The Two Kings

W. B. Yeats (1865–1939) · 1914

iambic pentameter · 264 lines · from Responsibilities

King Eochaid came at sundown to a woodWestward of Tara. Hurrying to his queenHe had out-ridden his war-wasted menThat with empounded cattle trod the mire;And where beech trees had mixed a pale green lightWith the ground-ivy's blue, he saw a stagWhiter than curds, its eyes the tint of the sea.Because it stood upon his path and seemedMore hands in height than any stag in the worldHe sat with tightened rein and loosened mouthUpon his trembling horse, then drove the spur;But the stag stooped and ran at him, and passed,Rending the horse's flank. King Eochaid reeledThen drew his sword to hold its levelled pointAgainst the stag. When horn and steel were metThe horn resounded as though it had been silver,A sweet, miraculous, terrifying sound.Horn locked in sword, they tugged and struggled thereAs though a stag and unicorn were metIn Africa on Mountain of the Moon,Until at last the double horns, drawn backward,Butted below the single and so piercedThe entrails of the horse. Dropping his swordKing Eochaid seized the horns in his strong handsAnd stared into the sea-green eye, and soHither and thither to and fro they trodTill all the place was beaten into mire.The strong thigh and the agile thigh were met,The hands that gathered up the might of the world,And hoof and horn that had sucked in their speedAmid the elaborate wilderness of the air.Through bush they plunged and over ivied root,And where the stone struck fire, while in the leavesA squirrel whinnied and a bird screamed out;But when at last he forced those sinewy flanksAgainst a beech bole, he threw down the beastAnd knelt above it with drawn knife. On the instantIt vanished like a shadow, and a crySo mournful that it seemed the cry of oneWho had lost some unimaginable treasureWandered between the blue and the green leafAnd climbed into the air, crumbling away,Till all had seemed a shadow or a visionBut for the trodden mire, the pool of blood,The disembowelled horse.

King Eochaid ran,Toward peopled Tara, nor stood to draw his breathUntil he came before the painted wall,The posts of polished yew, circled with bronze,Of the great door; but though the hanging lampsShowed their faint light through the unshuttered windows,Nor door, nor mouth, nor slipper made a noise,Nor on the ancient beaten paths, that woundFrom well-side or from plough-land, was there noise;And there had been no sound of living thingBefore him or behind, but that far-offOn the horizon edge bellowed the herds.Knowing that silence brings no good to kings,And mocks returning victory, he passedBetween the pillars with a beating heartAnd saw where in the midst of the great hallPale-faced, alone upon a bench, EdainSat upright with a sword before her feet.Her hands on either side had gripped the bench,Her eyes were cold and steady, her lips tight.Some passion had made her stone. Hearing a footShe started and then knew whose foot it was;But when he thought to take her in his armsShe motioned him afar, and rose and spoke:'I have sent among the fields or to the woodsThe fighting men and servants of this house,For I would have your judgment upon oneWho is self-accused. If she be innocentShe would not look in any known man's faceTill judgment has been given, and if guilty,Will never look again on known man's face.'And at these words he paled, as she had paled,Knowing that he should find upon her lipsThe meaning of that monstrous day.

Then she:'You brought me where your brother Ardan satAlways in his one seat, and bid me care himThrough that strange illness that had fixed him there,And should he die to heap his burial moundAnd carve his name in Ogham.' Eochaid said,'He lives?' 'He lives and is a healthy man.''While I have him and you it matters littleWhat man you have lost, what evil you have found.''I bid them make his bed under this roofAnd carried him his food with my own hands,And so the weeks passed by. But when I said"What is this trouble?" he would answer nothing,Though always at my words his trouble grew;And I but asked the more, till he cried out,Weary of many questions: "There are thingsThat make the heart akin to the dumb stone."Then I replied: "Although you hide a secret,Hopeless and dear, or terrible to think on,Speak it, that I may send through the wide worldFor medicine." Thereon he cried aloud:"Day after day you question me, and I,Because there is such a storm amid my thoughtsI shall be carried in the gust, command,Forbid, beseech and waste my breath." Then I,"Although the thing that you have hid were evil,The speaking of it could be no great wrong,And evil must it be, if done 'twere worseThan mound and stone that keep all virtue in,And loosen on us dreams that waste our life,Shadows and shows that can but turn the brain."But finding him still silent I stooped downAnd whispering that none but he should hear,Said: "If a woman has put this on you,My men, whether it please her or displease,And though they have to cross the Loughlan watersAnd take her in the middle of armed men,Shall make her look upon her handiwork,That she may quench the rick she has fired; and thoughShe may have worn silk clothes, or worn a crown,She'll not be proud, knowing within her heartThat our sufficient portion of the worldIs that we give, although it be brief giving,Happiness to children and to men."Then he, driven by his thought beyond his thought,And speaking what he would not though he would,Sighed: "You, even you yourself, could work the cure!"And at those words I rose and I went outAnd for nine days he had food from other hands,And for nine days my mind went whirling roundThe one disastrous zodiac, mutteringThat the immedicable mound's beyondOur questioning, beyond our pity even.But when nine days had gone I stood againBefore his chair and bending down my headTold him, that when Orion rose, and allThe women of his household were asleep,To go--for hope would give his limbs the power--To an old empty woodman's house that's hiddenClose to a clump of beech trees in the woodWestward of Tara, there to await a friendThat could, as he had told her, work his cureAnd would be no harsh friend.

