From Oxford

Edward Young (1683–1765) · 1742–1745

iambic pentameter · heroic couplets · 248 lines · from The Poetical Works, Volume II

All write at London; shall the rage abateHere, where it most should shine, the muses' seat?Where, mortal or immortal, as they please,The learn'd may choose eternity, or ease?Has not a (66)royal patron wisely stroveTo woo the muse in her Athenian grove?Added new strings to her harmonious shell,And given new tongues to those who spoke so well?Let these instruct, with truth's illustrious ray,Awake the world, and scare our owls away.Meanwhile, O friend! indulge me, if I giveSome needful precepts how to write, and live!Serious should be an author's final views;Who write for pure amusement, ne'er amuse.An author! 'tis a venerable name!How few deserve it, and what numbers claim!Unblest with sense above their peers refin'd,Who shall stand up, dictators to mankind?Nay, who dare shine, if not in virtue's cause?That sole proprietor of just applause.Ye restless men, who pant for letter'd praise,With whom would you consult to gain the bays?--With those great authors whose fam'd works you read?'Tis well: go, then, consult the laurell'd shade.What answer will the laurell'd shade return?Hear it, and tremble! he commands you burnThe noblest works his envied genius writ,That boast of nought more excellent than wit.If this be true, as 'tis a truth most dread,Woe to the page which has not that to plead!Fontaine and Chaucer, dying, wish'd unwrote,The sprightliest efforts of their wanton thought:Sidney and Waller, brightest sons of fame,Condemn the charm of ages to the flame:And in one point is all true wisdom cast,To think that early we must think at last.Immortal wits, ev'n dead, break nature's laws,Injurious still to virtue's sacred cause;And their guilt growing, as their bodies rot,(Revers'd ambition!) pant to be forgot.Thus ends your courted fame: does lucre then,The sacred thirst of gold, betray your pen?In prose 'tis blameable, in verse 'tis worse,Provokes the muse, extorts Apollo's curse:His sacred influence never should be sold:'Tis arrant simony to sing for gold:'Tis immortality should fire your mind;Scorn a less paymaster than all mankind.If bribes you seek, know this, ye writing tribe!Who writes for virtue has the largest bribe:All's on the party of the virtuous man;The good will surely serve him, if they can;The bad, when interest, or ambition guide,And 'tis at once their interest and their pride:But should both fail to take him to their care,He boasts a greater friend, and both may spare.Letters to man uncommon light dispense;And what is virtue, but superior sense?In parts and learning you who place your pride,Your faults are crimes, your crimes are double dyed.What is a scandal of the first renown,But letter'd knaves, and atheists in a gown?'Tis harder far to please than give offence;The least misconduct damns the brightest sense;Each shallow pate, that cannot read your name,Can read your life, and will be proud to blame.Flagitious manners make impressions deepOn those, that o'er a page of Milton sleep:Nor in their dulness think to save your shame,True, these are fools; but wise men say the same.Wits are a despicable race of men,If they confine their talents to the pen;When the man shocks us, while the writer shines,Our scorn in life, our envy in his lines.Yet, proud of parts, with prudence some dispense,And play the fool, because they're men of sense.What instances bleed recent in each thought,Of men to ruin by their genius brought!Against their wills what numbers ruin shun,Purely through want of wit to be undone!Nature has shown, by making it so rare,That wit's a jewel which we need not wear.Of plain sound sense life's current coin is made;With that we drive the most substantial trade.Prudence protects and guides us; wit betrays;A splendid source of ill ten thousand ways;A certain snare to miseries immense;A gay prerogative from common sense;Unless strong judgment that wild thing can tame,And break to paths of virtue and of fame.But grant your judgment equal to the best,Sense fills your head, and genius fires your breast;Yet still forbear: your wit (consider well)'Tis great to show, but greater to conceal;As it is great to seize the golden prizeOf place or power; but greater to despise.If still you languish for an author's name,Think private merit less than public fame,And fancy not to write is not to live;Deserve, and take, the great prerogative.But ponder what it is; how dear 'twill cost,To write one page which you may justly boast.Sense may be good, yet not deserve the press;Who write, an awful character profess;The world as pupil of their wisdom claim,And for their stipend an immortal fame:Nothing but what is solid or refin'd,Should dare ask public audience of mankind.Severely weigh your learning, and your wit:Keep down your pride by what is nobly writ:No writer, fam'd in your own way, pass o'er;Much trust example, but reflection more:More had the ancients writ, they more had taught;Which shows some work is left for modern thought.This weigh'd, perfection know; and known, adore;Toil, burn for that; but do not aim at more;Above, beneath it, the just limits fix;And zealously prefer four lines to six.Write, and re-write, blot out, and write again,And for its swiftness ne'er applaud your pen.Leave to the jockeys that Newmarket praise,Slow runs the Pegasus that wins the