A Study in Gray

Ambrose Bierce (1842–1914) · 1903

anapaestic trimeter · ABABB · 45 lines · from Shapes of Clay

I step from the door with a shiver(This fog is uncommonly cold)And ask myself: What did I give her?--The maiden a trifle gone-old,With the head of gray hair that was gold.

Ah, well, I suppose 'twas a dollar,And doubtless the change is correct,Though it's odd that it seems so much smallerThan what I'd a right to expect.But you pay when you dine, I reflect.

So I walk up the street--'twas a saunterA score of years back, when I strolledFrom this door; and our talk was all banterThose days when her hair was of gold,And the sea-fog less searching and cold.

I button my coat (for I'm shaken,And fevered a trifle, and flushedWith the wine that I ought to have taken,)Time was, at this coat I'd have blushed,Though truly, 'tis cleverly brushed.

A score? Why, that isn't so veryMuch time to have lost from a life.There's reason enough to be merry:I've not fallen down in the strife,But marched with the drum and the fife.

If Hope, when she lured me and beckoned,Had pushed at my shoulders instead,And Fame, on whose favors I reckoned,Had laureled the worthiest head,I could garland the years that are dead.

Believe me, I've held my own, mostlyThrough all of this wild masquerade;But somehow the fog is more ghostlyTo-night, and the skies are more grayed,Like the locks of the restaurant maid.

If ever I'd fainted and falteredI'd fancy this did but appear;But the climate, I'm certain, has altered--Grown colder and more austereThan it was in that earlier year.

The lights, too, are strangely unsteady,That lead from the street to the quay.I think they'll go out--and I'm readyTo follow. Out there in the seaThe fog-bell is calling to me.

Words in this poem

doubtless a.
Free from fear or suspicion.
expect v. t.
To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
dine v. i.
To eat the principal regular meal of the day; to take dinner. [F. dîner, OF. disner, LL. disnare, contr. fr. an assumed disjunare; dis- + an assumed junare (OF. juner) to fast, for L. jejunare, fr. jejunus fasting. See Jeju]
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
cleverly adv.
In a clever manner.
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
laureled a.
Crowned with laurel, or with a laurel wreath; laureate.
somehow adv.
In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
ghostly a.
Relating to the soul; not carnal or secular; spiritual; as, a ghostly confessor. [OE. gastlich, gostlich, AS. gastlic. See Ghost.]
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
quay n.
A mole, bank, or wharf, formed toward the sea, or at the side of a harbor, river, or other navigable water, for convenience in loading and unloading vessels. [F. quai. See Key quay.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Study in Gray is in the public domain. This text is taken from Shapes of Clay (1903), Project Gutenberg ebook #12658; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Ambrose Bierce, A Study in Gray, in Shapes of Clay (1903), text of Project Gutenberg ebook #12658, Laurel, https://laurelpoetry.com/poem/bierce-shapes-of-clay/a-study-in-gray.html, id L28114.

Form and metre

A Study in Gray is 45 lines in 9 stanzas of 5 lines each. Every stanza rhymes ABABB. The metre is anapaestic trimeter, measured from the stress the words themselves fix (confidence 89%).

See other poems in anapaestic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABB shiverA · coldB · herA · oldB · goldB
  2. 2 ABABB dollarA · correctB · smallerA · expectB · reflectB
  3. 3 ABABB saunterA · strolledB · banterA · goldB · coldB
  4. 4 ABABB shakenA · flushedB · takenA · blushedB · brushedB
  5. 5 ABABB veryA · lifeB · merryA · strifeB · fifeB
  6. 6 ABABB beckonedA · insteadB · reckonedA · headB · deadB
  7. 7 ABABB mostlyA · masqueradeB · ghostlyA · grayedB · maidB
  8. 8 ABABB falteredA · appearB · alteredA · austereB · yearB
  9. 9 ABABB unsteadyA · quayB · readyA · seaB · meB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic trimeter. How this is done.

LineSyl.Stress
I step from the door with a shiver9·······/˘
(This fog is uncommonly cold)8····/˘˘·
And ask myself: What did I give her?--9···/·····
The maiden a trifle gone-old,8·/˘·/˘··
With the head of gray hair that was gold.9·········
Ah, well, I suppose 'twas a dollar,9···˘/··/˘
And doubtless the change is correct,8·/˘···˘/
Though it's odd that it seems so much smaller10········/˘
Than what I'd a right to expect.8······˘/
But you pay when you dine, I reflect.9·······˘/
So I walk up the street--'twas a saunter10········/˘
A score of years back, when I strolled8········
From this door; and our talk was all banter10····/···/˘
Those days when her hair was of gold,8········
And the sea-fog less searching and cold.9·····/˘··
I button my coat (for I'm shaken,9·/˘····/˘
And fevered a trifle, and flushed8·/˘·/˘··
With the wine that I ought to have taken,)10········/˘
Time was, at this coat I'd have blushed,8········
Though truly, 'tis cleverly brushed.8·/˘·/˘˘·
A score? Why, that isn't so very9····˘˘·/˘
Much time to have lost from a life.8········
There's reason enough to be merry:9·/˘˘/··/˘
I've not fallen down in the strife,8··/˘····
But marched with the drum and the fife.8········
If Hope, when she lured me and beckoned,9·······/˘
Had pushed at my shoulders instead,8····/˘˘/
And Fame, on whose favors I reckoned,9····/˘·/˘
Had laureled the worthiest head,8·/˘·/˘˘·
I could garland the years that are dead.9··/˘·····
Believe me, I've held my own, mostly9˘/·····/˘
Through all of this wild masquerade;8······˘/
But somehow the fog is more ghostly9·/·····/˘
To-night, and the skies are more grayed,8········
Like the locks of the restaurant maid.9·····/˘··
If ever I'd fainted and faltered9·/˘·/˘·/˘
I'd fancy this did but appear;8·/˘···˘/
But the climate, I'm certain, has altered--10··/˘·/˘·/˘
Grown colder and more austere7·/˘··˘/
Than it was in that earlier year.8·····/˘·
The lights, too, are strangely unsteady,9····/˘˘/˘
That lead from the street to the quay.8········
I think they'll go out--and I'm ready9·······/˘
To follow. Out there in the sea8·/˘·····
The fog-bell is calling to me.8····/˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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