Iii.—Evening

Robert Browning (1812–1889) · 1864

iambic pentameter · 500 lines · from Selections from the Poems and Plays of Robert Browning

SCENE.--Inside the Turret on the Hill above Asolo. LUIGI and hisMother entering.

Mother. If there blew wind, you'd hear a long sigh, easingThe utmost heaviness of music's heart.Luigi. Here in the archway?

Mother. Oh, no, no--in farther,Where the echo is made, on the ridge.

Luigi. Here surely, then.How plain the tap of my heel as I leaped up!Hark--"Lucius Junius!" The very ghost of a voiceWhose body is caught and kept by--what are those?Mere withered wall flowers, waving overhead?They seem an elvish group with thin bleached hairThat lean out of their topmost fortress--lookAnd listen, mountain men, to what we say,Hand under chin of each grave earthy face.Up and show faces all of you!--"All of you!"That's the king dwarf with the scarlet comb; old Franz,Come down and meet your fate? Hark--"Meet your fate!"

Mother. Let him not meet it, my Luigi--do notGo to his City! Putting crime aside,Half of these ills of Italy are feigned:Your Pellicos and writers for effect,Write for effect.

Mother. These A's and B's write for effect, I say.Then, evil is in its nature loud, while goodIs silent; you hear each petty injury,None of his virtues; he is old beside,Quiet and kind, and densely stupid. WhyDo A and B not kill him themselves?

Luigi. They teachOthers to kill him--me--and, if I fail,Others to succeed; now, if A tried and failed,I could not teach that: mine's the lesser task.Mother, they visit night by night--

Mother. --You, Luigi?Ah, will you let me tell you what you are?

Luigi. Why not? Oh, the one thing you fear to hint,You may assure yourself I say and sayEver to myself! At times--nay, even as nowWe sit--I think my mind is touched, suspectAll is not sound; but is not knowing thatWhat constitutes one sane or otherwise?I know I am thus--so, all is right again.I laugh at myself as through the town I walk,And see men merry as if no ItalyWere suffering; then I ponder--"I am rich,Young, healthy; why should this fact trouble me,More than it troubles these?" But it does trouble.No, trouble's a bad word; for as I walkThere's springing and melody and giddiness,And old quaint turns and passages of my youth,Dreams long forgotten, little in themselves,Return to me--whatever may amuse me,And earth seems in a truce with me, and heavenAccords with me, all things suspend their strife,The very cicala laughs, "There goes he, and there!Feast him, the time is short; he is on his wayFor the world's sake: feast him this once, our friend!"And in return for all this, I can tripCheerfully up the scaffold-steps. I goThis evening, mother!

Mother. But mistrust yourself--Mistrust the judgment you pronounce on him!Luigi. Oh, there I feel--am sure that I am right!

Mother. Mistrust your judgment, then, of the mere meansTo this wild enterprise. Say you are right--How should one in your state e'er bring to passWhat would require a cool head, a cold heart,And a calm hand? You never will escape.

Luigi. Escape? To even wish that would spoil all.The dying is best part of it. Too muchHave I enjoyed these fifteen years of mine,To leave myself excuse for longer life:Was not life pressed down, running o'er with joy,That I might finish with it ere my fellowsWho, sparelier feasted, make a longer stay?I was put at the board-head, helped to allAt first; I rise up happy and content.God must be glad one loves his world so much.I can give news of earth to all the deadWho ask me:--last year's sunsets, and great starsWhich had a right to come first and see ebbThe crimson wave that drifts the sun away--Those crescent moons with notched and burning rimsThat strengthened into sharp fire, and there stood,Impatient of the azure--and that dayIn March, a double rainbow stopped the storm--May's warm, slow, yellow moonlit summer nights--Gone are they, but I have them in my soul!

Mother. (He will not go!)

Luigi. You smile at me? 'Tis true--Voluptuousness, grotesqueness, ghastliness,Environ my devotedness as quaintlyAs round about some antique altar wreatheThe rose festoons, goats' horns, and oxen's skulls.

Mother. See now: you reach the city, you must crossHis threshold--how?

Luigi. Oh, that's if we conspired!Then would come pains in plenty, as you guess--But guess not how the qualities most fitFor such an office, qualities I have,Would little stead me, otherwise employed,Yet prove of rarest merit only here.Everyone knows for what his excellenceWill serve, but no one ever will considerFor what his worst defect might serve; and yetHave you not seen me range our coppice yonderIn search of a distorted ash?--I findThe wry spoilt branch a natural perfect bow.Fancy the thrice-sage, thrice-precautioned manArriving at the palace on my errand!No, no! I have a handsome dress packed up--White satin here, to set off my black hair;In I shall march--for you may watch your life outBehind thick walls, make friends there to betray you;More than one man spoils everything. March straight--Only, no clumsy knife to fumble for.Take the great gate, and walk (not saunter) onThrough guards and guards--I have rehearsed it allInside the turret here a hundred timesDon't ask the way of whom you meet, observe!But where they cluster thickliest is the doorOf doors; they'll let you pass--they'll never blabEach to the other, he knows not the favorite,Whence he is bound and what's his business now.Walk in--straight up to him; you have no knife:Be prompt, how should he scream? Then, out with you!Italy, Italy, my Italy!You're free, you're free! Oh, mother, I could dreamThey got about me--Andrea from his exile,Pier from his dungeon, Gualtier from his grave!

Mother. Well, you shall go. Yet seems this patriotismThe easiest virtue for a selfish manTo acquire: he loves himself--and next, the world--If he must love beyond--but naught between:As a short-sighted man sees naught midwayHis body and the sun above. But youAre my adored Luigi, ever obedientTo my least wish, and running o'er with love;I could not call you cruel or unkind.Once more, your ground for killing him!--then go!

Luigi. Now do you try me, or make sport of me?How first the Austrians got these provinces--(If that is all, I'll satisfy you soon)--Never by conquest but by cunning, forThat treaty whereby--

Luigi. (Sure, he's arrived,The telltale cuckoo; spring's his confidant,And he lets out her April purposes!)Or--better go at once to modern time,He has--they have--in fact, I understandBut can't restate the matter; that's my boast:Others could reason it out to you, and proveThings they have made me feel.

Mother. Why go tonight?Morn's for adventure. Jupiter is nowA morning-star. I cannot hear you, Luigi!

Luigi. "I am the bright and morning-star," saith God--And, "to such an one I give the morning-star."The gift of the morning-star! Have I God's giftOf the morning-star?

Mother. Chiara will love to seeThat Jupiter an evening-star next June.

Luigi. True, mother. Well for those who live through June!Great noontides, thunder-storms, all glaring pompsThat triumph at the heels of June the godLeading his revel through our leafy world.Yes, Chiara will be here.

Mother. In June: remember,Yourself appointed that month for her coming.Luigi. Was that low noise the echo?

Mother. The night-wind.She must be grown--with her blue eyes upturnedAs if life were one long and sweet surprise:In June she comes.