When night had deepened,I groped my way through boughs, and over roots,Till oak and hazel ceased and beech began,And found the house, a sputtering torch within,And stretched out sleeping on a pile of skinsArdan, and though I called to him and triedTo shake him out of sleep, I could not rouse him.I waited till the night was on the turn,Then fearing that some labourer, on his wayTo plough or pasture-land, might see me there,Went out.

Among the ivy-covered rocks,As on the blue light of a sword, a manWho had unnatural majesty, and eyesLike the eyes of some great kite scouring the woods,Stood on my path. Trembling from head to footI gazed at him like grouse upon a kite;But with a voice that had unnatural music,"A weary wooing and a long," he said,"Speaking of love through other lips and lookingUnder the eyelids of another, for it was my craftThat put a passion in the sleeper there,And when I had got my will and drawn you here,Where I may speak to you alone, my craftSucked up the passion out of him againAnd left mere sleep. He'll wake when the sun wakes,Push out his vigorous limbs and rub his eyes,And wonder what has ailed him these twelve months."I cowered back upon the wall in terror,But that sweet-sounding voice ran on: "Woman,I was your husband when you rode the air,Danced in the whirling foam and in the dust,In days you have not kept in memory,Being betrayed into a cradle, and I comeThat I may claim you as my wife again."I was no longer terrified, his voiceHad half awakened some old memory,Yet answered him: "I am King Eochaid's wifeAnd with him have found every happinessWomen can find." With a most masterful voice,That made the body seem as it were a stringUnder a bow, he cried: "What happinessCan lovers have that know their happinessMust end at the dumb stone? But where we buildOur sudden palaces in the still airPleasure itself can bring no weariness,Nor can time waste the cheek, nor is there footThat has grown weary of the whirling dance,Nor an unlaughing mouth, but mine that mourns,Among those mouths that sing their sweethearts' praise,Your empty bed." "How should I love," I answered,"Were it not that when the dawn has lit my bedAnd shown my husband sleeping there, I have sighed,'Your strength and nobleness will pass away.'Or how should love be worth its pains were it notThat when he has fallen asleep within my arms,Being wearied out, I love in man the child?What can they know of love that do not knowShe builds her nest upon a narrow ledgeAbove a windy precipice?" Then he:"Seeing that when you come to the death-bedYou must return, whether you would or no,This human life blotted from memory,Why must I live some thirty, forty years,Alone with all this useless happiness?"Thereon he seized me in his arms, but IThrust him away with both my hands and cried,"Never will I believe there is any changeCan blot out of my memory this lifeSweetened by death, but if I could believeThat were a double hunger in my lipsFor what is doubly brief."

And now the shape,My hands were pressed to, vanished suddenly.I staggered, but a beech tree stayed my fall,And clinging to it I could hear the cocksCrow upon Tara.'

King Eochaid bowed his headAnd thanked her for her kindness to his brother,For that she promised, and for that refused.

Thereon the bellowing of the empounded herdsRose round the walls, and through the bronze-ringed doorJostled and shouted those war-wasted men,And in the midst King Eochaid's brother stood.He'd heard that din on the horizon's edgeAnd ridden towards it, being ignorant.

