On a Lady Whom Grief for the Death of Her Betrothed Killed
Assemble, all ye maidens, at the door,And all ye loves, assemble; far and wideProclaim the bridal, that proclaimed beforeHas been deferred to this late eventide:For on this night the bride,The days of her betrothal over,Leaves the parental hearth for evermore;To-night the bride goes forth to meet her lover.
Reach down the wedding vesture, that has lainYet all unvisited, the silken gown:Bring out the bracelets, and the golden chainHer dearer friends provided: sere and brownBring out the festal crown,And set it on her forehead lightly:Though it be withered, twine no wreath again;This only is the crown she can wear rightly.
Cloke her in ermine, for the night is cold,And wrap her warmly, for the night is long,In pious hands the flaming torches hold,While her attendants, chosen from amongHer faithful virgin throng,May lay her in her cedar litter,Decking her coverlet with sprigs of gold,Roses, and lilies white that best befit her.
Sound flute and tabor, that the bridal beNot without music, nor with these alone;But let the viol lead the melody,With lesser intervals, and plaintive moanOf sinking semitone;And, all in choir, the virgin voicesRest not from singing in skilled harmonyThe song that aye the bridegroom's ear rejoices.
Let the priests go before, arrayed in white,And let the dark-stoled minstrels follow slow,Next they that bear her, honoured on this night,And then the maidens, in a double row,Each singing soft and low,And each on high a torch upstaying:Unto her lover lead her forth with light,With music, and with singing, and with praying.
'Twas at this sheltering hour he nightly came,And found her trusty window open wide,And knew the signal of the timorous flame,That long the restless curtain would not hideHer form that stood beside;As scarce she dared to be delighted,Listening to that sweet tale, that is no shameTo faithful lovers, that their hearts have plighted.
But now for many days the dewy grassHas shown no markings of his feet at morn:And watching she has seen no shadow passThe moonlit walk, and heard no music borneUpon her ear forlorn.In vain has she looked out to greet him;He has not come, he will not come, alas!So let us bear her out where she must meet him.
Now to the river bank the priests are come:The bark is ready to receive its freight:Let some prepare her place therein, and someEmbark the litter with its slender weight:The rest stand by in state,And sing her a safe passage over;While she is oared across to her new home,Into the arms of her expectant lover.
And thou, O lover, that art on the watch,Where, on the banks of the forgetful streams,The pale indifferent ghosts wander, and snatchThe sweeter moments of their broken dreams,--Thou, when the torchlight gleams,When thou shalt see the slow procession,And when thine ears the fitful music catch,Rejoice, for thou art near to thy possession.
His poisoned shafts, that fresh he dipsIn juice of plants that no bee sips,He takes, and with his bow renown'dGoes out upon his hunting ground,Hanging his quiver at his hips.
He draws them one by one, and clipsTheir heads between his finger-tips,And looses with a twanging soundHis poisoned shafts.
But if a maiden with her lipsSuck from the wound the blood that drips,And drink the poison from the wound,The simple remedy is foundThat of their deadly terror stripsHis poisoned shafts.
When first we met we did not guessThat Love would prove so hard a master;Of more than common friendlinessWhen first we met we did not guess.Who could foretell this sore distress,This irretrievable disasterWhen first we met?--We did not guessThat Love would prove so hard a master.
All women born are so perverseNo man need boast their love possessing.If nought seem better, nothing's worse:All women born are so perverse.From Adam's wife, that proved a curseThough God had made her for a blessing,All women born are so perverseNo man need boast their love possessing.
It is a lady fairWhom once he deigned to praise,That at the door doth dareHer sad complaint to raise.
She must be fair of face,As bold of heart she seems,If she would match her graceWith the delight of dreams.
Her beauty would surpriseGazers on Autumn eves,Who watched the broad moon riseUpon the scattered sheaves.
O sweet must be the voiceHe shall descend to hear,Who doth in Heaven rejoiceHis most enchanted ear.
The smile, that rests to playUpon her lip, foretellsWhat musical arrayTricks her sweet syllables
And yet her smiles have dancedIn vain, if her discourseWin not the soul entrancedIn divine intercourse.
She will encounter allThis trial without shame,Her eyes men Beauty call,And Wisdom is her name.
Throw back the portals then,Ye guards, your watch that keep,Love will awake againThat lay so long asleep.
Words in this poem 24
- eventide n.
- The time of evening; evening. [AS. æfentid. See Tide.]
- betrothal n.
- The act of betrothing, or the fact of being betrothed; a mutual promise, engagement, or contract for a future marriage between the persons betrothed; betrothment; affiance.
