The Two Graves
'Tis a bleak wild hill,--but green and brightIn the summer warmth and the mid-day light;There's the hum of the bee and the chirp of the wren,And the dash of the brook from the alder glen;There's the sound of a bell from the scattered flock,And the shade of the beech lies cool on the rock,And fresh from the west is the free wind's breath,--There is nothing here that speaks of death.
Far yonder, where orchards and gardens lie,And dwellings cluster, 'tis there men die.They are born, they die, and are buried near,Where the populous grave-yard lightens the bier;For strict and close are the ties that bindIn death the children of human-kind;Yea, stricter and closer than those of life,--'Tis a neighbourhood that knows no strife.They are noiselessly gathered--friend and foe--To the still and dark assemblies below:Without a frown or a smile they meet,Each pale and calm in his winding-sheet;In that sullen home of peace and gloom,Crowded, like guests in a banquet-room.
Yet there are graves in this lonely spot,Two humble graves,--but I meet them not.I have seen them,--eighteen years are past,Since I found their place in the brambles last,--The place where, fifty winters ago,An aged man in his locks of snow,And an aged matron, withered with years,Were solemnly laid!--but not with tears.For none, who sat by the light of their hearth,Beheld their coffins covered with earth;Their kindred were far, and their children dead,When the funeral prayer was coldly said.
Two low green hillocks, two small gray stones,Rose over the place that held their bones;But the grassy hillocks are levelled again,And the keenest eye might search in vain,'Mong briers, and ferns, and paths of sheep,For the spot where the aged couple sleep.
Yet well might they lay, beneath the soilOf this lonely spot, that man of toil,And trench the strong hard mould with the spade,Where never before a grave was made;For he hewed the dark old woods away,And gave the virgin fields to the day;And the gourd and the bean, beside his door,Bloomed where their flowers ne'er opened before;And the maize stood up; and the bearded ryeBent low in the breath of an unknown sky.
'Tis said that when life is ended here,The spirit is borne to a distant sphere;That it visits its earthly home no more,Nor looks on the haunts it loved before.But why should the bodiless soul be sentFar off, to a long, long banishment?Talk not of the light and the living green!It will pine for the dear familiar scene;It will yearn, in that strange bright world, to beholdThe rock and the stream it knew of old.
'Tis a cruel creed, believe it not!Death to the good is a milder lot.They are here,--they are here,--that harmless pair,In the yellow sunshine and flowing air,In the light cloud-shadows that slowly pass,In the sounds that rise from the murmuring grass.They sit where their humble cottage stood,They walk by the waving edge of the wood,And list to the long-accustomed flowOf the brook that wets the rocks below.Patient, and peaceful, and passionless,As seasons on seasons swiftly press,They watch, and wait, and linger around,Till the day when their bodies shall leave the ground.
Words in this poem
- alder a.
- Of all; -- used in composition; as, alderbest, best of all, alderwisest, wisest of all. [From ealra, alra, gen. pl. of AS. eal. The d is excrescent.]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- populous a.
- Abounding in people; full of inhabitants; containing many inhabitants in proportion to the extent of the country. [L. populosus, fr. populus people: cf. F. populeux.]
- bier n.
- A handbarrow or portable frame on which a corpse is placed or borne to the grave. [OE. bæe, beere, AS. b, b; akin to D. baar, OHG. bara, G. bahre, Icel barar, Dbaare, L. feretrum, Gr. , from the same bear to produce. See 1st Bear, and cf. Barr]
- closer n.
- One who, or that which, closes; specifically, a boot closer. See under Boot.
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- coldly adv.
- In a cold manner; without warmth, animation, or feeling; with indifference; calmly.
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- bodiless a.
- Having no body.
- yearn v. t.
- To pain; to grieve; to vex. [Also earn, ern; probably a corruption of OE. ermen to grieve, AS. ierman, yrman, or geierman, geyrman, fr. earm wretched, poor; akin to D. & G. arm, Icel. armr,]
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- passionless a.
- Void of passion; without anger or emotion; not easily excited; calm.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Two Graves is in the public domain. This text is taken from Poems by William Cullen Bryant, Project Gutenberg ebook #16341; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Cullen Bryant, The Two Graves, in Poems (1821–1876), text of Project Gutenberg ebook #16341, Laurel, https://laurelpoetry.com/poem/bryant-poems/the-two-graves.html, id L07305.