bays.Much time for immortality to pay,Is just and wise; for less is thrown away.Time only can mature the labouring brain;Time is the father, and the midwife pain:The same good sense that makes a man excel,Still makes him doubt he ne'er has written well.Downright impossibilities they seek;What man can be immortal in a week?Excuse no fault; though beautiful, 'twill harm;One fault shocks more than twenty beauties charm.Our age demands correctness; AddisonAnd you this commendable hurt have done.Now writers find, as once Achilles found,The whole is mortal, if a part's unsound.He that strikes out, and strikes not out the best,Pours lustre in, and dignifies the rest:Give e'er so little, if what's right be there,We praise for what you burn, and what you spare:The part you burn, smells sweet before the shrine,And is as incense to the part divine.Nor frequent write, though you can do it well;Men may too oft, though not too much, excel.A few good works gain fame; more sink their price;Mankind are fickle, and hate paying twice:They granted you writ well, what can they more,Unless you let them praise for giving o'er?Do boldly what you do, and let your pageSmile, if it smiles, and if it rages, rage.So faintly Lucius censures and commends,That Lucius has no foes, except his friends.Let satire less engage you than applause;It shows a gen'rous mind to wink at flaws:Is genius yours? be yours a glorious end,Be your king's, country's, truth's, religion's friend;The public glory by your own beget;Run nations, run posterity, in debt.And since the fam'd alone make others live,First have that glory you presume to give.If satire charms, strike faults, but spare the man'Tis dull to be as witty as you can.Satire recoils whenever charg'd too high;Round your own fame the fatal splinters fly.As the soft plume gives swiftness to the dart,Good breeding sends the satire to the heart.Painters and surgeons may the structure scan;Genius and morals be with you the man:Defaults in those alone should give offence!Who strikes the person, pleads his innocence.My narrow minded satire can't extendTo Codrus' form; I'm not so much his friend:Himself should publish that (the world agree)Before his works, or in the pillory.Let him be black, fair, tall, short, thin, or fat,Dirty or clean, I find no theme in that.Is that call'd humour? It has this pretence,'Tis neither virtue, breeding, wit, or sense.Unless you boast the genius of a Swift,Beware of humour, the dull rogue's last shift.Can others write like you? Your task give o'er,'Tis printing what was publish'd long before.If nought peculiar through your labours run,They're duplicates, and twenty are but one.Think frequently, think close, read nature, turnMen's manners o'er, and half your volumes burn;To nurse with quick reflection be your strife,Thoughts born from present objects, warm from life:When most unsought, such inspirations rise,Slighted by fools, and cherish'd by the wise:Expect peculiar fame from these alone;These make an author, these are all your own.Life, like their Bibles, coolly men turn o'er;Hence unexperienc'd children of threescore.True, all men think of course, as all men dream;And if they slightly think, 'tis much the same.Letters admit not of a half renown;They give you nothing, or they give a crown.No work e'er gain'd true fame, or ever can,But what did honour to the name of man.Weighty the subject, cogent the discourse,Clear be the style, the very sound of force;Easy the conduct, simple the design,Striking the moral, and the soul divine:Let nature art, and judgment wit, exceed;O'er learning reason reign; o'er that, your creed:Thus virtue's seeds, at once, and laurel's, grow;Do thus, and rise a Pope, or a Despreau:And when your genius exquisitely shines,Live up to the full lustre of your lines:Parts but expose those men who virtue quit;A fallen angel is a fallen wit;And they plead Lucifer's detested cause,Who for bare talents challenge our applause.Would you restore just honours to the pen?From able writers rise to worthy men."Who's this with nonsense, nonsense would restrain?Who's this (they cry) so vainly schools the vain?Who damns our trash, with so much trash replete?As, three ells round, huge Cheyne rails at meat?"Shall I with Bavius then my voice exalt,And challenge all mankind to find one fault?With huge examens overwhelm my page,And darken reason with dogmatic rage?As if, one tedious volume writ in rhyme,In prose a duller could excuse the crime:Sure, next to writing, the most idle thingIs gravely to harangue on what we sing.At that tribunal stands the writing tribe,Which nothing can intimidate or bribe:Time is the judge; time has nor friend nor foe;False fame must wither, and the true will grow.Arm'd with this truth, all critics I defy;For if I fall, by my own pen I die;While snarlers strive with proud but fruitless painTo wound immortals, or to slay the slain.Sore prest with danger, and in awful dreadOf twenty pamphlets levell'd at my head,Thus have I forg'd a buckler in my brain,Of recent form, to serve me this campaign:And safely hope to quit the dreadful fieldDelug'd with ink, and sleep behind my shield;Unless dire Codrus rouses to the frayIn all his might, and damns me--for a day.As turns a flock of geese, and, on the green,Poke out their foolish necks in awkward spleen,(Ridiculous in rage!) to hiss, not bite,So war their quills, when sons of dulness write.