Luigi. We were to see togetherThe Titian at Treviso. There, again!

A king lived long ago,In the morning of the world,When earth was nigher heaven than now.And the king's locks curled,Disparting o'er a forehead fullAs the milk-white space 'twixt horn and hornOf some sacrificial bull--Only calm as a babe new-born:For he was got to a sleepy mood,So safe from all decrepitude,Age with its bane, so sure gone by,(The gods so loved him while he dreamed)That, having lived thus long, there seemedNo need the king should ever die.

Luigi. No need that sort of king should ever die!

Among the rocks his city was:Before his palace, in the sun,He sat to see his people pass,And judge them every oneFrom its threshold of smooth stone.They haled him many a valley-thiefCaught in the sheep-pens, robber-chiefSwarthy and shameless, beggar-cheat,Spy-prowler, or rough pirate foundOn the sea-sand left aground;And sometimes clung about his feet,With bleeding lid and burning cheek,A woman, bitterest wrong to speakOf one with sullen thickset brows:And sometimes from the prison-houseThe angry priests a pale wretch brought,Who through some chink had pushed and pressedOn knees and elbows, belly and breast,Worm-like into the temple--caughtHe was by the very god,Whoever in the darkness strodeBackward and forward, keeping watchO'er his brazen bowls, such rogues to catch!These, all and everyone,The king judged, sitting in the sun.

Luigi. That king should still judge sitting in the sun!

His councilors, on left and right,Looked anxious up--but no surpriseDisturbed the king's old smiling eyes,Where the very blue had turned to white.'Tis said, a Python scared one dayThe breathless city, till he came,With forky tongue and eyes on flame,Where the old king sat to judge alway;But when he saw the sweepy hairGirt with a crown of berries rareWhich the god will hardly give to wearTo the maiden who singeth, dancing bareIn the altar-smoke by the pine-torch lights,At his wondrous forest rites--Seeing this, he did not dareApproach that threshold in the sun,Assault the old king smiling there.Such grace had kings when the world begun!

Luigi. And such grace have they, now that the world ends!The Python at the city, on the throne,And brave men, God would crown for slaying him,Lurk in by-corners lest they fall his prey.Are crowns yet to be won in this late time,Which weakness makes me hesitate to reach?Tis God's voice calls; how could I stay? Farewell!

Talk by the way, while PIPPA is passing from the Turret to theBishop's Brother's House, close to the Duomo S. Maria. Poor Girlssitting on the steps.

1st Girl. There goes a swallow to Venice--the stout seafarer!Seeing those birds fly makes one wish for wings.Let us all wish; you wish first!

3rd Girl. That old--somebody I know,Grayer and older than my grandfather,To give me the same treat he gave last week--Feeding me on his knee with fig-peckers,Lampreys and red Breganze-wine, and mumblingThe while some folly about how well I fare,Let sit and eat my supper quietly:Since had he not himself been late this morning,Detained at--never mind where--had he not--"Eh, baggage, had I not!"--

1st Girl. My turn.Spring's come and summer's coming. I would wearA long loose gown, down to the feet and hands,With plaits here, close about the throat, all day;And all night lie, the cool long nights, in bed;And have new milk to drink, apples to eat,Deuzans and junetings, leather-coats--ah, I should say,This is away in the fields--miles!

3rd Girl. Say at onceYou'd be at home--she'd always be at home!Now comes the story of the farm amongThe cherry orchards, and how April snowedWhite blossoms on her as she ran. Why, fool,They've rubbed the chalk-mark out, how tall you were,Twisted your starling's neck, broken his cage,Made a dunghill of your garden!

1st Girl. They destroyMy garden since I left them? Well--perhapsI would have done so--so I hope they have!A fig-tree curled out of our cottage wall;They called it mine, I have forgotten why,It must have been there long ere I was born:Cric--cric--I think I hear the wasps o'erheadPricking the papers strung to flutter thereAnd keep off birds in fruit-time--coarse long papers,And the wasps eat them, prick them through and through.

3rd Girl. How her mouth twitches! Where was I?--beforeShe broke in with her wishes and long gownsAnd wasps--would I be such a fool!--Oh, here!This is my way: I answer everyoneWho asks me why I make so much of him--(If you say, "you love him"--straight "he'll not be gulled!")"He that seduced me when I was a girlThus high--had eyes like yours, or hair like yours,Brown, red, white"--as the case may be; that pleases!See how that beetle burnishes in the path!There sparkles he along the dust; and, there--Your journey to that maize-tuft spoiled at least!

1st Girl. When I was young, they said if you killed oneOf those sunshiny beetles, that his friendUp there would shine no more that day nor next.

2nd Girl. When you were young? Nor are you young, that's true.How your plump arms, that were, have dropped away!Why, I can span them. Cecco beats you still?No matter, so you keep your curious hair.I wish they'd find a way to dye our hairYour color--any lighter tint, indeed,Than black--the men say they are sick of black,Black eyes, black hair!

4th Girl. Sick of yours, like enough.Do you pretend you ever tasted lampreysAnd ortolans? Giovita, of the palace,Engaged (but there 's no trusting him) to slice mePolenta with a knife that had cut upAn ortolan.

2nd Girl. Why, there! Is not that PippaWe are to talk to, under the window--quick!--Where the lights are?

3rd Girl. Oh, you sing first!Then, if she listens and comes close--I'll tell you--Sing that song the young English noble made,Who took you for the purest of the pure,And meant to leave the world for you--what fun!

You'll love me yet!--and I can tarryYour love's protracted growing:June reared that bunch of flowers you carry,From seeds of April's sowing.

I plant a heartful now: some seedAt least is sure to strikeAnd yield--what you'll not pluck indeed,Not love, but, may be, like.

You'll look at least on love's remains,A grave's one violet:Your look?--that pays a thousand pains.What's death? You'll love me yet!

Monsignor. This night, Ugo. You have managed mylate brother's affairs since the death of our elder brother--fourteen years and a month, all but three days. Onthe Third of December, I find him--

Intendant. Sir, I can submit no longer to this courseof yours. First, you select the group of which I formedone--next you thin it gradually--always retaining mewith your smile--and so do you proceed till you havefairly got me alone with you between four stone walls.And now then? Let this farce, this chatter, end now;what is it you want with me?

Intendant. From the instant you arrived, I felt yoursmile on me as you questioned me about this and theother article in those papers--why your brother shouldhave given me this villa, that podere--and your nod atthe end meant--what?

Monsignor. I would better not: I should rip up olddisgraces, let out my poor brother's weaknesses. By theway, Maffeo of Forli (which, I forgot to observe, isyour true name), was the interdict ever taken off you,for robbing that church at Cesena?Intendant. What am I to expect? You are going to punish me?

Monsignor. Must punish you, Maffeo. I cannotafford to cast away a chance. I have whole centuries ofsin to redeem, and only a month or two of life to do it in.How should I dare to say--

Intendant. And how my absurd riches encumberedme! I dared not lay claim to above half my possessions.Let me but once unbosom myself, glorify Heaven, and die!