Form and metre
The Two Graves is 74 lines in 7 verse paragraphs. It is in rhyming couplets: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 77%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 9.6 syllables. 2 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD brightA · lightA · wrenB · glenB · flockC · rockC · breathD · deathD
- 2 AABBCCDDEEFFGG lieA · dieA · nearB · bierB · bindC · kindC · lifeD · strifeD · foeE · belowE · meetF · sheetF · gloomG · roomG
- 3 AABBCCDD--EE spotA · notA · pastB · lastB · agoC · snowC · yearsD · tearsD · hearth · earth · deadE · saidE
- 4 AABBCC stonesA · bonesA · againB · vainB · sheepC · sleepC
- 5 AABBCCDDEE soilA · toilA · spadeB · madeB · awayC · dayC · doorD · beforeD · ryeE · skyE
- 6 AABBCCDDEE hereA · sphereA · moreB · beforeB · sentC · banishmentC · greenD · sceneD · beholdE · oldE
- 7 AABBCCDDEEFFGG notA · lotA · pairB · airB · passC · grassC · stoodD · woodD · flowE · belowE · passionlessF · pressF · aroundG · groundG
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| 'Tis a bleak wild hill,--but green and bright | 9 | ········· |
| In the summer warmth and the mid-day light; | 10 | ··/˘······ |
| There's the hum of the bee and the chirp of the wren, | 12 | ············ |
| And the dash of the brook from the alder glen; | 11 | ········/˘· |
| There's the sound of a bell from the scattered flock, | 11 | ········/˘· |
| And the shade of the beech lies cool on the rock, | 11 | ··········· |
| And fresh from the west is the free wind's breath,-- | 10 | ·········· |
| There is nothing here that speaks of death. | 9 | ··/˘····· |
| Far yonder, where orchards and gardens lie, | 10 | ·/˘·/˘·/˘· |
| And dwellings cluster, 'tis there men die. | 9 | ·/˘/˘···· |
| They are born, they die, and are buried near, | 10 | ·······/˘· |
| Where the populous grave-yard lightens the bier; | 10 | ··/˘··/˘·· |
| For strict and close are the ties that bind | 9 | ········· |
| In death the children of human-kind; | 9 | ···/˘·/˘· |
| Yea, stricter and closer than those of life,-- | 10 | ·/˘·/˘···· |
| 'Tis a neighbourhood that knows no strife. | 9 | ········· |
| They are noiselessly gathered--friend and foe-- | 11 | ······/˘··· |
| To the still and dark assemblies below: | 10 | ·····˘/˘·· |
| Without a frown or a smile they meet, | 9 | ········· |
| Each pale and calm in his winding-sheet; | 9 | ······/˘· |
| In that sullen home of peace and gloom, | 9 | ··/˘····· |
| Crowded, like guests in a banquet-room. | 9 | /˘····/˘· |
| Yet there are graves in this lonely spot, | 9 | ······/˘· |
| Two humble graves,--but I meet them not. | 9 | ·/˘······ |
| I have seen them,--eighteen years are past, | 9 | ····˘/··· |
| Since I found their place in the brambles last,-- | 10 | ·······/˘· |
| The place where, fifty winters ago, | 9 | ···/˘/˘˘/ |
| An aged man in his locks of snow, | 8 | ········ |
| And an aged matron, withered with years, | 10 | ···/˘/˘˘·· |
| Were solemnly laid!--but not with tears. | 9 | ·/˘˘····· |
| For none, who sat by the light of their hearth, | 10 | ·········· |
| Beheld their coffins covered with earth; | 10 | ˘/·/˘/˘˘·· |
| Their kindred were far, and their children dead, | 10 | ·/˘····/˘· |
| When the funeral prayer was coldly said. | 10 | ··/˘˘··/˘· |
| Two low green hillocks, two small gray stones, | 9 | ···/˘···· |
| Rose over the place that held their bones; | 9 | ········· |
| But the grassy hillocks are levelled again, | 11 | ··/˘/˘·/˘˘/ |
| And the keenest eye might search in vain, | 9 | ··/˘····· |
| 'Mong briers, and ferns, and paths of sheep, | 9 | ·/˘······ |
| For the spot where the aged couple sleep. | 9 | ······/˘· |
| Yet well might they lay, beneath the soil | 9 | ········· |
| Of this lonely spot, that man of toil, | 9 | ··/˘····· |
| And trench the strong hard mould with the spade, | 9 | ········· |
| Where never before a grave was made; | 9 | ·/˘······ |
| For he hewed the dark old woods away, | 10 | ···˘····˘/ |
| And gave the virgin fields to the day; | 9 | ···/˘···· |
| And the gourd and the bean, beside his door, | 10 | ······˘/·· |
| Bloomed where their flowers ne'er opened before; | 10 | ···/˘·/˘·· |
| And the maize stood up; and the bearded rye | 10 | ·······/˘· |
| Bent low in the breath of an unknown sky. | 10 | ·······˘/· |
| 'Tis said that when life is ended here, | 9 | ······/˘· |
| The spirit is borne to a distant sphere; | 10 | ·/˘····/˘· |
| That it visits its earthly home no more, | 10 | ··/˘·/˘··· |
| Nor looks on the haunts it loved before. | 10 | ·······˘·· |
| But why should the bodiless soul be sent | 10 | ····/˘˘··· |
| Far off, to a long, long banishment? | 9 | ······/˘˘ |
| Talk not of the light and the living green! | 10 | ·······/˘· |
| It will pine for the dear familiar scene; | 10 | ······˘/˘· |
| It will yearn, in that strange bright world, to behold | 11 | ·········˘/ |
| The rock and the stream it knew of old. | 9 | ········· |
| 'Tis a cruel creed, believe it not! | 9 | ··/˘·˘/·· |
| Death to the good is a milder lot. | 9 | ······/˘· |
| They are here,--they are here,--that harmless pair, | 10 | ·······/˘· |
| In the yellow sunshine and flowing air, | 10 | ··/˘/··/˘· |
| In the light cloud-shadows that slowly pass, | 10 | ····/··/˘· |
| In the sounds that rise from the murmuring grass. | 10 | ·······/˘· |
| They sit where their humble cottage stood, | 9 | ····/˘/˘· |
| They walk by the waving edge of the wood, | 10 | ····/˘···· |
| And list to the long-accustomed flow | 10 | ·····˘/˘˘· |
| Of the brook that wets the rocks below. | 9 | ········· |
| Patient, and peaceful, and passionless, | 9 | /˘·/˘·/˘˘ |
| As seasons on seasons swiftly press, | 9 | ·/˘·/˘/˘· |
| They watch, and wait, and linger around, | 9 | ·····/˘·· |
| Till the day when their bodies shall leave the ground. | 11 | ·····/˘···· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.