You gave but will not give againUntil enough of Paudeen's penceBy Biddy's halfpennies have lainTo be 'some sort of evidence,'Before you'll put your guineas down,That things it were a pride to giveAre what the blind and ignorant townImagines best to make it thrive.What cared Duke Ercole, that bidHis mummers to the market place,What th' onion-sellers thought or didSo that his Plautus set the paceFor the Italian comedies?And Guidobaldo, when he madeThat grammar school of courtesiesWhere wit and beauty learned their tradeUpon Urbino's windy hill,Had sent no runners to and froThat he might learn the shepherds' will.And when they drove out Cosimo,Indifferent how the rancour ran,He gave the hours they had set freeTo Michelozzo's latest planFor the San Marco Library,Whence turbulent Italy should drawDelight in Art whose end is peace,In logic and in natural lawBy sucking at the dugs of Greece.

Your open hand but shows our loss,For he knew better how to live.Let Paudeens play at pitch and toss,Look up in the sun's eye and giveWhat the exultant heart calls goodThat some new day may breed the bestBecause you gave, not what they wouldBut the right twigs for an eagle's nest!

Words in this poem 33
sundown n.
The setting of the sun; sunset.
drove n.
A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
unicorn n.
A fabulous animal with one horn; the monoceros; -- often represented in heraldry as a supporter. [OE. unicorne, F. unicorne, L. unicornis one- horned, having a single horn; unus one + cornu a horn; cf. L. unicornuus a unicorn. See One, and Horn.]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
ivied a.
Overgrown with ivy. [From Ivy.]
bole n.
The trunk or stem of a tree, or that which is like it. [OE. bole, fr. Icel. bolr; akin to Sw. bål, Dan. bul, trunk, stem of a tree, G. bohle a thick plank or board; cf. LG. boll round. Cf. Bulge.]
peopled a.
Stocked with, or as with, people; inhabited.
circled a.
Having the form of a circle; round.
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
illness n.
The condition of being ill, evil, or bad; badness; unfavorableness. [From Ill.]
burial n.
A grave; a tomb; a place of sepulture. [OE. buriel, buriels, grave, tomb, AS. byrgels, fr. byrgan to bury, and akin to OS. burgisli sepulcher.]
ogham n.
A particular kind of writing practiced by the ancient Irish, and found in inscriptions on stones, metals, etc. [Ir.]
thereon adv.
On that or this. [AS. . See There, and On.]
aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
displease v. i.
To give displeasure or offense.
handiwork n.
Work done by the hands; hence, any work done personally. [OE. handiwerc, AS. handgeweorc; hand hand + geweorc work; prefix ge- + weorc. See Work.]
went n.
Course; way; path; journey; direction.
disastrous a.
Full of unpropitious stellar influences; unpropitious; ill-boding. [Cf. F. désastreux. See Disaster.]
immedicable a.
Not to be healed; incurable. [L. Immedicabilis. See In- not, and Medicable.]
orion n.
A large and bright constellation on the equator, between the stars Aldebaran and Sirius. It contains a remarkable nebula visible to the naked eye.
await v. t.
To watch for; to look out for. [OF. awaitier, agaitier; (L. ad) + waitier, gaitier to watch, F. guetter. See Wait.]
craft n.
Strength; might; secret power. [AS. cr strength, skill, art, cunning; akin to OS., G., Sw., & Dan. kraft strength, D. kracht, Icel. kraptr; perh. originally, a drawing together, stretching, fr]
sleeper n.
One who sleeps; a slumberer; hence, a drone, or lazy person.
rode n.
Redness; complexion. [See Rud.]
masterful a.
Inclined to play the master; domineering; imperious; arbitrary.
nobleness n.
The quality or state of being noble; greatness; dignity; magnanimity; elevation of mind, character, or station; nobility; grandeur; stateliness.
precipice n.
A sudden or headlong fall. Fuller. [F. précipice, L. praecipitium, fr. praeceps, - cipitis, headlong; prae before + caput, capitis, the head. See Pre-, and Chief.]
stayed a.
Staid; fixed; settled; sober; -- now written staid. See Staid.
duke n.
A leader; a chief; a prince. [F. duc, fr. L. dux, ducis, leader, commander, fr. ducere to lead; akin to AS. teón to draw; cf. AS. heretoga (here army) an army leader, general, G. herzog duke]
rancour n.
The deepest malignity or spite; deep-seated enmity or malice; inveterate hatred. [OE. rancour, OF. rancor, rancur, F. rancune, fr. L. rancor rancidity, rankness; tropically, an old grudge, rancor, fr. rancere to be rank or rancid.]
exultant a.
Inclined to exult; characterized by, or expressing, exultation; rejoicing triumphantly. [L. exsultans, exsultantis, p. pr. of exsultare. See Exult.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Two Kings is in the public domain. This text is taken from Responsibilities, and other poems, Project Gutenberg ebook #36865; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: W. B. Yeats, The Two Kings, in Responsibilities (1914), text of Project Gutenberg ebook #36865, Laurel, https://laurelpoetry.com/poem/yeats-responsibilities/the-two-kings.html, id L04554.

