O Lyric Love

Robert Browning (1812–1889) · 1864

iambic pentameter · 26 lines · from Selections from the Poems and Plays of Robert Browning

O lyric Love, half angel and half bird,And all a wonder and a wild desire--Boldest of hearts that ever braved the sun,Took sanctuary within the holier blue,And sang a kindred soul out to his face--Yet human at the red-ripe of the heart--When the first summons from the darkling earthReached thee amid thy chambers, blanched their blue,And bared them of the glory--to drop down,To toil for man, to suffer or to die--This is the same voice; can thy soul know change?Hail then, and hearken from the realms of help!Never may I commence my song, my dueTo God who best taught song by gift of thee,Except with bent head and beseeching hand--That still, despite the distance and the dark,What was, again may be; some interchangeOf grace, some splendor once thy very thought,Some benediction anciently thy smile:--Never conclude, but raising hand and head.Thither where eyes, that cannot reach, yet yearnFor all hope, all sustainment, all reward,Their utmost up and on--so blessing backIn those thy realms of help, that heaven thy home,Some whiteness which, I judge, thy face makes proud,Some wanness where, I think, thy foot may fall!

Words in this poem

darkling a.
Becoming dark or gloomy; frowing.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
conclude v. t.
To shut up; to inclose. [L. concludere, conclusum; con- + claudere to shut. See Close, v. t.]
yearn v. t.
To pain; to grieve; to vex. [Also earn, ern; probably a corruption of OE. ermen to grieve, AS. ierman, yrman, or geierman, geyrman, fr. earm wretched, poor; akin to D. & G. arm, Icel. armr,]
sustainment n.
The act of sustaining; maintenance; support. Milton. Lowell.
wanness n.
The quality or state of being wan; a sallow, dead, pale color; paleness; pallor; as, the wanness of the cheeks after a fever.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

O Lyric Love is in the public domain. This text is taken from Selections from the Poems and Plays of Robert Browning, Project Gutenberg ebook #28041; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, O Lyric Love, in Selections from the Poems and Plays of Robert Browning (1864), text of Project Gutenberg ebook #28041, Laurel, https://laurelpoetry.com/poem/browning-selections/o-lyric-love.html, id L25117.

Form and metre

O Lyric Love is 26 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ---A---A-BC-AB--C--------- bird · desire · sun · blueA · face · heart · earth · blueA · down · dieB · changeC · help · dueA · theeB · hand · dark · interchangeC · thought · smile · head · yearn · reward · back · home · proud · fall
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
O lyric Love, half angel and half bird,10·/˘··/˘···
And all a wonder and a wild desire--11···/˘···˘/˘
Boldest of hearts that ever braved the sun,10/˘···/˘···
Took sanctuary within the holier blue,11·/˘·˘···/˘·
And sang a kindred soul out to his face--10···/˘·····
Yet human at the red-ripe of the heart--10·/˘·······
When the first summons from the darkling earth10···/˘··/˘·
Reached thee amid thy chambers, blanched their blue,10··˘/·/˘···
And bared them of the glory--to drop down,10·····/˘···
To toil for man, to suffer or to die--10·····/˘···
This is the same voice; can thy soul know change?10··········
Hail then, and hearken from the realms of help!10···/˘·····
Never may I commence my song, my due10/˘··˘/····
To God who best taught song by gift of thee,10··········
Except with bent head and beseeching hand--10······˘/˘·
That still, despite the distance and the dark,10··˘/·/˘···
What was, again may be; some interchange10··˘/····˘/
Of grace, some splendor once thy very thought,10···/˘··/˘·
Some benediction anciently thy smile:10··˘/˘/˘˘··
--Never conclude, but raising hand and head.10/˘˘/·/˘···
Thither where eyes, that cannot reach, yet yearn10/˘···˘/···
For all hope, all sustainment, all reward,10····˘/˘·˘/
Their utmost up and on--so blessing back10·/·····/˘·
In those thy realms of help, that heaven thy home,10·······/··
Some whiteness which, I judge, thy face makes proud,10·/˘·······
Some wanness where, I think, thy foot may fall!10·/˘·······

On this poem

These are the closing lines of the first book of The Ring and the Book. The passage is generally and probably rightly interpreted as an invocation to the spirit of his wife.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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