With Mine Own Petard
Time was the local poets sang their songsBeneath their breath in terror of the thongsI snapped about their shins. Though mild the strokeBards, like the conies, are "a feeble folk,"Fearing all noises but the one they makeThemselves--at which all other mortals quake.Now from their cracked and disobedient throats,Like rats from sewers scampering, their notesPour forth to move, where'er the season serves,If not our legs to dance, at least our nerves;As once a ram's-horn solo maddened allThe sober-minded stones in Jerich's wall.A year's exemption from the critic's curseMends the bard's courage but impairs his verse.Thus poolside frogs, when croaking in the night,Are frayed to silence by a meteor's flight,Or by the sudden plashing of a stoneFrom some adjacent cottage garden thrown,But straight renew the song with double dinWhene'er the light goes out or man goes in.Shall I with arms unbraced (my casque unlatched,My falchion pawned, my buckler, too, attached)Resume the cuishes and the broad cuirass,Accomplishing my body all in brass,And arm in battle royal to opposeA village poet singing through the nose,Or strolling troubadour his lyre who strumsWith clumsy hand whose fingers all are thumbs?No, let them rhyme; I fought them once beforeAnd stilled their songs--but, Satan! how they swore!--Cuffed them upon the mouth whene'er their throatsThey cleared for action with their sweetest notes;Twisted their ears (they'd oft tormented mine)And damned them roundly all along the line;Clubbed the whole crew from the Parnassian slopes,A wreck of broken heads and broken hopes!What gained I so? I feathered every curseLaunched at the village bards with lilting verse.The town approved and christened me (to show itsHigh admiration) Chief of Local Poets!
Words in this poem
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- cracked a.
- Coarsely ground or broken; as, cracked wheat.
- plashing n.
- The cutting or bending and intertwining the branches of small trees, as in hedges.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- casque n.
- A piece of defensive or ornamental armor (with or without a vizor) for the head and neck; a helmet. [F. casque, fr. Sp. casco See Cask.]
- falchion n.
- A broad-bladed sword, slightly curved, shorter and lighter than the ordinary sword; -- used in the Middle Ages. [OE. fauchon, OF. fauchon, LL. fälcio, fr. L. falx, falcis, a sickle, cf. Gr. falcon; cf. It. falcione. Cf. Defalcation.]
- resume n.
- A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
- clumsy a.
- Stiff or benumbed, as with cold. [OE. clumsed benumbed, fr. clumsen to be benumbed; cf. Icel. klumsa lockjaw, dial. Sw. klummsen benumbed with cold. Cf. 1st Clam, and 1st Clamp.]
- damned a.
- Sentenced to punishment in a future state; condemned; consigned to perdition.
- roundly adv.
- In a round form or manner.
- clubbed a.
- Shaped like a club; grasped like, or used as, a club. Skelton.
- parnassian a.
- Of or pertaining to Parnassus. [L. Parnassius.]
- admiration n.
- Wonder; astonishment. [F., fr. L. admiratio. See Admire.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
With Mine Own Petard is in the public domain. This text is taken from Shapes of Clay (1903), Project Gutenberg ebook #12658; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Ambrose Bierce, With Mine Own Petard, in Shapes of Clay (1903), text of Project Gutenberg ebook #12658, Laurel, https://laurelpoetry.com/poem/bierce-shapes-of-clay/with-mine-own-petard.html, id L28103.
Form and metre
With Mine Own Petard is 40 lines in a single stanza. It is in rhyming couplets: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIIIJJKKLLMMNNOOPPQQRRSS songsA · thongsA · strokeB · folkB · makeC · quakeC · throatsD · notesD · servesE · nervesE · allF · wallF · curseG · verseG · nightH · flightH · stoneI · thrownI · dinI · inI · unlatchedJ · attachedJ · cuirassK · brassK · opposeL · noseL · strumsM · thumbsM · beforeN · sworeN · throatsO · notesO · mineP · lineP · slopesQ · hopesQ · curseR · verseR · itsS · poetsS
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Time was the local poets sang their songs | 10 | ···/˘/˘··· |
| Beneath their breath in terror of the thongs | 10 | ·····/˘··· |
| I snapped about their shins. Though mild the stroke | 10 | ·········· |
| Bards, like the conies, are "a feeble folk," | 9 | ······/˘· |
| Fearing all noises but the one they make | 10 | /˘·/˘····· |
| Themselves--at which all other mortals quake. | 10 | ˘/···/˘/˘· |
| Now from their cracked and disobedient throats, | 10 | ······˘/˘· |
| Like rats from sewers scampering, their notes | 10 | ···/˘/˘˘·· |
| Pour forth to move, where'er the season serves, | 11 | ····˘˘/·/˘· |
| If not our legs to dance, at least our nerves; | 10 | ··/·····/· |
| As once a ram's-horn solo maddened all | 10 | ·····/·/˘· |
| The sober-minded stones in Jerich's wall. | 10 | ·/˘/˘····· |
| A year's exemption from the critic's curse | 10 | ··˘/˘··/˘· |
| Mends the bard's courage but impairs his verse. | 10 | ···/˘·˘/·· |
| Thus poolside frogs, when croaking in the night, | 10 | ·/···/˘··· |
| Are frayed to silence by a meteor's flight, | 10 | ···/˘··/˘· |
| Or by the sudden plashing of a stone | 10 | ···/˘/˘··· |
| From some adjacent cottage garden thrown, | 10 | ··˘/˘/˘/˘· |
| But straight renew the song with double din | 10 | ··˘/···/˘· |
| Whene'er the light goes out or man goes in. | 11 | ··········· |
| Shall I with arms unbraced (my casque unlatched, | 10 | ·········· |
| My falchion pawned, my buckler, too, attached) | 10 | ·/˘··/˘·˘/ |
| Resume the cuishes and the broad cuirass, | 10 | ˘/······˘/ |
| Accomplishing my body all in brass, | 10 | ˘/˘˘·/˘··· |
| And arm in battle royal to oppose | 10 | ···/˘/˘·˘/ |
| A village poet singing through the nose, | 10 | ·/˘/˘/˘··· |
| Or strolling troubadour his lyre who strums | 10 | ·/˘/˘····· |
| With clumsy hand whose fingers all are thumbs? | 10 | ·/˘··/˘··· |
| No, let them rhyme; I fought them once before | 10 | ·········· |
| And stilled their songs--but, Satan! how they swore!-- | 10 | ·····/˘··· |
| Cuffed them upon the mouth whene'er their throats | 11 | ··········· |
| They cleared for action with their sweetest notes; | 10 | ···/˘··/˘· |
| Twisted their ears (they'd oft tormented mine) | 10 | /˘····/·˘· |
| And damned them roundly all along the line; | 10 | ···/˘·˘/·· |
| Clubbed the whole crew from the Parnassian slopes, | 10 | ······˘/˘· |
| A wreck of broken heads and broken hopes! | 10 | ···/˘··/˘· |
| What gained I so? I feathered every curse | 10 | ·····/˘/˘· |
| Launched at the village bards with lilting verse. | 10 | ···/˘··/˘· |
| The town approved and christened me (to show its | 11 | ··˘/·/˘···· |
| High admiration) Chief of Local Poets! | 11 | ··˘/˘··/˘/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.