Form and metre

The Two Kings is 264 lines in 10 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 9.7 syllables. 40 lines end on an unstressed syllable, a feminine ending. 47% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --------------------------------------A---A-- wood · queen · men · mire · light · stag · sea · seemed · world · mouth · spur · passed · reeled · point · met · silver · sound · there · met · moon · backward · pierced · sword · hands · so · trod · mire · met · world · speed · air · root · leaves · out · flanks · beast · instant · cry · oneA · treasure · leaf · away · visionA · blood · horse
  2. 2 -----AA-A------------------------- ran · breath · wall · bronze · lamps · windowsA · noiseA · wound · noiseA · thing · off · herds · kings · passed · heart · hall · edain · feet · bench · tight · foot · was · arms · spoke · woods · house · one · innocent · face · guilty · face · paled · lips · day
  3. 3 ----A---A-----B--B----------C-CC--DD----------------EE--------- she · sat · him · there · moundA · said · man · little · foundA · roof · hands · said · nothing · grew · outB · things · stone · secretB · on · world · aloud · i · thoughts · command · i · evil · wrong · worse · inC · life · brainC · downC · hear · you · displeaseD · watersD · men · handiwork · though · crown · heart · world · giving · men · thought · would · cure · out · hands · round · muttering · beyond · evenE · againE · head · all · asleep · power · hidden · wood · friend · cure · friend
  4. 5 ----------AA------------B--BB-BB-------CCC----D---D---------- rocks · man · eyes · woods · foot · kite · music · said · looking · craft · thereA · hereA · craft · again · wakes · eyes · months · terror · woman · air · dust · memory · come · again · voiceB · memory · wife · happinessB · voiceB · string · happinessB · happinessB · build · air · weariness · foot · dance · mourns · praise · answeredC · bedC · sighedC · away · not · arms · child · knowD · ledge · he · bed · noD · memory · years · happiness · i · cried · change · life · believe · lips · brief
  5. 9 ABABC-C-DEDE-F-FG-G-H-H-IJIJ againA · penceB · lainA · evidenceB · downC · give · townC · thrive · bidD · placeE · didD · paceE · comedies · madeF · courtesies · tradeF · hillG · fro · willG · cosimo · ranH · free · planH · library · drawI · peaceJ · lawI · greeceJ
  6. 10 ABABCDCD lossA · liveB · tossA · giveB · goodC · bestD · wouldC · nestD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
King Eochaid came at sundown to a wood10·····/····
Westward of Tara. Hurrying to his queen10/˘·/˘/˘···
He had out-ridden his war-wasted men10···/˘··/˘·
That with empounded cattle trod the mire;10·····/˘···
And where beech trees had mixed a pale green light10··········
With the ground-ivy's blue, he saw a stag10···/˘·····
Whiter than curds, its eyes the tint of the sea.10/·········
Because it stood upon his path and seemed10··········
More hands in height than any stag in the world11·····/˘····
He sat with tightened rein and loosened mouth10···/˘··/˘·
Upon his trembling horse, then drove the spur;10···/˘·····
But the stag stooped and ran at him, and passed,10··········
Rending the horse's flank. King Eochaid reeled10/˘·/˘·····
Then drew his sword to hold its levelled point10·······/˘·
Against the stag. When horn and steel were met10··········
The horn resounded as though it had been silver,12···/˘·····/˘
A sweet, miraculous, terrifying sound.10··˘/˘/˘·˘·
Horn locked in sword, they tugged and struggled there10·······/˘·
As though a stag and unicorn were met10·····/˘···
In Africa on Mountain of the Moon,10·/˘˘·/˘···
Until at last the double horns, drawn backward,11·····/˘··/˘
Butted below the single and so pierced10/˘···/˘···
The entrails of the horse. Dropping his sword10·/˘···/˘··
King Eochaid seized the horns in his strong hands10··········
And stared into the sea-green eye, and so10··········
Hither and thither to and fro they trod10/˘·/˘·····
Till all the place was beaten into mire.10·····/˘···
The strong thigh and the agile thigh were met,10·····/˘···
The hands that gathered up the might of the world,11···/˘······
And hoof and horn that had sucked in their speed10··········
