The Remonstrance of Shakspeare
If, yet regardful of your native land,Old Shakspeare's tongue you deign to understand,Lo, from the blissful bowers where heaven rewardsInstructive sages and unblemish'd bards,I come, the ancient founder of the stage,Intent to learn, in this discerning age,What form of wit your fancies have embraced,And whither tends your elegance of taste,That thus at length our homely toils you spurn,That thus to foreign scenes you proudly turn,That from my brow the laurel wreath you claimTo crown the rivals of your country's fame.
What though the footsteps of my devious MuseThe measured walks of Grecian art refuse?Or though the frankness of my hardy styleMock the nice touches of the critic's file?Yet, what my age and climate held to view,Impartial I survey'd and fearless drew.And say, ye skilful in the human heart,Who know to prize a poet's noblest part,What age, what clime, could e'er an ampler fieldFor lofty thought, for daring fancy, yield?I saw this England break the shameful bandsForged for the souls of men by sacred hands:I saw each groaning realm her aid implore;Her sons the heroes of each warlike shore:Her naval standard (the dire Spaniard's bane)Obey'd through all the circuit of the main.Then, too, great Commerce, for a late found world,Around your coast her eager sails unfurl'd!New hopes, new passions, thence the bosom fired;New plans, new arts, the genius thence inspired;Thence every scene, which private fortune knows,In stronger life, with bolder spirit, rose.
Disgraced I this full prospect which I drew,My colours languid, or my strokes untrue?Have not your sages, warriors, swains, and kings,Confess'd the living draught of men and things?What other bard in any clime appearsAlike the master of your smiles and tears?Yet have I deign'd your audience to enticeWith wretched bribes to luxury and vice?Or have my various scenes a purpose knownWhich freedom, virtue, glory, might not own?
Such from the first was my dramatic plan;It should be yours to crown what I began:And now that England spurns her Gothic chain,And equal laws and social science reign,I thought, Now surely shall my zealous eyesView nobler bards and juster critics rise,Intent with learned labour to refineThe copious ore of Albion's native mine,Our stately Muse more graceful airs to teach,And form her tongue to more attractive speech,Till rival nations listen at her feet,And own her polish'd as they own her great.
But do you thus my favourite hopes fulfil?Is France at last the standard of your skill?Alas for you! that so betray a mindOf art unconscious and to beauty blind.Say, does her language your ambition raise,Her barren, trivial, unharmonious phrase,Which fetters eloquence to scantiest bounds,And maims the cadence of poetic sounds?Say, does your humble admiration chooseThe gentle prattle of her Comic Muse,While wits, plain-dealers, fops, and fools appear,Charged to say nought but what the king may hear?Or rather melt your sympathising heartsWon by her tragic scene's romantic arts,Where old and young declaim on soft desire,And heroes never, but for love, expire?
No. Though the charms of novelty, a while,Perhaps too fondly win your thoughtless smile,Yet not for you design'd indulgent fateThe modes or manners of the Bourbon state.And ill your minds my partial judgment reads,And many an augury my hope misleads,If the fair maids of yonder blooming trainTo their light courtship would an audience deign,Or those chaste matrons a Parisian wifeChoose for the model of domestic life;Or if one youth of all that generous band,The strength and splendour of their native land,Would yield his portion of his country's fame,And quit old freedom's patrimonial claim,With lying smiles oppression's pomp to see,And judge of glory by a king's decree.
O bless'd at home with justly-envied laws,O long the chiefs of Europe's general cause,Whom heaven hath chosen at each dangerous hourTo check the inroads of barbaric power,The rights of trampled nations to reclaim,And guard the social world from bonds and shame;Oh! let not luxury's fantastic charmsThus give the lie to your heroic arms:Nor for the ornaments of life embraceDishonest lessons from that vaunting race,Whom fate's dread laws (for, in eternal fateDespotic rule was heir to freedom's hate),Whom in each warlike, each commercial part,In civil council, and in pleasing art,The judge of earth predestined for your foes,And made it fame and virtue to oppose.
Words in this poem 25
- regardful a.
- Heedful; attentive; observant.
- deign v. t.