Overhead the tree-tops meet,Flowers and grass spring 'neath one's feet;There was naught above me, naught below,My childhood had not learned to know:For, what are the voices of birds--Aye, and of beasts--but words, our words,Only so much more sweet?The knowledge of that with my life begun.But I had so near made out the sun,And counted your stars, the seven and one;Like the fingers of my hand:Nay, I could all but understandWherefore through heaven the white moon ranges;And just when out of her soft fifty changesNo unfamiliar face might overlook me--Suddenly God took me.

Monsignor [springing up]. My people--one andall--all-within there! Gag this villain--tie him hand andfoot! He dares--I know not half he dares--butremove him--quick! Miserere mei, Domine! Quick, I say!

SCENE.--PIPPA'S chamber again. She enters it.

The bee with his comb,The mouse at her dray,The grub in his tomb,While winter away;But the firefly and hedge-shrew and lobworm, I pray,How fare they?Ha, ha, thanks for your counsel, my Zanze!"Feast upon lampreys, quaff Breganze"--The summer of life so easy to spend,And care for tomorrow so soon put away!But winter hastens at summer's end,And firefly, hedge-shrew, lobworm, pray,How fare they?No bidding me then to--what did Zanze say?"Pare your nails pearlwise, get your small feet shoesMore like"--what said she?--"and less like canoes!"How pert that girl was!--would I be those pert,Impudent, staring women! It had done me,However, surely no such mighty hurtTo learn his name who passed that jest upon me:No foreigner, that I can recollect,Came, as she says, a month since, to inspectOur silk-mills--none with blue eyes and thick ringsOf raw-silk-colored hair, at all events.Well, if old Luca keep his good intents,We shall do better, see what next year brings!I may buy shoes, my Zanze, not appearMore destitute than you perhaps next year!Bluph--something! I had caught the uncouth nameBut for Monsignor's people's sudden clatterAbove us--bound to spoil such idle chatterAs ours; it were indeed a serious matterIf silly talk like ours should put to shameThe pious man, the man devoid of blame,The--ah, but--ah, but, all the same,No mere mortal has a rightTo carry that exalted air;Best people are not angels quite:While--not the worst of people's doings scareThe devil; so there's that proud look to spare!Which is mere counsel to myself, mind! forI have just been the holy Monsignor:And I was you too, Luigi's gentle mother,And you too, Luigi!--how that Luigi startedOut of the turret--doubtlessly departedOn some good errand or another,For he passed just now in a traveler's trim,And the sullen company that prowledAbout his path, I noticed, scowledAs if they had lost a prey in him.And I was Jules the sculptor's bride,And I was Ottima beside,And now what am I?--tired of fooling.Day for folly, night for schooling!New Year's day is over and spent,Ill or well, I must be content.Even my lily's asleep, I vow:Wake up--here's a friend I've plucked you!Call this flower a heart's-ease now!Something rare, let me instruct you,Is this, with petals triply swollen,Three times spotted, thrice the pollen;While the leaves and parts that witnessOld proportions and their fitness,Here remain unchanged, unmoved now;Call this pampered thing improved now!Suppose there's a king of the flowersAnd a girl-show held in his bowers--"Look ye, buds, this growth of ours,"Says he, "Zanze from the Brenta,I have made her gorge polentaTill both cheeks are near as bouncingAs her--name there's no pronouncing!See this heightened color too,For she swilled Breganze wineTill her nose turned deep carmine;'Twas but white when wild she grew.And only by this Zanze's eyesOf which we could not change the size,The magnitude of all achievedOtherwise, may be perceived."

Oh, what a drear, dark close to my poor day!How could that red sun drop in that black cloud?Ah, Pippa, morning's rule is moved away,Dispensed with, never more to be allowed!Day's turn is over, now arrives the night's.O lark, be day's apostleTo mavis, merle, and throstle,Bid them their betters jostleFrom day and its delights!But at night, brother owlet; over the woods,Toll the world to thy chantry;Sing to the bats' sleek sisterhoodsFull complines with gallantry:Then, owls and bats,Cowls and twats,Monks and nuns, in a cloister's moods,Adjourn to the oak-stump pantry!Now, one thing I should like to really know:How near I ever might approach all theseI only fancied being, this long day--Approach, I mean, so as to touch them, soAs to--in some way ... move them--if you please,Do good or evil to them some slight way.For instance, if I windSilk tomorrow, my silk may bindAnd border Ottima's cloak's hem.Ah me, and my important part with them,This morning's hymn half promised when I rose!True in some sense or other, I suppose.God bless me! I can pray no more tonight.No doubt, some way or other, hymns say right.All service ranks the same with God--With God, whose puppets, best and worst,Are we; there is no last nor first.

