Book III XII
Felix qui potuit boniFontem uisere lucidum,Felix qui potuit grauisTerrae soluere uincula.Quondam funera coniugisVates Threicius gemensPostquam flebilibus modisSiluas currere mobiles,Amnes stare coegerat,Iunxitque intrepidum latusSaeuis cerua leonibus,Nec uisum timuit lepusIam cantu placidum canem,Cum flagrantior intimaFeruor pectoris ureret,Nec qui cuncta subegerantMulcerent dominum modi,Inmites superos querensInfernas adiit domos.Illic blanda sonantibusChordis carmina temperansQuidquid praecipuis deaeMatris fontibus hauserat,Quod luctus dabat impotens,Quod luctum geminans amor,Deflet Taenara commouensEt dulci ueniam preceVmbrarum dominos rogat.Stupet tergeminus nouoCaptus carmine ianitor,Quae sontes agitant metuVltrices scelerum deaeIam maestae lacrimis madent.Non Ixionium caputVelox praecipitat rotaEt longa site perditusSpernit flumina Tantalus.Vultur dum satur est modis,Non traxit Tityi iecur.Tandem, 'Vincimur,' arbiterVmbrarum miserans ait,'Donamus comitem uiroEmptam carmine coniugem.Sed lex dona coerceat,Ne, dum Tartara liquerit,Fas sit lumina flectere.'Quis legem det amantibus?Maior lex amor est sibi.Heu, noctis prope terminosOrpheus Eurydicen suamVidit, perdidit, occidit.Vos haec fabula respicitQuicumque in superum diemMentem ducere quaeritis.Nam qui Tartareum in specusVictus lumina flexerit,Quidquid praecipuum trahitPerdit, dum uidet inferos."
Happy is he that can beholdThe well-spring whence all good doth rise,Happy is he that can unfoldThe bands with which the earth him ties.The Thracian poet whose sweet songPerformed his wife's sad obsequies,And forced the woods to run alongWhen he his mournful tunes did play,Whose powerful music was so strongThat it could make the rivers stay;The fearful hinds not daunted were,But with the lions took their way,Nor did the hare behold with fearThe dog whom these sweet notes appease.When force of grief drew yet more near,And on his heart did burning seize,Nor tunes which all in quiet boundCould any jot their master ease,The gods above too hard he found,And Pluto's palace visiting.He mixed sweet verses with the soundOf his loud harp's delightful string,All that he drank with thirsty draughtFrom his high mother's chiefest spring,All that his restless grief him taught,And love which gives grief double aid,With this even hell itself was caught,Whither he went, and pardon prayedFor his dear spouse (unheard request).The three-head porter was dismayed,Ravished with his unwonted guest,The Furies, which in tortures keepThe guilty souls with pains opprest,Moved with his song began to weep.Ixion's wheel now standing stillTurns not his head with motions steep.Though Tantalus might drink at will,To quench his thirst he would forbear.The vulture full with music shrillDoth not poor Tityus' liver tear.'We by his verses conquered are,'Saith the great King whom spirits fear.'Let us not then from him debarHis wife whom he with songs doth gain.Yet lest our gift should stretch too far,We will it with this law restrain,That when from hell he takes his flight,He shall from looking back refrain.'Who can for lovers laws indite?Love hath no law but her own will.Orpheus, seeing on the verge of nightEurydice, doth lose and killHer and himself with foolish love.But you this feigned tale fulfil,Who think unto the day aboveTo bring with speed your darksome mind.For if, your eye conquered, you moveBackward to Pluto left behind,All the rich prey which thence you took,You lose while back to hell you look."
Words in this poem 20
- quondam a.
- Having been formerly; former; sometime. [L., formerly.]
- quod v.
- Quoth; said. See Quoth.
- carmine n.
- A rich red or crimson color with a shade of purple. [F. carmin (cf. Sp. carmin, It. carminio), contr. from LL. carmesinus purple color. See Crimson.]
- caput n.
- The head; also, a knoblike protuberance or capitulum. [L., the head.]
- rota n.
- An ecclesiastical court of Rome, called also Rota Romana, that takes cognizance of suits by appeal. It consists of twelve members. [L. rota wheel. The name is said to allude to the design of the floor of the room in which the court used to sit, which was that of a wheel. See Rotary.]
- tandem adv.
- One after another; -- said especially of horses harnessed and driven one before another, instead of abreast. [L. tandem at length (of time only), punningly taken as meaning, lengthwise.]
- orpheus n.
- The famous mythic Thracian poet, son of the Muse Calliope, and husband of Eurydice. He is reputed to have had power to entrance beasts and inanimate objects by the music of his lyre.
- thracian a.
- Of or pertaining to Thrace, or its people.
- drank n.
- Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
- chiefest a.
- First or foremost; chief; principal. [Superl. of Chief.]
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- went n.
- Course; way; path; journey; direction.
- spouse v. t.
- To wed; to espouse. [See Espouse, and Spouse, n.]
- unheard a.
- Not heard; not perceived by the ear; as, words unheard by those present.
- unwonted a.