Amid the elaborate wilderness of the air.11˘/·˘/˘/˘···
Through bush they plunged and over ivied root,10·······/˘·
And where the stone struck fire, while in the leaves10·····/····
A squirrel whinnied and a bird screamed out;10·/˘·····˘·
But when at last he forced those sinewy flanks10·······/˘·
Against a beech bole, he threw down the beast10··········
And knelt above it with drawn knife. On the instant12··········/˘
It vanished like a shadow, and a cry10·/˘··/····
So mournful that it seemed the cry of one10·/˘·······
Who had lost some unimaginable treasure11·····˘/˘˘/˘
Wandered between the blue and the green leaf10/˘········
And climbed into the air, crumbling away,10······/˘˘/
Till all had seemed a shadow or a vision11·····/···/˘
But for the trodden mire, the pool of blood,10···/˘·····
The disembowelled horse.6······
King Eochaid ran,4····
Toward peopled Tara, nor stood to draw his breath12··/˘/˘······
Until he came before the painted wall,10·······/˘·
The posts of polished yew, circled with bronze,10···/˘·/˘··
Of the great door; but though the hanging lamps10·······/˘·
Showed their faint light through the unshuttered windows,11·········/˘
Nor door, nor mouth, nor slipper made a noise,10·····/˘···
Nor on the ancient beaten paths, that wound10···/˘/˘···
From well-side or from plough-land, was there noise;10··········
And there had been no sound of living thing10·······/˘·
Before him or behind, but that far-off10··········
On the horizon edge bellowed the herds.10··˘/˘·/˘··
Knowing that silence brings no good to kings,10/˘·/˘·····
And mocks returning victory, he passed10··˘/˘/˘˘··
Between the pillars with a beating heart10···/˘··/˘·
And saw where in the midst of the great hall10··········
Pale-faced, alone upon a bench, Edain10··˘/······
Sat upright with a sword before her feet.10·˘/·······
Her hands on either side had gripped the bench,10···/˘·····
Her eyes were cold and steady, her lips tight.10·····/˘···
Some passion had made her stone. Hearing a foot11·/˘····/˘··
She started and then knew whose foot it was;10·/˘·······
But when he thought to take her in his arms10··········
She motioned him afar, and rose and spoke:10·/˘·˘/····
'I have sent among the fields or to the woods11···········
The fighting men and servants of this house,10·/˘··/˘···
For I would have your judgment upon one10·····/˘···
Who is self-accused. If she be innocent11···˘/···/˘˘
She would not look in any known man's face10·····/˘···
Till judgment has been given, and if guilty,11·/˘··/˘··/˘
Will never look again on known man's face.'10·/˘·˘/····
And at these words he paled, as she had paled,10··········
Knowing that he should find upon her lips10/˘········
The meaning of that monstrous day.8·/˘··/˘·
Then she:2··
'You brought me where your brother Ardan sat10·····/˘···
Always in his one seat, and bid me care him11/··········
Through that strange illness that had fixed him there,10···/˘·····
And should he die to heap his burial mound10·······/˘·
And carve his name in Ogham.' Eochaid said,10·····/˘···
'He lives?' 'He lives and is a healthy man.'10·······/˘·
'While I have him and you it matters little11·······/˘/˘
What man you have lost, what evil you have found.'10······/···
'I bid them make his bed under this roof10··········
And carried him his food with my own hands,10·/˘·······
And so the weeks passed by. But when I said10··········
"What is this trouble?" he would answer nothing,11···/˘··/˘/˘
Though always at my words his trouble grew;10·/·····/˘·
And I but asked the more, till he cried out,10··········
Weary of many questions: "There are things10/˘·/˘/˘···
That make the heart akin to the dumb stone."10····˘/····
Then I replied: "Although you hide a secret,11··˘/·····/˘
Hopeless and dear, or terrible to think on,10/˘···/˘···
Speak it, that I may send through the wide world10··········
For medicine." Thereon he cried aloud:10·/˘˘˘/··˘/
"Day after day you question me, and I,10·····/˘···
Because there is such a storm amid my thoughts11·······˘/··
I shall be carried in the gust, command,10···/˘···˘/
Forbid, beseech and waste my breath." Then I,10˘/˘/······
"Although the thing that you have hid were evil,11·········/˘