Words in this poem 88
heaviness n.
The state or quality of being heavy in its various senses; weight; sadness; sluggishness; oppression; thickness.
archway n.
A way or passage under an arch.
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
elvish a.
Pertaining to elves; implike; mischievous; weird; also, vacant; absent in demeanor. See Elfish.
bleached a.
Whitened; make white.
sane a.
Being in a healthy condition; not deranged; acting rationally; -- said of the mind. [L. sanus; cf. Gr. Sound, a.]
giddiness n.
The quality or state of being giddy.
quaint a.
Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
amuse v. t.
To occupy or engage the attention of; to lose in deep thought; to absorb; also, to distract; to bewilder. [F. amuser to make stay, to detain, to amuse, ad) + OF. muser. See Muse, v.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
cicala n.
A cicada. See Cicada. [It., fr. L. cicada.]
cheerfully adv.
In a cheerful manner, gladly.
moonlit a.
Illumined by the moon.
grotesqueness n.
Quality of being grotesque.
ghastliness n.
The state of being ghastly; a deathlike look.
environ v. t.
To surround; to encompass; to encircle; to hem in; to be round about; to involve or envelop. [F. environner, fr. environ about, thereabout; pref. en- (L. in) + OF. viron circle, circuit, fr. OF. & F. virer to turn, LL. virare to turn up and down, topsy-t]
quaintly adv.
In a quaint manner.
everyone n.
Everybody; -- commonly separated, every one. [OE. everychon.]
coppice n.
A grove of small growth; a thicket of brushwood; a wood cut at certain times for fuel or other purposes. See Copse. [OF. copeiz, fr. coper, couper, to cut, F. couper, fr. cop, coup, colp, a blow, F. coup, L. colaphus, fr. G. Copse, and cf. Coup, Coupee.]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
clumsy a.
Stiff or benumbed, as with cold. [OE. clumsed benumbed, fr. clumsen to be benumbed; cf. Icel. klumsa lockjaw, dial. Sw. klummsen benumbed with cold. Cf. 1st Clam, and 1st Clamp.]
fumble v. i.
To feel or grope about; to make awkward attempts to do or find something. [Akin to D. fommelen to crumple, fumble, Sw. fumla to fusuble, famla to grope, Dan. famle to grope, fumble, Icel. falme, AS. folm palm of the hand. See Feel, and]
blab v. t.
To utter or tell unnecessarily, or in a thoughtless manner; to publish (secrets or trifles) without reserve or discretion. Udall. [Cf. OE. blaberen, or Dan. blabbre, G. plappern, Gael. blabaran a stammerer; prob. of imitative origin. Cf. also Blubber, v.]
dungeon n.
A close, dark prison, commondonjon or keep of a castle, these being used as prisons. [OE. donjoun highest tower of a castle, tower, prison, F. donjon tower or platform in the midst of a castle, turret, or closet on the top of a house, a keep of a]
midway n.
The middle of the way or distance; a middle way or course.
unkind a.
Having no race or kindred; childless. [See Kin kindred.]
confidant n.
One to whom secrets, especially those relating to affairs of love, are confided or intrusted; a confidential or bosom friend. [F. confident, confidente, formerly also spelt confidant, confidante. See Confide, and cf. Confident.]
restate v. t.
To state anew. Palfrey.
tonight adv.
On this present or coming night. [Prep. to+night]
saith
3d pers. sing. pres. of Say.
glaring a.
Clear; notorious; open and bold; barefaced; as, a glaring crime.
sacrificial a.
Of or pertaining to sacrifice or sacrifices; consisting in sacrifice; performing sacrifice.
babe n.
An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
decrepitude n.
The broken state produced by decay and the infirmities of age; infirm old age. [Cf. F. décrépitude.]
bane v. t.
To be the bane of; to ruin. Fuller.
clung a.
Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
sullen a.
Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
thickset a.
Close planted; as, a thickset wood; a thickset hedge.
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
whoever pron.
Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
python n.
Any species of very large snakes of the genus Python, and allied genera, of the family Pythonidæ. They are nearly allied to the boas. Called also rock snake.
breathless a.
Spent with labor or violent action; out of breath.
forky a.
Opening into two or more parts or shoots; forked; furcated.
sweepy a.
Moving with a sweeping motion.
girt v. t.
To gird; to encircle; to invest by means of a girdle; to measure the girth of; as, to girt a tree. [From Girt, n., cf. Girth, v.]
wondrous adv.
In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
duomo n.
A cathedral. See Dome, 2. [It. See Done.]
seafarer n.
One who follows the sea as a business; a mariner; a sailor. [Sea + fare.]
somebody n.
A person unknown or uncertain; a person indeterminate; some person.
mumbling a.
Low; indistinct; inarticulate.
dunghill n.
A heap of dung.
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
sunshiny a.
Bright with the rays of the sun; clear, warm, or pleasant; as, a sunshiny day.
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
polenta n.
Pudding made of Indian meal; also, porridge made of chestnut meal. [Italy] [It., fr. L. polenta peeled barley.]
fairly adv.
In a fairmanner; clearly; openly; plainly; fully; distinctly; frankly.
villa n.
A country seat; a country or suburban residence of some pretensions to elegance. Dryden. [L. villa, LL. also village, dim. of L. vicus a village: cf. It. & F. villa. See Vicinity, and cf. Vill, Village, Villain.]
expect v. t.
To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
unbosom v. t.
To disclose freely; to reveal in confidence, as secrets; to confess; -- often used reflexively; as, to unbosom one's self. [1st pref. un- + bosom.]
glorify v. t.
To make glorious by bestowing glory upon; to confer honor and distinction upon; to elevate to power or happiness, or to celestial glory. [F. glorifier, L. glorificare; gloria glory + - ficare (in comp.) to make. See -fy.]
childhood n.
The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
miserere n.
The psalm usually appointed for penitential acts, being the 50th psalm in the Latin version. It commences with the word miserere. [L., have mercy, fr. misereri to have mercy, fr. miser. See Miser.]
domine n.
A name given to a pastor of the Reformed Church. The word is also applied locally in the United States, in colloquial speech, to any clergyman. [See Dominie.]
dray n.
A squirrel's nest.
firefly n.
Any luminous winged insect, esp. luminous beetles of the family Lampyridæ.
quaff v. t.
To drink with relish; to drink copiously of; to swallow in large draughts. [For quach, fr. Gael. & Ir. cuach a drinking cup; cf. L. caucus a drinking vessel. Cf. Quaigh.]
tomorrow adv.
On the day after the present day; on the next day; on the morrow. [Prep. to + morrow.]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
recollect v. t.
To recover or recall the knowledge of; to bring back to the mind or memory; to remember. [Pref. re- + collect: cf. L. recolligere, recollectum, to collect. Cf. Recollet.]
clatter v. i.
To make a rattling sound by striking hard bodies together; to make a succession of abrupt, rattling sounds. [AS. cla a rattle, akin to D. klateren to rattle. Cf. Clack.]
scare v. t.
To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
schooling n.
Instruction in school; tuition; education in an institution of learning; act of teaching.
instruct a.
Arranged; furnished; provided. [L. instructus, p. p. of instruere to furnish, provide, construct, instruct; pref. in- in, struere. See Structure.]
triply adv.
In a triple manner.
pollen n.
Fine bran or flour. Bailey.
unmoved a.
Not moved; fixed; firm; unshaken; calm; apathetic.
pampered a.
Fed luxuriously; indulged to the full; hence, luxuriant.
bouncing a.
Stout; plump and healthy; lusty; buxom.
carmine n.
A rich red or crimson color with a shade of purple. [F. carmin (cf. Sp. carmin, It. carminio), contr. from LL. carmesinus purple color. See Crimson.]
drear n.
Sadness; dismalness.
mavis n.
The European throstle or song thrush (Turdus musicus). [F. mauvis, Arm. milvid, milfid, milc'hhouid, Corn. melhuez.]
merle n.
The European blackbird. See Blackbird. Drayton. [F. merle, L. merula, merulus. Cf. Ousel.]
throstle n.
The song thrush. See under Song. [OE. throsel, AS. , ; akin to MHG. trostel, G. drossel, Icel. , Sw. trast, Lith. strazdas, L. turdus. *238. Cf. Thrush the bird.]
owlet n.
A small owl; especially, the European species (Athene noctua), and the California flammulated owlet (Megascops flammeolus). Owlet moth (Zoöl.), any noctuid moth. [Dim. of owl. Cf. Howlet.]
chantry n.
An endowment or foundation for the chanting of masses and offering of prayers, commonly for the founder. [OF. chanterie, fr. chanter to sing.]
gallantry n.
Splendor of appearance; ostentatious finery. [F. galanterie.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Iii.—Evening is in the public domain. This text is taken from Selections from the Poems and Plays of Robert Browning, Project Gutenberg ebook #28041; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, Iii.—Evening, in Selections from the Poems and Plays of Robert Browning (1864), text of Project Gutenberg ebook #28041, Laurel, https://laurelpoetry.com/poem/browning-selections/iii-evening.html, id L25140.