- Not wonted; unaccustomed; unused; not made familiar by practice; as, a child unwonted to strangers.
- saith
- 3d pers. sing. pres. of Say.
- debar v. t.
- To cut off from entrance, as if by a bar or barrier; to preclude; to hinder from approach, entry, or enjoyment; to shut out or exclude; to deny or refuse; -- with from, and sometimes with of. [Pref. de- + bar.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- indite v. t.
- To compose; to write; to be author of; to dictate; to prompt. [OE. enditen to indite, indict, OF. enditer to indicate, show, dictate, write, inform, and endicter to accuse; both fr. LL. indictare to show, to accuse, fr. L. ]
- darksome a.
- Dark; gloomy; obscure; shaded; cheerless.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Book III XII is in the public domain. This text is taken from The Theological Tractates and The Consolation of Philosophy, Project Gutenberg ebook #13316; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Boethius, Book III XII, in The Consolation of Philosophy (1918), text of Project Gutenberg ebook #13316, Laurel, https://laurelpoetry.com/poem/boethius-consolation/book-iii-xii.html, id L23720.
Form and metre
Book III XII is 118 lines in 2 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---------AAA--------------------------------------BB---BB- boni · lucidum · grauis · uincula · coniugis · gemens · modis · mobiles · coegerat · latusA · leonibusA · lepusA · canem · intima · ureret · subegerant · modi · querens · domos · sonantibus · temperans · deae · hauserat · impotens · amor · commouens · prece · rogat · nouo · ianitor · metu · deae · madent · caput · rota · perditus · tantalus · modis · iecur · arbiter · ait · uiro · coniugem · coerceat · liquerit · flectere · amantibus · sibi · terminos · suam · occiditB · respicitB · diem · quaeritis · specus · flexeritB · trahitB · inferos
- 2 ABABCBCDCD-DEFEFGFGHGH-H-I-IJIJKJKLKLMLMNMNONOPOPQPQR-RSRSTT beholdA · riseB · unfoldA · tiesB · songC · obsequiesB · alongC · playD · strongC · stayD · were · wayD · fearE · appeaseF · nearE · seizeF · boundG · easeF · foundG · visitingH · soundG · stringH · draught · springH · taught · aidI · caught · prayedI · requestJ · dismayedI · guestJ · keepK · opprestJ · weepK · stillL · steepK · willL · forbearM · shrillL · tearM · areN · fearM · debarN · gainO · farN · restrainO · flightP · refrainO · inditeP · willQ · nightP · killQ · loveR · fulfil · aboveR · mindS · moveR · behindS · tookT · lookT
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Felix qui potuit boni | 7 | /˘···/˘ |
| Fontem uisere lucidum, | 7 | ······· |
| Felix qui potuit grauis | 6 | /˘···· |
| Terrae soluere uincula. | 6 | ······ |
| Quondam funera coniugis | 8 | /˘······ |
| Vates Threicius gemens | 5 | ····· |
| Postquam flebilibus modis | 8 | ······/˘ |
| Siluas currere mobiles, | 6 | ····/˘ |
| Amnes stare coegerat, | 5 | ····· |
| Iunxitque intrepidum latus | 8 | ········ |
| Saeuis cerua leonibus, | 6 | ······ |
| Nec uisum timuit lepus | 7 | ······· |
| Iam cantu placidum canem, | 8 | ·/˘····· |
| Cum flagrantior intima | 7 | ······· |
| Feruor pectoris ureret, | 8 | ··/˘˘··· |
| Nec qui cuncta subegerant | 8 | ········ |
| Mulcerent dominum modi, | 8 | ······/˘ |
| Inmites superos querens | 7 | ······· |
| Infernas adiit domos. | 7 | ······· |
| Illic blanda sonantibus | 8 | ··/˘···· |
| Chordis carmina temperans | 8 | ········ |
| Quidquid praecipuis deae | 6 | ······ |
| Matris fontibus hauserat, | 8 | ········ |
| Quod luctus dabat impotens, | 8 | ········ |
| Quod luctum geminans amor, | 8 | ······/˘ |
| Deflet Taenara commouens | 7 | ······· |
| Et dulci ueniam prece | 6 | ······ |
| Vmbrarum dominos rogat. | 7 | ··/˘··· |
| Stupet tergeminus nouo | 7 | ······· |
| Captus carmine ianitor, | 7 | ··/˘··· |
| Quae sontes agitant metu | 7 | ······· |
| Vltrices scelerum deae | 6 | ······ |
| Iam maestae lacrimis madent. | 7 | ······· |
| Non Ixionium caput | 6 | ····˘/ |
| Velox praecipitat rota | 8 | ······/˘ |
| Et longa site perditus | 7 | ······· |
| Spernit flumina Tantalus. | 8 | ·····/˘˘ |
| Vultur dum satur est modis, | 9 | ·····˘//˘ |
| Non traxit Tityi iecur. | 7 | ······· |
