The Terrace at Berne (Composed Ten Years After the Preceding.)

Matthew Arnold (1822–1888) · 1849–1867

iambic tetrameter · ABAB · 52 lines · from Poems

Ten years! and to my waking eyeOnce more the roofs of Berne appear;The rocky banks, the terrace high,The stream! and do I linger here?

The clouds are on the Oberland,The Jungfrau snows look faint and far;But bright are those green fields at hand,And through those fields comes down the Aar,

And from the blue twin-lakes it comes,Flows by the town, the churchyard fair;And ’neath the garden-walk it hums,The house! and is my Marguerite there

Ah! shall I see thee, while a flushOf startled pleasure floods thy brow,Quick through the oleanders brush,And clap thy hands, and cry, ’Tis thou!

Or hast thou long since wandered back,Daughter of France! to France, thy home;And flitted down the flowery trackWhere feet like thine too lightly come?

Doth riotous laughter now replaceThy smile, and rouge, with stony glare,Thy cheek’s soft hue, and fluttering laceThe kerchief that inwound thy hair?

Or is it over? art thou dead?--Dead!--and no warning shiver ranAcross my heart, to say thy threadOf life was cut, and closed thy span!

Could from earth’s ways that figure slightBe lost, and I not feel ’twas so?Of that fresh voice the gay delightFail from earth’s air, and I not know?

Or shall I find thee still, but changed,But not the Marguerite of thy prime?With all thy being re-arranged,--Passed through the crucible of time;

With spirit vanished, beauty waned,And hardly yet a glance, a tone,A gesture--any thing--retainedOf all that was my Marguerite’s own?

I will not know! For wherefore try,To things by mortal course that live,A shadowy durability,For which they were not meant, to give?

Like driftwood spars, which meet and passUpon the boundless ocean-plain,So on the sea of life, alas!Man meets man,--meets, and quits again.

I knew it when my life was young;I feel it still now youth is o’er.--The mists are on the mountain hung,And Marguerite I shall see no more.

Words in this poem

churchyard n.
The ground adjoining a church, in which the dead are buried; a cemetery.
marguerite n.
The daisy (Bellis perennis). The name is often applied also to the ox-eye daisy and to the China aster. [F., a pearl, a daisy. See Margarite.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
glare v. i.
To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
driftwood n.
Wood drifted or floated by water.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Terrace at Berne (Composed Ten Years After the Preceding.) is in the public domain. This text is taken from Poems, Project Gutenberg ebook #54985; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Matthew Arnold, The Terrace at Berne (Composed Ten Years After the Preceding.), in Poems (1849–1867), text of Project Gutenberg ebook #54985, Laurel, https://laurelpoetry.com/poem/arnold-poems/the-terrace-at-berne-composed-ten-years-after-the-preceding.html, id L06993.

Form and metre

The Terrace at Berne (Composed Ten Years After the Preceding.) is 52 lines in 13 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 11 of its 13 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 1 line ends on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB eyeA · appearB · highA · hereB
  2. 2 ABAB oberlandA · farB · handA · aarB
  3. 3 ABAB comesA · fairB · humsA · thereB
  4. 4 ABAB flushA · browB · brushA · thouB
  5. 5 ABAB backA · homeB · trackA · comeB
  6. 6 ABAB replaceA · glareB · laceA · hairB
  7. 7 ABAB deadA · ranB · threadA · spanB
  8. 8 ABAB slightA · soB · delightA · knowB
  9. 9 ABAB changedA · primeB · arrangedA · timeB
  10. 10 ABAB wanedA · toneB · retainedA · ownB
  11. 11 -A-A try · liveA · durability · giveA
  12. 12 ABAB passA · plainB · alasA · againB
  13. 13 A-A- youngA · o'er · hungA · more
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Ten years! and to my waking eye8·····/˘·
Once more the roofs of Berne appear;8······˘/
The rocky banks, the terrace high,8·/˘··/˘·
The stream! and do I linger here?8·····/˘·
The clouds are on the Oberland,8········
The Jungfrau snows look faint and far;8········
But bright are those green fields at hand,8········
And through those fields comes down the Aar,8········
And from the blue twin-lakes it comes,8········
Flows by the town, the churchyard fair;8·····/··
And ’neath the garden-walk it hums,8···/˘···
The house! and is my Marguerite there9······˘/·
Ah! shall I see thee, while a flush8········
Of startled pleasure floods thy brow,8·/˘/˘···
Quick through the oleanders brush,8···/˘·˘·
And clap thy hands, and cry, ’Tis thou!8········
Or hast thou long since wandered back,8·····/˘·
Daughter of France! to France, thy home;8/˘······
And flitted down the flowery track8·/˘··/˘·
Where feet like thine too lightly come?8·····/˘·
Doth riotous laughter now replace8·/˘/˘··/
Thy smile, and rouge, with stony glare,8·····/˘·
Thy cheek’s soft hue, and fluttering lace8·····/˘·
The kerchief that inwound thy hair?8·/˘·····
Or is it over? art thou dead?--8········
Dead!--and no warning shiver ran8···/˘/˘·
Across my heart, to say thy thread8˘/······
Of life was cut, and closed thy span!8········
Could from earth’s ways that figure slight8·····/˘·
Be lost, and I not feel ’twas so?8········
Of that fresh voice the gay delight8······˘/
Fail from earth’s air, and I not know?8········
Or shall I find thee still, but changed,8········
But not the Marguerite of thy prime?9····˘/···
With all thy being re-arranged,--8···/˘·˘/
Passed through the crucible of time;8···/˘˘··
With spirit vanished, beauty waned,8·/˘/˘/˘·
And hardly yet a glance, a tone,8·/˘·····
A gesture--any thing--retained8·/˘/˘·˘/
Of all that was my Marguerite’s own?9······˘/·
I will not know! For wherefore try,8·····/˘·
To things by mortal course that live,8···/˘···
A shadowy durability,9·/˘˘˘˘/˘˘
For which they were not meant, to give?8········
Like driftwood spars, which meet and pass8·/······
Upon the boundless ocean-plain,8···/˘/˘·
So on the sea of life, alas!8······˘/
Man meets man,--meets, and quits again.8······˘/
I knew it when my life was young;8········
I feel it still now youth is o’er.8········
--The mists are on the mountain hung,8·····/˘·
And Marguerite I shall see no more.9··˘/·····
Notes from the edition 2

Matthew Arnold's own notes to his Poems (Project Gutenberg #54985), each headed by the line it glosses.

  1. Stanza 48, line 11 Orion, the Wild Huntsman of Greek legend, and in this capacity appearing in both earth and sky.
  2. Stanza 53, line 3 Erytheia, the legendary region around the Pillars of Hercules, probably took its name from the redness of the west under which the Greeks saw it.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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