The Fourfold Aspect
When ye stood up in the houseWith your little childish feet,And, in touching Life's first shows,First the touch of Love did meet,--Love and Nearness seeming one,By the heartlight cast before,And of all Beloveds, noneStanding farther than the door;Not a name being dear to thought,With its owner beyond call;Not a face, unless it broughtIts own shadow to the wall;When the worst recorded changeWas of apple dropt from bough,When love's sorrow seemed more strangeThan love's treason can seem now;--Then, the Loving took you upSoft, upon their elder knees,Telling why the statues droopUnderneath the churchyard trees,And how ye must lie beneath themThrough the winters long and deep,Till the last trump overbreathe them,And ye smile out of your sleep.Oh, ye lifted up your head, and it seemed as if they saidA tale of fairy shipsWith a swan-wing for a sail;Oh, ye kissed their loving lipsFor the merry merry tale--So carelessly ye thought upon the Dead!
Soon ye read in solemn storiesOf the men of long ago,Of the pale bewildering gloriesShining farther than we know;Of the heroes with the laurel,Of the poets with the bay,Of the two worlds' earnest quarrelFor that beauteous Helena;How Achilles at the portalOf the tent heard footsteps nigh,And his strong heart, half-immortal,Met the keitai with a cry;How Ulysses left the sunlightFor the pale eidola raceBlank and passive through the dun light,Staring blindly in his face;How that true wife said to Poetus,With calm smile and wounded heart,"Sweet, it hurts not!" How AdmetusSaw his blessed one depart;How King Arthur proved his mission,And Sir Roland wound his horn,And at Sangreal's moony visionSwords did bristle round like corn.Oh, ye lifted up your head, and it seemed, the while ye read,That this Death, then, must be foundA Valhalla for the crowned,The heroic who prevail:None, be sure can enter inFar below a paladinOf a noble noble tale--So awfully ye thought upon the Dead!
Ay, but soon ye woke up shrieking,As a child that wakes at nightFrom a dream of sisters speakingIn a garden's summer-light,--That wakes, starting up and bounding,In a lonely lonely bed,With a wall of darkness round him,Stifling black about his head!And the full sense of your mortalRushed upon you deep and loud,And ye heard the thunder hurtleFrom the silence of the cloud.Funeral-torches at your gatewayThrew a dreadful light within.All things changed: you rose up straightway,And saluted Death and Sin.Since, your outward man has rallied,And your eye and voice grown bold;Yet the Sphinx of Life stands pallid,With her saddest secret told.Happy places have grown holy:If ye went where once ye went,Only tears would fall down slowly,As at solemn sacrament.Merry books, once read for pastime,If ye dared to read again,Only memories of the last timeWould swim darkly up the brain.Household names, which used to flutterThrough your laughter unawares,--God's Divinest ye could utterWith less trembling in your prayers.Ye have dropt adown your head, and it seems as if ye treadOn your own hearts in the pathYe are called to in His wrath,And your prayers go up in wail--"Dost Thou see, then, all our loss,O Thou agonized on cross?Art thou reading all its tale?"So mournfully ye think upon the Dead!
Pray, pray, thou who also weepest,And the drops will slacken so.Weep, weep, and the watch thou keepestWith a quicker count will go.Think: the shadow on the dialFor the nature most undone,Marks the passing of the trial,Proves the presence of the sun.Look, look up, in starry passion,To the throne above the spheres:Learn: the spirit's gravitationStill must differ from the tear's.Hope: with all the strength thou usestIn embracing thy despair.Love: the earthly love thou losestShall return to thee more fair.Work: make clear the forest-tanglesOf the wildest stranger-landTrust: the blessed deathly angelsWhisper, "Sabbath hours at hand!"By the heart's wound when most gory,By the longest agony,Smile! Behold in sudden gloryThe TRANSFIGURED smiles on thee!And ye lifted up your head, and it seemed as if He said,"My Beloved, is it so?Have ye tasted of my woe?Of my Heaven ye shall not fail!"He stands brightly where the shade is,With the keys of Death and Hades,And there, ends the mournful tale--So hopefully ye think upon the Dead!
Words in this poem 22
- churchyard n.
- The ground adjoining a church, in which the dead are buried; a cemetery.
- bewildering a.
- Causing bewilderment or great perplexity; as, bewildering difficulties.
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
- blindly adv.
- Without sight, discernment, or understanding; without thought, investigation, knowledge, or purpose of one's own.
