Frida

Bjørnstjerne Bjørnson (1832–1910), translated by Arthur Hubbell Palmer · 1915

dactylic tetrameter · AABB · 24 lines · from Poems and Songs

Frida, I knew that thy life-years were counted.If but before thee a lifting thought mounted,Upward thy gaze turned all wistful to view it,As wouldst thou pursue it.

Eyes that so clear saw the wonderful visionLooked far away beyond earth's indecision.Snow-white unfolded the pinions that laterBore thee to the greater.

Speaking or asking thou broughtest me sorrow;Eyes thine and words thine seemed wanting to borrowClearness more pure and thoughts, victory gainingBeyond my attaining.

When thou wert dancing in all a child's lightness,Shaking thy locks like a fountain in brightness,Laughing till heaven was opened in gladnessOver thy gladness,--

Or when affliction in sternness had spoken,So that thy heart in that moment seemed broken,Far from thy thoughts in thy suffering rivenWere both earth and heaven,--

Then, oh, I saw then: thy joy and thy grievingEver the bounds of the mortal were cleaving.All seems so little where silent we ponder,--But room they have yonder.

Words in this poem

wistful a.
Longing; wishful; desirous. [For wishful; perhaps influenced by wistly, which is probably corrupted from OE. wisly certainly (from Icel. viss certain, akin to E. wit). See Wish.]
indecision n.
Want of decision; want of settled purpose, or of firmness; indetermination; wavering of mind; irresolution; vacillation; hesitation. [Pref. in- not + decision: cf. F. indécision.]
borrow v. t.
To receive from another as a loan, with the implied or expressed intention of returning the identical article or its equivalent in kind; -- the opposite of lend. [OE. borwen, AS. borgian, fr. borg, borh, pledge; akin to D. borg, G. borg; prob. fr. root of AS. beorgan to protect. Borough.]
sternness n.
The quality or state of being stern.
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Frida is in the public domain. This text is taken from Poems and Songs, Project Gutenberg ebook #6619, the Arthur Hubbell Palmer translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Bjørnstjerne Bjørnson, Frida, in Poems and Songs (1915), text of Project Gutenberg ebook #6619, Laurel, https://laurelpoetry.com/poem/bjornson-poems-and-songs/frida.html, id L29270.

Form and metre

Frida is 24 lines in 6 stanzas of 4 lines each. Every stanza rhymes AABB. The metre is dactylic tetrameter, measured from the stress the words themselves fix (confidence 92%).

See other poems in dactylic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB countedA · mountedA · itB · itB
  2. 2 AABB visionA · indecisionA · laterB · greaterB
  3. 3 AABB sorrowA · borrowA · gainingB · attainingB
  4. 4 AABB lightnessA · brightnessA · gladnessB · gladnessB
  5. 5 AABB spokenA · brokenA · rivenB · heavenB
  6. 6 AABB grievingA · cleavingA · ponderB · yonderB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against dactylic tetrameter. How this is done.

LineSyl.Stress
Frida, I knew that thy life-years were counted.11/˘·······/˘
If but before thee a lifting thought mounted,11······/˘·/˘
Upward thy gaze turned all wistful to view it,11/˘····/˘···
As wouldst thou pursue it.6···˘/·
Eyes that so clear saw the wonderful vision11······/˘˘/˘
Looked far away beyond earth's indecision.11··˘/···˘˘/˘
Snow-white unfolded the pinions that later11··˘/˘·/˘·/˘
Bore thee to the greater.6····/˘
Speaking or asking thou broughtest me sorrow;11/˘·/˘·/˘·/˘
Eyes thine and words thine seemed wanting to borrow11······/˘·/·
Clearness more pure and thoughts, victory gaining11/˘····/˘˘/˘
Beyond my attaining.6···˘/˘
When thou wert dancing in all a child's lightness,11···/˘····/˘
Shaking thy locks like a fountain in brightness,11/˘····/˘·/˘
Laughing till heaven was opened in gladness11/˘·/˘·/˘·/˘
Over thy gladness,--5···/˘
Or when affliction in sternness had spoken,11··˘/˘·/˘·/˘
So that thy heart in that moment seemed broken,11······/˘·/˘
Far from thy thoughts in thy suffering riven11······/˘˘/˘
Were both earth and heaven,--6····/˘
Then, oh, I saw then: thy joy and thy grieving11·········/˘
Ever the bounds of the mortal were cleaving.11/˘····/˘·/˘
All seems so little where silent we ponder,--11···/˘·/˘·/˘
But room they have yonder.6····/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Bjørnstjerne Bjørnson