Septuagesima
Now all the windows with frost are blinded,As punctual day with greedy smileLifts like a Cyclops evil-mindedHis ruddy eyeball over the isle.
In an hour 'tis paled, in an hour ascendedA dazzling light in the cloudless grey.Steel is the ice; the snow unblendedIs trod to dust on the white highway.
The lambkins frisk; the shepherd is meltingDrink for the ewes with a fire of straw:The red flames leap at the wild air peltingBitterly thro' the leafless shaw.
Around, from many a village steepleThe sabbath-bells hum over the snow:I give a blessing to parson and peopleAcross the fields as away I go.
Over the hills and over the meadowsGay is my way till day be done:Blue as the heaven are all the shadows,And every light is gold in the sun.
The sea keeps not the Sabbath day,His waves come rolling evermore;His noisy toil grindeth the shore,And all the cliff is drencht with spray.
Here as we sit, my love and I,Under the pine upon the hill,The sadness of the clouded sky,The bitter wind, the gloomy roar,The seamew's melancholy cryWith loving fancy suit but ill.
We talk of moons and cooling suns,Of geologic time and tide,The eternal sluggards that abideWhile our fair love so swiftly runs,
Of nature that doth half consentThat man should guess her dreary schemeLest he should live too well contentIn his fair house of mirth and dream:
Whose labour irks his ageing heart,His heart that wearies of desire,Being so fugitive a partOf what so slowly must expire.
She in her agelong toil and carePersistent, wearies not nor stays,Mocking alike hope and despair.
Days, that the thought of grief refuse,Days that are one with human art,Worthy of the Virgilian muse,Fit for the gaiety of Mozart.
Riding adown the country lanesOne day in spring,Heavy at heart with all the painsOf man's imagining:--
The mist was not yet melted quiteInto the sky:The small round sun was dazzling white,The merry larks sang high:
The grassy northern slopes were laidIn sparkling dew,Out of the slow-retreating shadeTurning from sleep anew:
Deep in the sunny vale a burnRan with the lane,O'erhung with ivy, moss and fernIt laughed in joyful strain:
And primroses shot long and lushTheir cluster'd cream;Robin and wren and amorous thrushCarol'd above the stream:
The stillness of the lenten airCall'd into soundThe motions of all life that wereIn field and farm around:
So fair it was, so sweet and bright,The jocund SpringAwoke in me the old delightOf man's imagining,
Riding adown the country lanes:The larks sang high.--O heart! for all thy griefs and painsThou shalt be loth to die.
Words in this poem 19
- punctual a.
- Consisting in a point; limited to a point; unextended. [F. ponctuel (cf. Sp.puntual, It. puntuale), from L. punctum point. See Point.]
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- cloudless a.
- Without a cloud; clear; bright.
- bitterly adv.
- In a bitter manner.
- shaw n.
- A thicket; a small wood or grove. [Obs. or Prov.Eng. & Scot.] [OE. schawe, scha, thicket, grove, AS. scaga; akin to Dan. skov, Sw. skog, Icel. sk.]
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- sadness n.
- Heaviness; firmness.
- cooling a.
- Adapted to cool and refresh; allaying heat.
- geologic a.
- Of or pertaining to geology, or the science of the earth. [Cf. F. géologique.]
- dreary a.
- Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
- virgilian a.
- Of or pertaining to Virgil, the Roman poet; resembling the style of Virgil. [Spelt also Vergilian.] [L. Virgilianus, better Vergilianus.]
- adown adv.
- From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- lush a.
- Full of juice or succulence. [Prob. an abbrev. of lushious, fr. luscious.]
- stillness n.
- The quality or state of being still; quietness; silence; calmness; inactivity.
- lenten n.
- Lent. Piers Plowman.
- jocund
- Merry; cheerful; gay; airy; lively; sportive. [L. jocundus, jucundus, orig., helpful, fr. juvare to help. See Aid.]
- shalt
- 2d per. sing. of Shall.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Septuagesima is in the public domain. This text is taken from The Poetical Works of Robert Bridges, Excluding the Eight Dramas, Project Gutenberg ebook #37804; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Bridges, Septuagesima, in The Growth of Love, and Other Poems (1873–1912), text of Project Gutenberg ebook #37804, Laurel, https://laurelpoetry.com/poem/bridges-shorter-poems/septuagesima.html, id L01810.
