First Part

Elizabeth Barrett Browning (1806–1861) · 1844

anapaestic tetrameter · rhyming couplets · 105 lines · from Lady Geraldine's Courtship, and Other Poems

"Onora, Onora,"--her mother is calling,She sits at the lattice and hears the dew fallingDrop after drop from the sycamores ladenWith dew as with blossom, and calls home the maiden,"Night cometh, Onora."

She looks down the garden-walk caverned with trees,To the limes at the end where the green arbour is--"Some sweet thought or other may keep where it found her,While, forgot or unseen in the dreamlight around her,Night cometh--Onora!"

She looks up the forest whose alleys shoot onLike the mute minster-aisles when the anthem is doneAnd the choristers sitting with faces aslantFeel the silence to consecrate more than the chant--"Onora, Onora!"

And forward she looketh across the brown heath--"Onora, art coming?"--what is it she seeth?Nought, nought but the grey border-stone that is wistTo dilate and assume a wild shape in the mist--"My daughter!" Then over

The casement she leaneth, and as she doth soShe is 'ware of her little son playing below:"Now where is Onora?" He hung down his headAnd spake not, then answering blushed scarlet-red,--"At the tryst with her lover."

But his mother was wroth: in a sternness quoth she,"As thou play'st at the ball art thou playing with me?When we know that her lover to battle is gone,And the saints know above that she loveth but oneAnd will ne'er wed another?"

Then the boy wept aloud; 't was a fair sight yet sadTo see the tears run down the sweet blooms he had:He stamped with his foot, said--"The saints know I liedBecause truth that is wicked is fittest to hide:Must I utter it, mother?"

In his vehement childhood he hurried withinAnd knelt at her feet as in prayer against sin,But a child at a prayer never sobbeth as he--"Oh! she sits with the nun of the brown rosary,At nights in the ruin--

"The old convent ruin the ivy rots off,Where the owl hoots by day and the toad is sun-proof,Where no singing-birds build and the trees gaunt and greyAs in stormy sea-coasts appear blasted one way--But is this the wind's doing?

"A nun in the east wall was buried aliveWho mocked at the priest when he called her to shrive,And shrieked such a curse, as the stone took her breath,The old abbess fell backwards and swooned unto deathWith an Ave half-spoken.

"I tried once to pass it, myself and my hound,Till, as fearing the lash, down he shivered to ground--A brave hound, my mother! a brave hound, ye wot!And the wolf thought the same with his fangs at her throatIn the pass of the Brocken.

"At dawn and at eve, mother, who sitteth thereWith the brown rosary never used for a prayer?Stoop low, mother, low! If we went there to see,What an ugly great hole in that east wall must beAt dawn and at even!

"Who meet there, my mother, at dawn and at even?Who meet by that wall, never looking to heaven?O sweetest my sister, what doeth with theeThe ghost of a nun with a brown rosaryAnd a face turned from heaven?

"Saint Agnes o'erwatcheth my dreams and erewhileI have felt through mine eyelids the warmth of her smile;But last night, as a sadness like pity came o'er her,She whispered--'Say two prayers at dawn for Onora:The Tempted is sinning.'"

"Onora, Onora!" they heard her not coming,Not a step on the grass, not a voice through the gloaming;But her mother looked up, and she stood on the floorFair and still as the moonlight that came there before,And a smile just beginning:

It touches her lips but it dares not ariseTo the height of the mystical sphere of her eyes,And the large musing eyes, neither joyous nor sorrySing on like the angels in separate gloryBetween clouds of amber;

For the hair droops in clouds amber-coloured till stirredInto gold by the gesture that comes with a word;While--O soft!--her speaking is so interwoundOf the dim and the sweet, 't is a twilight of soundAnd floats through the chamber.

"Since thou shrivest my brother, fair mother," said she"I count on thy priesthood for marrying of me,And I know by the hills that the battle is done.That my lover rides on, will be here with the sun,'Neath the eyes that behold thee."

Her mother sat silent--too tender, I wis,Of the smile her dead father smiled dying to kiss:But the boy started up pale with tears, passion-wrought--"O wicked fair sister, the hills utter nought!If he cometh, who told thee?"