Words in this poem 53
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
instruct a.
Arranged; furnished; provided. [L. instructus, p. p. of instruere to furnish, provide, construct, instruct; pref. in- in, struere. See Structure.]
scare v. t.
To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
meanwhile n.
The intervening time; as, in the meantime (or mean time).
needful a.
Full of need; in need or want; needy; distressing.
amusement n.
Deep thought; muse. [Cf. F. amusement.]
amuse v. t.
To occupy or engage the attention of; to lose in deep thought; to absorb; also, to distract; to bewilder. [F. amuser to make stay, to detain, to amuse, ad) + OF. muser. See Muse, v.]
unblest a.
Not blest; excluded from benediction; hence, accursed; wretched. [Pref. un- not + blessed, blest.]
pant v. i.
To breathe quickly or in a labored manner, as after exertion or from eagerness or excitement; to respire with heaving of the breast; to gasp. [Cf. F. panteler to gasp for breath, OF. panteisier to be breathless, F. pantois out of breath; perh. akin to E. phantom, the verb prob. orig. meaning, to have t]
consult n.
The act of consulting or deliberating; consultation; also, the result of consulation; determination; decision.
waller n.
One who builds walls.
lucre n.
Gain in money or goods; profit; riches; -- often in an ill sense. [F. lucre, L. lucrum.]
arrant a.
Notoriously or preëminently bad; thorough or downright, in a bad sense; shameless; unmitigated; as, an arrant rogue or coward. [OE. erraunt, errant, errand, equiv. to E. errant wandering, which was first applied to vagabonds, as an errant rogue, an errant thief, and hence passed graduall]
bribe n.
A gift begged; a present. [F. bribe a lump of bread, scraps, leavings of meals (that are generally given to a beggar), LL. briba scrap of bread; cf. OF. briber, brifer, to eat gluttonousl]
virtuous a.
Possessing or exhibiting virtue. Specifically: -- (a) Exhibiting manly courage and strength; valorous; valiant; brave. [OE. vertuous, OF. vertuos, vertuous, F. vertueux, fr. L. Virtuous. See Virtue, and cf. Virtuoso.]
dispense v. i.
To compensate; to make up; to make amends.
scandal n.
Offense caused or experienced; reproach or reprobation called forth by what is regarded as wrong, criminal, heinous, or flagrant: opprobrium or disgrace. [F. scandale, fr. L. scandalum, Gr. scandle, OF. escandle. See Slander.]
offence n.
The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
pate n.
A pie. See Patty. [F. pâté.]
flagitious a.
Disgracefully or shamefully criminal; grossly wicked; scandalous; shameful; -- said of acts, crimes, etc. [L. flagitiosus, fr. flagitium a shameful or disgraceful act, orig., a burning desire, heat of passion, from flagitare to demand hotly, fiercely; cf. flagrare to]
undone a.
Not done or performed; neglected. [Pref. un- not + done.]
despise v. t.
To look down upon with disfavor or contempt; to contemn; to scorn; to disdain; to have a low opinion or contemptuous dislike of. [OF. despis-, in some forms of despire to despise, fr. L. despicere, despectum, to look down upon, despise; de- + spicere, specere, to look. See Spy, and cf. Des]
languish v. i.
To cause to dr Shak.
nobly adv.
Of noble extraction; as, nobly born or descended.
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
newmarket n.
A long, closely fitting cloak. [From Newmarket, England.]
labouring a.
