6 | ···/˘· |
| The lightly-jumping, glowrin’ trouts, | 8 | ·/˘/˘··· |
| That thro’ my waters play, | 6 | ···/˘· |
| If, in their random, wanton spouts, | 8 | ···/˘/˘· |
| They near the margin stray; | 6 | ···/˘· |
| If, hapless chance! they linger lang, | 8 | ·/˘··/˘· |
| I’m scorching up so shallow, | 7 | ·/˘··/˘ |
| They’re left the whitening stanes amang, | 8 | ···/˘··· |
| In gasping death to wallow. | 7 | ·/˘··/˘ |
| Last day I grat wi’ spite and teen, | 8 | ········ |
| As poet Burns came by. | 6 | ·/˘··· |
| That, to a bard, I should be seen | 8 | ········ |
| Wi’ half my channel dry; | 6 | ···/˘· |
| A panegyric rhyme, I ween, | 8 | ········ |
| Ev’n as I was, he shor’d me; | 7 | ······· |
| But had I in my glory been, | 8 | ·····/˘· |
| He, kneeling, wad ador’d me. | 7 | ·/˘·˘/· |
| Here, foaming down the skelvy rocks, | 8 | ·/˘····· |
| In twisting strength I rin; | 6 | ·/˘··· |
| There, high my boiling torrent smokes, | 8 | ···/˘/˘· |
| Wild-roaring o’er a linn: | 6 | ·/˘··· |
| Enjoying each large spring and well, | 8 | ˘/˘····· |
| As Nature gave them me, | 6 | ·/˘··· |
| I am, altho’ I say’t mysel’, | 8 | ··˘/···· |
| Worth gaun a mile to see. | 6 | ······ |
| Would then my noble master please | 8 | ···/˘/˘· |
| To grant my highest wishes, | 7 | ···/˘/˘ |
| He’ll shade my banks wi’ tow’ring trees, | 8 | ········ |
| And bonie spreading bushes. | 7 | ···/˘/˘ |
| Delighted doubly then, my lord, | 8 | ˘/˘/˘··· |
| You’ll wander on my banks, | 6 | ·/˘··· |
| And listen mony a grateful bird | 9 | ·/˘/˘·/˘· |
| Return you tuneful thanks. | 6 | ˘/·/˘· |
| The sober lav’rock, warbling wild, | 8 | ·/˘/˘/˘· |
| Shall to the skies aspire; | 6 | ····˘/ |
| The gowdspink, Music’s gayest child, | 7 | ···/˘·· |
| Shall sweetly join the choir; | 7 | ·/˘··/˘ |
| The blackbird strong, the lintwhite clear, | 8 | ·/˘····· |
| The mavis mild and mellow; | 7 | ·/˘··/˘ |
| The robin pensive Autumn cheer, | 8 | ·/˘/˘/˘· |
| In all her locks of yellow. | 7 | ·····/˘ |
| This, too, a covert shall ensure, | 8 | ···/˘·˘/ |
| To shield them from the storm; | 6 | ······ |
| And coward maukin sleep secure, | 8 | ·/˘/˘·˘/ |
| Low in her grassy form: | 6 | ···/˘· |
| Here shall the shepherd make his seat, | 8 | ···/˘··· |
| To weave his crown of flow’rs; | 6 | ······ |
| Or find a shelt’ring, safe retreat, | 8 | ······˘/ |
| From prone-descending show’rs. | 6 | ··˘/˘· |
| And here, by sweet, endearing stealth, | 8 | ····˘/˘· |
| Shall meet the loving pair, | 6 | ···/˘· |
| Despising worlds, with all their wealth, | 8 | ˘/˘····· |
| As empty idle care; | 6 | ·/˘/˘· |
| The flow’rs shall vie in all their charms, | 8 | ········ |
| The hour of heav’n to grace; | 7 | ·/˘···· |
| And birks extend their fragrant arms | 8 | ··˘/·/˘· |
| To screen the dear embrace. | 6 | ····˘/ |
| Here haply too, at vernal dawn, | 8 | ·/˘··/˘· |
| Some musing bard may stray, | 6 | ·/˘··· |
| And eye the smoking, dewy lawn, | 8 | ···/˘/˘· |
| And misty mountain grey; | 6 | ·/˘/˘· |
| Or, by the reaper’s nightly beam, | 8 | ···/˘/˘· |
| Mild-chequering thro’ the trees, | 7 | ······· |
| Rave to my darkly dashing stream, | 8 | ···/˘/˘· |
| Hoarse-swelling on the breeze. | 6 | ·/˘··· |
| Let lofty firs, and ashes cool, | 8 | ·/˘··/˘· |
| My lowly banks o’erspread, | 6 | ·/˘··· |
| And view, deep-bending in the pool, | 8 | ···/˘··· |
| Their shadow’s wat’ry bed: | 6 | ·/·/˘· |
| Let fragrant birks, in woodbines drest, | 8 | ·/˘····· |
| My craggy cliffs adorn; | 6 | ·/˘·˘/ |
| And, for the little songster’s nest, | 8 | ···/˘··· |
| The close embow’ring thorn. | 6 | ······ |
| So may old Scotia’s darling hope, | 8 | ···/˘/˘· |
| Your little angel band | 6 | ·/˘/˘· |
| Spring, like their fathers, up to prop | 8 | ···/˘··· |
| Their honour’d native land! | 6 | ···/˘· |
| So may, thro’ Albion’s farthest ken, | 8 | ···/˘/˘· |
| To social-flowing glasses, | 7 | ·/˘/˘/˘ |
| The grace be—“Athole’s honest men, | 8 | ·····/˘· |
| And Athole’s bonie lasses! | 7 | ·····/˘ |
Notes from the edition 1
Notes from The Complete Works of Robert Burns (Project Gutenberg #1279).
- Stanza 1, line 8 The last birthday of Prince Charles Edward.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.