Form and metre
Septuagesima is 81 lines in 20 stanzas. The rhyme scheme is ABAB, complete in 14 of its 20 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 84%). 88% of its stressed syllables fall where the metre puts the beat. The lines average 7.9 syllables. 12 lines end on an unstressed syllable, a feminine ending. 38% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB blindedA · smileB · mindedA · isleB
- 2 ABAB ascendedA · greyB · unblendedA · highwayB
- 3 ABAB meltingA · strawB · peltingA · shawB
- 4 ABAB steepleA · snowB · peopleA · goB
- 5 ABAB meadowsA · doneB · shadowsA · sunB
- 6 ABBA dayA · evermoreB · shoreB · sprayA
- 7 ABA-AB iA · hillB · skyA · roar · cryA · illB
- 8 ABBA sunsA · tideB · abideB · runsA
- 9 ABAB consentA · schemeB · contentA · dreamB
- 10 A-A- heartA · desire · partA · expire
- 11 A-A careA · stays · despairA
- 12 ABAB refuseA · artB · museA · mozartB
- 13 ABAB lanesA · springB · painsA · imaginingB
- 14 ABAB quiteA · skyB · whiteA · highB
- 15 ABAB laidA · dewB · shadeA · anewB
- 16 ABAB burnA · laneB · fernA · strainB
- 17 ABAB lushA · creamB · thrushA · streamB
- 18 -A-A air · soundA · were · aroundA
- 19 ABAB brightA · springB · delightA · imaginingB
- 20 ABAB lanesA · highB · painsA · dieB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Now all the windows with frost are blinded, | 10 | ···/˘···/˘ |
| As punctual day with greedy smile | 8 | ·/˘··/˘· |
| Lifts like a Cyclops evil-minded | 9 | ···/·/˘/˘ |
| His ruddy eyeball over the isle. | 8 | ·/˘/···· |
| In an hour 'tis paled, in an hour ascended | 11 | ··/····/˘/˘ |
| A dazzling light in the cloudless grey. | 9 | ·/˘···/˘· |
| Steel is the ice; the snow unblended | 9 | ········· |
| Is trod to dust on the white highway. | 9 | ·······/· |
| The lambkins frisk; the shepherd is melting | 10 | ·····/˘·/˘ |
| Drink for the ewes with a fire of straw: | 9 | ······/·· |
| The red flames leap at the wild air pelting | 10 | ········/˘ |
| Bitterly thro' the leafless shaw. | 8 | /˘˘··/˘· |
| Around, from many a village steeple | 9 | ···/·/˘/˘ |
| The sabbath-bells hum over the snow: | 8 | ·/˘····· |
| I give a blessing to parson and people | 11 | ···/˘·/˘·/˘ |
| Across the fields as away I go. | 9 | ˘/···˘/·· |
| Over the hills and over the meadows | 8 | ······/· |
| Gay is my way till day be done: | 8 | ········ |
| Blue as the heaven are all the shadows, | 9 | ···/···/· |
| And every light is gold in the sun. | 9 | ·/˘······ |
| The sea keeps not the Sabbath day, | 8 | ·····/˘· |
| His waves come rolling evermore; | 8 | ···/˘/˘· |
| His noisy toil grindeth the shore, | 8 | ·/˘·/˘·· |
| And all the cliff is drencht with spray. | 8 | ········ |
| Here as we sit, my love and I, | 8 | ········ |
| Under the pine upon the hill, | 8 | ········ |
| The sadness of the clouded sky, | 8 | ·/˘··/˘· |
| The bitter wind, the gloomy roar, | 8 | ·/˘··/˘· |
| The seamew's melancholy cry | 8 | ···/˘·˘· |
| With loving fancy suit but ill. | 8 | ·/˘/˘··· |
| We talk of moons and cooling suns, | 8 | ·····/˘· |
| Of geologic time and tide, | 8 | ··˘/˘··· |
| The eternal sluggards that abide | 9 | ·˘/˘···˘/ |
| While our fair love so swiftly runs, | 8 | ·/···/˘· |
| Of nature that doth half consent | 8 | ·/˘···˘/ |
| That man should guess her dreary scheme | 8 | ·····/˘· |
| Lest he should live too well content | 8 | ······/˘ |
| In his fair house of mirth and dream: | 8 | ········ |
| Whose labour irks his ageing heart, | 8 | ·/······ |
| His heart that wearies of desire, | 9 | ···/˘·˘/˘ |
| Being so fugitive a part | 8 | /˘·/˘˘·· |
| Of what so slowly must expire. | 8 | ···/˘·˘/ |
| She in her agelong toil and care | 9 | ········· |
| Persistent, wearies not nor stays, | 8 | ˘/˘/˘··· |
| Mocking alike hope and despair. | 8 | /˘˘/··˘/ |
| Days, that the thought of grief refuse, | 8 | ······˘/ |
| Days that are one with human art, | 8 | ·····/˘· |
| Worthy of the Virgilian muse, | 9 | /˘··˘/˘˘· |
| Fit for the gaiety of Mozart. | 9 | ···/˘˘·/˘ |
| Riding adown the country lanes | 8 | /˘˘/·/˘· |
| One day in spring, | 4 | ···· |
| Heavy at heart with all the pains | 8 | /˘······ |
| Of man's imagining:-- | 6 | ··˘/˘˘ |
| The mist was not yet melted quite | 8 | ·····/˘· |
| Into the sky: | 4 | ···· |
| The small round sun was dazzling white, | 8 | ·····/˘· |
| The merry larks sang high: | 6 | ·/˘··· |
| The grassy northern slopes were laid | 8 | ·/˘/˘··· |
| In sparkling dew, | 4 | ·/˘· |
| Out of the slow-retreating shade | 8 | ····˘/˘· |
| Turning from sleep anew: | 6 | /˘··˘/ |
| Deep in the sunny vale a burn | 8 | ···/˘··· |
| Ran with the lane, | 4 | ···· |
| O'erhung with ivy, moss and fern | 8 | ···/˘··· |
| It laughed in joyful strain: | 7 | ··˘·/˘· |
| And primroses shot long and lush | 8 | ·/·˘···· |
| Their cluster'd cream; | 4 | ·/˘· |
| Robin and wren and amorous thrush | 8 | /˘···/˘· |
| Carol'd above the stream: | 6 | ······ |
| The stillness of the lenten air | 8 | ·/˘··/˘· |
| Call'd into sound | 4 | ···· |
| The motions of all life that were | 8 | ·/˘····· |
| In field and farm around: | 6 | ······ |
| So fair it was, so sweet and bright, | 8 | ········ |
| The jocund Spring | 4 | ·/˘· |
| Awoke in me the old delight | 8 | ˘/····˘/ |
| Of man's imagining, | 6 | ··˘/˘˘ |
| Riding adown the country lanes: | 8 | /˘˘/·/˘· |
| The larks sang high.-- | 4 | ···· |
| O heart! for all thy griefs and pains | 8 | ········ |
| Thou shalt be loth to die. | 6 | ······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.