How It Strikes a Contemporary

Robert Browning (1812–1889) · 1855

iambic pentameter · unrhymed · 117 lines · from Men and Women

I only knew one poet in my life:And this, or something like it, was his way.

You saw go up and down Valladolid,A man of mark, to know next time you saw.His very serviceable suit of blackWas courtly once and conscientious still,And many might have worn it, though none did:The cloak, that somewhat shone and showed the threads,Had purpose, and the ruff, significance.He walked and tapped the pavement with his cane,Scenting theworld, looking it full in face,An old dog, bald and blindish, at his heels.They turned up, now, the alley by the church,That leads nowhither; now, they breathed themselvesOn the main promenade just at the wrong time:You'd come upon his scrutinizing hatMaking a peaked shade blacker than itselfAgainst the single window spared some houseIntact yet with its mouldered Moorish work--Or else surprise the ferret of his stickTrying themortar's temper 'tween the chinksOf some new shop a-building, French and fine.He stood and watched the cobbler at his trade,The man who slices lemons into drink,The coffee-roaster's brazier, and the boysThat volunteer to help him turn its winch.He glanced o'er books on stalls with half an eye,And fly-leaf ballads on the vendor's string,And broad-edge bold-print posters by the wall.He took such cognizance of men and things,If any beat a horse, you felt he saw;If any cursed a woman, he took note;Yet stared at nobody--you stared at him,And found, less to your pleasure than surprise,He seemed to know you and expect as much.So, next time that a neighbor's tongue was loosed,It marked the shameful and notorious fact,We had among us, not so much a spy,As a recording chief-inquisitor,The town's true master if the town but knewWe merely kept a governor for form,While this man walked about and took accountOf all thought, said and acted, then went home,And wrote it fully to our Lord the KingWho has an itch to know things, he knows why,And reads them in his bedroom of a night.Oh, you might smile! there wanted not a touch,A tang of . . . well, it was not wholly easeAs back into your mind the man's look came.Stricken in years a little--such a browHis eyes had to live under!--clear as flintOn either side the formidable noseCurved, cut and colored like an eagle's claw,Had he to do with A.'s surprising fate?When altogether old B. disappearedAnd young C. got his mistress, was't our friend,His letter to the King, that did it all?What paid the Woodless man for so much pains?Our Lord the King has favorites manifold,And shifts his ministry some once a month;Our city gets new governors at whiles--But never word or sign, that I could hear,Notified to this man about the streetsThe King's approval of those letters connedThe last thing duly at the dead of night.Did the man love his office? Frowned our Lord,Exhorting when none heard--"Beseech me not!Too far above my people--beneath me!I set the watch--how should the people know?Forget them, keep me all the more in mind!"Was some such understanding 'twixt the two?

I found no truth in one report at least--That if you tracked him to his home, down lanesBeyond the Jewry, and as clean to pace,You found he ate his supper in a roomBlazing with lights, four Titians on the wall,And twenty naked girls to change his plate!Poor man, he lived another kind of lifeIn that new stuccoed third house by the bridge,Fresh-painted, rather smart than otherwise!The whole street might o'erlook him as he sat,Leg crossing leg, one foot on the dog's back,Playing a decent cribbage with his maid(Jacynth, you're sure her name was) o'er the cheeseAnd fruit, three red halves of starved winter-pears,Or treat of radishes in April. Nine,Ten, struck the church clock, straight to bed went he.

My father, like the man of sense he was,Would point him out to me a dozen times;"'St--'St," he'd whisper, "the Corregidor!"I had been used to think that personageWas one with lacquered breeches, lustrous belt,And feathers like a forest in his hat,Who blew a trumpet and proclaimed the news,Announced the bull-fights, gave each church its turn,And memorized the miracle in vogue!He had a great observance from us boys;We were in error; that was not the man.

