In Memory of Major Robert Gregory
Now that we're almost settled in our houseI'll name the friends that cannot sup with usBeside a fire of turf in the ancient tower,And having talked to some late hourClimb up the narrow winding stair to bed:Discoverers of forgotten truthOr mere companions of my youth,All, all are in my thoughts to-night, being dead.
Always we'd have the new friend meet the old,And we are hurt if either friend seem cold,And there is salt to lengthen out the smartIn the affections of our heart,And quarrels are blown up upon that head;But not a friend that I would bringThis night can set us quarrelling,For all that come into my mind are dead.
Lionel Johnson comes the first to mind,That loved his learning better than mankind,Though courteous to the worst; much falling heBrooded upon sanctityTill all his Greek and Latin learning seemedA long blast upon the horn that broughtA little nearer to his thoughtA measureless consummation that he dreamed.
And that enquiring man John Synge comes next,That dying chose the living world for textAnd never could have rested in the tombBut that, long travelling, he had comeTowards nightfall upon certain set apartIn a most desolate stony place,Towards nightfall upon a racePassionate and simple like his heart.
And then I think of old George Pollexfen,In muscular youth well known to Mayo menFor horsemanship at meets or at race-courses,That could have shown how purebred horsesAnd solid men, for all their passion, liveBut as the outrageous stars inclineBy opposition, square and trine;Having grown sluggish and contemplative.
They were my close companions many a year,A portion of my mind and life, as it were,And now their breathless faces seem to lookOut of some old picture-book;I am accustomed to their lack of breath,But not that my dear friend's dear son,Our Sidney and our perfect man,Could share in that discourtesy of death.
For all things the delighted eye now seesWere loved by him; the old storm-broken treesThat cast their shadows upon road and bridge;The tower set on the stream's edge;The ford where drinking cattle make a stirNightly, and startled by that soundThe water-hen must change her ground;He might have been your heartiest welcomer.
When with the Galway foxhounds he would rideFrom Castle Taylor to the Roxborough sideOr Esserkelly plain, few kept his pace;At Mooneen he had leaped a placeSo perilous that half the astonished meetHad shut their eyes, and where was itHe rode a race without a bit?And yet his mind outran the horses' feet.
We dreamed that a great painter had been bornTo cold Clare rock and Galway rock and thorn,To that stern colour and that delicate lineThat are our secret disciplineWherein the gazing heart doubles her might.Soldier, scholar, horseman, he,And yet he had the intensityTo have published all to be a world's delight.
What other could so well have counselled usIn all lovely intricacies of a houseAs he that practised or that understoodAll work in metal or in wood,In moulded plaster or in carven stone?Soldier, scholar, horseman, he,And all he did done perfectlyAs though he had but that one trade alone.
Some burn damp fagots, others may consumeThe entire combustible world in one small roomAs though dried straw, and if we turn aboutThe bare chimney is gone black outBecause the work had finished in that flare.Soldier, scholar, horseman, he,As 'twere all life's epitome.What made us dream that he could comb grey hair?
I had thought, seeing how bitter is that windThat shakes the shutter, to have brought to mindAll those that manhood tried, or childhood loved,Or boyish intellect approved,With some appropriate commentary on each;Until imagination broughtA fitter welcome; but a thoughtOf that late death took all my heart for speech.
Words in this poem 20
- lionel n.
- The whelp of a lioness; a young lion. [OF., dim. of lion.]
- measureless a.
- Without measure; unlimited; immeasurable.
- consummation n.
- The act of consummating, or the state of being consummated; completed; completion; perfection; termination; end (as of the world or of life). [L. consummatio.]
- nightfall n.
- The close of the day.
- outrageous a.
- Of the nature of an outrage; exceeding the limits of right, reason, or decency; involving or doing an outrage; furious; violent; atrocious. [OF. outrageus, F. outrageux. See Outrage, n.]
- trine a.
- Threefold; triple; as, trine dimensions, or length, breadth, and thickness. [See Trinal.]
- breathless a.
- Spent with labor or violent action; out of breath.
- discourtesy n.
- Rudeness of behavior or language; ill manners; manifestation of disrespect; incivility. [Pref. dis- + courtesy: cf. OF. descourtoisie.]
- delighted a.
- Endowed with delight.
- nightly a.
- Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
- welcomer n.
- One who welcomes; one who salutes, or receives kindly, a newcomer.
- rode n.
- Redness; complexion. [See Rud.]
- clare n.
- A nun of the order of St.Clare.
- carven a.
- Wrought by carving; ornamented by carvings; carved.
- chimney n.
- A fireplace or hearth. Sir W. Raleigh.
- flare v. i.
- To burn with an unsteady or waving flame; as, the candle flares. [Cf. Norw. flara to blaze, flame, adorn with tinsel, dial. Sw. flasa upp, and E. flash, or flacker.]
