Lines
O Friend! O Teacher! God's great Gift to me!Into my Heart have I received that LayMore than historic, that prophetic LayWherein (high theme by thee first sung aright)Of the foundations and the building upOf thine own spirit thou hast loved to tellWhat may be told, by words revealable:With heavenly breathings, like the secret soulOf vernal growth, oft quickening in the heartThoughts, that obey no mastery of words,Pure Self-beholdings! Theme as hard as high,Of Smiles spontaneous and mysterious Fear!The first born they of Reason and twin birth!Of tides obedient to external force,And currents self-determin'd, as might seem,Or by some inner power! Of moments awful,Now in thy hidden life, and now abroad,When power stream'd from thee, and thy soul receiv'dThe light reflected, as a light bestow'd!Of fancies fair, and milder hours of youth,Hybloean murmurs of poetic thoughtIndustrious in its joy, in vales and glensNative or outland, Lakes and famous Hills;Or on the lonely high-road, when the starsWere rising; or by secret mountain streams,The guides and the companions of thy way!Of more than Fancy--of the SOCIAL SENSEDistending, and of Man belov'd as Man,Where France in all her Towns lay vibrating,Even as a Bark becalm'd on sultry seasQuivers beneath the voice from Heaven, the burstOf Heaven's immediate thunder, when no cloudIs visible, or shadow on the main!For thou wert there, thy own brows garlanded,Amid the tremor of a Realm aglow!Amid a mighty nation jubilant!When from the general Heart of Human KindHope sprang forth, like an armed Deity!Of that dear Hope afflicted and struck down,So summon'd homeward; thenceforth calm and sure,As from the Watch-tower of Man's absolute Self,With light unwaning on her eyes, to lookFar on--herself a Glory to behold,The Angel of the Vision! Then (last strain)Of Duty, chosen Laws controlling choice,Action and Joy!--an Orphic Tale indeed,A Tale divine of high and passionate Thoughts,To their own Music chaunted!--
A great Bard!Ere yet the last strain dying awed the air,With steadfast eyes I saw thee in the choirOf ever-enduring men. The truly GreatHave all one age, and from one visible spaceShed influence: for they, both power and act,Are permanent, and Time is not with them,Save as it worketh for them, they in it.Nor less a sacred Roll, than those of old,And to be plac'd, as they, with gradual fameAmong the Archives of Mankind, thy WorkMakes audible a linked Song of Truth,Of Truth profound a sweet continuous SongNot learnt, but native, her own natural notes!Dear shall it be to every human heart,To me how more than dearest! Me, on whomComfort from thee, and utterance of thy Love,Come with such Heights and Depths of HarmonySuch sense of Wings uplifting, that its mightScatter'd and quell'd me, till my Thoughts becameA bodily Tumult; and thy faithful Hopes,Thy Hopes of me, dear Friend! by me unfelt!Were troublous to me, almost as a VoiceFamiliar once and more than musical;As a dear Woman's Voice to one cast forth,A Wanderer with a worn-out heart forlorn,Mid Strangers pining with untended wounds.
O Friend! too well thou know'st, of what sad yearsThe long suppression had benumbed my soul,That, even as Life returns upon the Drown'd,The unusual Joy awoke a throng of Pains--Keen Pangs of LOVE, awakening, as a Babe,Turbulent, with an outcry in the Heart!And Fears self-will'd, that shunn'd the eye of Hope,And Hope, that scarce would know itself from Fear;Sense of past youth, and manhood come in vain,And Genius given and Knowledge won in vain;And all, which I had cull'd in wood-walks wild,And all, which patient Toil had rear'd, and all,Commune with THEE had open'd out--but FlowersStrew'd on my Corse, and borne upon my Bier,In the same Coffin, for the self-same Grave!
