To a Cloud
Beautiful cloud! with folds so soft and fair,Swimming in the pure quiet air!Thy fleeces bathed in sunlight, while belowThy shadow o'er the vale moves slow;Where, midst their labour, pause the reaper trainAs cool it comes along the grain.Beautiful cloud! I would I were with theeIn thy calm way o'er land and sea:To rest on thy unrolling skirts, and lookOn Earth as on an open book;On streams that tie her realms with silver bands,And the long ways that seem her lands;And hear her humming cities, and the soundOf the great ocean breaking round.Ay--I would sail upon thy air-borne carTo blooming regions distant far,To where the sun of Andalusia shinesOn his own olive-groves and vines,Or the soft lights of Italy's bright skyIn smiles upon her ruins lie.But I would woo the winds to let us restO'er Greece long fettered and oppressed,Whose sons at length have heard the call that comesFrom the old battle-fields and tombs,And risen, and drawn the sword, and on the foeHave dealt the swift and desperate blow,And the Othman power is cloven, and the strokeHas touched its chains, and they are broke.Ay, we would linger till the sunset thereShould come, to purple all the air,And thou reflect upon the sacred groundThe ruddy radiance streaming round.
Bright meteor! for the summer noontide made!Thy peerless beauty yet shall fade.The sun, that fills with light each glistening fold,Shall set, and leave thee dark and cold:The blast shall rend thy skirts, or thou mayst frownIn the dark heaven when storms come down;And weep in rain, till man's inquiring eyeMiss thee, for ever, from the sky.
Words in this poem
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- fettered a.
- Seeming as if fettered, as the feet pf certain animals which bend backward, and appear unfit for walking.
- desperate a.
- Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- streaming a.
- Sending forth streams.
- noontide n.
- The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
To a Cloud is in the public domain. This text is taken from Poems by William Cullen Bryant, Project Gutenberg ebook #16341; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Cullen Bryant, To a Cloud, in Poems (1821–1876), text of Project Gutenberg ebook #16341, Laurel, https://laurelpoetry.com/poem/bryant-poems/to-a-cloud.html, id L07279.
Form and metre
To a Cloud is 40 lines in 2 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 87%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.2 syllables. 1 line ends on an unstressed syllable, a feminine ending. 40% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIJJKK--LLMMNNOO fairA · airA · belowB · slowB · trainC · grainC · theeD · seaD · lookE · bookE · bandsF · landsF · soundG · roundG · carH · farH · shinesI · vinesI · skyJ · lieJ · restK · oppressedK · comes · tombs · foeL · blowL · strokeM · brokeM · thereN · airN · groundO · roundO
- 2 AABBCCDD madeA · fadeA · foldB · coldB · frownC · downC · eyeD · skyD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Beautiful cloud! with folds so soft and fair, | 10 | /˘˘······· |
| Swimming in the pure quiet air! | 8 | /˘···/˘· |
| Thy fleeces bathed in sunlight, while below | 10 | ·/˘··/···· |
| Thy shadow o'er the vale moves slow; | 8 | ·/······ |
| Where, midst their labour, pause the reaper train | 10 | ···/···/˘· |
| As cool it comes along the grain. | 8 | ····˘/·· |
| Beautiful cloud! I would I were with thee | 10 | /˘˘······· |
| In thy calm way o'er land and sea: | 8 | ········ |
| To rest on thy unrolling skirts, and look | 10 | ·········· |
| On Earth as on an open book; | 8 | ·····/˘· |
| On streams that tie her realms with silver bands, | 10 | ·······/˘· |
| And the long ways that seem her lands; | 8 | ········ |
| And hear her humming cities, and the sound | 10 | ···/˘/˘··· |
| Of the great ocean breaking round. | 8 | ···/˘/˘· |
| Ay--I would sail upon thy air-borne car | 10 | ·········· |
| To blooming regions distant far, | 8 | ·/˘/˘/˘· |
| To where the sun of Andalusia shines | 10 | ······˘/˘· |
| On his own olive-groves and vines, | 8 | ···/˘··· |
| Or the soft lights of Italy's bright sky | 10 | ·····/˘˘·· |
| In smiles upon her ruins lie. | 8 | ·····/˘· |
| But I would woo the winds to let us rest | 10 | ·········· |
| O'er Greece long fettered and oppressed, | 10 | ···/˘˘·˘/˘ |
| Whose sons at length have heard the call that comes | 10 | ·········· |
| From the old battle-fields and tombs, | 8 | ···/˘··· |
| And risen, and drawn the sword, and on the foe | 11 | ·/˘········ |
| Have dealt the swift and desperate blow, | 8 | ·····/˘· |
| And the Othman power is cloven, and the stroke | 11 | ··/˘/·/˘··· |
| Has touched its chains, and they are broke. | 9 | ··˘······ |
| Ay, we would linger till the sunset there | 10 | ···/˘··/·· |
| Should come, to purple all the air, | 8 | ···/˘··· |
| And thou reflect upon the sacred ground | 10 | ··˘/···/˘· |
| The ruddy radiance streaming round. | 9 | ·/˘/˘˘/˘· |
| Bright meteor! for the summer noontide made! | 10 | ·/˘··/˘/˘· |
| Thy peerless beauty yet shall fade. | 8 | ·/˘/˘··· |
| The sun, that fills with light each glistening fold, | 10 | ·······/˘· |
| Shall set, and leave thee dark and cold: | 8 | ········ |
| The blast shall rend thy skirts, or thou mayst frown | 10 | ·········· |
| In the dark heaven when storms come down; | 9 | ···/˘···· |
| And weep in rain, till man's inquiring eye | 10 | ······˘/˘· |
| Miss thee, for ever, from the sky. | 8 | ···/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.