- childhood n.
- The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
- boyish a.
- Resembling a boy in a manners or opinions; belonging to a boy; childish; trifling; puerile.
- commentary n.
- A series of comments or annotations; esp., a book of explanations or expositions on the whole or a part of the Scriptures or of some other work. [L. commentarius, commentarium, note book, commentary: cf. F. commentaire. See Comment, v. i.]
- fitter n.
- A little piece; a flitter; a flinder.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
In Memory of Major Robert Gregory is in the public domain. This text is taken from The Wild Swans at Coole, Project Gutenberg ebook #32491; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: W. B. Yeats, In Memory of Major Robert Gregory, in The Wild Swans at Coole (1919), text of Project Gutenberg ebook #32491, Laurel, https://laurelpoetry.com/poem/yeats-wild-swans/in-memory-of-major-robert-gregory.html, id L19999.
Form and metre
In Memory of Major Robert Gregory is 96 lines in 12 stanzas of 8 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --AABCCB house · us · towerA · hourA · bedB · truthC · youthC · deadB
- 2 AABBCDDC oldA · coldA · smartB · heartB · headC · bringD · quarrellingD · deadC
- 3 AA--BCCB mindA · mankindA · he · sanctity · seemedB · broughtC · thoughtC · dreamedB
- 4 AA--BCCB nextA · textA · tomb · come · apartB · placeC · raceC · heartB
- 5 --AABCCB pollexfen · men · coursesA · horsesA · liveB · inclineC · trineC · contemplativeB
- 6 --AAB--B year · were · lookA · bookA · breathB · son · man · deathB
- 7 AA---BB- seesA · treesA · bridge · edge · stir · soundB · groundB · welcomer
- 8 AABBCDDC rideA · sideA · paceB · placeB · meetC · itD · bitD · feetC
- 9 AABBC--C bornA · thornA · lineB · disciplineB · mightC · he · intensity · delightC
- 10 --AAB--B us · house · understoodA · woodA · stoneB · he · perfectly · aloneB
- 11 AABBC--C consumeA · roomA · aboutB · outB · flareC · he · epitome · hairC
- 12 AA--BCCB windA · mindA · loved · approved · eachB · broughtC · thoughtC · speechB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Now that we're almost settled in our house | 10 | ···/·/˘·/· |
| I'll name the friends that cannot sup with us | 10 | ·····/˘··· |
| Beside a fire of turf in the ancient tower, | 11 | ·/·/····/˘/ |
| And having talked to some late hour | 10 | ·/˘·˘···/˘ |
| Climb up the narrow winding stair to bed: | 10 | ···/˘/˘··· |
| Discoverers of forgotten truth | 9 | ·····˘/˘· |
| Or mere companions of my youth, | 8 | ··˘/˘··· |
| All, all are in my thoughts to-night, being dead. | 10 | ········/· |
| Always we'd have the new friend meet the old, | 10 | /········· |
| And we are hurt if either friend seem cold, | 10 | ·····/˘··· |
| And there is salt to lengthen out the smart | 10 | ·····/˘··· |
| In the affections of our heart, | 9 | ··˘/˘·/˘· |
| And quarrels are blown up upon that head; | 10 | ·/˘······· |
| But not a friend that I would bring | 8 | ········ |
| This night can set us quarrelling, | 8 | ·····/˘˘ |
| For all that come into my mind are dead. | 10 | ·········· |
| Lionel Johnson comes the first to mind, | 10 | /˘˘/˘····· |
| That loved his learning better than mankind, | 10 | ···/˘/˘·// |
| Though courteous to the worst; much falling he | 10 | ·/˘····/˘· |
| Brooded upon sanctity | 7 | /˘··/˘˘ |
| Till all his Greek and Latin learning seemed | 10 | ·····/˘/˘· |
| A long blast upon the horn that brought | 9 | ········· |
| A little nearer to his thought | 8 | ·/˘/˘··· |
| A measureless consummation that he dreamed. | 11 | ·/˘˘·˘/˘··· |
| And that enquiring man John Synge comes next, | 10 | ··˘/˘····· |
| That dying chose the living world for text | 10 | ·/˘··/˘··· |
| And never could have rested in the tomb | 10 | ·/˘··/˘··· |
| But that, long travelling, he had come | 9 | ···/˘˘··· |
| Towards nightfall upon certain set apart | 10 | ·/···/˘·˘/ |
| In a most desolate stony place, | 9 | ···/˘˘/˘· |
| Towards nightfall upon a race | 8 | ··/····· |