Form and metre

Iii.—Evening is 500 lines in 58 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 83%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 5 ---AA not · aside · feigned · effectA · effectA
  2. 9 -A-----B--C-B---C---A---- hint · sayA · now · suspect · that · otherwise · again · walkB · italy · rich · meC · trouble · walkB · giddiness · youth · themselves · meC · heaven · strife · there · wayA · friend · trip · go · mother
  3. 12 AB----CA-B---C--C--- allA · muchB · mine · life · joy · fellows · stayC · allA · content · muchB · dead · stars · ebb · awayC · rims · stood · dayC · storm · nights · soul
  4. 16 A---A-----B--B-------------------- conspiredA · guess · fit · have · employedA · here · excellence · consider · yet · yonder · findB · bow · man · errandB · up · hair · out · you · straight · for · on · all · times · observe · door · blab · favorite · now · knife · you · italy · dream · exile · grave
  5. 18 A---A meA · provinces · soon · for · wherebyA
  6. 21 -A-A god · starA · gift · starA
  7. 27 -A-ABCBCDDEFFE ago · worldA · now · curledA · fullB · hornC · bullB · bornC · moodD · decrepitudeD · byE · dreamedF · seemedF · dieE
  8. 29 -A-A-BBCDDCEE--FGGF----AA was · sunA · pass · oneA · stone · thiefB · chiefB · cheatC · foundD · agroundD · feetC · cheekE · speakE · brows · house · broughtF · pressedG · breastG · caughtF · god · strode · watch · catch · everyoneA · sunA
  9. 31 ABBA-CC-DDDDEEDFDF rightA · surpriseB · eyesB · whiteA · day · cameC · flameC · alway · hairD · rareD · wearD · bareD · lightsE · ritesE · dareD · sunF · thereD · begunF
  10. 35 --------AA know · grandfather · week · peckers · mumbling · fare · quietly · morning · notA · notA
  11. 36 ---A--A- turn · wear · hands · dayA · bed · eat · sayA · miles
  12. 41 ---AA--A true · away · still · hairA · hairA · indeed · black · hairA
  13. 45 ABAB tarryA · growingB · carryA · sowingB
  14. 46 ABAB seedA · strikeB · indeedA · likeB
  15. 47 ABAB remainsA · violetB · painsA · yetB
  16. 49 --A---A course · formed · meA · have · walls · now · meA
  17. 51 -A---A old · theA · is · you · cesena · meA
  18. 54 AABBCCADDDEEFFGG meetA · feetA · belowB · knowB · birdsC · wordsC · sweetA · begunD · sunD · oneD · handE · understandE · rangesF · changesF · meG · meG
  19. 55 AA-- andA · andA · but · say
  20. 57 -A-AAABBCACAAADDE-E-FFGHHGIIJKKKJJJLMLMM--NOONPQQPRRSSTTU-U---VV--WWWXXYYZaaZbbcc comb · drayA · tomb · awayA · prayA · theyA · zanzeB · breganzeB · spendC · awayA · endC · prayA · theyA · sayA · shoesD · canoesD · pertE · me · hurtE · me · recollectF · inspectF · ringsG · eventsH · intentsH · bringsG · appearI · yearI · nameJ · clatterK · chatterK · matterK · shameJ · blameJ · sameJ · rightL · airM · quiteL · scareM · spareM · for · monsignor · motherN · startedO · departedO · anotherN · trimP · prowledQ · scowledQ · himP · brideR · besideR · foolingS · schoolingS · spentT · contentT · vowU · you · nowU · you · swollen · pollen · witnessV · fitnessV · now · now · flowersW · bowersW · oursW · brentaX · polentaX · bouncingY · pronouncingY · tooZ · winea · carminea · grewZ · eyesb · sizeb · achievedc · perceivedc
  21. 58 ABABCDDDCE-E-FFE-GHIGHIJJKKLLMM-NN dayA · cloudB · awayA · allowedB · night'sC · apostleD · throstleD · jostleD · delightsC · woodsE · chantry · sisterhoodsE · gallantry · batsF · twatsF · moodsE · pantry · knowG · theseH · dayI · soG · pleaseH · wayI · windJ · bindJ · hemK · themK · roseL · supposeL · tonightM · rightM · god · worstN · firstN
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
SCENE.--Inside the Turret on the Hill above Asolo. LUIGI and his19·/··/˘········˘/˘··
Mother entering.5/˘/˘˘
Mother. If there blew wind, you'd hear a long sigh, easing13/˘·········/˘
The utmost heaviness of music's heart.10·/·/˘˘·/˘·
Luigi. Here in the archway?8˘/˘···/·
Mother. Oh, no, no--in farther,8/˘····/˘
Where the echo is made, on the ridge.9··/˘·····
Luigi. Here surely, then.7˘/˘·/˘·
How plain the tap of my heel as I leaped up!11···········
Hark--"Lucius Junius!" The very ghost of a voice12·/˘/˘·/˘····
Whose body is caught and kept by--what are those?11·/˘········
Mere withered wall flowers, waving overhead?10·/˘·//˘/˘/
They seem an elvish group with thin bleached hair10···/˘·····
That lean out of their topmost fortress--look10·····/˘/˘·
And listen, mountain men, to what we say,10·/˘/˘·····
Hand under chin of each grave earthy face.10·······/˘·
Up and show faces all of you!--"All of you!"11···/˘······
That's the king dwarf with the scarlet comb; old Franz,11······/˘···
Come down and meet your fate? Hark--"Meet your fate!"10··········
Mother. Let him not meet it, my Luigi--do not13/˘······˘/˘··
Go to his City! Putting crime aside,10···/˘/˘·˘/
Half of these ills of Italy are feigned:10·····/˘˘··
Your Pellicos and writers for effect,10·····/˘·˘/
Write for effect.4··˘/
Mother. These A's and B's write for effect, I say.12/˘······/˘··
Then, evil is in its nature loud, while good10·/···/˘···
Is silent; you hear each petty injury,11·/˘···/˘/˘˘
None of his virtues; he is old beside,10···/˘···˘/
Quiet and kind, and densely stupid. Why10/˘···/˘/˘·
Do A and B not kill him themselves?9·······˘/
Luigi. They teach5˘/˘··
Others to kill him--me--and, if I fail,10/˘········
Others to succeed; now, if A tried and failed,11/˘·˘/······
I could not teach that: mine's the lesser task.10·······/˘·
Mother, they visit night by night--8/˘·/˘···
Mother. --You, Luigi?6/˘·˘/˘
Ah, will you let me tell you what you are?10··········
Luigi. Why not? Oh, the one thing you fear to hint,13˘/˘··········
You may assure yourself I say and say10··˘/˘/····
Ever to myself! At times--nay, even as now10/··/···/··
We sit--I think my mind is touched, suspect10········˘/
All is not sound; but is not knowing that10·······/˘·
What constitutes one sane or otherwise?10·/˘····/˘·
I know I am thus--so, all is right again.11·········˘/
I laugh at myself as through the town I walk,11····/······
And see men merry as if no Italy11···/˘···/˘˘
Were suffering; then I ponder--"I am rich,10·/˘··/˘···
Young, healthy; why should this fact trouble me,10·/˘····/˘·
More than it troubles these?" But it does trouble.11···/˘····/˘