- parental a.
- Of or pertaining to a parent or to parents; as, parental authority; parental obligations. [L. parentalis.]
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- sere n.
- Claw; talon. Chapman. [F. serre.]
- festal a.
- Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
- rightly adv.
- Straightly; directly; in front. [AS. richtlice.]
- warmly adv.
- In a warm manner; ardently.
- nightly a.
- Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- delighted a.
- Endowed with delight.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- moonlit a.
- Illumined by the moon.
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
- oared a.
- Furnished with oars; -- chiefly used in composition; as, a four- oared boat.
- forgetful a.
- Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
- torchlight n.
- The light of a torch, or of torches. Also adjectively; as, a torchlight procession.
- shalt
- 2d per. sing. of Shall.
- fitful a.
- Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
- friendliness n.
- The condition or quality of being friendly. Sir P. Sidney.
- irretrievable a.
- Not retrievable; irrecoverable; irreparable; as, an irretrievable loss.
- disaster n.
- An unpropitious or baleful aspect of a planet or star; malevolent influence of a heavenly body; hence, an ill portent. [F. désastre; pref. dés- (L. dis-) + astre star, fr. L. astrum; a word of astrological origin. See Aster, Astral, Star.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
On a Lady Whom Grief for the Death of Her Betrothed Killed is in the public domain. This text is taken from The Poetical Works of Robert Bridges, Excluding the Eight Dramas, Project Gutenberg ebook #37804; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Bridges, On a Lady Whom Grief for the Death of Her Betrothed Killed, in Poetical Works (1873–1912), text of Project Gutenberg ebook #37804, Laurel, https://laurelpoetry.com/poem/bridges-shorter-poems/on-a-lady-whom-grief-for-the-death-of-her-betrothed-killed.html, id L01752.
Form and metre
On a Lady Whom Grief for the Death of Her Betrothed Killed is 135 lines in 22 stanzas. The commonest rhyme scheme is ABAB, in 8 of the 22 stanzas; the rest vary or could not be confirmed. 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.3 syllables. 25 lines end on an unstressed syllable, a feminine ending. 35% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABB-A- doorA · wideB · beforeA · eventideB · brideB · over · evermoreA · lover
- 2 ABABBCAC lainA · gownB · chainA · brownB · crownB · lightlyC · againA · rightlyC
- 3 ABA-B-A- coldA · longB · holdA · among · throngB · litter · goldA · her
- 4 -A-AAB-B be · aloneA · melody · moanA · semitoneA · voicesB · harmony · rejoicesB
- 5 ABABBCAC whiteA · slowB · nightA · rowB · lowB · upstayingC · lightA · prayingC
- 6 ABABBCAC cameA · wideB · flameA · hideB · besideB · delightedC · shameA · plightedC
- 7 ABABBCAC grassA · mornB · passA · borneB · forlornB · himC · alasA · himC
- 8 ABABB-A- comeA · freightB · someA · weightB · stateB · over · homeA · lover
- 9 -ABAACBC watch · streamsA · snatchB · dreamsA · gleamsA · processionC · catchB · possessionC
- 10 AABBA dipsA · sipsA · renown'dB · groundB · hipsA
- 11 AA-- clipsA · tipsA · sound · shafts
- 12 AABBA- lipsA · dripsA · woundB · foundB · stripsA · shafts
- 13 ABAAABAB guessA · masterB · friendlinessA · guessA · distressA · disasterB · guessA · masterB
- 14 ABAAABAB perverseA · possessingB · worseA · perverseA · curseA · blessingB · perverseA · possessingB
- 15 ABAB fairA · praiseB · dareA · raiseB
- 16 ABAB faceA · seemsB · graceA · dreamsB
- 17 ABAB surpriseA · evesB · riseA · sheavesB
- 18 ABAB voiceA · hearB · rejoiceA · earB
- 19 ABAB playA · foretellsB · arrayA · syllablesB
- 20 ABAB dancedA · discourseB · entrancedA · intercourseB
