Nutting

William Wordsworth (1770–1850) · 1798–1807

iambic pentameter · unrhymed · 58 lines · from The Poetical Works, Volume II

--It seems a day(I speak of one from many singled out)One of those heavenly days that cannot die;When, in the eagerness of boyish hope,I left our cottage-threshold, sallying forthWith a huge wallet o'er my shoulders slung,A nutting-crook in hand; and turned my stepsTow'rd some far-distant wood, a Figure quaint,Tricked out in proud disguise of cast-off weedsWhich for that service had been husbanded,By exhortation of my frugal Dame--Motley accoutrement, of power to smileAt thorns, and brakes, and brambles,--and, in truth,More ragged than need was! O'er pathless rocks,Through beds of matted fern, and tangled thickets,Forcing my way, I came to one dear nookUnvisited, where not a broken boughDrooped with its withered leaves, ungracious signOf devastation; but the hazels roseTall and erect, with tempting clusters hung,A virgin scene!--A little while I stood,Breathing with such suppression of the heartAs joy delights in; and, with wise restraintVoluptuous, fearless of a rival, eyedThe banquet;--or beneath the trees I sateAmong the flowers, and with the flowers I played;A temper known to those, who, after longAnd weary expectation, have been blestWith sudden happiness beyond all hope.Perhaps it was a bower beneath whose leavesThe violets of five seasons re-appearAnd fade, unseen by any human eye;Where fairy water-breaks do murmur onFor ever; and I saw the sparkling foam,And--with my cheek on one of those green stonesThat, fleeced with moss, under the shady trees,Lay round me, scattered like a flock of sheep--I heard the murmur and the murmuring sound,In that sweet mood when pleasure loves to payTribute to ease; and, of its joy secure,The heart luxuriates with indifferent things,Wasting its kindliness on stocks and stones,And on the vacant air. Then up I rose,And dragged to earth both branch and bough, with crashAnd merciless ravage: and the shady nookOf hazels, and the green and mossy bower,Deformed and sullied, patiently gave upTheir quiet being: and, unless I nowConfound my present feelings with the past;Ere from the mutilated bower I turnedExulting, rich beyond the wealth of kings,I felt a sense of pain when I beheldThe silent trees, and saw the intruding sky.--Then, dearest Maiden, move along these shadesIn gentleness of heart; with gentle handTouch--for there is a spirit in the woods.

The woods round Esthwaite Lake have undergone considerable change sinceWordsworth's school-days at Hawkshead; but hazel coppice is still

Words in this poem

boyish a.
Resembling a boy in a manners or opinions; belonging to a boy; childish; trifling; puerile.
quaint a.
Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
pathless a.
Having no beaten path or way; untrodden; impenetrable; as, pathless woods.
nook n.
A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
ungracious a.
Not gracious; showing no grace or kindness; being without good will; unfeeling.
sate v. t.
To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
unseen a.
Not seen or discovered.
fleeced a.
Furnished with a fleece; as, a sheep is well fleeced.
kindliness n.
Natural inclination; natural course.
patiently adv.
In a patient manner.
exulting a.
Rejoicing triumphantly or exceedingly; exultant.
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
coppice n.
A grove of small growth; a thicket of brushwood; a wood cut at certain times for fuel or other purposes. See Copse. [OF. copeiz, fr. coper, couper, to cut, F. couper, fr. cop, coup, colp, a blow, F. coup, L. colaphus, fr. G. Copse, and cf. Coup, Coupee.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Nutting is in the public domain. This text is taken from The Poetical Works of William Wordsworth — Volume 2 (of 8), Project Gutenberg ebook #12145; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Wordsworth, Nutting, in The Poetical Works, Volume II (1798–1807), text of Project Gutenberg ebook #12145, Laurel, https://laurelpoetry.com/poem/wordsworth-vol2/nutting.html, id L17292.

Form and metre

Nutting is 58 lines in 2 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 2 lines end on an unstressed syllable, a feminine ending. 52% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
--It seems a day4····
(I speak of one from many singled out)9·····//˘·
One of those heavenly days that cannot die;10···/˘··/˘·
When, in the eagerness of boyish hope,9···/˘·/˘·
I left our cottage-threshold, sallying forth10··//˘/·/˘·
With a huge wallet o'er my shoulders slung,10···/˘··/˘·
A nutting-crook in hand; and turned my steps10·/˘·······
Tow'rd some far-distant wood, a Figure quaint,10···/˘··/˘·
Tricked out in proud disguise of cast-off weeds10····˘/····
Which for that service had been husbanded,9···/˘··/˘
By exhortation of my frugal Dame--10···/˘··/˘·
Motley accoutrement, of power to smile9/˘˘/˘·/··
At thorns, and brakes, and brambles,--and, in truth,10·····/˘···
More ragged than need was! O'er pathless rocks,10·/˘····/˘·
Through beds of matted fern, and tangled thickets,11···/˘··/˘/˘
Forcing my way, I came to one dear nook10/˘········
Unvisited, where not a broken bough10·······/˘·
Drooped with its withered leaves, ungracious sign10···/˘·˘/˘·
Of devastation; but the hazels rose10··˘/˘··/˘·
Tall and erect, with tempting clusters hung,10··˘/·/˘/˘·
A virgin scene!--A little while I stood,10·/˘··/˘···
Breathing with such suppression of the heart10/˘··˘/˘···
As joy delights in; and, with wise restraint10··˘/····˘/
Voluptuous, fearless of a rival, eyed10˘/˘/˘··/˘·
The banquet;--or beneath the trees I sate10·/˘·······
Among the flowers, and with the flowers I played;10···/···/··
A temper known to those, who, after long10·/˘·······
And weary expectation, have been blest10·/˘·˘/˘···
With sudden happiness beyond all hope.9·/˘/˘····
Perhaps it was a bower beneath whose leaves10˘/···/····
The violets of five seasons re-appear10·/˘··/˘·˘/
And fade, unseen by any human eye;10··˘/·/˘/˘·
Where fairy water-breaks do murmur on10·/˘/˘··/˘·
For ever; and I saw the sparkling foam,9·/····/˘·
And--with my cheek on one of those green stones10··········
That, fleeced with moss, under the shady trees,10·······/˘·
Lay round me, scattered like a flock of sheep--10···/˘·····
I heard the murmur and the murmuring sound,10···/˘··/˘·
In that sweet mood when pleasure loves to pay10·····/˘···
Tribute to ease; and, of its joy secure,10/˘······˘/
The heart luxuriates with indifferent things,10······˘/˘·
Wasting its kindliness on stocks and stones,10/˘·/˘˘····
And on the vacant air. Then up I rose,10···/˘·····
And dragged to earth both branch and bough, with crash10··········
And merciless ravage: and the shady nook10·/˘/˘··/˘·
Of hazels, and the green and mossy bower,10·/˘····/˘/
Deformed and sullied, patiently gave up9˘/·/˘/˘··
Their quiet being: and, unless I now8·//·····
Confound my present feelings with the past;10˘/·/˘/˘···
Ere from the mutilated bower I turned10···/˘·˘/··
Exulting, rich beyond the wealth of kings,10˘/˘·······
I felt a sense of pain when I beheld10········˘/
The silent trees, and saw the intruding sky.--11·/˘····˘/˘·
Then, dearest Maiden, move along these shades10·/˘/˘·˘/··
In gentleness of heart; with gentle hand9·/˘···/˘·
Touch--for there is a spirit in the woods.9·····/···
The woods round Esthwaite Lake have undergone considerable change since15········˘/˘/˘··
Wordsworth's school-days at Hawkshead; but hazel coppice is still14/˘······/˘/˘··

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