I'd like now, yet had happy been afraid,To have just looked, when this man came to die,And seen who lined the clean gay garret-sidesAnd stood about the neat low truckle-bed,With the heavenly manner of relieving guard.Here had been, mark, the general-in-chief,Thro' a whole campaign of the world's life and death,Doing the King's work all the dim day long,In his old coat and up to knees in mud,Smoked like a herring, dining on a crust,And, now the day was won, relieved at once!No further show or need for that old coat,You are sure, for one thing! Bless us, all the whileHow sprucely we are dressed out, you and I!A second, and the angels alter that.Well, I could never write a verse--could you?Let's to the Prado and make the most of time.

Words in this poem 21
courtly a.
Relating or belonging to a court. [From Court.]
conscientious a.
Influenced by conscience; governed by a strict regard to the dictates of conscience, or by the known or supposed rules of right and wrong; -- said of a person. [Cf. F. consciencieux, LL. conscientiosus.]
nowhither adv.
Not anywhither; in no direction; nowhere. [No + whither.]
promenade n.
A walk for pleasure, display, or exercise. Burke. [F. (with a foreign suffix), from promener to lead, take for a walk, se promener to walk, from L. prominare to drive forward or along; pro forward + minare to dr]
peaked a.
Pointed; ending in a point; as, a peaked roof.
intact a.
Untouched, especially by anything that harms, defiles, or the like; uninjured; undefiled; left complete or entire. Buckle. [L. intactus; pref. in- not + tactus, p. p. of tangere to touch: cf. F. intact. See In- not, and Tact, Tangent.]
brazier n.
An artificer who works in brass. Franklin. [OE. brasiere, F. braise live coals. See Brass.]
cursed a.
Deserving a curse; execrable; hateful; detestable; abominable.
expect v. t.
To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
went n.
Course; way; path; journey; direction.
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
bedroom n.
A room or apartment intended or used for a bed; a lodging room.
stricken p. p.
Struck; smitten; wounded; as, the stricken deer.
altogether adv.
All together; conjointly. [OE. altogedere; al all + togedere together. See Together.]
woodless a.
Having no wood; destitute of wood. Mitford.
whiles conj.
During the time that; while. Chaucer. Fuller.
jewry n.
Judea; also, a district inhabited by Jews; a Jews' quarter. [OE. Jewerie, OF. Juierie, F. Juiverie.]
cribbage n.
A game of cards, played by two or four persons, in which there is a crib. (See Crib, 11.) It is characterized by a great variety of chances. [From Crib, v. t., 2.]
corregidor n.
The chief magistrate of a Spanish town. [Sp., orig., a corrector.]
vogue n.
The way or fashion of people at any particular time; temporary mode, custom, or practice; popular reception for the time; -- used now generally in the phrase in vogue. [F. vogue a rowing, vogue, fashion, It. voga, fr. vogare to row, to sail; probably fr. OHG. wag to move, akin to E. way. Cf. Way.]
campaign n.
An open field; a large, open plain without considerable hills. [F. campagne, It. campagna, fr. L. Campania the level country about Naples, fr. campus field. See Camp, and cf. Champaign, Champagne.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

How It Strikes a Contemporary is in the public domain. This text is taken from Men and Women, Project Gutenberg ebook #17393; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, How It Strikes a Contemporary, in Men and Women (1855), text of Project Gutenberg ebook #17393, Laurel, https://laurelpoetry.com/poem/browning-men-and-women/how-it-strikes-a-contemporary.html, id L03560.

