Nutting
--It seems a day(I speak of one from many singled out)One of those heavenly days that cannot die;When, in the eagerness of boyish hope,I left our cottage-threshold, sallying forthWith a huge wallet o'er my shoulders slung,A nutting-crook in hand; and turned my stepsTow'rd some far-distant wood, a Figure quaint,Tricked out in proud disguise of cast-off weedsWhich for that service had been husbanded,By exhortation of my frugal Dame--Motley accoutrement, of power to smileAt thorns, and brakes, and brambles,--and, in truth,More ragged than need was! O'er pathless rocks,Through beds of matted fern, and tangled thickets,Forcing my way, I came to one dear nookUnvisited, where not a broken boughDrooped with its withered leaves, ungracious signOf devastation; but the hazels roseTall and erect, with tempting clusters hung,A virgin scene!--A little while I stood,Breathing with such suppression of the heartAs joy delights in; and, with wise restraintVoluptuous, fearless of a rival, eyedThe banquet;--or beneath the trees I sateAmong the flowers, and with the flowers I played;A temper known to those, who, after longAnd weary expectation, have been blestWith sudden happiness beyond all hope.Perhaps it was a bower beneath whose leavesThe violets of five seasons re-appearAnd fade, unseen by any human eye;Where fairy water-breaks do murmur onFor ever; and I saw the sparkling foam,And--with my cheek on one of those green stonesThat, fleeced with moss, under the shady trees,Lay round me, scattered like a flock of sheep--I heard the murmur and the murmuring sound,In that sweet mood when pleasure loves to payTribute to ease; and, of its joy secure,The heart luxuriates with indifferent things,Wasting its kindliness on stocks and stones,And on the vacant air. Then up I rose,And dragged to earth both branch and bough, with crashAnd merciless ravage: and the shady nookOf hazels, and the green and mossy bower,Deformed and sullied, patiently gave upTheir quiet being: and, unless I nowConfound my present feelings with the past;Ere from the mutilated bower I turnedExulting, rich beyond the wealth of kings,I felt a sense of pain when I beheldThe silent trees, and saw the intruding sky.--Then, dearest Maiden, move along these shadesIn gentleness of heart; with gentle handTouch--for there is a spirit in the woods.
The woods round Esthwaite Lake have undergone considerable change sinceWordsworth's school-days at Hawkshead; but hazel coppice is still
Words in this poem
- boyish a.
- Resembling a boy in a manners or opinions; belonging to a boy; childish; trifling; puerile.
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- dame n.
- A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
- pathless a.
- Having no beaten path or way; untrodden; impenetrable; as, pathless woods.
- nook n.
- A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
- ungracious a.
- Not gracious; showing no grace or kindness; being without good will; unfeeling.
- sate v. t.
- To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
- unseen a.
- Not seen or discovered.
- fleeced a.
- Furnished with a fleece; as, a sheep is well fleeced.
- kindliness n.
- Natural inclination; natural course.
- patiently adv.
- In a patient manner.
- exulting a.
- Rejoicing triumphantly or exceedingly; exultant.
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- coppice n.
- A grove of small growth; a thicket of brushwood; a wood cut at certain times for fuel or other purposes. See Copse. [OF. copeiz, fr. coper, couper, to cut, F. couper, fr. cop, coup, colp, a blow, F. coup, L. colaphus, fr. G. Copse, and cf. Coup, Coupee.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Nutting is in the public domain. This text is taken from The Poetical Works of William Wordsworth — Volume 2 (of 8), Project Gutenberg ebook #12145; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Wordsworth, Nutting, in The Poetical Works, Volume II (1798–1807), text of Project Gutenberg ebook #12145, Laurel, https://laurelpoetry.com/poem/wordsworth-vol2/nutting.html, id L17292.
