Wild Peaches

Elinor Wylie (1885–1928) · 1921

iambic pentameter · 55 lines · from Nets to Catch the Wind

When the world turns completely upside downYou say we'll emigrate to the Eastern ShoreAboard a river-boat from Baltimore;We'll live among wild peach trees, miles from town.You'll wear a coonskin cap, and I a gownHomespun, dyed butternut's dark gold color.Lost, like your lotus-eating ancestor,We'll swim in milk and honey till we drown.

The winter will be short, the summer long,The autumn amber-hued, sunny and hot,Tasting of cider and of scuppernong;All seasons sweet, but autumn best of all.The squirrels in their silver fur will fallLike falling leaves, like fruit, before your shot.

The autumn frosts will lie upon the grassLike bloom on grapes of purple-brown and gold.The misted early mornings will be cold;The little puddles will be roofed with glass.The sun, which burns from copper into brass,Melts these at noon, and makes the boys unfoldTheir knitted mufflers; full as they can hold,Fat pockets dribble chestnuts as they pass.

Peaches grow wild, and pigs can live in clover;A barrel of salted herrings lasts a year;The spring begins before the winter's over.By February you may find the skinsOf garter snakes and water moccasinsDwindled and harsh, dead-white and cloudy-clear.

When April pours the colors of a shellUpon the hills, when every little creekIs shot with silver from the ChesapeakeIn shoals new-minted by the ocean swell,When strawberries go begging, and the sleekBlue plums lie open to the blackbird's beak,We shall live well--we shall live very well.

The months between the cherries and the peachesAre brimming cornucopias which spillFruits red and purple, somber-bloomed and black;Then, down rich fields and frosty river beachesWe'll trample bright persimmons, while we killBronze partridge, speckled quail, and canvas-back.

Down to the Puritan marrow of my bonesThere's something in this richness that I hate.I love the look, austere, immaculate,Of landscapes drawn in pearly monotones.There's something in my very blood that ownsBare hills, cold silver on a sky of slate,A thread of water, churned to milky spateStreaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray,Those fields sparse-planted, rendering meager sheaves;That spring, briefer than apple-blossom's breath,Summer, so much too beautiful to stay,Swift autumn, like a bonfire of leaves,And sleepy winter, like the sleep of death.

Words in this poem 15
emigrate a.
Migratory; roving.
aboard adv.
On board; into or within a ship or boat; hence, into or within a railway car. [Pref. a- on, in + board.]
homespun a.
Spun or wrought at home; of domestic manufacture; coarse; plain.
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
scuppernong n.
An American grape, a form of Vitis vulpina, found in the Southern Atlantic States, and often cultivated. [Probably of American Indian origin.]
dribble v. i.
To fall in drops or small drops, or in a quick succession of drops; as, water dribbles from the eaves. [Freq. of drib, which is a variant of drip.]
garter n.
A band used to prevent a stocking from slipping down on the leg. [OE. gartier, F. jarretière, fr. OF. garet bend of the knee, F. jarret; akin to Sp. garra claw, Prov. garra leg. See Garrote.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
brimming a.
Full to the brim; overflowing.
spill n.
A bit of wood split off; a splinter. [sq. root170. Cf. Spell a splinter.]
immaculate a.
Without stain or blemish; spotless; undefiled; clear; pure. [L. immaculatus; pref. im- not + maculatus, p. p. of maculare to spot, stane, fr. macula spot. See Mail armor.]
spate n.
A river flood; an overflow or inundation. Burns. [Of Celtic origin; cf. Ir. speid.]
streaming a.
Sending forth streams.
snowy a.
White like snow.
bonfire n.
A large fire built in the open air, as an expression of public joy and exultation, or for amusement. [OE. bonefire, banefire, orig. a fire of bones; bone + fire; but cf. also Prov. E. bun a dry stalk.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Wild Peaches is in the public domain. This text is taken from Nets to Catch the Wind, Project Gutenberg ebook #6682; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Elinor Wylie, Wild Peaches, in Nets to Catch the Wind (1921), text of Project Gutenberg ebook #6682, Laurel, https://laurelpoetry.com/poem/wylie-nets/wild-peaches.html, id L12760.