- depart v. i.
- To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
- moony a.
- Of or pertaining to the moon.
- valhalla n.
- The palace of immortality, inhabited by the souls of heroes slain in battle. [Icel. valhöll, literally, hall of the slain; valr the slain (akin to AS. wæl, OHG. wal battlefield, wuol defeat, slaughter, AS. wol pestilence) + höll a royal h]
- paladin n.
- A knight-errant; a distinguished champion; as, the paladins of Charlemagne. [F., fr.It. paladino, fr. L. palatinus an officer of the palace. See Palatine.]
- awfully adv.
- In an awful manner; in a manner to fill with terror or awe; fearfully; reverently.
- rushed a.
- Abounding or covered with rushes.
- hurtle v. i.
- To meet with violence or shock; to clash; to jostle. [OE. hurtlen, freq. of hurten. See Hurt, v. t., and cf. Hurl.]
- dreadful a.
- Full of dread or terror; fearful.
- straightway adv.
- Immediately; without loss of time; without delay.
- went n.
- Course; way; path; journey; direction.
- sacrament n.
- The oath of allegiance taken by Roman soldiers; hence, a sacred ceremony used to impress an obligation; a solemn oath-taking; an oath. [L. sacramentum an oath, a sacred thing, a mystery, a sacrament, fr. sacrare to declare as sacred, sacer sacred: cf. F. sacrament. See Sacred.]
- pastime n.
- That which amuses, and serves to make time pass agreeably; sport; amusement; diversion. [Pass + time: cf. F. passetemps.]
- adown adv.
- From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
- undone a.
- Not done or performed; neglected. [Pref. un- not + done.]
- starry a.
- Abounding with stars; adorned with stars.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- deathly a.
- Deadly; fatal; mortal; destructive.
- gory a.
- Covered with gore or clotted blood. [From Gore.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Fourfold Aspect is in the public domain. This text is taken from The Poetical Works of Elizabeth Barrett Browning, Volume 2, Project Gutenberg ebook #33363; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Elizabeth Barrett Browning, The Fourfold Aspect, in Lady Geraldine's Courtship, and Other Poems (1844), text of Project Gutenberg ebook #33363, Laurel, https://laurelpoetry.com/poem/barrett-browning-poems-2/the-fourfold-aspect.html, id L24827.
Form and metre
The Fourfold Aspect is 134 lines in 4 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-ABCBCDEDEFGFG-H-HIJIJKLMLMK house · feetA · shows · meetA · oneB · beforeC · noneB · doorC · thoughtD · callE · broughtD · wallE · changeF · boughG · strangeF · nowG · up · kneesH · droop · treesH · themI · deepJ · themI · sleepJ · saidK · shipsL · sailM · lipsL · taleM · deadK
- 2 ABABC-C-DEDEFGFGHIHI-J-J-KKL--L- storiesA · agoB · gloriesA · knowB · laurelC · bay · quarrelC · helena · portalD · nighE · immortalD · cryE · sunlightF · raceG · lightF · faceG · poetusH · heartI · admetusH · departI · mission · hornJ · vision · cornJ · read · foundK · crownedK · prevailL · in · paladin · taleL · dead
- 3 ABAB-C-C-D-DEFEF-G-GHIHIJ-J-KLKL-MMNOON- shriekingA · nightB · speakingA · lightB · bounding · bedC · him · headC · mortal · loudD · hurtle · cloudD · gatewayE · withinF · straightwayE · sinF · rallied · boldG · pallid · toldG · holyH · wentI · slowlyH · sacramentI · pastimeJ · again · timeJ · brain · flutterK · unawaresL · utterK · prayersL · tread · pathM · wrathM · wailN · lossO · crossO · taleN · dead
