Stanzas

Charlotte, Emily and Anne Brontë (1816–1855) · 1846

iambic pentameter · ABAB · 48 lines · from Poems by Currer, Ellis, and Acton Bell

Often rebuked, yet always back returningTo those first feelings that were born with me,And leaving busy chase of wealth and learningFor idle dreams of things which cannot be:

To-day, I will seek not the shadowy region;Its unsustaining vastness waxes drear;And visions rising, legion after legion,Bring the unreal world too strangely near.

I'll walk, but not in old heroic traces,And not in paths of high morality,And not among the half-distinguished faces,The clouded forms of long-past history.

I'll walk where my own nature would be leading:It vexes me to choose another guide:Where the grey flocks in ferny glens are feeding;Where the wild wind blows on the mountain side.

What have those lonely mountains worth revealing?More glory and more grief than I can tell:The earth that wakes one human heart to feelingCan centre both the worlds of Heaven and Hell.

No coward soul is mine,No trembler in the world's storm-troubled sphere:I see Heaven's glories shine,And faith shines equal, arming me from fear.

O God within my breast,Almighty, ever-present Deity!Life--that in me has rest,As I--undying Life--have power in thee!

Vain are the thousand creedsThat move men's hearts: unutterably vain;Worthless as withered weeds,Or idlest froth amid the boundless main,

To waken doubt in oneHolding so fast by thine infinity;So surely anchored onThe stedfast rock of immortality.

With wide-embracing loveThy spirit animates eternal years,Pervades and broods above,Changes, sustains, dissolves, creates, and rears.

Though earth and man were gone,And suns and universes ceased to be,And Thou were left alone,Every existence would exist in Thee.

There is not room for Death,Nor atom that his might could render void:Thou--THOU art Being and Breath,And what THOU art may never be destroyed.

Words in this poem

wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
drear n.
Sadness; dismalness.
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
ferny a.
Abounding in ferns.
centre v. i.
To be placed in a center; to be central.
trembler n.
One who trembles.
arming n.
The act of furnishing with, or taking, arms.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
waken v. i.
To wake; to cease to sleep; to be awakened. [OE. waknen, AS. wæcnan; akin to Goth. gawaknan. See Wake, v. i.]
anchored a.
Held by an anchor; at anchor; held safely; as, an anchored bark; also, shaped like an anchor; forked; as, an anchored tongue.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Stanzas is in the public domain. This text is taken from Poems by Currer, Ellis, and Acton Bell, Project Gutenberg ebook #1019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Charlotte, Emily and Anne Brontë, Stanzas, in Poems by Currer, Ellis, and Acton Bell (1846), text of Project Gutenberg ebook #1019, Laurel, https://laurelpoetry.com/poem/bronte-poems/stanzas-5.html, id L13284.

Form and metre

Stanzas is 48 lines in 12 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 8 of its 12 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 91%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 8.9 syllables. 15 lines end on an unstressed syllable, a feminine ending. 15% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB returningA · meB · learningA · beB
  2. 2 ABAB regionA · drearB · legionA · nearB
  3. 3 A-A- tracesA · morality · facesA · history
  4. 4 ABAB leadingA · guideB · feedingA · sideB
  5. 5 ABAB revealingA · tellB · feelingA · hellB
  6. 6 ABAB mineA · sphereB · shineA · fearB
  7. 7 A-A- breastA · deity · restA · thee
  8. 8 ABAB creedsA · vainB · weedsA · mainB
  9. 10 ABAB loveA · yearsB · aboveA · rearsB
  10. 11 -A-A gone · beA · alone · theeA
  11. 12 ABAB deathA · voidB · breathA · destroyedB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Often rebuked, yet always back returning11/˘˘/·/˘·˘/˘
To those first feelings that were born with me,10···/˘·····
And leaving busy chase of wealth and learning11·/˘/˘····/˘
For idle dreams of things which cannot be:10·/˘····/˘·
To-day, I will seek not the shadowy region;11·······/˘/˘
Its unsustaining vastness waxes drear;10·····/˘/˘·
And visions rising, legion after legion,11·/˘/˘/˘··/˘
Bring the unreal world too strangely near.9··˘/··/˘·
I'll walk, but not in old heroic traces,11······˘/˘/˘
And not in paths of high morality,9······˘/˘
And not among the half-distinguished faces,11······˘/˘/˘
The clouded forms of long-past history.9·/˘····/˘
I'll walk where my own nature would be leading:11·····/˘··/˘
It vexes me to choose another guide:10······˘/˘·
Where the grey flocks in ferny glens are feeding;11·····/˘··/˘
Where the wild wind blows on the mountain side.10·······/˘·
What have those lonely mountains worth revealing?11···/˘/˘·˘/˘
More glory and more grief than I can tell:10·/˘·······
The earth that wakes one human heart to feeling11·····/˘··/˘
Can centre both the worlds of Heaven and Hell.10·/˘····/··
No coward soul is mine,6·/˘···
No trembler in the world's storm-troubled sphere:10·/˘····/˘·
I see Heaven's glories shine,7··/˘/˘·
And faith shines equal, arming me from fear.10···/˘/˘···
O God within my breast,6······
Almighty, ever-present Deity!9˘/˘/˘//˘˘
Life--that in me has rest,6······
As I--undying Life--have power in thee!10··˘/˘··/··
Vain are the thousand creeds6···/˘·
That move men's hearts: unutterably vain;10··········
Worthless as withered weeds,7/˘·/˘˘·
Or idlest froth amid the boundless main,10····˘/·/˘·
To waken doubt in one6·/˘···
Holding so fast by thine infinity;9/˘····˘/˘
So surely anchored on7·/˘/˘˘·
The stedfast rock of immortality.9······˘/˘
With wide-embracing love6··˘/˘·
Thy spirit animates eternal years,8·//˘˘/˘·
Pervades and broods above,6˘/····
Changes, sustains, dissolves, creates, and rears.10/˘˘/˘/˘/··
Though earth and man were gone,6······
And suns and universes ceased to be,10···/˘·˘···
And Thou were left alone,6····˘/
Every existence would exist in Thee.10/˘˘/˘·˘/··
There is not room for Death,6······
Nor atom that his might could render void:10·/˘····/˘·
Thou--THOU art Being and Breath,7···/˘··
And what THOU art may never be destroyed.9·····/·˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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