Parting at Morning

Robert Browning (1812–1889) · 1864

rhyming couplets · 4 lines · from Selections from the Poems and Plays of Robert Browning

Round the cape of a sudden came the sea,And the sun looked over the mountain's rim;And straight was a path of gold for him,And the need of a world of men for me.

About this text

Parting at Morning is in the public domain. This text is taken from Selections from the Poems and Plays of Robert Browning, Project Gutenberg ebook #28041; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, Parting at Morning, in Selections from the Poems and Plays of Robert Browning (1864), text of Project Gutenberg ebook #28041, Laurel, https://laurelpoetry.com/poem/browning-selections/parting-at-morning.html, id L25084.

Form and metre

Parting at Morning is 4 lines in a single stanza. It is in rhyming couplets, 50% of the lines.

See other poems in rhyming couplets.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBA seaA · rimB · himB · meA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
Round the cape of a sudden came the sea,10·····/˘···
And the sun looked over the mountain's rim;10·······/˘·
And straight was a path of gold for him,9·········
And the need of a world of men for me.10··········

On this poem

These poems were published originally simply as "Night" and "Morning." The second of these love lyrics is somewhat difficult to interpret. If the man is speaking, the "him" in l. 3 must refer to the sun. In any case, after the isolation with the woman he loved as described in the first poem, there comes with the morning a sense of the world of action to which the man must return. The two poems are fully discussed in Poet-Lore, Volume VII, April, May, June-July. The poems are noteworthy for the fusion of human emotion and natural scenery and for the startlingly specific phrasing of the first quatrain.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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