That labors; performing labor; esp., performing coarse, heavy work, not requiring skill also, set apart for labor; as, laboring days.
downright adv.
Straight down; perpendicularly.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
boldly adv.
In a bold manner. [AS. bealdlice.]
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
presume v. t.
To assume or take beforehand; esp., to do or undertake without leave or authority previously obtained. [F. présumer, L. praesumere, praesumptum; prae before + sumere to take. See Assume, Redeem.]
witty a.
Possessed of wit; knowing; wise; skillful; judicious; clever; cunning. [AS. witig, wittig. See Wit, n.]
scan v. t.
To mount by steps; to go through with step by step. [L. scandere, scansum, to climb, to scan, akin to Skr. skand to spring, leap: cf. F. scander. Cf. Ascend, Descend, Scale a ladder.]
humour n.
Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
pretence n.
The act of laying claim; the claim laid; assumption; pretension. [LL. praetensus, for L. praetentus, p. p. of praetendere. See Pretend, and cf. Tension.]
beware v. t.
To avoid; to take care of; to have a care for.
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
expect v. t.
To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
coolly adv.
In a cool manner; without heat or excessive cold; without passion or ardor; calmly; deliberately; with indifference; impudently.
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
cogent a.
Compelling, in a physical sense; powerful. [L. cogens, p. pr. of cogere to drive together, to force; co- + agere to drive. See Agent, a., and cf. Coact to force, Coagulate, p. a.]
exquisitely adv.
In an exquisite manner or degree; as, lace exquisitely wrought.
replete a.
Filled again; completely filled; full; charged; abounding. [L. repletus, p. p. of replere to fill again, fill up; pref. re- re- + plere to fill, akin to plenus full: cf. F. replet corpulent. See Plenty, Replenish.]
duller n.
One who, or that which, dulls.
gravely adv.
In a grave manner.
defy v. t.
To renounce or dissolve all bonds of affiance, faith, or obligation with; to reject, refuse, or renounce. [F. défier, OF. deffier, desfier, LL. disfidare to disown faith or fidelity, to dissolve the bond of allegiance, as between the vassal and his lord; hence, to ch]
fruitless a.
Lacking, or not bearing, fruit; barren; destitute of offspring; as, a fruitless tree or shrub; a fruitless marriage.
prest a.
Ready; prompt; prepared. [OF. prest, F. prêt, fr. L. praestus ready. Cf. Presto.]
campaign n.
An open field; a large, open plain without considerable hills. [F. campagne, It. campagna, fr. L. Campania the level country about Naples, fr. campus field. See Camp, and cf. Champaign, Champagne.]
dreadful a.
Full of dread or terror; fearful.
dire a.
Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

From Oxford is in the public domain. This text is taken from The Poetical Works of Edward Young, Volume 2, Project Gutenberg ebook #18827; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edward Young, From Oxford, in The Poetical Works, Volume II (1742–1745), text of Project Gutenberg ebook #18827, Laurel, https://laurelpoetry.com/poem/young-night-thoughts/from-oxford.html, id L09483.

Form and metre

From Oxford is 248 lines in a single stanza. It is in rhyming couplets, 85% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 6 lines end on an unstressed syllable, a feminine ending. 6% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABBCCDD--EEFFGG--HH--IIJJ----KKLL--MMNNOOPPQQRRSSTTUUVVWWXXYYZZaaZZbbccddeeffgghhiijjkkll--mmnnoo--ppqqrrss-tuuttvvwwxxyyzzAABBCCDDEEFFGGHHIIJJ--KKLLMMNNOO--PPQQRRSSTTUU--VV--WW--XXYYZZaabb----ccddeeffgghhiijj--kkllmmnnooppqqrrssttuuvvuuwwxxyyzz abate · seat · pleaseA · easeA · stroveB · groveB · shellC · wellC · rayD · awayD · give · live · viewsE · amuseE · nameF · claimF · refin'dG · mankindG · cause · applause · praiseH · baysH · read · shade · returnI · burnI · writJ · witJ · dread · plead · unwrote · thought · fameK · flameK · castL · lastL · laws · cause · rotM · forgotM · thenN · penN · worseO · curseO · soldP · goldP · mindQ · mankindQ · tribeR · bribeR · manS · canS · guideT · prideT · careU · spareU · dispenseV · senseV · prideW · dyedW · renownX · gownX · offenceY · senseY · nameZ · blameZ · deepa · sleepa · shameZ · sameZ · menb · penb · shinesc · linesc · dispensed · sensed · thoughte · broughte · shunf · undonef · rareg · wearg · madeh · tradeh · betraysi · waysi · immensej · sensej · tamek · famek · bestl · breastl · well · conceal · prizem · despisem · namen · famen · liveo · prerogativeo · cost · boast · pressp · professp · claimq · fameq · refin'dr · mankindr · wits · writs · o'er · moret · taughtu · thoughtu · adoret · moret · fixv · sixv · againw · penw · praisex · baysx · payy · awayy · brainz · painz · excelA · wellA · seekB · weekB · harmC · charmC · addisonD · doneD · foundE · unsoundE · bestF · restF · thereG · spareG · shrineH · divineH · wellI · excelI · priceJ · twiceJ · more · o'er · pageK · rageK · commendsL · friendsL · applauseM · flawsM · endN · friendN · begetO · debtO · live · give · manP · canP · highQ · flyQ · dartR · heartR · scanS · manS · offenceT · innocenceT · extendU · friendU · agree · pillory · fatV · thatV · pretence · sense · swiftW · shiftW · o'er · before · runX · oneX · turnY · burnY · strifeZ · lifeZ · risea · wisea · aloneb · ownb · o'er · threescore · dream · same · renownc · crownc · cand · mand · discoursee · forcee · designf · divinef · exceedg · creedg · growh · despreauh · shinesi · linesi · quitj · witj · cause · applause · penk · menk · restrainl · vainl · repletem · meatm · exaltn · faultn · pageo · rageo · rhymep · crimep · thingq · singq · triber · briber · foes · grows · defyt · diet · painu · slainu · dreadv · headv · brainu · campaignu · fieldw · shieldw · frayx · dayx · greeny · spleeny · bitez · writez
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
All write at London; shall the rage abate10···/˘···˘/
Here, where it most should shine, the muses' seat?10·······/˘·
Where, mortal or immortal, as they please,10·/˘·˘/˘···
The learn'd may choose eternity, or ease?10····˘/˘˘··
Has not a (66)royal patron wisely strove10···/˘/˘/˘·
To woo the muse in her Athenian grove?10······˘/˘·
Added new strings to her harmonious shell,10/˘····˘/˘·
And given new tongues to those who spoke so well?10·/········
Let these instruct, with truth's illustrious ray,10··˘/··˘/˘·
Awake the world, and scare our owls away.10˘/····/·˘/
Meanwhile, O friend! indulge me, if I give10/···˘/····
Some needful precepts how to write, and live!10·/˘/······
Serious should be an author's final views;10/˘···/˘/˘·
Who write for pure amusement, ne'er amuse.10····˘/˘·˘/
An author! 'tis a venerable name!10·/˘··/˘˘˘·
How few deserve it, and what numbers claim!10··˘/···/˘·
Unblest with sense above their peers refin'd,10········˘/
Who shall stand up, dictators to mankind?10····˘/˘·//
Nay, who dare shine, if not in virtue's cause?10·······/˘·
That sole proprietor of just applause.10··˘/˘˘··˘/
Ye restless men, who pant for letter'd praise,10·/˘····/˘·
With whom would you consult to gain the bays?--10····˘/····
With those great authors whose fam'd works you read?10···/˘·····
'Tis well: go, then, consult the laurell'd shade.10····˘/····
What answer will the laurell'd shade return?10·/˘·····˘/
Hear it, and tremble! he commands you burn10···/˘·˘/··
The noblest works his envied genius writ,10·/˘··/˘/˘·
That boast of nought more excellent than wit.10·····/˘˘··
If this be true, as 'tis a truth most dread,10··········
Woe to the page which has not that to plead!10··········
Fontaine and Chaucer, dying, wish'd unwrote,10˘/·/˘/˘···
The sprightliest efforts of their wanton thought:10···/˘··/˘·
Sidney and Waller, brightest sons of fame,10/˘·/˘/˘···
Condemn the charm of ages to the flame:10˘/···/˘···
And in one point is all true wisdom cast,10·······/˘·
To think that early we must think at last.10···/˘·····