That way no more! and ill beseems it me,Who came a Welcomer, in Herald's Guise,Singing of Glory and Futurity,To wander back on such unhealthful roadPlucking the Poisons of Self-harm! And illSuch intertwine beseems triumphal wreathsStrew'd before thy advancing! Thou too, Friend!Impair thou not the memory of that hourOf thy Communion with my nobler mindBy pity or grief, already felt too long!Nor let my words import more blame than needs.The tumult rose and ceas'd: for Peace is nighWhere Wisdom's voice has found a list'ning Heart.Amid the howl of more than wintry stormsThe Halcyon hears the Voice of vernal Hours,Already on the wing!
Eve following EveDear tranquil Time, when the sweet sense of HomeIs sweetest! Moments, for their own sake hail'd,And more desired, more precious for thy Song!In silence listening, like a devout child,My soul lay passive, by the various strainDriven as in surges now, beneath the starsWith momentary stars of her own birth,Fair constellated Foam, still darting offInto the Darkness; now a tranquil Sea,Outspread and bright, yet swelling to the Moon.
And when--O Friend! my Comforter! my Guide!Strong in thyself and powerful to give strength!--Thy long sustained Song finally clos'd,And thy deep voice had ceas'd--yet thou thyselfWert still before mine eyes, and round us bothThat happy Vision of beloved Faces--(All whom, I deepliest love--in one room all!)Scarce conscious and yet conscious of its closeI sate, my Being blended in one Thought,(Thought was it? or aspiration? or resolve?)Absorb'd; yet hanging still upon the Sound--And when I rose, I found myself in Prayer.
Words in this poem 30
- historic a.
- Of or pertaining to history, or the record of past events; as, an historical poem; the historic page. [L. historicus, Gr. historique. See History.]
- aright adv.
- Rightly; correctly; in a right way or form; without mistake or crime; as, to worship God aright. [Pref. a- + right.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- revealable a.
- Capable of being revealed.
- quickening n.
- The act or process of making or of becoming quick.
- industrious a.
- Given to industry; characterized by diligence; constantly, regularly, or habitually occupied; busy; assiduous; not slothful or idle; -- commonly implying devotion to lawful and useful labor. [L. industrius, industriosus: cf. F. industrieux. See Industry.]
- outland a.
- Foreign; outlandish. Strutt. [Out + land. See Outlandish.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- aglow adv.
- In a glow; glowing; as, cheeks aglow; the landscape all aglow. [Pref. a- + glow.]
- jubilant a.
- Uttering songs of triumph; shouting with joy; triumphant; exulting. [L. jubilans, -antis, p. pr. of jubilare to shout for joy: cf. F. jubila. See Jubilate.]
- homeward a.
- Being in the direction of home; as, the homeward way.
- thenceforth adv.
- From that time; thereafter.
- orphic a.
- Pertaining to Orpheus; Orphean; as, Orphic hymns.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- troublous a.
- Full of trouble; causing trouble.
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
- babe n.
- An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- commune n.
- The commonalty; the common people. [F., fr. commun. See Common.]
- corse n.
- A living body or its bulk. [OF. cors, F. corps. See Corpse.]
- bier n.
- A handbarrow or portable frame on which a corpse is placed or borne to the grave. [OE. bæe, beere, AS. b, b; akin to D. baar, OHG. bara, G. bahre, Icel barar, Dbaare, L. feretrum, Gr. , from the same bear to produce. See 1st Bear, and cf. Barr]
- welcomer n.
- One who welcomes; one who salutes, or receives kindly, a newcomer.
- futurity n.
- State of being that is yet to come; future state.
- triumphal n.
- A token of victory.
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- wintry a.
- Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
- outspread v. t.
- To spread out; to expand; -- usually as a past part. or adj.
- comforter n.
- One who administers comfort or consolation.
- sate v. t.
- To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
- aspiration n.
- The act of aspirating; the pronunciation of a letter with a full or strong emission of breath; an aspirated sound. [L. aspiratio, fr. aspirare: cf. F. aspiration.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Lines is in the public domain. This text is taken from The Poetical Works of William Wordsworth — Volume 3 (of 8), Project Gutenberg ebook #12383; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Wordsworth, Lines, in The Poetical Works, Volume III (1802–1815), text of Project Gutenberg ebook #12383, Laurel, https://laurelpoetry.com/poem/wordsworth-vol3/lines.html, id L17452.
