Self-Denial

Robert Bloomfield (1766–1823) · 1802

iambic pentameter · 36 lines · from Rural Tales, Ballads and Songs

For now, his tide of gladness to oppose,A clay-cold damp of doubts and fears arose;Clouds, which involve, midst Love and Reason's strife,The poor man's prospect when he takes a wife.Though gay his journeys in the Summer's prime,Each seem'd the repetition of a crime;He never left her but with many a sigh,When tears stole down his face, she knew not why.Severe his task those visits to forego,And feed his heart with voluntary woe.Yet this he did; the wan Moon circling foundHis evenings cheerless, and his rest unsound;And saw th' unquenched flame his bosom swell:What were his doubts, thus let the Story tellA month's sharp conflict only serv'd to proveThe pow'r, as well as truth, of Walter's love.Absence more strongly on his mind portray'dHis own sweet, injur'd, unoffending Maid.

Once more he'd go; full resolute awhile,But heard his native Bells on every stile;The sound recall'd him with a pow'rful charm,The Heath wide open'd, and the day was warm;There, where a bed of tempting green he found,Increasing anguish weigh'd him to the ground;His well-grown limbs the scatter'd Daisies press'd,While his clinch'd hand fell heavy on his breast.'Why do I go in cruel sport to say,"I love thee, Jane; appoint the happy day?"'Why seek her sweet ingenuous reply,'Then grasp her hand and proffer--poverty?'Why, if I love her and adore her name,'Why act like time and sickness on her frame?'Why should my scanty pittance nip her prime,'And chace away the Rose before its time?'I'm young, 'tis true; the world beholds me free;'Labour ne'er show'd a frightful face to me;

Words in this poem

strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
forego v. t.
To quit; to relinquish; to leave. [See Forgo.]
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
stile n.
A pin set on the face of a dial, to cast a shadow; a style. See Style. Moxon. [See Style.]
jane n.
A coin of Genoa; any small coin. [LL. Janua Genoa; L. Genua, also OE. Jean.]
ingenuous a.
Of honorable extraction; freeborn; noble; as, ingenuous blood of birth. [L. ingenuus inborn, innate, freeborn, noble, frank; pref. in- in + the root of gignere to beget. See Genius, and cf. Ingenious.]
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
pittance n.
An allowance of food bestowed in charity; a mess of victuals; hence, a small charity gift; a dole. [OE. pitance, pitaunce, F. pitance; cf. It. pietanza, LL. pitancia, pittantia, pictantia; perh. fr. L. pietas pity, piety, or perhaps akin to E. petty. Cf. Petty]
chace v. t.
To pursue. See Chase v. t.
frightful a.
Full of fright; affrighted; frightened.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Self-Denial is in the public domain. This text is taken from Rural Tales, Ballads, and Songs, Project Gutenberg ebook #9093; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Bloomfield, Self-Denial, in Rural Tales, Ballads and Songs (1802), text of Project Gutenberg ebook #9093, Laurel, https://laurelpoetry.com/poem/bloomfield-tales/self-denial.html, id L09674.

Form and metre

Self-Denial is 36 lines in 2 stanzas of 18 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 92%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 1 line ends on an unstressed syllable, a feminine ending. 11% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHII opposeA · aroseA · strifeB · wifeB · primeC · crimeC · sighD · whyD · foregoE · woeE · foundF · unsoundF · swellG · tellG · proveH · loveH · portray'dI · maidI
  2. 2 AA--BBCCDD--EEFFGG awhileA · stileA · charm · warm · foundB · groundB · press'dC · breastC · sayD · dayD · reply · poverty · nameE · frameE · primeF · timeF · freeG · meG
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
For now, his tide of gladness to oppose,10·····/˘·˘/
A clay-cold damp of doubts and fears arose;10········˘/
Clouds, which involve, midst Love and Reason's strife,10··˘/···/˘·
The poor man's prospect when he takes a wife.10···/˘·····
Though gay his journeys in the Summer's prime,10···/˘··/˘·
Each seem'd the repetition of a crime;10····˘/˘···
He never left her but with many a sigh,10·/····/˘··
When tears stole down his face, she knew not why.10··········
Severe his task those visits to forego,10˘/···/˘·˘/
And feed his heart with voluntary woe.10·····/˘˘˘·
Yet this he did; the wan Moon circling found10·······/˘·
His evenings cheerless, and his rest unsound;10·/˘/˘···˘/
And saw th' unquenched flame his bosom swell:10····˘··/˘·
What were his doubts, thus let the Story tell10·······/˘·
A month's sharp conflict only serv'd to prove10···/˘/˘···
The pow'r, as well as truth, of Walter's love.10·······/˘·
Absence more strongly on his mind portray'd10/˘·/˘···˘/
His own sweet, injur'd, unoffending Maid.10···/˘·····
Once more he'd go; full resolute awhile,10·····/˘·˘/
But heard his native Bells on every stile;10···/˘··/˘·
The sound recall'd him with a pow'rful charm,10··˘/······
The Heath wide open'd, and the day was warm;10···/˘·····
There, where a bed of tempting green he found,10·····/˘···
Increasing anguish weigh'd him to the ground;10˘/˘/˘·····
His well-grown limbs the scatter'd Daisies press'd,10·····/˘/˘·
While his clinch'd hand fell heavy on his breast.10·····/˘···
'Why do I go in cruel sport to say,10·····/˘···
"I love thee, Jane; appoint the happy day?"10····˘/·/˘·
'Why seek her sweet ingenuous reply,10····˘/˘˘˘/
'Then grasp her hand and proffer--poverty?10·····/˘/˘˘
'Why, if I love her and adore her name,10······˘/··
'Why act like time and sickness on her frame?10·····/˘···
'Why should my scanty pittance nip her prime,10···/˘/˘···
'And chace away the Rose before its time?10··˘/······
'I'm young, 'tis true; the world beholds me free;10······˘/··
'Labour ne'er show'd a frightful face to me;10/····/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Robert Bloomfield