Form and metre

How It Strikes a Contemporary is 117 lines in 5 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 4 lines end on an unstressed syllable, a feminine ending. 24% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 5 -A-----------A--- afraid · dieA · sides · bed · guard · chief · death · long · mud · crust · once · coat · while · iA · that · you · time
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
I only knew one poet in my life:10·/˘··/˘···
And this, or something like it, was his way.10···/˘·····
You saw go up and down Valladolid,10··········
A man of mark, to know next time you saw.10··········
His very serviceable suit of black10·/˘/˘˘˘···
Was courtly once and conscientious still,10·/˘···˘/˘·
And many might have worn it, though none did:10·/˘·······
The cloak, that somewhat shone and showed the threads,10···//·····
Had purpose, and the ruff, significance.10·/˘···˘/˘˘
He walked and tapped the pavement with his cane,10·····/˘···
Scenting the3/˘·
world, looking it full in face,7·/˘····
An old dog, bald and blindish, at his heels.10··········
They turned up, now, the alley by the church,10·····/˘···
That leads nowhither; now, they breathed themselves10··/˘···˘˘/
On the main promenade just at the wrong time:11····˘/·····
You'd come upon his scrutinizing hat10·····/˘·˘·
Making a peaked shade blacker than itself10/˘···/˘·˘/
Against the single window spared some house10···/˘/˘···
Intact yet with its mouldered Moorish work--10˘/···/˘/˘·
Or else surprise the ferret of his stick10··˘/·/˘···
Trying the3/˘·
mortar's temper 'tween the chinks7/˘/˘···
Of some new shop a-building, French and fine.10·····/˘···
He stood and watched the cobbler at his trade,10·····/˘···
The man who slices lemons into drink,10···/˘/˘···
The coffee-roaster's brazier, and the boys10·/˘/˘/˘···
That volunteer to help him turn its winch.10··˘/······
He glanced o'er books on stalls with half an eye,10··········
And fly-leaf ballads on the vendor's string,10···/˘··/˘·
And broad-edge bold-print posters by the wall.10·····/˘···
He took such cognizance of men and things,10···/˘˘····
If any beat a horse, you felt he saw;10·/˘·······
If any cursed a woman, he took note;10·/˘··/˘···
Yet stared at nobody--you stared at him,10···/······
And found, less to your pleasure than surprise,10·····/˘·˘/
He seemed to know you and expect as much.10······˘/··
So, next time that a neighbor's tongue was loosed,10·····/˘···
It marked the shameful and notorious fact,10···/˘·˘/˘·
We had among us, not so much a spy,10··········
As a recording chief-inquisitor,10··˘/˘·˘/˘˘
The town's true master if the town but knew10···/˘·····
We merely kept a governor for form,10·/˘··/˘˘··
While this man walked about and took account10········˘/
Of all thought, said and acted, then went home,10·····/˘···
And wrote it fully to our Lord the King10···/˘·/···
Who has an itch to know things, he knows why,10··········
And reads them in his bedroom of a night.10·····/····
Oh, you might smile! there wanted not a touch,10·····/˘···
A tang of . . . well, it was not wholly ease10·······/˘·
As back into your mind the man's look came.10··········
Stricken in years a little--such a brow10/˘···/˘···
His eyes had to live under!--clear as flint10··········
On either side the formidable nose10·/˘··/˘˘˘·
Curved, cut and colored like an eagle's claw,10···/˘··/˘·
Had he to do with A.'s surprising fate?11·······˘/˘·