| Tandem, 'Vincimur,' arbiter | 8 | /˘···/˘˘ |
| Vmbrarum miserans ait, | 6 | ······ |
| 'Donamus comitem uiro | 8 | ········ |
| Emptam carmine coniugem. | 7 | ··/˘··· |
| Sed lex dona coerceat, | 6 | ··/˘·· |
| Ne, dum Tartara liquerit, | 8 | ········ |
| Fas sit lumina flectere.' | 7 | ··/˘˘·· |
| Quis legem det amantibus? | 8 | ········ |
| Maior lex amor est sibi. | 8 | ··/˘˘/·· |
| Heu, noctis prope terminos | 7 | ······· |
| Orpheus Eurydicen suam | 8 | /˘˘····· |
| Vidit, perdidit, occidit. | 8 | ········ |
| Vos haec fabula respicit | 8 | ········ |
| Quicumque in superum diem | 7 | ······· |
| Mentem ducere quaeritis. | 7 | ······· |
| Nam qui Tartareum in specus | 8 | ········ |
| Victus lumina flexerit, | 8 | /˘/˘˘··· |
| Quidquid praecipuum trahit | 7 | ······· |
| Perdit, dum uidet inferos." | 8 | ········ |
| Happy is he that can behold | 8 | /˘····˘/ |
| The well-spring whence all good doth rise, | 8 | ········ |
| Happy is he that can unfold | 8 | /˘····˘/ |
| The bands with which the earth him ties. | 8 | ········ |
| The Thracian poet whose sweet song | 8 | ·/˘/˘··· |
| Performed his wife's sad obsequies, | 8 | ˘/···/˘˘ |
| And forced the woods to run along | 8 | ······˘/ |
| When he his mournful tunes did play, | 8 | ···/˘··· |
| Whose powerful music was so strong | 8 | ·/˘/˘··· |
| That it could make the rivers stay; | 8 | ·····/˘· |
| The fearful hinds not daunted were, | 8 | ·/˘··/˘· |
| But with the lions took their way, | 8 | ···/˘··· |
| Nor did the hare behold with fear | 8 | ····˘/·· |
| The dog whom these sweet notes appease. | 8 | ······˘/ |
| When force of grief drew yet more near, | 8 | ········ |
| And on his heart did burning seize, | 8 | ·····/˘· |
| Nor tunes which all in quiet bound | 8 | ·····/˘· |
| Could any jot their master ease, | 8 | ·/˘··/˘· |
| The gods above too hard he found, | 8 | ········ |
| And Pluto's palace visiting. | 8 | ·/˘/˘/˘˘ |
| He mixed sweet verses with the sound | 8 | ···/˘··· |
| Of his loud harp's delightful string, | 8 | ····˘/˘· |
| All that he drank with thirsty draught | 8 | ·····/˘· |
| From his high mother's chiefest spring, | 8 | ···/˘/˘· |
| All that his restless grief him taught, | 8 | ···/˘··· |
| And love which gives grief double aid, | 8 | ·····/˘· |
| With this even hell itself was caught, | 8 | ··/·˘/·· |
| Whither he went, and pardon prayed | 8 | /˘···/˘· |
| For his dear spouse (unheard request). | 8 | ····˘/˘/ |
| The three-head porter was dismayed, | 8 | ···/˘·˘/ |
| Ravished with his unwonted guest, | 8 | ····˘/˘· |
| The Furies, which in tortures keep | 8 | ·/˘··/˘· |
| The guilty souls with pains opprest, | 9 | ·/˘···/˘˘ |
| Moved with his song began to weep. | 8 | ····˘/·· |
| Ixion's wheel now standing still | 8 | ˘/˘··/˘· |
| Turns not his head with motions steep. | 8 | ·····/˘· |
| Though Tantalus might drink at will, | 8 | ·/˘˘···· |
| To quench his thirst he would forbear. | 8 | ······˘/ |
| The vulture full with music shrill | 8 | ·/˘··/˘· |
| Doth not poor Tityus' liver tear. | 8 | ·····/˘· |
| 'We by his verses conquered are,' | 8 | ···/˘/˘· |
| Saith the great King whom spirits fear. | 8 | ·····/˘· |
| 'Let us not then from him debar | 8 | ······˘/ |
| His wife whom he with songs doth gain. | 8 | ········ |
| Yet lest our gift should stretch too far, | 8 | ··/····· |
| We will it with this law restrain, | 8 | ······˘/ |
| That when from hell he takes his flight, | 8 | ········ |
| He shall from looking back refrain.' | 8 | ···/˘·˘/ |
| Who can for lovers laws indite? | 8 | ···/˘·˘/ |
| Love hath no law but her own will. | 8 | ········ |
| Orpheus, seeing on the verge of night | 8 | /˘/····· |
| Eurydice, doth lose and kill | 7 | ······· |
| Her and himself with foolish love. | 8 | ··˘/·/˘· |
| But you this feigned tale fulfil, | 8 | ····˘··· |
| Who think unto the day above | 8 | ········ |
| To bring with speed your darksome mind. | 8 | ·····/˘· |
| For if, your eye conquered, you move | 8 | ····/˘·· |
| Backward to Pluto left behind, | 8 | /˘·/˘··· |
| All the rich prey which thence you took, | 8 | ········ |
| You lose while back to hell you look." | 8 | ········ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.