Immortal wits, ev'n dead, break nature's laws,10˘/˘····/˘·
Injurious still to virtue's sacred cause;10˘/˘··/˘/˘·
And their guilt growing, as their bodies rot,10···/˘··/˘·
(Revers'd ambition!) pant to be forgot.10˘/˘/˘···˘/
Thus ends your courted fame: does lucre then,10···/˘··/˘·
The sacred thirst of gold, betray your pen?10·/˘···˘/··
In prose 'tis blameable, in verse 'tis worse,10··········
Provokes the muse, extorts Apollo's curse:10˘/··˘/˘/˘·
His sacred influence never should be sold:10·/˘/˘/˘···
'Tis arrant simony to sing for gold:10·/˘/˘˘····
'Tis immortality should fire your mind;10··˘/˘˘·/··
Scorn a less paymaster than all mankind.9···/˘··//
If bribes you seek, know this, ye writing tribe!10·······/˘·
Who writes for virtue has the largest bribe:10···/˘··/˘·
All's on the party of the virtuous man;10···/˘··/˘·
The good will surely serve him, if they can;10···/˘·····
The bad, when interest, or ambition guide,10···/˘·˘/˘·
And 'tis at once their interest and their pride:10·····/˘···
But should both fail to take him to their care,10··········
He boasts a greater friend, and both may spare.10···/˘·····
Letters to man uncommon light dispense;10/˘··˘/˘·˘/
And what is virtue, but superior sense?10···/˘·˘/˘·
In parts and learning you who place your pride,10···/˘·····
Your faults are crimes, your crimes are double dyed.10·······/˘·
What is a scandal of the first renown,10···/˘···˘/
But letter'd knaves, and atheists in a gown?10·/˘··/˘···
'Tis harder far to please than give offence;10·/˘·····˘/
The least misconduct damns the brightest sense;10··˘/˘··/˘·
Each shallow pate, that cannot read your name,10·/˘··/˘···
Can read your life, and will be proud to blame.10··········
Flagitious manners make impressions deep10˘/˘/˘·˘/˘·
On those, that o'er a page of Milton sleep:10·······/˘·
Nor in their dulness think to save your shame,10··········
True, these are fools; but wise men say the same.10··········
Wits are a despicable race of men,10···˘/˘˘···
If they confine their talents to the pen;10··˘/·/˘···
When the man shocks us, while the writer shines,10·······/˘·
Our scorn in life, our envy in his lines.10/···//˘···
Yet, proud of parts, with prudence some dispense,10·····/˘·˘/
And play the fool, because they're men of sense.10··········
What instances bleed recent in each thought,10·/˘˘·/˘···
Of men to ruin by their genius brought!10···/˘··/˘·
Against their wills what numbers ruin shun,10·····/˘/˘·
Purely through want of wit to be undone!10/˘······˘/
Nature has shown, by making it so rare,10/˘···/˘···
That wit's a jewel which we need not wear.10···/˘·····
Of plain sound sense life's current coin is made;10·····/˘···
With that we drive the most substantial trade.10······˘/˘·
Prudence protects and guides us; wit betrays;10/˘˘/····˘/
A splendid source of ill ten thousand ways;10·/˘····/˘·
A certain snare to miseries immense;10·/˘··/˘˘˘/
A gay prerogative from common sense;10··˘/˘˘·/˘·
Unless strong judgment that wild thing can tame,10···/˘·····
And break to paths of virtue and of fame.10·····/˘···
But grant your judgment equal to the best,10···/˘/˘···
Sense fills your head, and genius fires your breast;10·····/˘/··
Yet still forbear: your wit (consider well)10··˘/··˘/˘·
'Tis great to show, but greater to conceal;10·····/˘·˘/
As it is great to seize the golden prize10·······/˘·
Of place or power; but greater to despise.10···/·/˘·˘/
If still you languish for an author's name,10···/˘··/˘·
Think private merit less than public fame,10·/˘/˘··/˘·
And fancy not to write is not to live;10·/˘·······
Deserve, and take, the great prerogative.10˘/····˘/˘˘
But ponder what it is; how dear 'twill cost,10·/˘·······
To write one page which you may justly boast.10·······/˘·
Sense may be good, yet not deserve the press;10······˘/··
Who write, an awful character profess;10···/˘/˘˘˘/
The world as pupil of their wisdom claim,10···/˘··/˘·
And for their stipend an immortal fame:10···/˘·˘/˘·
Nothing but what is solid or refin'd,10/˘···/˘·˘/