No, trouble's a bad word; for as I walk10·/˘·······
There's springing and melody and giddiness,11·/˘·/˘˘·/˘˘
And old quaint turns and passages of my youth,10·····/˘···
Dreams long forgotten, little in themselves,10··˘/˘/˘·˘/
Return to me--whatever may amuse me,11˘/···/˘·˘/·
And earth seems in a truce with me, and heaven11·········/˘
Accords with me, all things suspend their strife,10˘/····˘/··
The very cicala laughs, "There goes he, and there!12·/˘˘/˘······
Feast him, the time is short; he is on his way11···········
For the world's sake: feast him this once, our friend!"10········/·
And in return for all this, I can trip10··˘/······
Cheerfully up the scaffold-steps. I go10/˘˘··/˘···
This evening, mother!5·/˘/˘
Mother. But mistrust yourself--7/˘·˘/˘/
Mistrust the judgment you pronounce on him!10˘/·/˘·˘/··
Luigi. Oh, there I feel--am sure that I am right!13˘/˘··········
Mother. Mistrust your judgment, then, of the mere means12/˘˘/·/˘·····
To this wild enterprise. Say you are right--10···/˘·····
How should one in your state e'er bring to pass10··········
What would require a cool head, a cold heart,10···/······
And a calm hand? You never will escape.10·····/˘·˘/
Luigi. Escape? To even wish that would spoil all.12˘/˘˘/·/·····
The dying is best part of it. Too much10·/˘·······
Have I enjoyed these fifteen years of mine,10··˘/·//···
To leave myself excuse for longer life:10···/˘/·/˘·
Was not life pressed down, running o'er with joy,10·····/˘···
That I might finish with it ere my fellows11···/˘····/˘
Who, sparelier feasted, make a longer stay?11····/˘··/˘·
I was put at the board-head, helped to all10··········
At first; I rise up happy and content.10·····/˘·˘/
God must be glad one loves his world so much.10··········
I can give news of earth to all the dead10··········
Who ask me:--last year's sunsets, and great stars10·····/····
Which had a right to come first and see ebb10··········
The crimson wave that drifts the sun away--10·/˘·····˘/
Those crescent moons with notched and burning rims10·/˘····/˘·
That strengthened into sharp fire, and there stood,10·/˘···/···
Impatient of the azure--and that day10˘/˘··/˘···
In March, a double rainbow stopped the storm--10···/˘/····
May's warm, slow, yellow moonlit summer nights--10···/˘/·/˘·
Gone are they, but I have them in my soul!10··········
Mother. (He will not go!)6/˘····
Luigi. You smile at me? 'Tis true--9˘/˘······
Voluptuousness, grotesqueness, ghastliness,10····˘/˘/˘˘
Environ my devotedness as quaintly11˘/˘······/˘
As round about some antique altar wreathe10·····˘//˘·
The rose festoons, goats' horns, and oxen's skulls.10···/···/˘·
Mother. See now: you reach the city, you must cross12/˘·····/˘···
His threshold--how?4·/··
Luigi. Oh, that's if we conspired!10˘/˘····˘/˘
Then would come pains in plenty, as you guess--10·····/˘···
But guess not how the qualities most fit10·····/˘˘··
For such an office, qualities I have,10···/˘/˘˘··
Would little stead me, otherwise employed,10·/˘··/˘·˘/
Yet prove of rarest merit only here.10···/˘/˘/˘·
Everyone knows for what his excellence10/˘·····/˘˘
Will serve, but no one ever will consider11·····/˘·˘/˘
For what his worst defect might serve; and yet10····/˘····
Have you not seen me range our coppice yonder11······//˘/˘
In search of a distorted ash?--I find10····˘/˘···
The wry spoilt branch a natural perfect bow.10·····/˘/··
Fancy the thrice-sage, thrice-precautioned man10/˘····˘/˘·
Arriving at the palace on my errand!11˘/˘··/˘··/˘
No, no! I have a handsome dress packed up--10·····/˘···
White satin here, to set off my black hair;10·/˘·······
In I shall march--for you may watch your life out11···········
Behind thick walls, make friends there to betray you;11········˘/·
More than one man spoils everything. March straight--10·····/˘···
Only, no clumsy knife to fumble for.10/˘·/˘··/˘·
Take the great gate, and walk (not saunter) on10·······/˘·
Through guards and guards--I have rehearsed it all10······˘/··
Inside the turret here a hundred times10˘/·/˘··/˘·
Don't ask the way of whom you meet, observe!10········˘/
But where they cluster thickliest is the door10···/˘·····
Of doors; they'll let you pass--they'll never blab10·······/˘·
Each to the other, he knows not the favorite,11···/˘····/˘
Whence he is bound and what's his business now.10·······/˘·
Walk in--straight up to him; you have no knife:10··········
Be prompt, how should he scream? Then, out with you!10··········
Italy, Italy, my Italy!10/˘˘/˘˘·/˘˘
You're free, you're free! Oh, mother, I could dream10·····/˘···
They got about me--Andrea from his exile,11·····/˘··/·
Pier from his dungeon, Gualtier from his grave!10···/˘·····
Mother. Well, you shall go. Yet seems this patriotism13/˘·······/˘·˘
The easiest virtue for a selfish man10·/˘/˘··/˘·
To acquire: he loves himself--and next, the world--11·˘/··˘/····
If he must love beyond--but naught between:10··········
As a short-sighted man sees naught midway10···/˘···/·
His body and the sun above. But you10·/˘·······
Are my adored Luigi, ever obedient11··˘/˘/˘/˘/˘
To my least wish, and running o'er with love;10·····/˘···
I could not call you cruel or unkind.10·····/˘·˘/
Once more, your ground for killing him!--then go!10·····/˘···
Luigi. Now do you try me, or make sport of me?13˘/˘··········
How first the Austrians got these provinces--11···/˘˘··/˘˘
(If that is all, I'll satisfy you soon)10·····/˘···
--Never by conquest but by cunning, for10/˘·/˘··/˘·
That treaty whereby--5·/˘··
Luigi. (Sure, he's arrived,7˘/˘··˘/
The telltale cuckoo; spring's his confidant,10·/·/···/˘·
And he lets out her April purposes!)10·····/˘/˘˘
Or--better go at once to modern time,10·/˘····/˘·
He has--they have--in fact, I understand10········˘/
But can't restate the matter; that's my boast:10··˘/·/˘···
Others could reason it out to you, and prove11/˘·/˘······
Things they have made me feel.6······
Mother. Why go tonight?6/˘··˘/
Morn's for adventure. Jupiter is now10··˘/˘/˘˘··
A morning-star. I cannot hear you, Luigi!12·/˘··˘/··˘/˘
Luigi. "I am the bright and morning-star," saith God--13˘/˘·····/˘···
And, "to such an one I give the morning-star."11········/˘·
The gift of the morning-star! Have I God's gift11····/˘·····
Of the morning-star?5··/˘·
Mother. Chiara will love to see8/˘/˘····