The speaking of it could be no great wrong,10·/˘·······
And evil must it be, if done 'twere worse10·/˘·······
Than mound and stone that keep all virtue in,10·······/˘·
And loosen on us dreams that waste our life,10·/˘·····/·
Shadows and shows that can but turn the brain."10/·········
But finding him still silent I stooped down10·/˘··/˘···
And whispering that none but he should hear,10·/˘˘······
Said: "If a woman has put this on you,10···/˘·····
My men, whether it please her or displease,10········˘/
And though they have to cross the Loughlan waters11·········/˘
And take her in the middle of armed men,10·····/˘···
Shall make her look upon her handiwork,10·······/˘·
That she may quench the rick she has fired; and though11········/··
She may have worn silk clothes, or worn a crown,10··········
She'll not be proud, knowing within her heart10····/˘····
That our sufficient portion of the world10·/˘/˘/˘···
Is that we give, although it be brief giving,11·········/˘
Happiness to children and to men."9/˘˘·/˘···
Then he, driven by his thought beyond his thought,10··/·······
And speaking what he would not though he would,10·/˘·······
Sighed: "You, even you yourself, could work the cure!"10··/·/˘····
And at those words I rose and I went out10··········
And for nine days he had food from other hands,11········/˘·
And for nine days my mind went whirling round10·······/˘·
The one disastrous zodiac, muttering11··˘/˘/˘·/˘˘
That the immedicable mound's beyond10··˘/˘˘˘···
Our questioning, beyond our pity even.11//˘˘··//˘/˘
But when nine days had gone I stood again10········˘/
Before his chair and bending down my head10·····/˘···
Told him, that when Orion rose, and all10····˘/˘···
The women of his household were asleep,10·/˘··/··˘/
To go--for hope would give his limbs the power--11·········/˘
To an old empty woodman's house that's hidden11···/˘/˘··/˘
Close to a clump of beech trees in the wood10··········
Westward of Tara, there to await a friend11/˘·/˘··˘/··
That could, as he had told her, work his cure10··········
And would be no harsh friend.6······
When night had deepened,5···/˘
I groped my way through boughs, and over roots,10··········
Till oak and hazel ceased and beech began,10···/˘···˘/
And found the house, a sputtering torch within,10·····/˘···
And stretched out sleeping on a pile of skins10···/˘·····
Ardan, and though I called to him and tried10··········
To shake him out of sleep, I could not rouse him.11···········
I waited till the night was on the turn,10·/˘·······
Then fearing that some labourer, on his way11·/˘········
To plough or pasture-land, might see me there,10···/˘·····
Went out.2··
Among the ivy-covered rocks,9···/˘/˘˘·
As on the blue light of a sword, a man10··········
Who had unnatural majesty, and eyes10··˘/˘/˘˘··
Like the eyes of some great kite scouring the woods,11·······/˘··
Stood on my path. Trembling from head to foot10····/˘····
I gazed at him like grouse upon a kite;10··········
But with a voice that had unnatural music,11······˘/˘/˘
"A weary wooing and a long," he said,10·/˘/˘·····
"Speaking of love through other lips and looking11/˘···/˘··/˘
Under the eyelids of another, for it was my craft14···/··˘/˘·····
That put a passion in the sleeper there,10···/˘··/˘·
And when I had got my will and drawn you here,11···········
Where I may speak to you alone, my craft10······˘/··
Sucked up the passion out of him again10···/˘···˘/
And left mere sleep. He'll wake when the sun wakes,10··········
Push out his vigorous limbs and rub his eyes,10···/˘·····
And wonder what has ailed him these twelve months."10·/˘·······
I cowered back upon the wall in terror,11·/˘······/˘
But that sweet-sounding voice ran on: "Woman,10···/˘···/˘
I was your husband when you rode the air,10···/˘·····
Danced in the whirling foam and in the dust,10···/˘·····
In days you have not kept in memory,10·······/˘˘
Being betrayed into a cradle, and I come11/˘/···/˘···
That I may claim you as my wife again."10········˘/
I was no longer terrified, his voice10···/˘/˘···
Had half awakened some old memory,10··˘/˘··/˘˘
Yet answered him: "I am King Eochaid's wife10·/˘·······
And with him have found every happiness11·····/˘˘/˘˘
