Retrospect

Rupert Brooke (1887–1915) · 1915

iambic tetrameter · octosyllabic couplets · 40 lines · from 1914 and Other Poems

In your arms was still delight,Quiet as a street at night;And thoughts of you, I do remember,Were green leaves in a darkened chamber,Were dark clouds in a moonless sky.Love, in you, went passing by,Penetrative, remote, and rare,Like a bird in the wide air,And, as the bird, it left no traceIn the heaven of your face.In your stupidity I foundThe sweet hush after a sweet sound.All about you was the lightThat dims the greying end of night;Desire was the unrisen sun,Joy the day not yet begun,With tree whispering to tree,Without wind, quietly.Wisdom slept within your hair,And Long-Suffering was there,And, in the flowing of your dress,Undiscerning Tenderness.And when you thought, it seemed to me,Infinitely, and like a sea,About the slight world you had knownYour vast unconsciousness was thrown....

O haven without wave or tide!Silence, in which all songs have died!Holy book, where hearts are still!And home at length under the hill!O mother quiet, breasts of peace,Where love itself would faint and cease!O infinite deep I never knew,I would come back, come back to you,Find you, as a pool unstirred,Kneel down by you, and never a word,Lay my head, and nothing said,In your hands, ungarlanded;And a long watch you would keep;And I should sleep, and I should sleep!

Words in this poem

moonless a.
Being without a moon or moonlight.
went n.
Course; way; path; journey; direction.
penetrative a.
Tending to penetrate; of a penetrating quality; piercing; as, the penetrative sun. [Cf. F. pénétratif.]
undiscerning n.
Want of discernment. Spectator.
kneel v. i.
To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Retrospect is in the public domain. This text is taken from 1914, and Other Poems, Project Gutenberg ebook #33902; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Rupert Brooke, Retrospect, in 1914 and Other Poems (1915), text of Project Gutenberg ebook #33902, Laurel, https://laurelpoetry.com/poem/brooke-1914/retrospect.html, id L04733.

Form and metre

Retrospect is 40 lines in 2 verse paragraphs. It is in rhyming couplets, 85% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 84%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 7.6 syllables. 5 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA--BBCCDDEEAAFFG-CCHHGGII delightA · nightA · remember · chamber · skyB · byB · rareC · airC · traceD · faceD · foundE · soundE · lightA · nightA · sunF · begunF · treeG · quietly · hairC · thereC · dressH · tendernessH · meG · seaG · knownI · thrownI
  2. 2 AABBCCDDEE-EFF tideA · diedA · stillB · hillB · peaceC · ceaseC · knewD · youD · unstirredE · wordE · said · ungarlandedE · keepF · sleepF
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
In your arms was still delight,7·····˘/
Quiet as a street at night;7/˘·····
And thoughts of you, I do remember,9······˘/˘
Were green leaves in a darkened chamber,9·····/˘/˘
Were dark clouds in a moonless sky.8·····/˘·
Love, in you, went passing by,7····/˘·
Penetrative, remote, and rare,8/˘˘˘˘/··
Like a bird in the wide air,7·······
And, as the bird, it left no trace8········
In the heaven of your face.7··/˘···
In your stupidity I found8··˘/˘˘··
The sweet hush after a sweet sound.8········
All about you was the light7·······
That dims the greying end of night;8···/˘···
Desire was the unrisen sun,8˘/······
Joy the day not yet begun,7·····˘/
With tree whispering to tree,7··/˘˘··
Without wind, quietly.6···/˘˘
Wisdom slept within your hair,7/˘·····
And Long-Suffering was there,7··/˘˘··
And, in the flowing of your dress,8···/˘···
Undiscerning Tenderness.7····/˘˘
And when you thought, it seemed to me,8········
Infinitely, and like a sea,8/˘˘˘····
About the slight world you had known8········
Your vast unconsciousness was thrown....8···/˘˘··
O haven without wave or tide!8·/˘·····
Silence, in which all songs have died!8/˘······
Holy book, where hearts are still!7/˘·····
And home at length under the hill!8········
O mother quiet, breasts of peace,8·/˘/˘···
Where love itself would faint and cease!8··˘/····
O infinite deep I never knew,8·/˘˘··/·
I would come back, come back to you,8········
Find you, as a pool unstirred,8·······˘
Kneel down by you, and never a word,8·····/··
Lay my head, and nothing said,7····/˘·
In your hands, ungarlanded;7·······
And a long watch you would keep;7·······
And I should sleep, and I should sleep!8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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