Usheen

W. B. Yeats (1865–1939) · 1895

iambic pentameter · heroic couplets · 46 lines · from Poems

Saint, do you weep? I hear amid the thunderThe Fenian horses; armour torn asunder;Laughter and cries; the armies clash and shock;All is done now; I see the ravens flock;Ah, cease, you mournful, laughing Fenian horn!

We feasted for three days. On the fourth mornI found, dropping sea foam on the wide stair,And hung with slime, and whispering in his hair,That demon dull and unsubduable;And once more to a day-long battle fell,And at the sundown threw him in the surge,To lie until the fourth morn saw emergeHis new healed shape: and for a hundred yearsSo warred, so feasted, with nor dreams nor fears,Nor languor nor fatigue: and endless feast,An endless war.

The hundred years had ceased;I stood upon the stair: the surges boreA beech bough to me, and my heart grew sore,Remembering how I had stood by white-haired FinnUnder a beech at Emen and heard the thinOutcry of bats.

And then young Niam cameHolding that horse, and sadly called my name;I mounted, and we passed over the loneAnd drifting grayness, while this monotone,Surly and distant, mixed inseparablyInto the clangour of the wind and sea.

"I hear my soul drop down into decay,"And Mananan's dark tower, stone by stone,"Gather sea slime and fall the seaward way,"And the moon goad the waters night and day,"That all be overthrown.

"But till the moon has taken all, I wage"War on the mightiest men under the skies,"And they have fallen or fled, age after age:"Light is man's love, and lighter is man's rage;"His purpose drifts and dies."

And then lost Niam murmured, "Love, we go"To the Island of Forgetfulness, for lo!"The Islands of Dancing and of Victories"Are empty of all power."

"And which of these"Is the Island of Content?"

"None know," she said;And on my bosom laid her weeping head.

Words in this poem 15
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
fenian n.
A member of a secret organization, consisting mainly of Irishment, having for its aim the overthrow of English rule in ireland. [From the Finians or Fenii, the old militia of Ireland, who were so called from Fin or Finn, Fionn, or Fingal, a popular hero of Irish traditional history.]
armour n.
Defensive arms for the body; any clothing or covering worn to protect one's person in battle. [OE. armure, fr. F. armure, OF. armeure, fr. L. armatura. See Armature.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
sundown n.
The setting of the sun; sunset.
finn a.
A native of Finland; one of the FinnFinns.
sadly adv.
Wearily; heavily; firmly.
lone n.
A lane. See Loanin.
grayness n.
The quality of being gray.
monotone n.
A single unvaried tone or sound. [See Monotonous, Monotony.]
surly a.
Arrogant; haughty. Cotgrave. [Probably from sir, and originally meaning, sirlike, i.e., proud. See Sir, and Like, a.]
inseparably adv.
In an inseparable manner or condition; so as not to be separable.
clangour n.
A sharp, harsh, ringing sound. [L., fr. clangere. See Clang, v. t.]
seaward a.
Directed or situated toward the sea. Donne.
wage v. i.
To bind one's self; to engage.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Usheen is in the public domain. This text is taken from Poems, Project Gutenberg ebook #38877; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: W. B. Yeats, Usheen, in Poems (1895), text of Project Gutenberg ebook #38877, Laurel, https://laurelpoetry.com/poem/yeats-poems/usheen-2.html, id L16701.

Form and metre

Usheen is 46 lines in 9 verse paragraphs. It is in rhyming couplets, 57% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 5 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB- thunderA · asunderA · shockB · flockB · horn
  2. 2 -AA--BBCC-- morn · stairA · hairA · unsubduable · fell · surgeB · emergeB · yearsC · fearsC · feast · war
  3. 3 -AABB- ceased · boreA · soreA · finnB · thinB · bats
  4. 4 AABB-- cameA · nameA · loneB · monotoneB · inseparably · sea
  5. 5 ABAAB decayA · stoneB · wayA · dayA · overthrownB
  6. 6 ABAAB wageA · skiesB · ageA · rageA · diesB
  7. 7 AA-- goA · loA · victories · power
  8. 9 AA saidA · headA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Saint, do you weep? I hear amid the thunder11······˘/·/˘
The Fenian horses; armour torn asunder;11·/˘/˘/˘·˘/˘
Laughter and cries; the armies clash and shock;10/˘···/˘···
All is done now; I see the ravens flock;10·······/˘·
Ah, cease, you mournful, laughing Fenian horn!10···/˘/˘/˘·
We feasted for three days. On the fourth morn10·/˘·······
I found, dropping sea foam on the wide stair,10··/˘······
And hung with slime, and whispering in his hair,10·····/˘···
That demon dull and unsubduable;9·/˘······
And once more to a day-long battle fell,10·······/˘·
And at the sundown threw him in the surge,10···/······
To lie until the fourth morn saw emerge10········˘/
His new healed shape: and for a hundred years10·······/˘·
So warred, so feasted, with nor dreams nor fears,10···/˘·····
Nor languor nor fatigue: and endless feast,10·/˘·˘/·/˘·
An endless war.4·/˘·
The hundred years had ceased;6·/˘···
I stood upon the stair: the surges bore10·······/˘·
A beech bough to me, and my heart grew sore,10··········
Remembering how I had stood by white-haired Finn11˘/˘········
Under a beech at Emen and heard the thin11···········
Outcry of bats.4/···
And then young Niam came5·····
Holding that horse, and sadly called my name;10/˘···/˘···
I mounted, and we passed over the lone10·/˘·······
And drifting grayness, while this monotone,10·/˘/˘··/˘·
Surly and distant, mixed inseparably11/˘·/˘·˘/˘˘˘
Into the clangour of the wind and sea.10··········
"I hear my soul drop down into decay,10········˘/
"And Mananan's dark tower, stone by stone,10·····/˘···
"Gather sea slime and fall the seaward way,10/˘·····/˘·
"And the moon goad the waters night and day,10·····/˘···
"That all be overthrown.6····˘/
"But till the moon has taken all, I wage10·····/˘···
"War on the mightiest men under the skies,10···/˘·····
"And they have fallen or fled, age after age:11···/˘······
"Light is man's love, and lighter is man's rage;10·····/˘···
"His purpose drifts and dies."6·/˘···
And then lost Niam murmured, "Love, we go10····/˘˘···
"To the Island of Forgetfulness, for lo!11··/˘·˘/˘˘··
"The Islands of Dancing and of Victories11·/˘·/˘··/˘˘
"Are empty of all power."7·/˘··/˘
"And which of these4····
"Is the Island of Content?"7··/˘·˘/
"None know," she said;4····
And on my bosom laid her weeping head.10···/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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