When altogether old B. disappeared10··˘/˘···˘/
And young C. got his mistress, was't our friend,10·····/˘·/·
His letter to the King, that did it all?10·/˘·······
What paid the Woodless man for so much pains?10···/˘·····
Our Lord the King has favorites manifold,10/····/˘/˘·
And shifts his ministry some once a month;10···/˘˘····
Our city gets new governors at whiles--10//˘··/˘˘··
But never word or sign, that I could hear,10·/˘·······
Notified to this man about the streets10/˘········
The King's approval of those letters conned10··˘/˘··/˘·
The last thing duly at the dead of night.10···/˘·····
Did the man love his office? Frowned our Lord,10·····/˘·/·
Exhorting when none heard--"Beseech me not!10˘/˘···˘/··
Too far above my people--beneath me!10·····/˘···
I set the watch--how should the people know?10·······/˘·
Forget them, keep me all the more in mind!"10˘/········
Was some such understanding 'twixt the two?10····˘/˘···
I found no truth in one report at least--10······˘/··
That if you tracked him to his home, down lanes10··········
Beyond the Jewry, and as clean to pace,10···/˘·····
You found he ate his supper in a room10·····/˘···
Blazing with lights, four Titians on the wall,10/˘···/˘···
And twenty naked girls to change his plate!10·/˘/˘·····
Poor man, he lived another kind of life10····˘/˘···
In that new stuccoed third house by the bridge,10···/˘·····
Fresh-painted, rather smart than otherwise!10·/˘/˘··/˘·
The whole street might o'erlook him as he sat,10··········
Leg crossing leg, one foot on the dog's back,10·/˘·······
Playing a decent cribbage with his maid10/˘·/˘/˘···
(Jacynth, you're sure her name was) o'er the cheese10··········
And fruit, three red halves of starved winter-pears,10·······/˘·
Or treat of radishes in April. Nine,10···/˘˘·/˘·
Ten, struck the church clock, straight to bed went he.10··········
My father, like the man of sense he was,10·/˘·······
Would point him out to me a dozen times;10·······/˘·
"'St--'St," he'd whisper, "the Corregidor!"11·˘/·/˘·˘/˘˘
I had been used to think that personage10·······/˘˘
Was one with lacquered breeches, lustrous belt,10···/˘/˘/˘·
And feathers like a forest in his hat,10·/˘··/˘···
Who blew a trumpet and proclaimed the news,10···/˘·˘/··
Announced the bull-fights, gave each church its turn,10˘/········
And memorized the miracle in vogue!10·/˘··/˘˘··
He had a great observance from us boys;10····˘/˘···
We were in error; that was not the man.10···/˘·····
I'd like now, yet had happy been afraid,10·····/˘·˘/
To have just looked, when this man came to die,10··········
And seen who lined the clean gay garret-sides10·······/˘·
And stood about the neat low truckle-bed,10·······/˘·
With the heavenly manner of relieving guard.11··/˘/˘·˘/˘·
Here had been, mark, the general-in-chief,10·····/˘˘··
Thro' a whole campaign of the world's life and death,11···˘/······
Doing the King's work all the dim day long,10/˘········
In his old coat and up to knees in mud,10··········
Smoked like a herring, dining on a crust,10···/˘/˘···
And, now the day was won, relieved at once!10······˘/··
No further show or need for that old coat,10·/˘·······
You are sure, for one thing! Bless us, all the while11···········
How sprucely we are dressed out, you and I!11···········
A second, and the angels alter that.10·/˘··/˘/˘·
Well, I could never write a verse--could you?10···/˘·····
Let's to the Prado and make the most of time.11···/˘······