Should dare ask public audience of mankind.10···/˘/˘·//
Severely weigh your learning, and your wit:10˘/˘··/˘···
Keep down your pride by what is nobly writ:10·······/˘·
No writer, fam'd in your own way, pass o'er;10·/˘·······
Much trust example, but reflection more:10··˘/˘·˘/˘·
More had the ancients writ, they more had taught;10···/˘·····
Which shows some work is left for modern thought.10·······/˘·
This weigh'd, perfection know; and known, adore;10··˘/˘···˘/
Toil, burn for that; but do not aim at more;10··········
Above, beneath it, the just limits fix;10·······/˘·
And zealously prefer four lines to six.10·/˘˘˘/····
Write, and re-write, blot out, and write again,10········˘/
And for its swiftness ne'er applaud your pen.10···/˘·˘/··
Leave to the jockeys that Newmarket praise,10···/˘·/·˘·
Slow runs the Pegasus that wins the bays.10···/˘˘····
Much time for immortality to pay,10····˘/˘˘··
Is just and wise; for less is thrown away.10········˘/
Time only can mature the labouring brain;10·/˘·˘/·/˘·
Time is the father, and the midwife pain:10···/˘··/··
The same good sense that makes a man excel,10········˘/
Still makes him doubt he ne'er has written well.10·······/˘·
Downright impossibilities they seek;10/·˘·˘/˘˘··
What man can be immortal in a week?10····˘/˘···
Excuse no fault; though beautiful, 'twill harm;10˘/···/˘˘··
One fault shocks more than twenty beauties charm.10·····/˘/˘·
Our age demands correctness; Addison11/˘·˘/˘/˘/˘˘
And you this commendable hurt have done.10···˘/˘˘···
Now writers find, as once Achilles found,10·/˘···˘/˘·
The whole is mortal, if a part's unsound.10···/˘···˘/
He that strikes out, and strikes not out the best,10··········
Pours lustre in, and dignifies the rest:10·/˘··/˘···
Give e'er so little, if what's right be there,10···/˘·····
We praise for what you burn, and what you spare:10··········
The part you burn, smells sweet before the shrine,10··········
And is as incense to the part divine.10···/····˘/
Nor frequent write, though you can do it well;10·/˘·······
Men may too oft, though not too much, excel.10········˘/
A few good works gain fame; more sink their price;10··········
Mankind are fickle, and hate paying twice:10//·/˘··/˘·
They granted you writ well, what can they more,10·/˘·······
Unless you let them praise for giving o'er?10·······/˘·
Do boldly what you do, and let your page10·/˘·······
Smile, if it smiles, and if it rages, rage.10·······/˘·
So faintly Lucius censures and commends,10·/˘/˘/˘·˘/
That Lucius has no foes, except his friends.10·/˘·······
Let satire less engage you than applause;10·/˘·˘/··˘/
It shows a gen'rous mind to wink at flaws:10··········
Is genius yours? be yours a glorious end,10·/˘····/˘·
Be your king's, country's, truth's, religion's friend;10···/˘·˘/˘·
The public glory by your own beget;10·/˘/˘···˘/
Run nations, run posterity, in debt.10·/˘·˘/˘˘··
And since the fam'd alone make others live,10····˘/·/˘·
First have that glory you presume to give.10···/˘·˘/··
If satire charms, strike faults, but spare the man10·/˘·······
'Tis dull to be as witty as you can.10·····/˘···
Satire recoils whenever charg'd too high;10/˘˘/˘/˘···
Round your own fame the fatal splinters fly.10·····/˘/˘·
As the soft plume gives swiftness to the dart,10·····/˘···
Good breeding sends the satire to the heart.10·/˘··/˘···
Painters and surgeons may the structure scan;10/˘·/˘··/˘·
Genius and morals be with you the man:10/˘·/˘·····
Defaults in those alone should give offence!10˘/··˘/··˘/
Who strikes the person, pleads his innocence.10···/˘··/˘˘
My narrow minded satire can't extend10·/˘/˘/˘·˘/
To Codrus' form; I'm not so much his friend:10··········
Himself should publish that (the world agree)10˘/·/˘···˘/
Before his works, or in the pillory.10·······/˘˘
Let him be black, fair, tall, short, thin, or fat,10··········
Dirty or clean, I find no theme in that.10/˘········
Is that call'd humour? It has this pretence,10···/˘·····
'Tis neither virtue, breeding, wit, or sense.10·/˘/˘/˘···
