A Scene on the Banks of the Hudson

William Cullen Bryant (1794–1878) · 1821–1876

iambic tetrameter · AABBCCDD · 82 lines · from Poems

Cool shades and dews are round my way,And silence of the early day;Mid the dark rocks that watch his bed,Glitters the mighty Hudson spread,Unrippled, save by drops that fallFrom shrubs that fringe his mountain wall;And o'er the clear still water swellsThe music of the Sabbath bells.

All, save this little nook of landCircled with trees, on which I stand;All, save that line of hills which lieSuspended in the mimic sky--Seems a blue void, above, below,Through which the white clouds come and go,And from the green world's farthest steepI gaze into the airy deep.

Loveliest of lovely things are they,On earth, that soonest pass away.The rose that lives its little hourIs prized beyond the sculptured flower.Even love, long tried and cherished long,Becomes more tender and more strong,At thought of that insatiate graveFrom which its yearnings cannot save.

River! in this still hour thou hastToo much of heaven on earth to last;Nor long may thy still waters lie,An image of the glorious sky.Thy fate and mine are not repose,And ere another evening close,Thou to thy tides shalt turn again,And I to seek the crowd of men.

Lord of the winds! I feel thee nigh,I know thy breath in the burning sky!And I wait, with a thrill in every vein,For the coming of the hurricane!

And lo! on the wing of the heavy gales,Through the boundless arch of heaven he sails;Silent and slow, and terribly strong,The mighty shadow is borne along,Like the dark eternity to come;While the world below, dismayed and dumb,Through the calm of the thick hot atmosphereLooks up at its gloomy folds with fear.

They darken fast; and the golden blazeOf the sun is quenched in the lurid haze,And he sends through the shade a funeral ray--A glare that is neither night nor day,A beam that touches, with hues of death,The clouds above and the earth beneath.To its covert glides the silent bird,While the hurricane's distant voice is heard,Uplifted among the mountains round,And the forests hear and answer the sound.

He is come! he is come! do ye not beholdHis ample robes on the wind unrolled?Giant of air! we bid thee hail!--How his gray skirts toss in the whirling gale;How his huge and writhing arms are bent,To clasp the zone of the firmament,And fold at length, in their dark embrace,From mountain to mountain the visible space.

Darker--still darker! the whirlwinds bearThe dust of the plains to the middle air:And hark to the crashing, long and loud,Of the chariot of God in the thunder-cloud!You may trace its path by the flashes that startFrom the rapid wheels where'er they dart,As the fire-bolts leap to the world below,And flood the skies with a lurid glow.

What roar is that?--'tis the rain that breaksIn torrents away from the airy lakes,Heavily poured on the shuddering ground,And shedding a nameless horror round.Ah! well known woods, and mountains, and skies,With the very clouds!--ye are lost to my eyes.I seek ye vainly, and see in your placeThe shadowy tempest that sweeps through space,A whirling ocean that fills the wallOf the crystal heaven, and buries all.And I, cut off from the world, remainAlone with the terrible hurricane.

Words in this poem

nook n.
A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
circled a.
Having the form of a circle; round.
insatiate a.
Insatiable; as, insatiate thirst. [L. insatiatus.]
yearnings n.
The maws, or stomachs, of young calves, used a rennet for curdling milk. [Cf. AS. geirnan, geyrnan, to rum. See 4th Earn.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
shalt
2d per. sing. of Shall.
lurid a.
Pale yellow; ghastly pale; wan; gloomy; dismal. [L. luridus.]
glare v. i.
To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
firmament n.
Fixed foundation; established basis. [L. firmamentum, fr. firmare to make firm: cf. F. firmament. See Firm, v. & a.]
crashing n.
The noise of many things falling and breaking at once.
nameless a.
Without a name; not having been given a name; as, a nameless star.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Scene on the Banks of the Hudson is in the public domain. This text is taken from Poems by William Cullen Bryant, Project Gutenberg ebook #16341; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Cullen Bryant, A Scene on the Banks of the Hudson, in Poems (1821–1876), text of Project Gutenberg ebook #16341, Laurel, https://laurelpoetry.com/poem/bryant-poems/a-scene-on-the-banks-of-the-hudson.html, id L07308.

