In the Gentleman's Magazine Foe December Last, 1755, by I.W., a Sailor

James Beattie (1735–1803) · 1771–1774

iambic pentameter · heroic couplets · 40 lines · from The Minstrel and Other Poems

The springs of Helicon can winter bind,And chill the fervour of a poet's mind?What though the lowering skies and driving stormThe scenes of nature wide around deform,The birds no longer sing, nor roses blow,And all the landscape lies conceal'd in snow;Yet rigid Winter still is known to spareThe brighter beauties of the lovely fair:Ye lovely fair, your sacred influence bring,And with your smiles anticipate the Spring!Yet what avail the smiles of lovely maids,Or vernal suns that glad the flowery glades?The wood's green foliage, or the varying sceneOf fields and lawns, and gliding streams between?What, to the wretch whom harder fates ordainThrough the long year to plough the stormy main?No murmuring streams, no sound of distant sheep,Or song of birds invite his eyes to sleep.By toil exhausted, when he sinks to rest,Beneath his sun-burnt head no flowers are prest:Down on the deck his fainting limbs are laid,No spreading trees dispense their cooling shade,No zephyrs round his aching temples play,No fragrant breezes noxious heats allay.The rude, rough wind which stern AEolus sends,Drives on in blasts, and while it cools, offends.He wakes, but hears no music from the grove;No varied landscape courts his eye to rove.O'er the wide main he looks to distant skies,Where nought but waves on rolling waves arise;The boundless view fatigues his aching sight,Nor yields his eye one object of delight.No "female face divine," with cheering smiles,The lingering hours of dangerous toil beguiles.Yet distant beauty oft his genius fires,And oft with love of sacred song inspires.Even I, the least of all the tuneful train,On the rough ocean try this artless strain:Rouse then, ye bards, who happier fortunes prove,And tune the lyre to Nature or to Love!

Words in this poem

helicon n.
A mountain in Boeotia, in Greece, supposed by the Greeks to be the residence of Apollo and the Muses.
fervour n.
Heat; excessive warmth. [OF. fervor, fervour, F. ferveur, L. fervor, fr. fervere. See Fervent.]
deform a.
Deformed; misshapen; shapeless; horrid. [L. deformis; de- + forma form: cf. OF. deforme, F. difforme. Cf. Difform.]
prest a.
Ready; prompt; prepared. [OF. prest, F. prêt, fr. L. praestus ready. Cf. Presto.]
dispense v. i.
To compensate; to make up; to make amends.
cooling a.
Adapted to cool and refresh; allaying heat.
aching a.
That aches; continuously painful. See Ache.
tuneful a.
Harmonious; melodious; musical; as, tuneful notes.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

In the Gentleman's Magazine Foe December Last, 1755, by I.W., a Sailor is in the public domain. This text is taken from The Poetical Works of Beattie, Blair, and Falconer With Lives, Critical Dissertations, and Explanatory Notes, Project Gutenberg ebook #8695; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: James Beattie, In the Gentleman's Magazine Foe December Last, 1755, by I.W., a Sailor, in The Minstrel and Other Poems (1771–1774), text of Project Gutenberg ebook #8695, Laurel, https://laurelpoetry.com/poem/beattie-minstrel/in-the-gentleman-s-magazine-foe-december-last-1755-by-i-w-a-.html, id L09628.

Form and metre

In the Gentleman's Magazine Foe December Last, 1755, by I.W., a Sailor is 40 lines in a single stanza. It is in rhyming couplets: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 92%). 99% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 1 line ends on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTT bindA · mindA · stormB · deformB · blowC · snowC · spareD · fairD · bringE · springE · maidsF · gladesF · sceneG · betweenG · ordainH · mainH · sheepI · sleepI · restJ · prestJ · laidK · shadeK · playL · allayL · sendsM · offendsM · groveN · roveN · skiesO · ariseO · sightP · delightP · smilesQ · beguilesQ · firesR · inspiresR · trainS · strainS · proveT · loveT
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
The springs of Helicon can winter bind,10···/˘··/˘·
And chill the fervour of a poet's mind?10···/˘··/˘·
What though the lowering skies and driving storm10···/˘··/˘·
The scenes of nature wide around deform,10···/˘····/
The birds no longer sing, nor roses blow,10···/˘··/˘·
And all the landscape lies conceal'd in snow;10···/··˘/··
Yet rigid Winter still is known to spare10·/˘/˘·····
The brighter beauties of the lovely fair:10·/˘/˘··/˘·
Ye lovely fair, your sacred influence bring,10·/˘··/˘/˘·
And with your smiles anticipate the Spring!10····˘/˘···
Yet what avail the smiles of lovely maids,10··˘/···/˘·
Or vernal suns that glad the flowery glades?10·/˘····/˘·
The wood's green foliage, or the varying scene10···/˘··/˘·
Of fields and lawns, and gliding streams between?10·····/˘···
What, to the wretch whom harder fates ordain10·····/˘·˘/
Through the long year to plough the stormy main?10·······/˘·
No murmuring streams, no sound of distant sheep,10·/˘····/˘·
Or song of birds invite his eyes to sleep.10····˘/····
By toil exhausted, when he sinks to rest,10··˘/˘·····
Beneath his sun-burnt head no flowers are prest:10·······/··
Down on the deck his fainting limbs are laid,10·····/˘···
No spreading trees dispense their cooling shade,10·/˘·˘/·/˘·
No zephyrs round his aching temples play,10·/˘··/˘/˘·
No fragrant breezes noxious heats allay.10·/˘/˘/˘·˘/
The rude, rough wind which stern AEolus sends,9·········
Drives on in blasts, and while it cools, offends.10········˘/
He wakes, but hears no music from the grove;10·····/˘···
No varied landscape courts his eye to rove.10·/˘/······
O'er the wide main he looks to distant skies,10·······/˘·
Where nought but waves on rolling waves arise;10·····/˘·˘/
The boundless view fatigues his aching sight,10·/˘·˘/·/˘·
Nor yields his eye one object of delight.10·····/˘·˘/
No "female face divine," with cheering smiles,10·/··˘/·/˘·
The lingering hours of dangerous toil beguiles.10·/˘/·/˘·˘/
Yet distant beauty oft his genius fires,11·/˘/˘··/˘/˘
And oft with love of sacred song inspires.10·····/˘·˘/
Even I, the least of all the tuneful train,10/······/˘·
On the rough ocean try this artless strain:10···/˘··/˘·
Rouse then, ye bards, who happier fortunes prove,10·····/˘/˘·
And tune the lyre to Nature or to Love!10·····/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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