On Recovering from a Fit of Sickness; in the Country. 1758

Mark Akenside (1721–1770) · 1744

iambic tetrameter · ABBCADDC · 80 lines · from The Poetical Works of Mark Akenside

Thy verdant scenes, O Goulder's Hill,Once more I seek, a languid guest:With throbbing temples and with burden'd breastOnce more I climb thy steep aerial way.O faithful cure of oft-returning ill,Now call thy sprightly breezes round,Dissolve this rigid cough profound,And bid the springs of life with gentler movement play.

How gladly, 'mid the dews of dawn,My weary lungs thy healing gale,The balmy west or the fresh north, inhale!How gladly, while my musing footsteps roveRound the cool orchard or the sunny lawn,Awaked I stop, and look to findWhat shrub perfumes the pleasant wind,Or what wild songster charms the Dryads of the grove!

Now, ere the morning walk is done,The distant voice of Health I hear,Welcome as beauty's to the lover's ear.'Droop not, nor doubt of my return,' she cries;'Here will I, 'mid the radiant calm of noon,Meet thee beneath yon chestnut bower,And lenient on thy bosom pourThat indolence divine which lulls the earth and skies.'

The goddess promised not in vain.I found her at my favourite time.Nor wish'd to breathe in any softer clime,While (half-reclined, half-slumbering as I lay)She hover'd o'er me. Then, among her trainOf Nymphs and Zephyrs, to my viewThy gracious form appear'd anew,Then first, O heavenly Muse, unseen for many a day.

In that soft pomp the tuneful maidShone like the golden star of love.I saw her hand in careless measures move;I heard sweet preludes dancing on her lyre,While my whole frame the sacred sound obey'd.New sunshine o'er my fancy springs,New colours clothe external things,And the last glooms of pain and sickly plaint retire.

O Goulder's Hill, by thee restoredOnce more to this enliven'd hand,My harp, which late resounded o'er the landThe voice of glory, solemn and severe,My Dorian harp shall now with mild accordTo thee her joyful tribute pay,And send a less ambitious layOf friendship and of love to greet thy master's ear.

For when within thy shady seatFirst from the sultry town he chose,And the tired senate's cares, his wish'd repose,Then wast thou mine; to me a happier homeFor social leisure: where my welcome feet,Estranged from all the entangling waysIn which the restless vulgar strays,Through Nature's simple paths with ancient Faith might roam.

And while around his sylvan sceneMy Dyson led the white-wing'd hours,Oft from the Athenian Academic bowersTheir sages came: oft heard our lingering walkThe Mantuan music warbling o'er the green:And oft did Tully's reverend shade,Though much for liberty afraid,With us of letter'd ease or virtuous glory talk.

But other guests were on their way,And reach'd ere long this favour'd grove;Even the celestial progeny of Jove,Bright Venus, with her all-subduing son,Whose golden shaft most willingly obeyThe best and wisest. As they came,Glad Hymen waved his genial flame,And sang their happy gifts, and praised their spotless throne.

I saw when through yon festive gateHe led along his chosen maid,And to my friend with smiles presenting said:--'Receive that fairest wealth which Heaven assign'dTo human fortune. Did thy lonely stateOne wish, one utmost hope, confess?Behold, she comes, to adorn and bless:Comes, worthy of thy heart, and equal to thy mind.'