Women can find." With a most masterful voice,10/˘·····/˘·
That made the body seem as it were a string11···/˘······
Under a bow, he cried: "What happiness10·······/˘˘
Can lovers have that know their happiness10·/˘····/˘˘
Must end at the dumb stone? But where we build10··········
Our sudden palaces in the still air10//˘/˘˘····
Pleasure itself can bring no weariness,10/˘˘/···/˘˘
Nor can time waste the cheek, nor is there foot10··········
That has grown weary of the whirling dance,10···/˘··/˘·
Nor an unlaughing mouth, but mine that mourns,10··········
Among those mouths that sing their sweethearts' praise,10·······/··
Your empty bed." "How should I love," I answered,11·/˘······/˘
"Were it not that when the dawn has lit my bed11···········
And shown my husband sleeping there, I have sighed,11···/˘/˘····
'Your strength and nobleness will pass away.'10···/˘˘··˘/
Or how should love be worth its pains were it not11···········
That when he has fallen asleep within my arms,12····/˘˘/····
Being wearied out, I love in man the child?10//˘·······
What can they know of love that do not know10··········
She builds her nest upon a narrow ledge10·······/˘·
Above a windy precipice?" Then he:10···/˘/˘˘··
"Seeing that when you come to the death-bed10/˘········
You must return, whether you would or no,10··˘/······
This human life blotted from memory,10·/˘·/˘·/˘˘
Why must I live some thirty, forty years,10·····/˘/˘·
Alone with all this useless happiness?"10˘/···/˘/˘˘
Thereon he seized me in his arms, but I10˘/········
Thrust him away with both my hands and cried,10··˘/······
"Never will I believe there is any change10/··˘/··/˘·
Can blot out of my memory this life10·····/˘˘··
Sweetened by death, but if I could believe10/˘······˘/
That were a double hunger in my lips10···/˘/˘···
For what is doubly brief."6···/˘·
And now the shape,4····
My hands were pressed to, vanished suddenly.10·····/˘/˘˘
I staggered, but a beech tree stayed my fall,10·/˘·······
And clinging to it I could hear the cocks10·/˘·······
Crow upon Tara.'5···/˘
King Eochaid bowed his head6······
And thanked her for her kindness to his brother,11·····/˘··/˘
For that she promised, and for that refused.10···/˘···˘/
Thereon the bellowing of the empounded herds11˘/·/˘······
Rose round the walls, and through the bronze-ringed door10··········
Jostled and shouted those war-wasted men,10/˘·/˘··/˘·
And in the midst King Eochaid's brother stood.10·······/˘·
He'd heard that din on the horizon's edge10······˘/˘·
And ridden towards it, being ignorant.11·/˘···/˘/˘˘
You gave but will not give again8······˘/
Until enough of Paudeen's pence8··˘/····
By Biddy's halfpennies have lain7·/˘····
To be 'some sort of evidence,'8·····/˘˘
Before you'll put your guineas down,8·····/˘·
That things it were a pride to give8········
Are what the blind and ignorant town9·····/˘˘·
Imagines best to make it thrive.8˘/˘·····
What cared Duke Ercole, that bid9··˘·˘/˘··
His mummers to the market place,8·····/˘·
What th' onion-sellers thought or did8·/˘/˘···
So that his Plautus set the pace8········
For the Italian comedies?8··˘/˘/˘˘
And Guidobaldo, when he made8········
That grammar school of courtesies8·/˘··/˘˘
Where wit and beauty learned their trade9···/˘·˘··
Upon Urbino's windy hill,8·····/˘·
Had sent no runners to and fro8···/˘···
That he might learn the shepherds' will.8·····/˘·
And when they drove out Cosimo,8········
Indifferent how the rancour ran,8˘/˘··/˘·
He gave the hours they had set free9···/˘····
To Michelozzo's latest plan8·····/˘·
For the San Marco Library,8···/˘/·˘
Whence turbulent Italy should draw9·/˘˘/˘˘··
Delight in Art whose end is peace,8˘/······
In logic and in natural law9·/˘··/˘˘·
By sucking at the dugs of Greece.8·/˘·····
Your open hand but shows our loss,9·/˘···/˘·
For he knew better how to live.8···/˘···
Let Paudeens play at pitch and toss,8········
Look up in the sun's eye and give8········
What the exultant heart calls good8··˘/˘···
That some new day may breed the best8········
Because you gave, not what they would8········
But the right twigs for an eagle's nest!9······/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by W. B. Yeats