The Harp of Hoel

William Lisle Bowles (1762–1850) · 1789–1837

iambic tetrameter · ABAAB · 125 lines · from The Poetical Works, Volume I

It was a high and holy sight,When Baldwin and his train,With cross and crosier gleaming bright,Came chanting slow the solemn rite,To Gwentland's pleasant plain.

High waved before, in crimson pride,The banner of the Cross;The silver rood was then descried,While deacon youths, from side to side,The fuming censer toss.

The monks went two and two along,And winding through the glade,Sang, as they passed, a holy song,And harps and citterns, 'mid the throng,A mingled music made.

They ceased; when lifting high his hand,The white-robed prelate cried:Arise, arise, at Christ's command,To fight for his name in the Holy Land,Where a Saviour lived and died!

With gloves of steel, and good broadsword,And plumed helm of brass,Hoel, Landoga's youthful lord,To hear the father's holy word,Came riding to the pass.

More earnestly the prelate spake:Oh, heed no earthly loss!He who will friends and home forsake,Now let him kneel, and fearless takeThe sign of the Holy Cross.

Then many a maid her tresses rent,And did her love implore:Oh, go not thou to banishment!For me, and the pleasant vales of Gwent,Thou never wilt see more.

And many a mother, pale with fears,Did kiss her infant son;Said, Who will shield thy helpless years,Who dry thy widowed mother's tears,When thy brave father's gone?

GOD, with firm voice the prelate cried,God will the orphan bless;Sustain the widow's heart, and guideThrough the hard world, obscure and wild,The poor and fatherless.

Then might you see a shade o'ercastBrave Hoel's ruddy hue,But soon the moment's thought is past:--Hark, hark, 'tis the trumpet's stirring blast!And he grasped his bow of yew.

Then might you see a moment's gloomSit in brave Hoel's eye:Make in the stranger's land my tomb,I follow thee, be it my doom,O CHRIST, to live or die!

No more he thought, though rich in fee,Of any earthly loss,But lighting, on his bended knee,Said, Father, here I take from theeThe sign of the Holy Cross.

I have a wife, to me more dearThen is my own heart's blood;I have a child, (a starting tear,Which soon he dried, of love sincere,On his stern eyelid stood);

To them farewell! O God above,Thine is the fate of war;But oh! reward Gwenlhian's love,And may my son a comfort prove,When I am distant far!

Farewell, my harp!--away, away!To the field of death I go;Welcome the trumpet's blast, the neighOf my bold and barbed steed of gray,And the clang of the steel crossbow!

Gwenlhian sat in the hall at night,Counting the heavy hours;She saw the moon, with tranquil light,Shine on the circling mountain's height,And the dim castle towers.

Deep stillness was on hill and glen,When she heard a bugle blow;A trump from the watch-tower answered then,And the tramp of steeds, and the voice of men,Were heard in the court below.

The watch-dog started at the noise,Then crouched at his master's feet;He knew his step, he heard his voice;But who can now like her rejoice,Who flies her own lord to greet?

And soon her arms his neck enfold:But whence that altered mien!O say, then, is thy love grown cold,Or hast thou been hurt by the robbers bold,That won in the forest of Dean?

Oh no, he cried, the God above,Who all my soul can see,Knows my sincere, my fervent love;If aught my stern resolve could move,It were one tear from thee.

But I have sworn, in the Holy Land,--Need I the sequel speak;Too well, she cried, I understand!Then grasped in agony his hand,And hid her face on his cheek.

My loved Gwenlhian, weep not so,From the lid that tear I kiss;Though to the wars far off I go,Betide me weal, betide me woe,We yet may meet in bliss.

Fourteen suns their course had rolled,When firmly thus he spake;Hear now my last request: beholdThis ring, it is of purest gold,Love, keep it for my sake!

When summers seven have robed each tree,And clothed the vales with green,If I come not back, then thou art free,To wed or not, and to think of me,As I had never been!

Nay, answer not,--what wouldst thou say!Come, let my harp be brought;For the last time, I fain would play,Ere yet we part, our favourite lay,And cheat severer thought:

Words in this poem 21
baldwin n.
A kind of reddish, moderately acid, winter apple. [U.S.]
crosier n.
The pastoral staff of a bishop (also of an archbishop, being the symbol of his office as a shepherd of the flock of God. [OE. rocer, croser, croyser, fr. croce crosier, OF. croce, croche, F. crosse, fr. LL. crocea, crocia, from the same German or Celtic sourse as F. croc hook; akin]
rood n.
A representation in sculpture or in painting of the cross with Christ hanging on it. [AS. rr, D. roede rod, G. ruthe, rute, OHG. ruota. CF. Rod a measure.]
censer n.
A vessel for perfumes; esp. one in which incense is burned. [For incenser, fr. OF. encensier, F. encensoir, fr. LL. incensarium, incensorium, fr. L. incensum incense. See Incense, and cf. Incensory.]
went n.
Course; way; path; journey; direction.
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
saviour n.
One who saves, preserves, or delivers from destruction or danger. [OE. saveour, OF. salveor, F. sauveur, fr. L. salvator to save. See Save, v.]
broadsword n.
A sword with a broad blade and a cutting edge; a claymore.
kneel v. i.
To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
fatherless a.
Destitute of a living father; as, a fatherless child.
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
clang v. t.
To strike together so as to produce a ringing metallic sound. [L. clangere; akin to Gr. clank.]
stillness n.
The quality or state of being still; quietness; silence; calmness; inactivity.
crouched a.
Marked with the sign of the cross. Crouched friar. See Crutched friar, under Crutched.
enfold v. t.
To infold. See Infold.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
fervent a.
Hot; glowing; boiling; burning; as, a fervent summer. [F. fervent, L. fervens, -entis. p.pr. of fervere o the boiling hot, to boil, glow.]
aught n.
Property; possession. [AS. , fr. agan to own, p. p. ahte.]
sequel n.
That which follows; a succeeding part; continuation; as, the sequel of a man's advantures or history. [L. sequela, fr. sequit to follow: cf. F. séquelle a following. See Sue to follow.]
betide v. t.
To happen to; to befall; to come to ; as, woe betide the wanderer. [OE. bitiden; pref. bi-, be- + tiden, fr. AS. tidan, to happen, fr. tid time. See Tide.]
fain v. t.
To be glad ; to wish or desire.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Harp of Hoel is in the public domain. This text is taken from The Poetical Works of William Lisle Bowles, Vol. 1 With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan, Project Gutenberg ebook #18915; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Lisle Bowles, The Harp of Hoel, in The Poetical Works, Volume I (1789–1837), text of Project Gutenberg ebook #18915, Laurel, https://laurelpoetry.com/poem/bowles-sonnets/the-harp-of-hoel.html, id L09981.