"I know by the hills," she resumed calm and clear,"By the beauty upon them, that HE is anear:Did they ever look so since he bade me adieu?Oh, love in the waking, sweet brother, is true,As Saint Agnes in sleeping!"

Half-ashamed and half-softened the boy did not speak,And the blush met the lashes which fell on his cheek:She bowed down to kiss him: dear saints, did he seeOr feel on her bosom the BROWN ROSARY,That he shrank away weeping?

Words in this poem 25
caverned a.
Containing caverns.
arbour n.
A kind of latticework formed of, or covered with, vines, branches of trees, or other plants, for shade; a bower. Sir P. [OE. herber, herbere, properly a garden of herbs, F. herbier, fr. L. herbarium. See Herb, and cf. Herbarium.]
unseen a.
Not seen or discovered.
anthem v. t.
To celebrate with anthems.
aslant adv.
Toward one side; in a slanting direction; obliquely. [Pref. a- + slant.]
casement n.
A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
tryst v. i.
To mutually agree to meet at a certain place.
wroth a.
Full of wrath; angry; incensed; much exasperated; wrathful. [OE. wroth, wrap, AS. wraedh wroth, crooked, bad; akin to wriedhan to writhe, and to OS. wreedhangry, D. wreed cruel, OHG. reid twisted, Icel. reiedhr angry, Dan]
sternness n.
The quality or state of being stern.
quoth v. t.
Said; spoke; uttered; -- used only in the first and third persons in the past tenses, and always followed by its nominative, the word or words said being the object; as, quoth I. quoth he. [AS.cweedhan, imp cwæedh, pl. cwædon; akin to OS. queedhan, OHG. quethan, quedan, Icel. kveedha, Goth. qiþan. sq. root22. Cf. Bequeath.]
aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
lied n.
A lay; a German song. It differs from the French chanson, and the Italian canzone, all three being national. [G.]
childhood n.
The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
rosary n.
A bed of roses, or place where roses grow. [LL. rosarium a string of beads, L. rosarium a place planted with roses, rosa a rose: cf. F. rosaire. See Rose.]
gaunt a.
Attenuated, as with fasting or suffering; lean; meager; pinched and grim. [Cf. Norw. gand a thin pointed stick, a tall and thin man, and W. gwan weak.]
blasted a.
Blighted; withered.
shrive v. t.
To hear or receive the confession of; to administer confession and absolution to; -- said of a priest as the agent. [OE. shriven, schriven, AS. scrivan to shrive, to impose penance or punishment; akin to OFries. skriva to impose punishment; cf. OS. biskriban to be troubled. Cf]
abbess n.
A female superior or governess of a nunnery, or convent of nuns, having the same authority over the nuns which the abbots have over the monks. See Abbey. [OF.abaesse, abeesse, F. abbesse, L. abbatissa, fem. of abbas, abbatis, abbot. See Abbot.]
went n.
Course; way; path; journey; direction.
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
erewhile adv.
Some time ago; a little while before; heretofore.
sadness n.
Heaviness; firmness.
gloaming n.
Twilight; dusk; the fall of the evening. [Scot. & North of Eng., and in poetry.] Hogg. [See Gloom.]
anear v. t.
To near; to approach.
bade
A form of the pat tense of Bid.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

First Part is in the public domain. This text is taken from The Poetical Works of Elizabeth Barrett Browning, Volume 2, Project Gutenberg ebook #33363; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Elizabeth Barrett Browning, First Part, in Lady Geraldine's Courtship, and Other Poems (1844), text of Project Gutenberg ebook #33363, Laurel, https://laurelpoetry.com/poem/barrett-browning-poems-2/first-part.html, id L24810.

Form and metre

First Part is 105 lines in 21 stanzas of 5 lines each. It is in rhyming couplets, 55% of the lines. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 86%).