Form and metre

A Scene on the Banks of the Hudson is 82 lines in 10 stanzas. The rhyme scheme is AABBCCDD, complete in 7 of its 10 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 81%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 4 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDD wayA · dayA · bedB · spreadB · fallC · wallC · swellsD · bellsD
  2. 2 AABBCCDD landA · standA · lieB · skyB · belowC · goC · steepD · deepD
  3. 3 AABBCCDD theyA · awayA · hourB · flowerB · longC · strongC · graveD · saveD
  4. 4 AABBCCDD hastA · lastA · lieB · skyB · reposeC · closeC · againD · menD
  5. 5 AABB nighA · skyA · veinB · hurricaneB
  6. 6 AABBCCDD galesA · sailsA · strongB · alongB · comeC · dumbC · atmosphereD · fearD
  7. 7 AABB--CCDD blazeA · hazeA · rayB · dayB · death · beneath · birdC · heardC · roundD · soundD
  8. 8 AABBCCDD beholdA · unrolledA · hailB · galeB · bentC · firmamentC · embraceD · spaceD
  9. 9 AABBCCDD bearA · airA · loudB · cloudB · startC · dartC · belowD · glowD
  10. 10 AABBCCDDEEFF breaksA · lakesA · groundB · roundB · skiesC · eyesC · placeD · spaceD · wallE · allE · remainF · hurricaneF
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Cool shades and dews are round my way,8········
And silence of the early day;8·/˘··/˘·
Mid the dark rocks that watch his bed,8········
Glitters the mighty Hudson spread,8/˘·/˘/˘·
Unrippled, save by drops that fall7·······
From shrubs that fringe his mountain wall;8·····/˘·
And o'er the clear still water swells8·····/˘·
The music of the Sabbath bells.8·/˘··/˘·
All, save this little nook of land8···/˘···
Circled with trees, on which I stand;9/˘˘······
All, save that line of hills which lie8········
Suspended in the mimic sky--8˘/˘··/˘·
Seems a blue void, above, below,8········
Through which the white clouds come and go,8········
And from the green world's farthest steep8·····/˘·
I gaze into the airy deep.8·····/˘·
Loveliest of lovely things are they,9····/˘···
On earth, that soonest pass away.8···/˘·˘/
The rose that lives its little hour9·····/˘/˘
Is prized beyond the sculptured flower.10··˘···/˘/˘
Even love, long tried and cherished long,10/˘····/˘˘·
Becomes more tender and more strong,8˘/·/˘···
At thought of that insatiate grave9····˘/˘˘·
From which its yearnings cannot save.8···/˘/˘·
River! in this still hour thou hast9/˘···/˘··
Too much of heaven on earth to last;9···/˘····
Nor long may thy still waters lie,8·····/˘·
An image of the glorious sky.9·/˘··/˘˘·
Thy fate and mine are not repose,8······˘/
And ere another evening close,8··˘/˘/˘·
Thou to thy tides shalt turn again,8······˘/
And I to seek the crowd of men.8········
Lord of the winds! I feel thee nigh,8········
I know thy breath in the burning sky!9······/˘·
And I wait, with a thrill in every vein,10·······/˘·
For the coming of the hurricane!9··/˘··/˘·
And lo! on the wing of the heavy gales,10·······/˘·
Through the boundless arch of heaven he sails;10··/˘··/˘··
Silent and slow, and terribly strong,9/˘···/˘˘·
The mighty shadow is borne along,9·/˘/···˘/
Like the dark eternity to come;9···˘/˘˘··
While the world below, dismayed and dumb,10·····˘/˘··
Through the calm of the thick hot atmosphere10·······/˘·
Looks up at its gloomy folds with fear.9····/˘···
They darken fast; and the golden blaze9·/˘···/˘·
Of the sun is quenched in the lurid haze,10·······/˘·
And he sends through the shade a funeral ray--10·······/˘·
A glare that is neither night nor day,9····/˘···
A beam that touches, with hues of death,9···/˘····
The clouds above and the earth beneath.9·········
To its covert glides the silent bird,9··/˘··/˘·
While the hurricane's distant voice is heard,10··/˘·/˘···
Uplifted among the mountains round,9/˘˘···/˘·
And the forests hear and answer the sound.10··/˘··/˘··
He is come! he is come! do ye not behold11·········˘/
His ample robes on the wind unrolled?10·/˘······˘
Giant of air! we bid thee hail!--8/˘······
How his gray skirts toss in the whirling gale;10·······/˘·
How his huge and writhing arms are bent,9····/˘···
To clasp the zone of the firmament,9······/˘˘
And fold at length, in their dark embrace,9·······˘/
From mountain to mountain the visible space.10·/˘·/˘·/˘·
Darker--still darker! the whirlwinds bear9/˘·/˘·/··
The dust of the plains to the middle air:10·······/˘·
And hark to the crashing, long and loud,9····/˘···
Of the chariot of God in the thunder-cloud!11··/˘····/˘·
You may trace its path by the flashes that start11·······/˘··
From the rapid wheels where'er they dart,10··/˘·˘˘/··
As the fire-bolts leap to the world below,10··/·······
And flood the skies with a lurid glow.9······/˘·
What roar is that?--'tis the rain that breaks9·········
In torrents away from the airy lakes,10·/˘˘/··/˘·
Heavily poured on the shuddering ground,10/˘˘···/˘˘·
And shedding a nameless horror round.9·/˘·/˘/˘·
Ah! well known woods, and mountains, and skies,9·····/˘··
With the very clouds!--ye are lost to my eyes.11··/˘·······
I seek ye vainly, and see in your place10···/˘·····
The shadowy tempest that sweeps through space,10·/˘˘/˘····
A whirling ocean that fills the wall9·/˘/˘····
Of the crystal heaven, and buries all.10··/˘/˘·/˘·
And I, cut off from the world, remain9·······˘/
Alone with the terrible hurricane.10˘/··/˘˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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