That Jupiter an evening-star next June.10·/˘˘·/˘···
Luigi. True, mother. Well for those who live through June!13˘/˘·/˘·······
Great noontides, thunder-storms, all glaring pomps10···/˘··/˘·
That triumph at the heels of June the god10·/˘·······
Leading his revel through our leafy world.10/˘·/˘·//˘·
Yes, Chiara will be here.6·/˘···
Mother. In June: remember,7/˘··˘/˘
Yourself appointed that month for her coming.11˘/˘/˘····/˘
Luigi. Was that low noise the echo?10˘/˘·····/˘
Mother. The night-wind.5/˘···
She must be grown--with her blue eyes upturned10········˘/
As if life were one long and sweet surprise:10········˘/
In June she comes.4····
Luigi. We were to see together10˘/˘····˘/˘
The Titian at Treviso. There, again!10·/˘·˘/˘·˘/
A king lived long ago,6····˘/
In the morning of the world,7··/˘···
When earth was nigher heaven than now.9·····/˘··
And the king's locks curled,5·····
Disparting o'er a forehead full8·····/˘·
As the milk-white space 'twixt horn and horn9·········
Of some sacrificial bull--7···˘/˘·
Only calm as a babe new-born:8/˘······
For he was got to a sleepy mood,9······/˘·
So safe from all decrepitude,8····˘/˘˘
Age with its bane, so sure gone by,8········
(The gods so loved him while he dreamed)10····˘····˘
That, having lived thus long, there seemed10·/˘·˘····˘
No need the king should ever die.8·····/˘·
Luigi. No need that sort of king should ever die!12˘/˘·······/·
Among the rocks his city was:8·····/˘·
Before his palace, in the sun,8···/˘···
He sat to see his people pass,8·····/˘·
And judge them every one7···/˘˘·
From its threshold of smooth stone.7··/····
They haled him many a valley-thief10··˘·/˘·/˘·
Caught in the sheep-pens, robber-chief8·····/˘·
Swarthy and shameless, beggar-cheat,8/˘·/˘/˘·
Spy-prowler, or rough pirate found8·/˘··/˘·
On the sea-sand left aground;7·····˘/
And sometimes clung about his feet,8·˘/·····
With bleeding lid and burning cheek,8·/˘··/˘·
A woman, bitterest wrong to speak9·/˘/˘˘···
Of one with sullen thickset brows:8···/˘/˘·
And sometimes from the prison-house8·/···/˘·
The angry priests a pale wretch brought,8·/˘·····
Who through some chink had pushed and pressed10······˘··˘
On knees and elbows, belly and breast,9···/·/˘··
Worm-like into the temple--caught8·····/˘·
He was by the very god,7····/˘·
Whoever in the darkness strode8˘/˘··/˘·
Backward and forward, keeping watch8/˘·/˘/˘·
O'er his brazen bowls, such rogues to catch!9··/˘·····
These, all and everyone,6···/˘·
The king judged, sitting in the sun.9···˘/˘···
Luigi. That king should still judge sitting in the sun!13˘/˘·····/˘···
His councilors, on left and right,8·/˘˘····
Looked anxious up--but no surprise9·˘/˘···˘/
Disturbed the king's old smiling eyes,9˘/˘···/˘·
Where the very blue had turned to white.10··/˘···˘··
'Tis said, a Python scared one day9···/˘·˘··
The breathless city, till he came,8·/˘/˘···
With forky tongue and eyes on flame,8·/˘·····
Where the old king sat to judge alway;9·······/˘
But when he saw the sweepy hair8·····/˘·
Girt with a crown of berries rare8·····/˘·
Which the god will hardly give to wear9····/˘···
To the maiden who singeth, dancing bare10··/˘·/˘/˘·
In the altar-smoke by the pine-torch lights,10··/˘······
At his wondrous forest rites--7··/˘/˘·
Seeing this, he did not dare7/˘·····
Approach that threshold in the sun,8˘/·/····
Assault the old king smiling there.8˘/···/˘·
Such grace had kings when the world begun!9·······˘/
Luigi. And such grace have they, now that the world ends!13˘/˘··········
The Python at the city, on the throne,10·/˘··/˘···
And brave men, God would crown for slaying him,10·······/˘·
Lurk in by-corners lest they fall his prey.10···/˘·····
Are crowns yet to be won in this late time,10··········
Which weakness makes me hesitate to reach?10·/˘··/˘···
Tis God's voice calls; how could I stay? Farewell!10·········/
Talk by the way, while PIPPA is passing from the Turret to the16········/˘··/˘··
Bishop's Brother's House, close to the Duomo S. Maria. Poor Girls16/˘/˘····/˘·˘/˘··
sitting on the steps.5/˘···
1st Girl. There goes a swallow to Venice--the stout seafarer!15·····/˘·/˘··/·˘
Seeing those birds fly makes one wish for wings.10/˘········
Let us all wish; you wish first!7·······
3rd Girl. That old--somebody I know,9····/˘˘··
Grayer and older than my grandfather,10/˘·/˘··/·˘
To give me the same treat he gave last week--10··········
Feeding me on his knee with fig-peckers,10/˘········
Lampreys and red Breganze-wine, and mumbling11/˘······/˘˘
The while some folly about how well I fare,11···/˘······
Let sit and eat my supper quietly:10·····/˘/˘˘
Since had he not himself been late this morning,11····˘/···/˘
Detained at--never mind where--had he not--10˘/·/˘·····
"Eh, baggage, had I not!"--6·/˘···
1st Girl. My turn.4····
Spring's come and summer's coming. I would wear10···/˘/˘···
A long loose gown, down to the feet and hands,10··········
With plaits here, close about the throat, all day;10··········
And all night lie, the cool long nights, in bed;10··········
And have new milk to drink, apples to eat,10······/˘··
Deuzans and junetings, leather-coats--ah, I should say,13······/˘·····
This is away in the fields--miles!8··˘/····
3rd Girl. Say at once5·····
You'd be at home--she'd always be at home!10·····/····
Now comes the story of the farm among10···/˘·····
The cherry orchards, and how April snowed10·/˘/˘··/˘·
White blossoms on her as she ran. Why, fool,10·/˘·······
They've rubbed the chalk-mark out, how tall you were,10··········
Twisted your starling's neck, broken his cage,10/˘·/˘·/˘··
Made a dunghill of your garden!8··/˘··/˘
1st Girl. They destroy5···˘/
My garden since I left them? Well--perhaps10·/˘·····˘/
I would have done so--so I hope they have!10··········
A fig-tree curled out of our cottage wall;10······//˘·
They called it mine, I have forgotten why,10······˘/˘·
It must have been there long ere I was born:10··········
Cric--cric--I think I hear the wasps o'erhead10··········
Pricking the papers strung to flutter there10/˘·/˘··/˘·
And keep off birds in fruit-time--coarse long papers,11·········/˘
And the wasps eat them, prick them through and through.10··········
3rd Girl. How her mouth twitches! Where was I?--before12·····/˘·····