- To esteem worthy; to consider worth notice; -- opposed to disdain. [OE. deinen, deignen, OF. degner, deigner, daigner, F. daigner, fr. L. dignari to deem worthy, deign, fr. dignus worthy; akin to decere to be fitting. See Decent]
- blissful a.
- Full of, characterized by, or causing, joy and felicity; happy in the highest degree.
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- homely a.
- Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
- spurn v. t.
- To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
- devious a.
- Out of a straight line; winding; varying from directness; as, a devious path or way. [L. devius; de + via way. See Viaduct.]
- frankness n.
- The quality of being frank; candor; openess; ingenuousness; fairness; liberality.
- clime n.
- A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
- dire a.
- Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
- bane v. t.
- To be the bane of; to ruin. Fuller.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- trivial a.
- Found anywhere; common. [L. trivialis, properly, that is in, or belongs to, the crossroads or public streets; hence, that may be found everywhere, common, fr. trivium a place where thre]
- unharmonious a.
- Inharmonious; unsymmetrical; also, unmusical; discordant.
- admiration n.
- Wonder; astonishment. [F., fr. L. admiratio. See Admire.]
- fondly adv.
- Foolishly. Verstegan (1673).
- bourbon n.
- A member of a family which has occupied several European thrones, and whose descendants still claim the throne of France. [From the castle and seigniory of Bourbon in central France.]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- courtship n.
- The act of paying court, with the intent to solicit a favor.
- parisian n.
- A native or inhabitant of Paris, the capital of France. [Cf. F. parisen.]
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- patrimonial a.
- Of or pertaining to a patrimony; inherited from ancestors; as, a patrimonial estate. [L.patrimonialis: cf. F. patrimonial.]
- barbaric a.
- Of, or from, barbarian nations; foreign; -- often with reference to barbarous nations of east. [L. barbaricus foreign, barbaric, Gr. .]
- dishonest a.
- Dishonorable; shameful; indecent; unchaste; lewd. [Pref. dis- + honest: cf. F. déshonnête, OF. deshoneste.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Remonstrance of Shakspeare is in the public domain. This text is taken from The Poetical Works of Mark Akenside, Project Gutenberg ebook #9814; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Mark Akenside, The Remonstrance of Shakspeare, in The Poetical Works of Mark Akenside (1744), text of Project Gutenberg ebook #9814, Laurel, https://laurelpoetry.com/poem/akenside-poems/the-remonstrance-of-shakspeare.html, id L09522.
Form and metre
The Remonstrance of Shakspeare is 104 lines in 7 verse paragraphs. It is in rhyming couplets, 92% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 91%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 4 lines end on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA--BBCCDDEE landA · understandA · rewards · bards · stageB · ageB · embracedC · tasteC · spurnD · turnD · claimE · fameE
- 2 AABBCCDDEEFFGGHHIIJJKK museA · refuseA · styleB · fileB · viewC · drewC · heartD · partD · fieldE · yieldE · bandsF · handsF · imploreG · shoreG · baneH · mainH · worldI · unfurl'dI · firedJ · inspiredJ · knowsK · roseK
- 3 AABBCCDDEE drewA · untrueA · kingsB · thingsB · appearsC · tearsC · enticeD · viceD · knownE · ownE
- 4 AABBCCDDEE-- planA · beganA · chainB · reignB · eyesC · riseC · refineD · mineD · teachE · speechE · feet · great