Form and metre
Lines is 129 lines in 6 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 12 lines end on an unstressed syllable, a feminine ending. 34% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -------------------------------A-A-------------- me · lay · lay · aright · up · tell · revealable · soul · heart · words · high · fear · birth · force · seem · awful · abroad · receiv'd · bestow'd · youth · thought · glens · hills · stars · streams · way · sense · man · vibrating · seas · burst · cloudA · main · garlandedA · aglow · jubilant · kind · deity · down · sure · self · look · behold · strain · choice · indeed · thoughts · chaunted
- 2 ---------A---------A------- bard · air · choir · great · space · act · them · it · old · fameA · work · truth · song · notes · heart · whom · love · harmony · might · becameA · hopes · unfelt · voice · musical · forth · forlorn · wounds
- 3 -------ABB---A- years · soul · drown'd · pains · babe · heart · hope · fearA · vainB · vainB · wild · all · flowers · bierA · grave
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| O Friend! O Teacher! God's great Gift to me! | 10 | ···/˘····· |
| Into my Heart have I received that Lay | 10 | ······˘/·· |
| More than historic, that prophetic Lay | 10 | ··˘/˘·˘/˘· |
| Wherein (high theme by thee first sung aright) | 10 | ········˘/ |
| Of the foundations and the building up | 10 | ··˘/˘··/˘· |
| Of thine own spirit thou hast loved to tell | 10 | ···/˘····· |
| What may be told, by words revealable: | 10 | ······˘/˘˘ |
| With heavenly breathings, like the secret soul | 10 | ·/˘/˘··/˘· |
| Of vernal growth, oft quickening in the heart | 10 | ·/˘··/˘··· |
| Thoughts, that obey no mastery of words, | 10 | ··˘/·/˘˘·· |
| Pure Self-beholdings! Theme as hard as high, | 10 | ··˘/˘····· |
| Of Smiles spontaneous and mysterious Fear! | 10 | ··˘/˘·˘/˘· |
| The first born they of Reason and twin birth! | 10 | ·····/˘··· |
| Of tides obedient to external force, | 10 | ··˘/˘·˘/˘· |
| And currents self-determin'd, as might seem, | 10 | ·/˘·˘/˘··· |
| Or by some inner power! Of moments awful, | 11 | ···/˘/·/˘/˘ |
| Now in thy hidden life, and now abroad, | 10 | ···/˘···˘/ |
| When power stream'd from thee, and thy soul receiv'd | 10 | ·/······˘/ |
| The light reflected, as a light bestow'd! | 10 | ··˘/˘···˘/ |
| Of fancies fair, and milder hours of youth, | 10 | ·/˘··//˘·· |
| Hybloean murmurs of poetic thought | 9 | ··/˘·˘/˘· |
| Industrious in its joy, in vales and glens | 10 | ˘/˘······· |
| Native or outland, Lakes and famous Hills; | 10 | /˘·/˘··/˘· |
| Or on the lonely high-road, when the stars | 10 | ···/˘····· |
| Were rising; or by secret mountain streams, | 10 | ·/˘··/˘/˘· |
| The guides and the companions of thy way! | 10 | ····˘/˘··· |
| Of more than Fancy--of the SOCIAL SENSE | 10 | ···/˘··/˘· |
| Distending, and of Man belov'd as Man, | 10 | ˘/˘···˘/·· |
| Where France in all her Towns lay vibrating, | 10 | ·······/˘˘ |
| Even as a Bark becalm'd on sultry seas | 10 | /···˘/·/˘· |
| Quivers beneath the voice from Heaven, the burst | 10 | /˘·····/·· |
| Of Heaven's immediate thunder, when no cloud | 11 | ·/˘˘/˘/˘··· |