- 4 ABABCDCDD-D-EFEF-G-GH-H--IIJKKJ- weepestA · soB · keepestA · goB · dialC · undoneD · trialC · sunD · passionD · spheres · gravitationD · tear's · usestE · despairF · losestE · fairF · tangles · landG · angels · handG · goryH · agony · gloryH · thee · said · soI · woeI · failJ · isK · hadesK · taleJ · dead
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| When ye stood up in the house | 7 | ······· |
| With your little childish feet, | 7 | ··/˘/˘· |
| And, in touching Life's first shows, | 7 | ··/˘··· |
| First the touch of Love did meet,-- | 7 | ······· |
| Love and Nearness seeming one, | 7 | ··/˘/˘· |
| By the heartlight cast before, | 7 | ······· |
| And of all Beloveds, none | 6 | ···˘/· |
| Standing farther than the door; | 7 | /˘/˘··· |
| Not a name being dear to thought, | 7 | ···/··· |
| With its owner beyond call; | 7 | ··/˘··· |
| Not a face, unless it brought | 7 | ······· |
| Its own shadow to the wall; | 7 | ··/···· |
| When the worst recorded change | 7 | ···˘/˘· |
| Was of apple dropt from bough, | 7 | ··/˘··· |
| When love's sorrow seemed more strange | 7 | ··/˘··· |
| Than love's treason can seem now;-- | 7 | ··/˘··· |
| Then, the Loving took you up | 7 | ··/˘··· |
| Soft, upon their elder knees, | 7 | ····/˘· |
| Telling why the statues droop | 7 | /˘··/·· |
| Underneath the churchyard trees, | 7 | ·˘/·/·· |
| And how ye must lie beneath them | 8 | ········ |
| Through the winters long and deep, | 7 | ··/˘··· |
| Till the last trump overbreathe them, | 8 | ········ |
| And ye smile out of your sleep. | 7 | ······· |
| Oh, ye lifted up your head, and it seemed as if they said | 14 | ··/˘·········· |
| A tale of fairy ships | 6 | ···/˘· |
| With a swan-wing for a sail; | 7 | ······· |
| Oh, ye kissed their loving lips | 7 | ····/˘· |
| For the merry merry tale-- | 7 | ··/˘/˘· |
| So carelessly ye thought upon the Dead! | 9 | ·/˘······ |
| Soon ye read in solemn stories | 8 | ····/˘/˘ |
| Of the men of long ago, | 7 | ·····˘/ |
| Of the pale bewildering glories | 8 | ···˘/˘/˘ |
| Shining farther than we know; | 7 | /˘/˘··· |
| Of the heroes with the laurel, | 8 | ··/˘··/˘ |
| Of the poets with the bay, | 7 | ··/˘··· |
| Of the two worlds' earnest quarrel | 8 | ····/˘/˘ |
| For that beauteous Helena; | 8 | ··/˘˘/˘˘ |
| How Achilles at the portal | 8 | ·˘/˘··/˘ |
| Of the tent heard footsteps nigh, | 7 | ····/·· |
| And his strong heart, half-immortal, | 8 | ·····˘/˘ |
| Met the keitai with a cry; | 7 | ······· |
| How Ulysses left the sunlight | 8 | ·˘/˘··/· |
| For the pale eidola race | 7 | ······· |
| Blank and passive through the dun light, | 8 | ··/˘···· |
| Staring blindly in his face; | 7 | /˘/˘··· |
| How that true wife said to Poetus, | 8 | ········ |
| With calm smile and wounded heart, | 7 | ····/˘· |
| "Sweet, it hurts not!" How Admetus | 8 | ········ |
| Saw his blessed one depart; | 7 | ···˘·˘/ |
| How King Arthur proved his mission, | 8 | ··/˘··/˘ |
| And Sir Roland wound his horn, | 7 | ··/˘··· |
| And at Sangreal's moony vision | 8 | ····/˘/˘ |
| Swords did bristle round like corn. | 7 | ··/˘··· |
| Oh, ye lifted up your head, and it seemed, the while ye read, | 14 | ··/˘·········· |
| That this Death, then, must be found | 7 | ······· |
| A Valhalla for the crowned, | 7 | ··/˘··· |
| The heroic who prevail: | 7 | ·˘/˘·˘/ |
| None, be sure can enter in | 7 | ····/˘· |
| Far below a paladin | 7 | ····/˘˘ |
| Of a noble noble tale-- | 7 | ··/˘/˘· |
| So awfully ye thought upon the Dead! | 9 | ·/˘······ |
| Ay, but soon ye woke up shrieking, | 8 | ······/˘ |
| As a child that wakes at night | 7 | ······· |
| From a dream of sisters speaking | 8 | ····/˘/˘ |
| In a garden's summer-light,-- | 7 | ··/˘/˘· |