Unless you boast the genius of a Swift,10·····/˘···
Beware of humour, the dull rogue's last shift.10˘/·/˘·····
Can others write like you? Your task give o'er,10·/˘·······
'Tis printing what was publish'd long before.10·/˘··/˘···
If nought peculiar through your labours run,10··˘/˘··/˘·
They're duplicates, and twenty are but one.10·/˘··/˘···
Think frequently, think close, read nature, turn10·/˘˘···/˘·
Men's manners o'er, and half your volumes burn;10·/˘····/˘·
To nurse with quick reflection be your strife,10····˘/˘···
Thoughts born from present objects, warm from life:10···/˘/˘···
When most unsought, such inspirations rise,10······˘/˘·
Slighted by fools, and cherish'd by the wise:10/˘···/˘···
Expect peculiar fame from these alone;10˘/˘/˘···˘/
These make an author, these are all your own.10···/˘·····
Life, like their Bibles, coolly men turn o'er;10···/˘/˘···
Hence unexperienc'd children of threescore.10·····/˘·/˘
True, all men think of course, as all men dream;10··········
And if they slightly think, 'tis much the same.10···/˘·····
Letters admit not of a half renown;10/˘˘/····˘/
They give you nothing, or they give a crown.10···/˘·····
No work e'er gain'd true fame, or ever can,10·······/˘·
But what did honour to the name of man.10···/˘·····
Weighty the subject, cogent the discourse,10/˘·˘//˘·/˘
Clear be the style, the very sound of force;10·····/˘···
Easy the conduct, simple the design,10/˘·/˘/˘·˘/
Striking the moral, and the soul divine:10/˘·/˘···˘/
Let nature art, and judgment wit, exceed;10·/˘··/˘·˘/
O'er learning reason reign; o'er that, your creed:10·/˘/˘·····
Thus virtue's seeds, at once, and laurel's, grow;10·/˘····/˘·
Do thus, and rise a Pope, or a Despreau:10··········
And when your genius exquisitely shines,10···/˘·/˘˘·
Live up to the full lustre of your lines:10·····/˘···
Parts but expose those men who virtue quit;10··˘/···/˘·
A fallen angel is a fallen wit;10·/˘/˘··/˘·
And they plead Lucifer's detested cause,10···/˘˘˘/˘·
Who for bare talents challenge our applause.10···/˘/˘/˘/
Would you restore just honours to the pen?10··˘/·/˘···
From able writers rise to worthy men.10·/˘/˘··/˘·
"Who's this with nonsense, nonsense would restrain?10···/˘/˘·˘/
Who's this (they cry) so vainly schools the vain?10·····/˘···
Who damns our trash, with so much trash replete?10··/·····˘/
As, three ells round, huge Cheyne rails at meat?"9·········
Shall I with Bavius then my voice exalt,10········˘/
And challenge all mankind to find one fault?10·/˘·//····
With huge examens overwhelm my page,10······˘/··
And darken reason with dogmatic rage?10·/˘/˘·˘/˘·
As if, one tedious volume writ in rhyme,10···/˘/˘···
In prose a duller could excuse the crime:10···/˘·˘/··
Sure, next to writing, the most idle thing10···/˘··/˘·
Is gravely to harangue on what we sing.10·/˘·˘/····
At that tribunal stands the writing tribe,10··˘/˘··/˘·
Which nothing can intimidate or bribe:10·/˘·˘/˘···
Time is the judge; time has nor friend nor foe;10··········
False fame must wither, and the true will grow.10···/˘·····
Arm'd with this truth, all critics I defy;10·····/˘·˘/
For if I fall, by my own pen I die;10··········
While snarlers strive with proud but fruitless pain10·······/˘·
To wound immortals, or to slay the slain.10··˘/˘·····
Sore prest with danger, and in awful dread10···/˘··/˘·
Of twenty pamphlets levell'd at my head,10·/˘/˘/˘···
Thus have I forg'd a buckler in my brain,10·····/˘···
Of recent form, to serve me this campaign:10·/˘·····˘/
And safely hope to quit the dreadful field10·/˘····/˘·
Delug'd with ink, and sleep behind my shield;10/˘········
Unless dire Codrus rouses to the fray10·····/˘···
In all his might, and damns me--for a day.10··········
As turns a flock of geese, and, on the green,10··········
Poke out their foolish necks in awkward spleen,10···/˘··/˘·
(Ridiculous in rage!) to hiss, not bite,10˘/˘˘······
So war their quills, when sons of dulness write.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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