Form and metre

The Harp of Hoel is 125 lines in 25 stanzas of 5 lines each. The rhyme scheme is ABAAB, complete in 19 of its 25 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 7.5 syllables. 4 lines end on an unstressed syllable, a feminine ending. 6% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAAB sightA · trainB · brightA · riteA · plainB
  2. 2 ABAAB prideA · crossB · descriedA · sideA · tossB
  3. 3 ABAAB alongA · gladeB · songA · throngA · madeB
  4. 4 ABAAB handA · criedB · commandA · landA · diedB
  5. 5 ABA-B broadswordA · brassB · lordA · word · passB
  6. 6 ABAAB spakeA · lossB · forsakeA · takeA · crossB
  7. 7 ABAAB rentA · imploreB · banishmentA · gwentA · moreB
  8. 8 A-AA- fearsA · son · yearsA · tearsA · gone
  9. 9 ABA-B criedA · blessB · guideA · wild · fatherlessB
  10. 10 ABAAB o'ercastA · hueB · pastA · blastA · yewB
  11. 11 ABAAB gloomA · eyeB · tombA · doomA · dieB
  12. 12 ABAAB feeA · lossB · kneeA · theeA · crossB
  13. 13 ABAAB dearA · bloodB · tearA · sincereA · stoodB
  14. 14 A-AA- aboveA · war · loveA · proveA · far
  15. 15 ABAAB awayA · goB · neighA · grayA · crossbowB
  16. 16 ABAAB nightA · hoursB · lightA · heightA · towersB
  17. 17 ABAAB glenA · blowB · thenA · menA · belowB
  18. 18 -ABBA noise · feetA · voiceB · rejoiceB · greetA
  19. 19 ABAAB enfoldA · mienB · coldA · boldA · deanB
  20. 20 ABAAB aboveA · seeB · loveA · moveA · theeB
  21. 21 ABAAB landA · speakB · understandA · handA · cheekB
  22. 22 ABAAB soA · kissB · goA · woeA · blissB
  23. 23 ABAAB rolledA · spakeB · beholdA · goldA · sakeB
  24. 24 A-AA- treeA · green · freeA · meA · been
  25. 25 ABAAB sayA · broughtB · playA · layA · thoughtB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
It was a high and holy sight,8·····/˘·
When Baldwin and his train,6·/˘···
With cross and crosier gleaming bright,8···/˘/˘·
Came chanting slow the solemn rite,8·/˘··/˘·
To Gwentland's pleasant plain.6···/˘·
High waved before, in crimson pride,9··˘···/˘·
The banner of the Cross;6·/˘···
The silver rood was then descried,7·/˘····
While deacon youths, from side to side,8·/˘·····
The fuming censer toss.6·/˘/˘·
The monks went two and two along,8······˘/
And winding through the glade,6·/˘···
Sang, as they passed, a holy song,9····˘·/˘·
And harps and citterns, 'mid the throng,8········
A mingled music made.6·/˘/˘·
They ceased; when lifting high his hand,9··˘·/˘···
The white-robed prelate cried:6···/˘·
Arise, arise, at Christ's command,8˘/˘/··˘/
To fight for his name in the Holy Land,10·······/˘·
Where a Saviour lived and died!7··/˘···
With gloves of steel, and good broadsword,8······/·
And plumed helm of brass,5·····
Hoel, Landoga's youthful lord,7····/˘·
To hear the father's holy word,8···/˘/˘·
Came riding to the pass.6·/˘···
More earnestly the prelate spake:8·/˘˘·/˘·
Oh, heed no earthly loss!6···/˘·
He who will friends and home forsake,8······˘/
Now let him kneel, and fearless take8·····/˘·
The sign of the Holy Cross.7····/˘·
Then many a maid her tresses rent,9·/˘···/˘·
And did her love implore:6····˘/
Oh, go not thou to banishment!8·····/˘˘
For me, and the pleasant vales of Gwent,9····/˘···
Thou never wilt see more.6·/˘···
And many a mother, pale with fears,9·/˘·/˘···
Did kiss her infant son;6···/˘·
Said, Who will shield thy helpless years,8·····/˘·
Who dry thy widowed mother's tears,9···/˘˘/˘·
When thy brave father's gone?6···/˘·
GOD, with firm voice the prelate cried,8·····/˘·
God will the orphan bless;6···/˘·
Sustain the widow's heart, and guide8˘/·/˘···
Through the hard world, obscure and wild,8····˘/··
The poor and fatherless.6···/˘˘
Then might you see a shade o'ercast8········
Brave Hoel's ruddy hue,5··/˘·
But soon the moment's thought is past:--8···/˘···
Hark, hark, 'tis the trumpet's stirring blast!9····/˘/˘·
And he grasped his bow of yew.7·······
Then might you see a moment's gloom8·····/˘·
Sit in brave Hoel's eye:5·····
Make in the stranger's land my tomb,8···/˘···
I follow thee, be it my doom,8·/˘·····
O CHRIST, to live or die!6······
No more he thought, though rich in fee,8········
Of any earthly loss,6·/˘/˘·
But lighting, on his bended knee,8·/˘··/˘·
Said, Father, here I take from thee8·/˘·····
The sign of the Holy Cross.7····/˘·
I have a wife, to me more dear8········
Then is my own heart's blood;6······
I have a child, (a starting tear,8·····/˘·
Which soon he dried, of love sincere,8······˘/
On his stern eyelid stood);6···/··
To them farewell! O God above,8···/····
Thine is the fate of war;6······
But oh! reward Gwenlhian's love,7··˘/···
And may my son a comfort prove,8·····/˘·
When I am distant far!6···/˘·
Farewell, my harp!--away, away!8·/··˘/˘/
To the field of death I go;7·······
Welcome the trumpet's blast, the neigh8/˘·/˘···
Of my bold and barbed steed of gray,9·····˘···
And the clang of the steel crossbow!8······/·
Gwenlhian sat in the hall at night,8········
Counting the heavy hours;7/˘·/˘/˘
She saw the moon, with tranquil light,8·····/˘·
Shine on the circling mountain's height,9···/˘˘/˘·
And the dim castle towers.7···/˘/˘
Deep stillness was on hill and glen,8·/˘·····
When she heard a bugle blow;7····/˘·
A trump from the watch-tower answered then,10·····/˘/˘·
And the tramp of steeds, and the voice of men,10··········
Were heard in the court below.7·······
The watch-dog started at the noise,8···/˘···
Then crouched at his master's feet;7····/˘·
He knew his step, he heard his voice;8········
But who can now like her rejoice,8······˘/
Who flies her own lord to greet?7·······
And soon her arms his neck enfold:8······˘/
But whence that altered mien!6···/˘·
O say, then, is thy love grown cold,8········
Or hast thou been hurt by the robbers bold,10·······/˘·
That won in the forest of Dean?8····/˘··
Oh no, he cried, the God above,8········
Who all my soul can see,6······
Knows my sincere, my fervent love;8··˘/·/˘·
If aught my stern resolve could move,8····˘/··
It were one tear from thee.6······
But I have sworn, in the Holy Land,--9······/˘·
Need I the sequel speak;6···/˘·
Too well, she cried, I understand!8······˘/
Then grasped in agony his hand,9··˘·/˘˘··
And hid her face on his cheek.7·······
My loved Gwenlhian, weep not so,7·······
From the lid that tear I kiss;7·······
Though to the wars far off I go,8········
Betide me weal, betide me woe,8˘/··˘/··
We yet may meet in bliss.6······
Fourteen suns their course had rolled,7·/·····
When firmly thus he spake;6·/˘···
Hear now my last request: behold8····˘/˘/
This ring, it is of purest gold,8·····/˘·
Love, keep it for my sake!6······
When summers seven have robed each tree,10·/˘/˘··˘··
And clothed the vales with green,6······
If I come not back, then thou art free,9·········
To wed or not, and to think of me,9·········
As I had never been!6···/˘·
Nay, answer not,--what wouldst thou say!8·/˘·····
Come, let my harp be brought;6······
For the last time, I fain would play,8········
Ere yet we part, our favourite lay,10····/˘····
And cheat severer thought:6······
Notes from the edition 3

Bowles's own notes to his Poetical Works (Project Gutenberg #18915).

  1. Stanza 1, line 2 Archbishop of Canterbury, who preached the Crusade in Wales.
  2. Stanza 1, line 5 Monmouthshire.
  3. Stanza 14, line 3 The Welsh tune is called the "Remembrance of Gwenlhian," the name of the woman.

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