Words in this poem 22
gladly adv.
Preferably; by choice. [From Glad, a.]
balmy a.
Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
songster n.
One who sings; one skilled in singing; -- not often applied to human beings. [AS. sangestre a female singer.]
indolence n.
Freedom from that which pains, or harasses, as toil, care, grief, etc. [L. indolentia freedom from pain: cf. F. indolence.]
clime n.
A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
reclined a.
Falling or turned downward; reclinate.
unseen a.
Not seen or discovered.
tuneful a.
Harmonious; melodious; musical; as, tuneful notes.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
plaint n.
Audible expression of sorrow; lamentation; complaint; hence, a mournful song; a lament. Chaucer."The Psalmist's mournful plaint." [OE. plainte, pleynte, F. plainte, fr. L. plangere, planctum (plancta, fem. p.p.), to beat, beat the breast, lament. Cf. Complain, Plague, Plangent.]
dorian a.
Of or pertaining to the ancient Greeks of Doris; Doric; as, a Dorian fashion.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
wast
The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
mantuan a.
Of or pertaining to Mantua.
reverend a.
Worthy of reverence; entitled to respect mingled with fear and affection; venerable. [F. révérend, L. reverendus, fr. revereri. See Revere.]
virtuous a.
Possessing or exhibiting virtue. Specifically: -- (a) Exhibiting manly courage and strength; valorous; valiant; brave. [OE. vertuous, OF. vertuos, vertuous, F. vertueux, fr. L. Virtuous. See Virtue, and cf. Virtuoso.]
jove n.
The chief divinity of the ancient Romans; Jupiter. [L. Jupiter, gen. Jovis, OL. Jovis, nom. & gen. for Djovis; akin to E. Tuesday. See Tuesday, and cf. Jupiter.]
willingly adv.
In a willing manner; with free will; without reluctance; cheerfully.
hymen n.
A fold of muscous membrane often found at the orifice of the vagina; the vaginal membrane.
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

On Recovering from a Fit of Sickness; in the Country. 1758 is in the public domain. This text is taken from The Poetical Works of Mark Akenside, Project Gutenberg ebook #9814; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Mark Akenside, On Recovering from a Fit of Sickness; in the Country. 1758, in The Poetical Works of Mark Akenside (1744), text of Project Gutenberg ebook #9814, Laurel, https://laurelpoetry.com/poem/akenside-poems/on-recovering-from-a-fit-of-sickness-in-the-country-1758.html, id L09537.