- 5 --AABBCCDDEEFF-- fulfil · skill · mindA · blindA · raiseB · phraseB · boundsC · soundsC · chooseD · museD · appearE · hearE · heartsF · artsF · desire · expire
- 6 AABBCCDDEEFFGGHH whileA · smileA · fateB · stateB · readsC · misleadsC · trainD · deignD · wifeE · lifeE · bandF · landF · fameG · claimG · seeH · decreeH
- 7 AABBCCDDEEFFGGHH lawsA · causeA · hourB · powerB · reclaimC · shameC · charmsD · armsD · embraceE · raceE · fateF · hateF · partG · artG · foesH · opposeH
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| If, yet regardful of your native land, | 10 | ··˘/˘··/˘· |
| Old Shakspeare's tongue you deign to understand, | 10 | ········˘/ |
| Lo, from the blissful bowers where heaven rewards | 10 | ···/˘/·/˘/ |
| Instructive sages and unblemish'd bards, | 10 | ˘/˘/˘·˘/˘· |
| I come, the ancient founder of the stage, | 10 | ···/˘/˘··· |
| Intent to learn, in this discerning age, | 10 | ˘/····˘/˘· |
| What form of wit your fancies have embraced, | 10 | ·····/˘·˘/ |
| And whither tends your elegance of taste, | 10 | ·/˘··/˘˘·· |
| That thus at length our homely toils you spurn, | 10 | ····//˘··· |
| That thus to foreign scenes you proudly turn, | 10 | ···/˘··/˘· |
| That from my brow the laurel wreath you claim | 10 | ·····/˘··· |
| To crown the rivals of your country's fame. | 10 | ···/˘··/˘· |
| What though the footsteps of my devious Muse | 10 | ···/···/˘· |
| The measured walks of Grecian art refuse? | 10 | ·/˘··/˘·˘/ |
| Or though the frankness of my hardy style | 10 | ···/˘··/˘· |
| Mock the nice touches of the critic's file? | 10 | ···/˘··/˘· |
| Yet, what my age and climate held to view, | 10 | ·····/˘··· |
| Impartial I survey'd and fearless drew. | 10 | ˘/˘·˘/·/˘· |
| And say, ye skilful in the human heart, | 10 | ···/˘··/˘· |
| Who know to prize a poet's noblest part, | 10 | ·····/˘/˘· |
| What age, what clime, could e'er an ampler field | 10 | ·········· |
| For lofty thought, for daring fancy, yield? | 10 | ·/˘··/˘/˘· |
| I saw this England break the shameful bands | 10 | ···/˘··/˘· |
| Forged for the souls of men by sacred hands: | 10 | ·······/˘· |
| I saw each groaning realm her aid implore; | 10 | ···/˘···˘/ |
| Her sons the heroes of each warlike shore: | 10 | ···/˘··/·· |
| Her naval standard (the dire Spaniard's bane) | 10 | ·/˘/˘··/˘· |
| Obey'd through all the circuit of the main. | 10 | ˘/···/˘··· |
| Then, too, great Commerce, for a late found world, | 10 | ···/˘····· |
| Around your coast her eager sails unfurl'd! | 10 | ·····/˘·˘/ |
| New hopes, new passions, thence the bosom fired; | 11 | ···/˘··/˘/˘ |
| New plans, new arts, the genius thence inspired; | 11 | ·····/˘·˘/˘ |
| Thence every scene, which private fortune knows, | 10 | ·/˘··/˘/˘· |
| In stronger life, with bolder spirit, rose. | 10 | ·/˘··/˘/˘· |
| Disgraced I this full prospect which I drew, | 10 | ˘/···/˘··· |
| My colours languid, or my strokes untrue? | 10 | ·/˘/˘···˘/ |
| Have not your sages, warriors, swains, and kings, | 10 | ···/˘/˘··· |
| Confess'd the living draught of men and things? | 10 | ˘/·/˘····· |
| What other bard in any clime appears | 10 | ·/˘··/˘·˘/ |
| Alike the master of your smiles and tears? | 10 | ˘/·/˘····· |
| Yet have I deign'd your audience to entice | 10 | ·····/˘·˘/ |
| With wretched bribes to luxury and vice? | 10 | ·/˘··/˘˘·· |
| Or have my various scenes a purpose known | 10 | ···/˘··/˘· |
| Which freedom, virtue, glory, might not own? | 10 | ·/˘/˘/˘··· |
| Such from the first was my dramatic plan; | 10 | ······˘/˘· |
| It should be yours to crown what I began: | 10 | ········˘/ |
| And now that England spurns her Gothic chain, | 10 | ···/˘··/˘· |
| And equal laws and social science reign, | 10 | ·/˘··/˘/˘· |