On this poem

"How it Strikes a Contemporary" is a portrait of the Poet as the unpoetic gossiping public of his day sees him. It is humorously colored by the alien point of view of the speaker, who suspects without understanding either the greatness of the poet's spiritual personality and mission, or the nature of his life, which is withdrawn from that of the commonalty, yet spent in clear-sighted universal sympathies and kindly mediation between Humanity and its God.

3. Valladolid: the royal city of the kings of Castile, before Philip II moved the Court to Madrid, where Cervantes, Calderon, and Las Casas lived and Columbus died.

76. Titian: pictures by the Venetian, Tiziano Vecellio (1477-1576), glowing in color, presumably of large golden-haired women like his famous Venus.

90. Corregidor: the Spanish title for a magistrate, literally, a corrector, from corregir, to correct.

I am a goddess of the ambrosia courts, And save by Here, Queen of Pride, surpassed By none whose temples whiten this the world. Through heaven I roll my lucid moon along; I shed in hell o'er my pale people peace; On earth I, caring for the creatures, guard Each pregnant yellow wolf and fox-bitch sleek, And every feathered mother's callow brood, And all that love green haunts and loneliness. Of men, the chaste adore me, hanging crowns 10 Of poppies red to blackness, bell and stem, Upon my image at Athenai here; And this dead Youth, Asclepios bends above, Was dearest to me. He, my buskined step To follow through the wild-wood leafy ways, And chase the panting stag, or swift with darts Stop the swift ounce, or lay the leopard low, Neglected homage to another god: Whence Aphrodite, by no midnight smoke Of tapers lulled, in jealousy despatched 20 A noisome lust that, as the gad bee stings, Possessed his stepdame Phaidra for himself The son of Theseus her great absent spouse. Hippolutos exclaiming in his rage Against the fury of the Queen, she judged Life insupportable; and, pricked at heart An Amazonian stranger's race should dare To scorn her, perished by the murderous cord: Yet, ere she perished, blasted in a scroll The fame of him her swerving made not swerve. 30 And Theseus, read, returning, and believed, And exiled, in the blindness of his wrath, The man without a crime who, last as first, Loyal, divulged not to his sire the truth, Now Theseus from Poseidon had obtained That of his wishes should be granted three, And one he imprecated straight--"Alive May ne'er Hippolutos reach other lands!" Poseidon heard, ai ai! And scarce the prince Had stepped into the fixed boots of the car 40 That give the feet a stay against the strength Of the Henetian horses, and around His body flung the rein, and urged their speed Along the rocks and shingles at the shore, When from the gaping wave a monster flung His obscene body in the coursers' path. These, mad with terror, as the sea-bull sprawled Wallowing about their feet, lost care of him That reared them; and the master-chariot-pole Snapping beneath their plunges like a reed, 50 Hippolutos, whose feet were trammelled fast, Was yet dragged forward by the circling rein Which either hand directed; nor they quenched The frenzy of their flight before each trace, Wheel-spoke and splinter of the woful car, Each boulder-stone, sharp stub and spiny shell, Huge fish-bone wrecked and wreathed amid the sands On that detested beach, was bright with blood And morsels of his flesh; then fell the steeds Head foremost, crashing in their mooned fronts, 60 Shivering with sweat, each white eye horror-fixed. His people, who had witnessed all afar, Bore back the ruins of Hippolutos. But when his sire, too swoln with pride, rejoiced (Indomitable as a man foredoomed) That vast Poseidon had fulfilled his prayer, I, in a flood of glory visible, Stood o'er my dying votary and, deed By deed, revealed, as all took place, the truth. Then Theseus lay the wofullest of men, 70 And worthily; but ere the death-veils hid His face, the murdered prince full pardon breathed To his rash sire. Whereat Athenai wails.

So I, who ne'er forsake my votaries, Lest in the cross-way none the honey-cake Should tender, nor pour out the dog's hot life; Lest at my fane the priests disconsolate Should dress my image with some faded poor Few crowns, made favors of, nor dare object Such slackness to my worshippers who turn 80 Elsewhere the trusting heart and loaded hand, As they had climbed Olumpos to report Of Artemis and nowhere found her throne-- I interposed: and, this eventful night (While round the funeral pyre the populace Stood with fierce light on their black robes which bound Each sobbing head, while yet their hair they clipped O'er the dead body of their withered prince, And, in his palace, Theseus prostrated On the cold hearth, his brow cold as the slab 90 'T was bruised on, groaned away the heavy grief-- As the pyre fell, and down the cross logs crashed Sending a crowd of sparkles through the night, And the gay fire, elate with mastery, Towered like a serpent o'er the clotted jars Of wine, dissolving oils and frankincense, And splendid gums like gold) my potency Conveyed the perished man to my retreat In the thrice-venerable forest here. And this white-bearded sage who squeezes now 100 The berried plant, is Phoibos' son of fame, Asclepios, whom my radiant brother taught The doctrine of each herb and flower and root, To know their secret'st virtue and express The saving soul of all: who so has soothed With layers the torn brow and murdered cheeks, Composed the hair and brought its gloss again, And called the red bloom to the pale skin back, And laid the strips and lagged ends of flesh Even once more, and slacked the sinew's knot 110 Of every tortured limb--that now he lies As if mere sleep possessed him underneath These interwoven oaks and pines. Oh cheer, Divine presenter of the healing rod, Thy snake, with ardent throat and lulling eye, Twines his lithe spires around! I say, much cheer! Proceed thou with thy wisest pharmacies! And ye, white crowd of woodland sister-nymphs, Ply, as the sage directs, these buds and leaves That strew the turf around the twain! While I 120 Await, in fitting silence, the event.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Robert Browning