On Torture, a Public Singer

Hilaire Belloc (1870–1953) · 1923

iambic tetrameter · octosyllabic couplets · 4 lines · from Sonnets and Verse

Torture will give a dozen pence or moreTo keep a drab from bawling at his door.The public taste is quite a different thing--Torture is positively paid to sing.

About this text

On Torture, a Public Singer is in the public domain. This text is taken from Sonnets and Verse, Project Gutenberg ebook #60663; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Hilaire Belloc, On Torture, a Public Singer, in Sonnets and Verse (1923), text of Project Gutenberg ebook #60663, Laurel, https://laurelpoetry.com/poem/belloc-sonnets-verse/on-torture-a-public-singer.html, id L21710.

Form and metre

On Torture, a Public Singer is 4 lines in a single stanza. It is in rhyming couplets: octosyllabic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB moreA · doorA · thingB · singB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Torture will give a dozen pence or more10/˘···/˘···
To keep a drab from bawling at his door.10·····/˘···
The public taste is quite a different thing--10·/˘····/˘·
Torture is positively paid to sing.8/˘·/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Hilaire Belloc