Form and metre

Wild Peaches is 55 lines in 8 stanzas. The commonest rhyme scheme is ABACCB, in 2 of the 8 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 7 lines end on an unstressed syllable, a feminine ending. 34% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBAA--A downA · shoreB · baltimoreB · townA · gownA · color · ancestor · drownA
  2. 2 ABACCB longA · hotB · scuppernongA · allC · fallC · shotB
  3. 3 ABBAABBA grassA · goldB · coldB · glassA · brassA · unfoldB · holdB · passA
  4. 4 ABACCB cloverA · yearB · overA · skinsC · moccasinsC · clearB
  5. 5 ABBABBA shellA · creekB · chesapeakeB · swellA · sleekB · beakB · wellA
  6. 6 ABCABC peachesA · spillB · blackC · beachesA · killB · backC
  7. 7 AB-AABBA bonesA · hateB · immaculate · monotonesA · ownsA · slateB · spateB · stonesA
  8. 8 ABCABC grayA · sheavesB · breathC · stayA · leavesB · deathC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
When the world turns completely upside down10····˘/˘//·
You say we'll emigrate to the Eastern Shore11···/˘···/˘·
Aboard a river-boat from Baltimore;10˘/·/˘··/˘·
We'll live among wild peach trees, miles from town.10··········
You'll wear a coonskin cap, and I a gown10··········
Homespun, dyed butternut's dark gold color.10/·······/˘
Lost, like your lotus-eating ancestor,10···/˘/˘/·˘
We'll swim in milk and honey till we drown.10·····/˘···
The winter will be short, the summer long,10·/˘····/˘·
The autumn amber-hued, sunny and hot,10·/˘/˘·/˘··
Tasting of cider and of scuppernong;9/˘·/··/˘·
All seasons sweet, but autumn best of all.10·/˘··/˘···
The squirrels in their silver fur will fall10·/˘··/˘···
Like falling leaves, like fruit, before your shot.10·/˘·······
The autumn frosts will lie upon the grass10·/˘·······
Like bloom on grapes of purple-brown and gold.10·····/˘···
The misted early mornings will be cold;10·/˘/˘/˘···
The little puddles will be roofed with glass.10·/˘/˘·····
The sun, which burns from copper into brass,10·····/˘···
Melts these at noon, and makes the boys unfold10········˘/
Their knitted mufflers; full as they can hold,10·/˘/˘·····
Fat pockets dribble chestnuts as they pass.10·/˘/˘/˘···
Peaches grow wild, and pigs can live in clover;11/˘·······/˘
A barrel of salted herrings lasts a year;11·/˘·/˘/˘···
The spring begins before the winter's over.10··˘/···/˘·
By February you may find the skins10·/˘·˘·····
Of garter snakes and water moccasins9·/˘··/˘/˘
Dwindled and harsh, dead-white and cloudy-clear.10/˘·····/˘·
When April pours the colors of a shell10·/˘··/˘···
Upon the hills, when every little creek10·····/˘/˘·
Is shot with silver from the Chesapeake10···/˘··/˘·
In shoals new-minted by the ocean swell,9···/˘··/·
When strawberries go begging, and the sleek10·/·˘·/˘···
Blue plums lie open to the blackbird's beak,10···/˘··/˘·
We shall live well--we shall live very well.10·······/˘·
The months between the cherries and the peaches11·····/˘··/˘
Are brimming cornucopias which spill9·/˘·˘/˘··
Fruits red and purple, somber-bloomed and black;10···/˘/˘···
Then, down rich fields and frosty river beaches11·····/˘/˘/˘
We'll trample bright persimmons, while we kill10·/˘·······
Bronze partridge, speckled quail, and canvas-back.10·/˘/˘··/˘·
Down to the Puritan marrow of my bones10···/˘/˘···
There's something in this richness that I hate.10·/˘··/˘···
I love the look, austere, immaculate,9····˘/˘/˘
Of landscapes drawn in pearly monotones.10·/···/˘/˘·
There's something in my very blood that owns10·/˘··/˘···
Bare hills, cold silver on a sky of slate,10···/˘·····
A thread of water, churned to milky spate10···/˘··/˘·
Streaming through slanted pastures fenced with stones.10/˘·/˘/˘···
I love those skies, thin blue or snowy gray,10·······/˘·
Those fields sparse-planted, rendering meager sheaves;10···/˘/˘/˘·
That spring, briefer than apple-blossom's breath,10··/˘·/˘/˘·
Summer, so much too beautiful to stay,9/˘···/˘··
Swift autumn, like a bonfire of leaves,9·/˘··/˘··
And sleepy winter, like the sleep of death.10·/˘/˘·····

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