See other poems in rhyming couplets, other poems in anapaestic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AA- calling · falling · ladenA · maidenA · onora
  2. 2 --AA- trees · is · herA · herA · onora
  3. 3 --AA- on · done · aslantA · chantA · onora
  4. 4 AABB- heathA · seethA · wistB · mistB · over
  5. 5 AABB- soA · belowA · headB · redB · lover
  6. 6 AA--- sheA · meA · gone · one · another
  7. 7 AABB- sadA · hadA · liedB · hideB · mother
  8. 8 AA--A withinA · sinA · he · rosary · ruinA
  9. 9 --AA- off · proof · greyA · wayA · doing
  10. 10 AABB- aliveA · shriveA · breathB · deathB · spoken
  11. 11 AA--- houndA · groundA · wot · throat · brocken
  12. 12 AABB- thereA · prayerA · seeB · beB · even
  13. 13 -A--A even · heavenA · thee · rosary · heavenA
  14. 14 AA--- erewhileA · smileA · her · onora · sinning
  15. 15 --AA- coming · gloaming · floorA · beforeA · beginning
  16. 16 AA--- ariseA · eyesA · sorry · glory · amber
  17. 17 AABB- stirredA · wordA · interwoundB · soundB · chamber
  18. 18 AABBA sheA · meA · doneB · sunB · theeA
  19. 19 AABB- wisA · kissA · wroughtB · noughtB · thee
  20. 20 AABB- clearA · anearA · adieuB · trueB · sleeping
  21. 21 AA--- speakA · cheekA · see · rosary · weeping
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.