Form and metre
Nutting is 58 lines in 2 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 2 lines end on an unstressed syllable, a feminine ending. 52% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| --It seems a day | 4 | ···· |
| (I speak of one from many singled out) | 9 | ·····//˘· |
| One of those heavenly days that cannot die; | 10 | ···/˘··/˘· |
| When, in the eagerness of boyish hope, | 9 | ···/˘·/˘· |
| I left our cottage-threshold, sallying forth | 10 | ··//˘/·/˘· |
| With a huge wallet o'er my shoulders slung, | 10 | ···/˘··/˘· |
| A nutting-crook in hand; and turned my steps | 10 | ·/˘······· |
| Tow'rd some far-distant wood, a Figure quaint, | 10 | ···/˘··/˘· |
| Tricked out in proud disguise of cast-off weeds | 10 | ····˘/···· |
| Which for that service had been husbanded, | 9 | ···/˘··/˘ |
| By exhortation of my frugal Dame-- | 10 | ···/˘··/˘· |
| Motley accoutrement, of power to smile | 9 | /˘˘/˘·/·· |
| At thorns, and brakes, and brambles,--and, in truth, | 10 | ·····/˘··· |
| More ragged than need was! O'er pathless rocks, | 10 | ·/˘····/˘· |
| Through beds of matted fern, and tangled thickets, | 11 | ···/˘··/˘/˘ |
| Forcing my way, I came to one dear nook | 10 | /˘········ |
| Unvisited, where not a broken bough | 10 | ·······/˘· |
| Drooped with its withered leaves, ungracious sign | 10 | ···/˘·˘/˘· |
| Of devastation; but the hazels rose | 10 | ··˘/˘··/˘· |
| Tall and erect, with tempting clusters hung, | 10 | ··˘/·/˘/˘· |
| A virgin scene!--A little while I stood, | 10 | ·/˘··/˘··· |
| Breathing with such suppression of the heart | 10 | /˘··˘/˘··· |
| As joy delights in; and, with wise restraint | 10 | ··˘/····˘/ |
| Voluptuous, fearless of a rival, eyed | 10 | ˘/˘/˘··/˘· |
| The banquet;--or beneath the trees I sate | 10 | ·/˘······· |
| Among the flowers, and with the flowers I played; | 10 | ···/···/·· |
| A temper known to those, who, after long | 10 | ·/˘······· |
| And weary expectation, have been blest | 10 | ·/˘·˘/˘··· |
| With sudden happiness beyond all hope. | 9 | ·/˘/˘···· |
| Perhaps it was a bower beneath whose leaves | 10 | ˘/···/···· |
| The violets of five seasons re-appear | 10 | ·/˘··/˘·˘/ |
| And fade, unseen by any human eye; | 10 | ··˘/·/˘/˘· |
| Where fairy water-breaks do murmur on | 10 | ·/˘/˘··/˘· |
| For ever; and I saw the sparkling foam, | 9 | ·/····/˘· |
| And--with my cheek on one of those green stones | 10 | ·········· |
| That, fleeced with moss, under the shady trees, | 10 | ·······/˘· |
| Lay round me, scattered like a flock of sheep-- | 10 | ···/˘····· |
| I heard the murmur and the murmuring sound, | 10 | ···/˘··/˘· |
| In that sweet mood when pleasure loves to pay | 10 | ·····/˘··· |
| Tribute to ease; and, of its joy secure, | 10 | /˘······˘/ |
| The heart luxuriates with indifferent things, | 10 | ······˘/˘· |
| Wasting its kindliness on stocks and stones, | 10 | /˘·/˘˘···· |
| And on the vacant air. Then up I rose, | 10 | ···/˘····· |
| And dragged to earth both branch and bough, with crash | 10 | ·········· |
| And merciless ravage: and the shady nook | 10 | ·/˘/˘··/˘· |
| Of hazels, and the green and mossy bower, | 10 | ·/˘····/˘/ |
| Deformed and sullied, patiently gave up | 9 | ˘/·/˘/˘·· |
| Their quiet being: and, unless I now | 8 | ·//····· |
| Confound my present feelings with the past; | 10 | ˘/·/˘/˘··· |
| Ere from the mutilated bower I turned | 10 | ···/˘·˘/·· |
| Exulting, rich beyond the wealth of kings, | 10 | ˘/˘······· |
| I felt a sense of pain when I beheld | 10 | ········˘/ |
| The silent trees, and saw the intruding sky.-- | 11 | ·/˘····˘/˘· |
| Then, dearest Maiden, move along these shades | 10 | ·/˘/˘·˘/·· |
| In gentleness of heart; with gentle hand | 9 | ·/˘···/˘· |
| Touch--for there is a spirit in the woods. | 9 | ·····/··· |
| The woods round Esthwaite Lake have undergone considerable change since | 15 | ········˘/˘/˘·· |
| Wordsworth's school-days at Hawkshead; but hazel coppice is still | 14 | /˘······/˘/˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.