- 21 ABAB allA · shameB · callA · nameB
- 22 ABAB thenA · keepB · againA · asleepB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Assemble, all ye maidens, at the door, | 10 | ˘/˘··/˘··· |
| And all ye loves, assemble; far and wide | 10 | ····˘/˘··· |
| Proclaim the bridal, that proclaimed before | 10 | ˘/·/˘·˘/·· |
| Has been deferred to this late eventide: | 10 | ··˘/···/˘˘ |
| For on this night the bride, | 6 | ······ |
| The days of her betrothal over, | 9 | ····˘/˘·· |
| Leaves the parental hearth for evermore; | 10 | ··˘/˘··/˘· |
| To-night the bride goes forth to meet her lover. | 11 | ·········/˘ |
| Reach down the wedding vesture, that has lain | 10 | ···/˘/˘··· |
| Yet all unvisited, the silken gown: | 10 | ·······/˘· |
| Bring out the bracelets, and the golden chain | 10 | ···/˘··/˘· |
| Her dearer friends provided: sere and brown | 10 | ·/˘·˘/˘··· |
| Bring out the festal crown, | 6 | ···/˘· |
| And set it on her forehead lightly: | 9 | ·····/˘/˘ |
| Though it be withered, twine no wreath again; | 10 | ···/˘···˘/ |
| This only is the crown she can wear rightly. | 11 | ·/˘······/˘ |
| Cloke her in ermine, for the night is cold, | 10 | ···/˘····· |
| And wrap her warmly, for the night is long, | 10 | ···/˘····· |
| In pious hands the flaming torches hold, | 10 | ·/˘··/˘/˘· |
| While her attendants, chosen from among | 10 | ··˘/˘/˘··· |
| Her faithful virgin throng, | 6 | ·/˘/˘· |
| May lay her in her cedar litter, | 9 | ·····/˘/˘ |
| Decking her coverlet with sprigs of gold, | 10 | /˘·/˘˘···· |
| Roses, and lilies white that best befit her. | 11 | /˘·/˘···˘/· |
| Sound flute and tabor, that the bridal be | 10 | ···/˘··/˘· |
| Not without music, nor with these alone; | 10 | ···/˘···˘/ |
| But let the viol lead the melody, | 10 | ···/˘··/˘˘ |
| With lesser intervals, and plaintive moan | 10 | ·/˘/˘˘·/˘· |
| Of sinking semitone; | 6 | ·/˘/˘˘ |
| And, all in choir, the virgin voices | 10 | ···/˘·/˘/˘ |
| Rest not from singing in skilled harmony | 10 | ···/˘··/˘˘ |
| The song that aye the bridegroom's ear rejoices. | 11 | ·····/··˘/˘ |
| Let the priests go before, arrayed in white, | 10 | ······˘/·· |
| And let the dark-stoled minstrels follow slow, | 10 | ·····/˘/˘· |
| Next they that bear her, honoured on this night, | 10 | ·····/˘··· |
| And then the maidens, in a double row, | 10 | ···/˘··/˘· |
| Each singing soft and low, | 6 | ·/˘··· |
| And each on high a torch upstaying: | 8 | ········ |
| Unto her lover lead her forth with light, | 10 | ···/˘····· |
| With music, and with singing, and with praying. | 11 | ·/˘··/˘··/˘ |
| 'Twas at this sheltering hour he nightly came, | 10 | ···/˘/·/˘· |
| And found her trusty window open wide, | 10 | ···/˘/˘/˘· |
| And knew the signal of the timorous flame, | 10 | ···/˘··/˘· |
| That long the restless curtain would not hide | 10 | ···/˘/˘··· |
| Her form that stood beside; | 6 | ····˘/ |
| As scarce she dared to be delighted, | 10 | ····˘··˘/˘ |
| Listening to that sweet tale, that is no shame | 10 | /˘········ |
| To faithful lovers, that their hearts have plighted. | 11 | ·/˘/˘····/˘ |
| But now for many days the dewy grass | 10 | ···/˘··/˘· |
| Has shown no markings of his feet at morn: | 10 | ···/˘····· |
| And watching she has seen no shadow pass | 10 | ·/˘····/·· |
| The moonlit walk, and heard no music borne | 10 | ·/·····/˘· |
| Upon her ear forlorn. | 6 | ····˘/ |
| In vain has she looked out to greet him; | 10 | ·····˘···· |
| He has not come, he will not come, alas! | 10 | ········˘/ |
| So let us bear her out where she must meet him. | 11 | ··········· |
| Now to the river bank the priests are come: | 10 | ···/˘····· |
| The bark is ready to receive its freight: | 10 | ···/˘·˘/·· |
| Let some prepare her place therein, and some | 10 | ··˘/······ |
| Embark the litter with its slender weight: | 10 | ˘/·/˘··/˘· |