LineSyl.Stress
"Onora, Onora,"--her mother is calling,12·······/˘·/˘
She sits at the lattice and hears the dew falling12····/˘····/˘
Drop after drop from the sycamores laden11······/˘·/˘
With dew as with blossom, and calls home the maiden,12····/˘····/˘
"Night cometh, Onora."6·/˘···
She looks down the garden-walk caverned with trees,12····/˘·/˘˘··
To the limes at the end where the green arbour is--12·········/˘·
"Some sweet thought or other may keep where it found her,12····/˘······
While, forgot or unseen in the dreamlight around her,13·˘/·˘/·······
Night cometh--Onora!"6·/˘···
She looks up the forest whose alleys shoot on11····/˘·/˘··
Like the mute minster-aisles when the anthem is done12···/˘···/˘··
And the choristers sitting with faces aslant12·····/˘·/˘˘/
Feel the silence to consecrate more than the chant--12··/˘·/˘·····
"Onora, Onora!"6······
And forward she looketh across the brown heath--11·/˘·/˘˘/···
"Onora, art coming?"--what is it she seeth?11····/˘·····
Nought, nought but the grey border-stone that is wist11·····/˘····
To dilate and assume a wild shape in the mist--12·˘/·˘/······
"My daughter!" Then over6·/˘···
The casement she leaneth, and as she doth so11·/˘·/˘·····
She is 'ware of her little son playing below:12·····/˘·/˘··
"Now where is Onora?" He hung down his head11···········
And spake not, then answering blushed scarlet-red,--12····/˘˘·˘/˘·
"At the tryst with her lover."7·····/˘
But his mother was wroth: in a sternness quoth she,12··/˘····/˘··
"As thou play'st at the ball art thou playing with me?12········/˘··
When we know that her lover to battle is gone,12·····/˘·/˘··
And the saints know above that she loveth but one12············
And will ne'er wed another?"7····˘/˘
Then the boy wept aloud; 't was a fair sight yet sad13····˘/·······
To see the tears run down the sweet blooms he had:11···········
He stamped with his foot, said--"The saints know I lied12··˘·········
Because truth that is wicked is fittest to hide:12·····/˘·/˘··
Must I utter it, mother?"7··/˘·/˘
In his vehement childhood he hurried within12··/˘˘/··/˘··
And knelt at her feet as in prayer against sin,11···········
But a child at a prayer never sobbeth as he--12······/˘/˘··
"Oh! she sits with the nun of the brown rosary,12·········/˘˘
At nights in the ruin--6····/˘
"The old convent ruin the ivy rots off,11··/˘/˘·/˘··
Where the owl hoots by day and the toad is sun-proof,12············
Where no singing-birds build and the trees gaunt and grey12··/˘········
As in stormy sea-coasts appear blasted one way--12··/˘··˘//˘··
But is this the wind's doing?7·····/˘
"A nun in the east wall was buried alive11·······/˘˘/
Who mocked at the priest when he called her to shrive,12··˘·········
And shrieked such a curse, as the stone took her breath,12··˘·········
The old abbess fell backwards and swooned unto death12··/˘·/˘·····
With an Ave half-spoken.8··/˘˘·/˘
"I tried once to pass it, myself and my hound,11·······/···
Till, as fearing the lash, down he shivered to ground--12··/˘····/˘··
A brave hound, my mother! a brave hound, ye wot!11····/˘·····
And the wolf thought the same with his fangs at her throat12············
In the pass of the Brocken.7·······
"At dawn and at eve, mother, who sitteth there11·····/˘·/˘·
With the brown rosary never used for a prayer?12···/˘˘/˘····
Stoop low, mother, low! If we went there to see,11··/˘·······
What an ugly great hole in that east wall must be12··/˘········
At dawn and at even!6····/˘
"Who meet there, my mother, at dawn and at even?12····/˘····/˘
Who meet by that wall, never looking to heaven?12·····/˘/˘·/˘
O sweetest my sister, what doeth with thee10·/˘·/˘····
The ghost of a nun with a brown rosary11········/˘˘
And a face turned from heaven?7·····/˘
"Saint Agnes o'erwatcheth my dreams and erewhile13·/˘··········
I have felt through mine eyelids the warmth of her smile;12·····/······
But last night, as a sadness like pity came o'er her,13·····/˘·/˘···
She whispered--'Say two prayers at dawn for Onora:12·/˘·········
The Tempted is sinning.'"6·/˘·/˘
"Onora, Onora!" they heard her not coming,12··········/˘
Not a step on the grass, not a voice through the gloaming;13···········/˘
But her mother looked up, and she stood on the floor12··/˘········
Fair and still as the moonlight that came there before,12·····/······
And a smile just beginning:7····˘/˘
It touches her lips but it dares not arise11·/˘······˘/
To the height of the mystical sphere of her eyes,12·····/˘˘····
And the large musing eyes, neither joyous nor sorry13···/˘·/˘/˘·/˘
Sing on like the angels in separate glory12····/˘·/˘˘/˘
Between clouds of amber;6····/˘
For the hair droops in clouds amber-coloured till stirred12······/˘/˘··
Into gold by the gesture that comes with a word;12·····/˘·····
While--O soft!--her speaking is so interwound11····/˘·····
Of the dim and the sweet, 't is a twilight of sound13·········/···
And floats through the chamber.6····/˘
"Since thou shrivest my brother, fair mother," said she12·····/˘·/˘··
"I count on thy priesthood for marrying of me,12····/˘·/˘˘··
And I know by the hills that the battle is done.12········/˘··
That my lover rides on, will be here with the sun,12··/˘········
'Neath the eyes that behold thee."7····˘/·
Her mother sat silent--too tender, I wis,11·/˘·/˘·/˘··
Of the smile her dead father smiled dying to kiss:12·····/˘·/˘··
But the boy started up pale with tears, passion-wrought--12···/˘····/˘·
"O wicked fair sister, the hills utter nought!12·/˘˘·/˘··/˘·
If he cometh, who told thee?"7··/˘···
"I know by the hills," she resumed calm and clear,12······˘/˘···
"By the beauty upon them, that HE is anear:12··/˘······˘/
Did they ever look so since he bade me adieu?12··/˘······˘/
Oh, love in the waking, sweet brother, is true,11····/˘·/˘··
As Saint Agnes in sleeping!"7··/˘·/˘
Half-ashamed and half-softened the boy did not speak,12·˘/··/˘·····
And the blush met the lashes which fell on his cheek:12·····/˘·····
She bowed down to kiss him: dear saints, did he see12··˘·········
Or feel on her bosom the BROWN ROSARY,11····/˘··/˘˘
That he shrank away weeping?7···˘//˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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