Form and metre

On Recovering from a Fit of Sickness; in the Country. 1758 is 80 lines in 10 stanzas of 8 lines each. The rhyme scheme is ABBCADDC, complete in 7 of its 10 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.4 syllables. 3 lines end on an unstressed syllable, a feminine ending. 26% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBCADDC hillA · guestB · breastB · wayC · illA · roundD · profoundD · playC
  2. 2 ABBCADDC dawnA · galeB · inhaleB · roveC · lawnA · findD · windD · groveC
  3. 3 -AAB---B done · hearA · earA · criesB · noon · bower · pour · skiesB
  4. 4 ABBCADDC vainA · timeB · climeB · layC · trainA · viewD · anewD · dayC
  5. 5 ABBCADDC maidA · loveB · moveB · lyreC · obey'dA · springsD · thingsD · retireC
  6. 6 ABBCADDC restoredA · handB · landB · severeC · accordA · payD · layD · earC
  7. 7 ABBCADDC seatA · choseB · reposeB · homeC · feetA · waysD · straysD · roamC
  8. 8 ABBCADDC sceneA · hoursB · bowersB · walkC · greenA · shadeD · afraidD · talkC
  9. 9 ABB-ACC- wayA · groveB · joveB · son · obeyA · cameC · flameC · throne
  10. 10 A--BACCB gateA · maid · said · assign'dB · stateA · confessC · blessC · mindB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Thy verdant scenes, O Goulder's Hill,8·/˘·····
Once more I seek, a languid guest:8·····/˘·
With throbbing temples and with burden'd breast10·/˘/˘··/˘·
Once more I climb thy steep aerial way.10······/˘˘·
O faithful cure of oft-returning ill,10·/˘···˘/˘·
Now call thy sprightly breezes round,8···/˘/˘·
Dissolve this rigid cough profound,8˘/·/˘·˘/
And bid the springs of life with gentler movement play.12·······/˘/˘·
How gladly, 'mid the dews of dawn,8·/˘·····
My weary lungs thy healing gale,8·/˘··/˘·
The balmy west or the fresh north, inhale!10·/˘·····˘/
How gladly, while my musing footsteps rove10·/˘··/˘/··
Round the cool orchard or the sunny lawn,10···/˘··/˘·
Awaked I stop, and look to find9˘/˘······
What shrub perfumes the pleasant wind,8··˘/·/˘·
Or what wild songster charms the Dryads of the grove!11···/˘······
Now, ere the morning walk is done,8···/˘···
The distant voice of Health I hear,8·/˘·····
Welcome as beauty's to the lover's ear.10/˘·/˘··/˘·
'Droop not, nor doubt of my return,' she cries;10······˘/··
'Here will I, 'mid the radiant calm of noon,10·····/˘···
Meet thee beneath yon chestnut bower,9·····/·/˘
And lenient on thy bosom pour9·/˘˘··/˘·
That indolence divine which lulls the earth and skies.'12·/˘˘˘/······
The goddess promised not in vain.9·/˘/˘˘···
I found her at my favourite time.9·········
Nor wish'd to breathe in any softer clime,10·····/˘/˘·
While (half-reclined, half-slumbering as I lay)10··˘/·/˘···
She hover'd o'er me. Then, among her train10·/˘·······
Of Nymphs and Zephyrs, to my view8···/˘···
Thy gracious form appear'd anew,8·/˘·˘/˘/
Then first, O heavenly Muse, unseen for many a day.12···/˘·˘/·/··
In that soft pomp the tuneful maid8·····/˘·
Shone like the golden star of love.8···/˘···
I saw her hand in careless measures move;10·····/˘/˘·
I heard sweet preludes dancing on her lyre,10···/·/˘···
While my whole frame the sacred sound obey'd.10·····/˘·˘/
New sunshine o'er my fancy springs,8·/···/˘·
New colours clothe external things,8·/˘·˘/˘·
And the last glooms of pain and sickly plaint retire.12·······/˘·˘/
O Goulder's Hill, by thee restored9······˘/˘
Once more to this enliven'd hand,8····˘/˘·
My harp, which late resounded o'er the land10·····/˘···
The voice of glory, solemn and severe,10···/˘/˘·˘/
My Dorian harp shall now with mild accord10·/˘·····˘/
To thee her joyful tribute pay,8···/˘/˘·
And send a less ambitious lay8····˘/˘·
Of friendship and of love to greet thy master's ear.12·/˘······/˘·
For when within thy shady seat8·····/˘·
First from the sultry town he chose,8···/˘···
And the tired senate's cares, his wish'd repose,10··//˘···˘/
Then wast thou mine; to me a happier home10·······/˘·
For social leisure: where my welcome feet,10·/˘/˘··/˘·
Estranged from all the entangling ways10˘/˘···˘/˘·
In which the restless vulgar strays,8···/˘/˘·
Through Nature's simple paths with ancient Faith might roam.12·/˘/˘··/˘···
And while around his sylvan scene8·····/˘·
My Dyson led the white-wing'd hours,9·/˘····/˘
Oft from the Athenian Academic bowers11···˘/˘·˘/˘/
Their sages came: oft heard our lingering walk10·/˘···//˘·
The Mantuan music warbling o'er the green:11·/˘˘/˘/˘···
And oft did Tully's reverend shade,9···/˘/˘˘·
Though much for liberty afraid,8···/˘˘˘/
With us of letter'd ease or virtuous glory talk.12···/˘··/˘/˘·
But other guests were on their way,8·/˘·····
And reach'd ere long this favour'd grove;8········
Even the celestial progeny of Jove,10/·˘/˘/˘˘··
Bright Venus, with her all-subduing son,10·/˘···˘/˘·
Whose golden shaft most willingly obey10·/˘··/˘˘˘/
The best and wisest. As they came,8···/˘···
Glad Hymen waved his genial flame,9·/˘·˘·/˘·
And sang their happy gifts, and praised their spotless throne.12···/˘····/˘·
I saw when through yon festive gate8·····/˘·
He led along his chosen maid,8··˘/·/˘·
And to my friend with smiles presenting said:--10······˘/˘·
'Receive that fairest wealth which Heaven assign'd10˘/·/˘··/˘/
To human fortune. Did thy lonely state10·/˘/˘··/˘·
One wish, one utmost hope, confess?8···/··˘/
Behold, she comes, to adorn and bless:9˘/···˘/··
Comes, worthy of thy heart, and equal to thy mind.'12·/˘····/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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