| Passionate and simple like his heart. | 9 | /˘˘·/˘··· |
| And then I think of old George Pollexfen, | 10 | ·········· |
| In muscular youth well known to Mayo men | 10 | ·/˘····/˘· |
| For horsemanship at meets or at race-courses, | 11 | ·/˘˘·····/˘ |
| That could have shown how purebred horses | 10 | ·····//˘/˘ |
| And solid men, for all their passion, live | 10 | ·/˘····/˘· |
| But as the outrageous stars incline | 9 | ···˘/˘·˘/ |
| By opposition, square and trine; | 8 | ··˘/˘··· |
| Having grown sluggish and contemplative. | 10 | /˘·/˘·˘/˘˘ |
| They were my close companions many a year, | 10 | ····˘/˘/·· |
| A portion of my mind and life, as it were, | 11 | ·/˘········ |
| And now their breathless faces seem to look | 10 | ···/˘/˘··· |
| Out of some old picture-book; | 7 | ····/˘· |
| I am accustomed to their lack of breath, | 10 | ··˘/˘····· |
| But not that my dear friend's dear son, | 8 | ········ |
| Our Sidney and our perfect man, | 10 | /˘/˘·/˘˘/· |
| Could share in that discourtesy of death. | 10 | ····˘/˘˘·· |
| For all things the delighted eye now sees | 10 | ····˘/˘··· |
| Were loved by him; the old storm-broken trees | 10 | ·······/˘· |
| That cast their shadows upon road and bridge; | 10 | ···/······ |
| The tower set on the stream's edge; | 8 | ·/˘····· |
| The ford where drinking cattle make a stir | 10 | ···/˘/˘··· |
| Nightly, and startled by that sound | 9 | /˘·/˘˘··· |
| The water-hen must change her ground; | 8 | ·/˘····· |
| He might have been your heartiest welcomer. | 11 | ·····/˘˘/˘˘ |
| When with the Galway foxhounds he would ride | 10 | ···/˘/···· |
| From Castle Taylor to the Roxborough side | 10 | ·/˘/˘··/˘· |
| Or Esserkelly plain, few kept his pace; | 10 | ·········· |
| At Mooneen he had leaped a place | 9 | ······˘·· |
| So perilous that half the astonished meet | 10 | ·/˘···˘/˘· |
| Had shut their eyes, and where was it | 8 | ········ |
| He rode a race without a bit? | 8 | ········ |
| And yet his mind outran the horses' feet. | 10 | ····˘/·/˘· |
| We dreamed that a great painter had been born | 10 | ·····/˘··· |
| To cold Clare rock and Galway rock and thorn, | 10 | ·····/˘··· |
| To that stern colour and that delicate line | 10 | ···/˘··/˘· |
| That are our secret discipline | 9 | ··/˘/˘/˘˘ |
| Wherein the gazing heart doubles her might. | 10 | ···/˘·/˘·· |
| Soldier, scholar, horseman, he, | 7 | /˘/˘/˘· |
| And yet he had the intensity | 9 | ·····˘/˘˘ |
| To have published all to be a world's delight. | 11 | ··/˘·····˘/ |
| What other could so well have counselled us | 10 | ·/˘····/˘· |
| In all lovely intricacies of a house | 10 | ··/˘/˘˘··· |
| As he that practised or that understood | 10 | ········˘/ |
| All work in metal or in wood, | 8 | ···/˘··· |
| In moulded plaster or in carven stone? | 10 | ·/˘/˘··/˘· |
| Soldier, scholar, horseman, he, | 7 | /˘/˘/˘· |
| And all he did done perfectly | 8 | ·····/˘˘ |
| As though he had but that one trade alone. | 10 | ········˘/ |
| Some burn damp fagots, others may consume | 10 | ·····/˘·˘/ |
| The entire combustible world in one small room | 12 | ·˘/˘/˘˘····· |
| As though dried straw, and if we turn about | 10 | ·········· |
| The bare chimney is gone black out | 8 | ··/˘···· |
| Because the work had finished in that flare. | 10 | ·····/˘··· |
| Soldier, scholar, horseman, he, | 7 | /˘/˘/˘· |
| As 'twere all life's epitome. | 8 | ····˘/˘˘ |
| What made us dream that he could comb grey hair? | 10 | ·········· |
| I had thought, seeing how bitter is that wind | 10 | ···/·/˘··· |
| That shakes the shutter, to have brought to mind | 10 | ···/˘····· |
| All those that manhood tried, or childhood loved, | 10 | ···/···/·· |
| Or boyish intellect approved, | 9 | ·/˘/˘·˘/˘ |
| With some appropriate commentary on each; | 11 | ··˘/˘/˘·˘·· |
| Until imagination brought | 8 | ··˘·˘/˘· |
| A fitter welcome; but a thought | 8 | ·/˘/˘··· |
| Of that late death took all my heart for speech. | 10 | ·········· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.