| I thought, Now surely shall my zealous eyes | 10 | ···/˘··/˘· |
| View nobler bards and juster critics rise, | 10 | ·/˘··/˘/˘· |
| Intent with learned labour to refine | 10 | ˘/··˘/··˘/ |
| The copious ore of Albion's native mine, | 10 | ·/˘··/˘/˘· |
| Our stately Muse more graceful airs to teach, | 10 | //˘··/˘··· |
| And form her tongue to more attractive speech, | 10 | ······˘/˘· |
| Till rival nations listen at her feet, | 10 | ·/˘/˘/˘··· |
| And own her polish'd as they own her great. | 10 | ···/˘····· |
| But do you thus my favourite hopes fulfil? | 11 | ··········· |
| Is France at last the standard of your skill? | 10 | ·····/˘··· |
| Alas for you! that so betray a mind | 10 | ˘/····˘/·· |
| Of art unconscious and to beauty blind. | 10 | ···/˘··/˘· |
| Say, does her language your ambition raise, | 10 | ···/˘·˘/˘· |
| Her barren, trivial, unharmonious phrase, | 10 | ·/˘/˘····· |
| Which fetters eloquence to scantiest bounds, | 10 | ·/˘/˘˘···· |
| And maims the cadence of poetic sounds? | 10 | ···/˘·˘/˘· |
| Say, does your humble admiration choose | 10 | ···/˘·˘/˘· |
| The gentle prattle of her Comic Muse, | 10 | ·/˘/˘··/˘· |
| While wits, plain-dealers, fops, and fools appear, | 10 | ···/˘···˘/ |
| Charged to say nought but what the king may hear? | 10 | ·········· |
| Or rather melt your sympathising hearts | 10 | ·/˘··/˘·˘· |
| Won by her tragic scene's romantic arts, | 10 | ···/˘·˘/˘· |
| Where old and young declaim on soft desire, | 11 | ····˘/··˘/˘ |
| And heroes never, but for love, expire? | 10 | ·/˘/˘···˘/ |
| No. Though the charms of novelty, a while, | 10 | ·····/˘˘·· |
| Perhaps too fondly win your thoughtless smile, | 10 | ˘/·/˘··/˘· |
| Yet not for you design'd indulgent fate | 10 | ····˘/˘/˘· |
| The modes or manners of the Bourbon state. | 10 | ···/˘··/˘· |
| And ill your minds my partial judgment reads, | 10 | ·····/˘/˘· |
| And many an augury my hope misleads, | 10 | ·/·/˘˘··˘/ |
| If the fair maids of yonder blooming train | 10 | ·····/˘/˘· |
| To their light courtship would an audience deign, | 10 | ···/···/˘· |
| Or those chaste matrons a Parisian wife | 10 | ···/˘·˘/˘· |
| Choose for the model of domestic life; | 10 | ···/˘·˘/˘· |
| Or if one youth of all that generous band, | 10 | ·······/˘· |
| The strength and splendour of their native land, | 10 | ···/˘··/˘· |
| Would yield his portion of his country's fame, | 10 | ···/˘··/˘· |
| And quit old freedom's patrimonial claim, | 10 | ···/˘/˘·˘· |
| With lying smiles oppression's pomp to see, | 10 | ·/˘·˘/˘··· |
| And judge of glory by a king's decree. | 10 | ···/˘···˘/ |
| O bless'd at home with justly-envied laws, | 10 | ·····/˘/˘· |
| O long the chiefs of Europe's general cause, | 10 | ·····/˘/˘· |
| Whom heaven hath chosen at each dangerous hour | 10 | ·/·/˘··/˘/ |
| To check the inroads of barbaric power, | 11 | ···/··˘/˘/˘ |
| The rights of trampled nations to reclaim, | 10 | ···/˘/˘·˘/ |
| And guard the social world from bonds and shame; | 10 | ···/˘····· |
| Oh! let not luxury's fantastic charms | 10 | ···/˘˘˘/˘· |
| Thus give the lie to your heroic arms: | 10 | ······˘/˘· |
| Nor for the ornaments of life embrace | 10 | ···/˘˘··˘/ |
| Dishonest lessons from that vaunting race, | 10 | ˘/˘/˘····· |
| Whom fate's dread laws (for, in eternal fate | 10 | ······˘/˘· |
| Despotic rule was heir to freedom's hate), | 10 | ˘/˘····/˘· |
| Whom in each warlike, each commercial part, | 10 | ···/··˘/˘· |
| In civil council, and in pleasing art, | 10 | ·/˘/˘··/˘· |
| The judge of earth predestined for your foes, | 10 | ·····/˘··· |
| And made it fame and virtue to oppose. | 10 | ·····/˘·˘/ |
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