| The rest stand by in state, | 6 | ······ |
| And sing her a safe passage over; | 9 | ·····/˘·· |
| While she is oared across to her new home, | 10 | ····˘/···· |
| Into the arms of her expectant lover. | 11 | ······˘/˘/˘ |
| And thou, O lover, that art on the watch, | 10 | ···/˘····· |
| Where, on the banks of the forgetful streams, | 10 | ······˘/˘· |
| The pale indifferent ghosts wander, and snatch | 10 | ··˘/˘·/˘·· |
| The sweeter moments of their broken dreams,-- | 10 | ·/˘/˘··/˘· |
| Thou, when the torchlight gleams, | 6 | ···/˘· |
| When thou shalt see the slow procession, | 9 | ······˘/˘ |
| And when thine ears the fitful music catch, | 10 | ·····/˘/˘· |
| Rejoice, for thou art near to thy possession. | 11 | ˘/······˘/˘ |
| His poisoned shafts, that fresh he dips | 9 | ·/˘˘····· |
| In juice of plants that no bee sips, | 8 | ········ |
| He takes, and with his bow renown'd | 8 | ······˘/ |
| Goes out upon his hunting ground, | 8 | ·····/˘· |
| Hanging his quiver at his hips. | 8 | /˘·/˘··· |
| He draws them one by one, and clips | 8 | ········ |
| Their heads between his finger-tips, | 8 | ·····/˘· |
| And looses with a twanging sound | 8 | ·/˘··/˘· |
| His poisoned shafts. | 4 | ·/˘· |
| But if a maiden with her lips | 8 | ···/˘··· |
| Suck from the wound the blood that drips, | 8 | ········ |
| And drink the poison from the wound, | 8 | ···/˘··· |
| The simple remedy is found | 8 | ·/˘/˘˘·· |
| That of their deadly terror strips | 8 | ···/˘/˘· |
| His poisoned shafts. | 4 | ·/˘· |
| When first we met we did not guess | 8 | ········ |
| That Love would prove so hard a master; | 9 | ·······/˘ |
| Of more than common friendliness | 8 | ···/˘/˘˘ |
| When first we met we did not guess. | 8 | ········ |
| Who could foretell this sore distress, | 8 | ··˘/··˘/ |
| This irretrievable disaster | 9 | ······˘/˘ |
| When first we met?--We did not guess | 8 | ········ |
| That Love would prove so hard a master. | 9 | ·······/˘ |
| All women born are so perverse | 8 | ·/˘···˘/ |
| No man need boast their love possessing. | 9 | ······˘/˘ |
| If nought seem better, nothing's worse: | 8 | ···/˘/˘· |
| All women born are so perverse. | 8 | ·/˘···˘/ |
| From Adam's wife, that proved a curse | 9 | ·/˘···˘·· |
| Though God had made her for a blessing, | 9 | ·······/˘ |
| All women born are so perverse | 8 | ·/˘···˘/ |
| No man need boast their love possessing. | 9 | ······˘/˘ |
| It is a lady fair | 6 | ···/˘· |
| Whom once he deigned to praise, | 6 | ······ |
| That at the door doth dare | 6 | ······ |
| Her sad complaint to raise. | 6 | ··˘/·· |
| She must be fair of face, | 6 | ······ |
| As bold of heart she seems, | 6 | ······ |
| If she would match her grace | 6 | ······ |
| With the delight of dreams. | 6 | ··˘/·· |
| Her beauty would surprise | 6 | ·/˘·˘/ |
| Gazers on Autumn eves, | 6 | ···/˘· |
| Who watched the broad moon rise | 6 | ······ |
| Upon the scattered sheaves. | 6 | ···/˘· |
| O sweet must be the voice | 6 | ······ |
| He shall descend to hear, | 6 | ··˘/·· |
| Who doth in Heaven rejoice | 7 | ···/˘˘/ |
| His most enchanted ear. | 6 | ··˘/˘· |
| The smile, that rests to play | 6 | ······ |
| Upon her lip, foretells | 6 | ····˘/ |
| What musical array | 6 | ·/˘˘˘/ |
| Tricks her sweet syllables | 6 | ···/˘˘ |
| And yet her smiles have danced | 6 | ······ |
| In vain, if her discourse | 6 | ····/˘ |
| Win not the soul entranced | 6 | ····˘/ |
| In divine intercourse. | 6 | ·˘//˘· |
| She will encounter all | 6 | ··˘/˘· |
| This trial without shame, | 6 | ·/˘··· |
| Her eyes men Beauty call, | 6 | ···/˘· |
| And Wisdom is her name. | 6 | ·/˘··· |
| Throw back the portals then, | 6 | ···/˘· |
| Ye guards, your watch that keep, | 6 | ······ |
| Love will awake again | 6 | ··˘/˘/ |
| That lay so long asleep. | 6 | ····˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.