| That wakes, starting up and bounding, | 8 | ··/˘··/˘ |
| In a lonely lonely bed, | 7 | ··/˘/˘· |
| With a wall of darkness round him, | 8 | ····/˘·· |
| Stifling black about his head! | 7 | /˘····· |
| And the full sense of your mortal | 8 | ······/˘ |
| Rushed upon you deep and loud, | 7 | ······· |
| And ye heard the thunder hurtle | 8 | ····/˘/˘ |
| From the silence of the cloud. | 7 | ··/˘··· |
| Funeral-torches at your gateway | 8 | /˘/˘··/· |
| Threw a dreadful light within. | 7 | ··/˘··· |
| All things changed: you rose up straightway, | 8 | ······/˘ |
| And saluted Death and Sin. | 7 | ·˘/˘··· |
| Since, your outward man has rallied, | 8 | ··/˘··/˘ |
| And your eye and voice grown bold; | 7 | ······· |
| Yet the Sphinx of Life stands pallid, | 8 | ······/˘ |
| With her saddest secret told. | 7 | ··/˘/˘· |
| Happy places have grown holy: | 8 | /˘/˘··/˘ |
| If ye went where once ye went, | 7 | ······· |
| Only tears would fall down slowly, | 8 | /˘····/˘ |
| As at solemn sacrament. | 7 | ··/˘/˘˘ |
| Merry books, once read for pastime, | 8 | /˘····/· |
| If ye dared to read again, | 7 | ·····˘/ |
| Only memories of the last time | 8 | /˘/˘···· |
| Would swim darkly up the brain. | 7 | ··/˘··· |
| Household names, which used to flutter | 8 | /·····/˘ |
| Through your laughter unawares,-- | 7 | ··/˘·˘/ |
| God's Divinest ye could utter | 8 | ·˘/˘··/˘ |
| With less trembling in your prayers. | 7 | ··/˘··· |
| Ye have dropt adown your head, and it seems as if ye tread | 14 | ···˘/········· |
| On your own hearts in the path | 7 | ······· |
| Ye are called to in His wrath, | 7 | ······· |
| And your prayers go up in wail | 7 | ······· |
| --"Dost Thou see, then, all our loss, | 7 | ·····/· |
| O Thou agonized on cross? | 7 | ··/˘··· |
| Art thou reading all its tale?" | 7 | ··/˘··· |
| So mournfully ye think upon the Dead! | 10 | ·········· |
| Pray, pray, thou who also weepest, | 8 | ····/˘/˘ |
| And the drops will slacken so. | 7 | ····/˘· |
| Weep, weep, and the watch thou keepest | 8 | ······/˘ |
| With a quicker count will go. | 7 | ··/˘··· |
| Think: the shadow on the dial | 8 | ··/···/˘ |
| For the nature most undone, | 7 | ··/˘·˘/ |
| Marks the passing of the trial, | 8 | ··/˘··/˘ |
| Proves the presence of the sun. | 7 | ··/˘··· |
| Look, look up, in starry passion, | 8 | ····/˘/˘ |
| To the throne above the spheres: | 7 | ······· |
| Learn: the spirit's gravitation | 8 | ··/˘·˘/˘ |
| Still must differ from the tear's. | 7 | ··/˘··· |
| Hope: with all the strength thou usest | 8 | ········ |
| In embracing thy despair. | 7 | ·˘/˘·˘/ |
| Love: the earthly love thou losest | 8 | ··/˘···· |
| Shall return to thee more fair. | 7 | ·˘/···· |
| Work: make clear the forest-tangles | 8 | ····/˘/˘ |
| Of the wildest stranger-land | 7 | ··/˘/˘· |
| Trust: the blessed deathly angels | 7 | ···/˘/˘ |
| Whisper, "Sabbath hours at hand!" | 7 | /˘/˘/·· |
| By the heart's wound when most gory, | 8 | ······/˘ |
| By the longest agony, | 7 | ··/˘/˘˘ |
| Smile! Behold in sudden glory | 8 | ·˘/·/˘/˘ |
| The TRANSFIGURED smiles on thee! | 7 | ······· |
| And ye lifted up your head, and it seemed as if He said, | 14 | ··/˘·········· |
| "My Beloved, is it so? | 7 | ·˘/˘··· |
| Have ye tasted of my woe? | 7 | ··/˘··· |
| Of my Heaven ye shall not fail!" | 7 | ··/···· |
| He stands brightly where the shade is, | 8 | ··/˘···· |
| With the keys of Death and Hades, | 8 | ······/˘ |
| And there, ends the mournful tale-- | 7 | ····/˘· |
| So hopefully ye think upon the Dead! | 9 | ·/˘······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.