| Is visible, or shadow on the main! | 10 | ·/˘˘·/···· |
| For thou wert there, thy own brows garlanded, | 10 | ·······/˘˘ |
| Amid the tremor of a Realm aglow! | 10 | ˘/·/˘···˘/ |
| Amid a mighty nation jubilant! | 10 | ˘/·/˘/˘/˘˘ |
| When from the general Heart of Human Kind | 10 | ···/˘··/˘· |
| Hope sprang forth, like an armed Deity! | 10 | ······˘/˘˘ |
| Of that dear Hope afflicted and struck down, | 10 | ····˘/˘··· |
| So summon'd homeward; thenceforth calm and sure, | 10 | ·/˘/˘·/··· |
| As from the Watch-tower of Man's absolute Self, | 11 | ····/··/˘·· |
| With light unwaning on her eyes, to look | 10 | ·········· |
| Far on--herself a Glory to behold, | 10 | ··˘/·/˘·˘/ |
| The Angel of the Vision! Then (last strain) | 10 | ·/˘··/˘··· |
| Of Duty, chosen Laws controlling choice, | 10 | ·/˘/˘·˘/˘· |
| Action and Joy!--an Orphic Tale indeed, | 10 | /˘···/˘·˘/ |
| A Tale divine of high and passionate Thoughts, | 10 | ··˘/···/˘· |
| To their own Music chaunted!-- | 7 | ···/˘·· |
| A great Bard! | 3 | ··· |
| Ere yet the last strain dying awed the air, | 10 | ·····/˘··· |
| With steadfast eyes I saw thee in the choir | 11 | ·/·······/˘ |
| Of ever-enduring men. The truly Great | 10 | ·/˘/˘··/˘· |
| Have all one age, and from one visible space | 10 | ·······/˘· |
| Shed influence: for they, both power and act, | 10 | ·/˘···/˘·· |
| Are permanent, and Time is not with them, | 10 | ·/˘˘······ |
| Save as it worketh for them, they in it. | 10 | ···/˘····· |
| Nor less a sacred Roll, than those of old, | 10 | ···/˘····· |
| And to be plac'd, as they, with gradual fame | 10 | ·······/˘· |
| Among the Archives of Mankind, thy Work | 10 | ···/··//·· |
| Makes audible a linked Song of Truth, | 10 | ·/˘˘··˘··· |
| Of Truth profound a sweet continuous Song | 10 | ··˘/··˘/˘· |
| Not learnt, but native, her own natural notes! | 10 | ···/˘··/˘· |
| Dear shall it be to every human heart, | 10 | ·····/˘/˘· |
| To me how more than dearest! Me, on whom | 10 | ·····/˘··· |
| Comfort from thee, and utterance of thy Love, | 10 | /˘···/˘··· |
| Come with such Heights and Depths of Harmony | 10 | ·······/˘˘ |
| Such sense of Wings uplifting, that its might | 10 | ····/·˘··· |
| Scatter'd and quell'd me, till my Thoughts became | 10 | /˘······˘/ |
| A bodily Tumult; and thy faithful Hopes, | 10 | ·/˘/˘··/˘· |
| Thy Hopes of me, dear Friend! by me unfelt! | 10 | ·········· |
| Were troublous to me, almost as a Voice | 10 | ·/˘··/···· |
| Familiar once and more than musical; | 10 | ˘/˘····/˘˘ |
| As a dear Woman's Voice to one cast forth, | 10 | ···/˘····· |
| A Wanderer with a worn-out heart forlorn, | 10 | ·/˘·····˘/ |
| Mid Strangers pining with untended wounds. | 10 | ·/˘/˘····· |
| O Friend! too well thou know'st, of what sad years | 10 | ·········· |
| The long suppression had benumbed my soul, | 10 | ··˘/˘·˘/·· |
| That, even as Life returns upon the Drown'd, | 10 | ·/··˘/···· |
| The unusual Joy awoke a throng of Pains-- | 11 | ·˘/˘·˘/···· |
| Keen Pangs of LOVE, awakening, as a Babe, | 10 | ····˘/˘··· |
| Turbulent, with an outcry in the Heart! | 10 | /˘˘··/···· |