She broke in with her wishes and long gowns10·····/˘···
And wasps--would I be such a fool!--Oh, here!10··········
This is my way: I answer everyone10·····/˘/˘·
Who asks me why I make so much of him--10··········
(If you say, "you love him"--straight "he'll not be gulled!")11···········
"He that seduced me when I was a girl10··˘/······
Thus high--had eyes like yours, or hair like yours,10··········
Brown, red, white"--as the case may be; that pleases!11·········/˘
See how that beetle burnishes in the path!10···/˘/˘···
There sparkles he along the dust; and, there--10·/˘·˘/····
Your journey to that maize-tuft spoiled at least!10·/˘·······
1st Girl. When I was young, they said if you killed one12············
Of those sunshiny beetles, that his friend10··/·˘/˘···
Up there would shine no more that day nor next.10··········
2nd Girl. When you were young? Nor are you young, that's true.12············
How your plump arms, that were, have dropped away!10········˘/
Why, I can span them. Cecco beats you still?10··········
No matter, so you keep your curious hair.10·/˘····/˘·
I wish they'd find a way to dye our hair10········/·
Your color--any lighter tint, indeed,10·/˘/˘/˘·˘/
Than black--the men say they are sick of black,10··········
Black eyes, black hair!4····
4th Girl. Sick of yours, like enough.9//·····˘/
Do you pretend you ever tasted lampreys11··˘/·/˘/˘/˘
And ortolans? Giovita, of the palace,11·········/˘
Engaged (but there 's no trusting him) to slice me12˘/····/˘····
Polenta with a knife that had cut up10˘/˘·······
An ortolan.4·/˘˘
2nd Girl. Why, there! Is not that Pippa9·········
We are to talk to, under the window--quick!--11········/˘·
Where the lights are?4····
3rd Girl. Oh, you sing first!6······
Then, if she listens and comes close--I'll tell you--11···/˘······
Sing that song the young English noble made,10·····/˘/˘·
Who took you for the purest of the pure,10·····/˘···
And meant to leave the world for you--what fun!10··········
You'll love me yet!--and I can tarry9·······/˘
Your love's protracted growing:7··˘/˘/˘
June reared that bunch of flowers you carry,10·····/˘·/˘
From seeds of April's sowing.7···/˘/˘
I plant a heartful now: some seed8········
At least is sure to strike6······
And yield--what you'll not pluck indeed,8······˘/
Not love, but, may be, like.6······
You'll look at least on love's remains,8······˘/
A grave's one violet:6···/˘˘
Your look?--that pays a thousand pains.8·····/˘·
What's death? You'll love me yet!6······
Monsignor. This night, Ugo. You have managed my12˘/˘······/˘·
late brother's affairs since the death of our elder brother14·/˘˘/····//˘/˘
--fourteen years and a month, all but three days. On11·/·········
the Third of December, I find him--9···˘/˘···
Intendant. Sir, I can submit no longer to this course14˘/˘···˘/·/˘···
of yours. First, you select the group of which I formed12····˘/······
one--next you thin it gradually--always retaining me13·····/˘/˘˘/˘·
with your smile--and so do you proceed till you have12·······˘/···
fairly got me alone with you between four stone walls.13/˘··˘/·······
And now then? Let this farce, this chatter, end now;11·······/˘··
what is it you want with me?7·······
Intendant. From the instant you arrived, I felt your13˘/˘··/˘·˘/···
smile on me as you questioned me about this and the13·····/˘······
other article in those papers--why your brother should13/˘/˘··/˘··/˘·
have given me this villa, that podere--and your nod at13·/··/˘·······
the end meant--what?4····
Monsignor. I would better not: I should rip up old13˘/˘··/˘······
disgraces, let out my poor brother's weaknesses. By the13˘/˘····/˘/˘··
way, Maffeo of Forli (which, I forgot to observe, is14·/˘·····˘/·˘/·
your true name), was the interdict ever taken off you,13·····/˘·//˘··
for robbing that church at Cesena?9·/˘···˘/˘
Intendant. What am I to expect? You are going to punish me?16˘/˘····˘/··/·/˘·
Monsignor. Must punish you, Maffeo. I cannot12˘/˘·/˘·/˘·˘/
afford to cast away a chance. I have whole centuries of14˘/··˘/·····/˘·
sin to redeem, and only a month or two of life to do it in.17··˘/·/˘··········
How should I dare to say--6······
Intendant. And how my absurd riches encumbered13˘/˘···˘//˘˘/˘
me! I dared not lay claim to above half my possessions.14···········˘/˘
Let me but once unbosom myself, glorify Heaven, and die!15····˘/˘·//˘·/··
Overhead the tree-tops meet,7/˘/····
Flowers and grass spring 'neath one's feet;8/˘······
There was naught above me, naught below,9·········
My childhood had not learned to know:9·/····˘··
For, what are the voices of birds8····/˘··
--Aye, and of beasts--but words, our words,9······/˘·
Only so much more sweet?6/˘····
The knowledge of that with my life begun.10·/˘·····˘/
But I had so near made out the sun,9·········
And counted your stars, the seven and one;10·/˘···/˘··
Like the fingers of my hand:7··/˘···
Nay, I could all but understand8······˘/
Wherefore through heaven the white moon ranges;10/˘·/˘···/˘
And just when out of her soft fifty changes11·······/˘/˘
No unfamiliar face might overlook me--11··˘/˘··/˘··
Suddenly God took me.6/˘˘···
Monsignor [springing up]. My people--one and11˘/˘/˘··/˘··
all--all-within there! Gag this villain--tie him hand and13·······/˘····
foot! He dares--I know not half he dares--but10··········
remove him--quick! Miserere mei, Domine! Quick, I say!14˘/······˘/˘···
SCENE.--PIPPA'S chamber again. She enters it.11···/˘˘/·/˘·
The bee with his comb,5·····
The mouse at her dray,5·····
The grub in his tomb,5·····
While winter away;5·/˘˘/
But the firefly and hedge-shrew and lobworm, I pray,13··/˘·····/˘··
How fare they?3···
Ha, ha, thanks for your counsel, my Zanze!9·····/˘··
"Feast upon lampreys, quaff Breganze"--8···/˘···
The summer of life so easy to spend,10·/˘···/˘··
And care for tomorrow so soon put away!11···˘/····˘/
But winter hastens at summer's end,9·/˘/˘·/˘·
And firefly, hedge-shrew, lobworm, pray,9·/˘···/˘·
How fare they?3···
No bidding me then to--what did Zanze say?10·/˘·······
"Pare your nails pearlwise, get your small feet shoes10··········

The first 400 of 500 lines; the reader marks them all.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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