| And Fears self-will'd, that shunn'd the eye of Hope, | 10 | ·········· |
| And Hope, that scarce would know itself from Fear; | 10 | ······˘/·· |
| Sense of past youth, and manhood come in vain, | 10 | ·····/···· |
| And Genius given and Knowledge won in vain; | 10 | ·/˘/·/˘··· |
| And all, which I had cull'd in wood-walks wild, | 10 | ·········· |
| And all, which patient Toil had rear'd, and all, | 10 | ···/˘····· |
| Commune with THEE had open'd out--but Flowers | 11 | ˘/···/˘··/˘ |
| Strew'd on my Corse, and borne upon my Bier, | 10 | ·········· |
| In the same Coffin, for the self-same Grave! | 10 | ···/˘····· |
| That way no more! and ill beseems it me, | 10 | ·········· |
| Who came a Welcomer, in Herald's Guise, | 10 | ···/˘˘·/˘· |
| Singing of Glory and Futurity, | 10 | /˘·/˘·˘/˘˘ |
| To wander back on such unhealthful road | 10 | ·/˘···˘/˘· |
| Plucking the Poisons of Self-harm! And ill | 10 | /˘·/˘····· |
| Such intertwine beseems triumphal wreaths | 10 | ·˘˘/··˘/˘· |
| Strew'd before thy advancing! Thou too, Friend! | 10 | ····˘/˘··· |
| Impair thou not the memory of that hour | 10 | ˘/···/˘··/ |
| Of thy Communion with my nobler mind | 10 | ··˘/˘··/˘· |
| By pity or grief, already felt too long! | 11 | ·/˘··˘/˘··· |
| Nor let my words import more blame than needs. | 10 | ····˘/···· |
| The tumult rose and ceas'd: for Peace is nigh | 10 | ·/˘······· |
| Where Wisdom's voice has found a list'ning Heart. | 10 | ·/˘······· |
| Amid the howl of more than wintry storms | 10 | ˘/·····/˘· |
| The Halcyon hears the Voice of vernal Hours, | 10 | ·/˘····/˘/ |
| Already on the wing! | 6 | ˘/˘··· |
| Eve following Eve | 5 | ·/˘˘· |
| Dear tranquil Time, when the sweet sense of Home | 10 | ·/˘······· |
| Is sweetest! Moments, for their own sake hail'd, | 10 | ·/˘/˘····· |
| And more desired, more precious for thy Song! | 10 | ··˘/·/˘··· |
| In silence listening, like a devout child, | 10 | ·/˘/˘··˘/· |
| My soul lay passive, by the various strain | 10 | ···/˘··/˘· |
| Driven as in surges now, beneath the stars | 10 | /··/˘····· |
| With momentary stars of her own birth, | 10 | ·/˘·˘····· |
| Fair constellated Foam, still darting off | 10 | ·······/˘· |
| Into the Darkness; now a tranquil Sea, | 10 | ···/˘··/˘· |
| Outspread and bright, yet swelling to the Moon. | 10 | ˘/···/˘··· |
| And when--O Friend! my Comforter! my Guide! | 10 | ·····/˘˘·· |
| Strong in thyself and powerful to give strength!-- | 10 | ··˘/·/˘··· |
| Thy long sustained Song finally clos'd, | 10 | ··˘/˘·/˘˘· |
| And thy deep voice had ceas'd--yet thou thyself | 10 | ········˘/ |
| Wert still before mine eyes, and round us both | 10 | ·········· |
| That happy Vision of beloved Faces-- | 10 | ·/˘/˘·˘//˘ |
| (All whom, I deepliest love--in one room all!) | 10 | ·········· |
| Scarce conscious and yet conscious of its close | 10 | ·/˘··/˘··· |
| I sate, my Being blended in one Thought, | 10 | ···/˘/˘··· |
| (Thought was it? or aspiration? or resolve?) | 11 | ·····˘/˘·˘/ |
| Absorb'd; yet hanging still upon the Sound-- | 10 | ˘/·/˘····· |
| And when I rose, I found myself in Prayer. | 10 | ·······/·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.