A Conversation
We talked with open heart, and tongueAffectionate and true,A pair of friends, though I was young,And Matthew seventy-two.
We lay beneath a spreading oak,Beside a mossy seat;And from the turf a fountain broke,And gurgled at our feet.
"Now, Matthew!" said I, "let us matchThis water's pleasant tuneWith some old border-song, or catchThat suits a summer's noon;
"Or of the church-clock and the chimesSing here beneath the shade,That half-mad thing of witty rhymesWhich you last April made!"
In silence Matthew lay, and eyedThe spring beneath the tree;And thus the dear old Man replied,The grey-haired man of glee:
"No check, no stay, this Streamlet fears;How merrily it goes!'Twill murmur on a thousand years,And flow as now it flows.
"And here, on this delightful day,I cannot choose but thinkHow oft, a vigorous man, I layBeside this fountain's brink.
"My eyes are dim with childish tears,My heart is idly stirred,For the same sound is in my earsWhich in those days I heard.
"Thus fares it still in our decay:And yet the wiser mindMourns less for what age takes awayThan what it leaves behind.
"The blackbird amid leafy trees,The lark above the hill,Let loose their carols when they please,Are quiet when they will.
"With Nature never do they wageA foolish strife; they seeA happy youth, and their old ageIs beautiful and free:
"But we are pressed by heavy laws;And often, glad no more,We wear a face of joy, becauseWe have been glad of yore.
"If there be one who need bemoanHis kindred laid in earth,The household hearts that were his own;It is the man of mirth.
"My days, my Friend, are almost gone,My life has been approved,And many love me; but by noneAm I enough beloved."
"Now both himself and me he wrongs,The man who thus complains!I live and sing my idle songsUpon these happy plains;
"And, Matthew, for thy children deadI'll be a son to thee!"At this he grasped my hand, and said,"Alas! that cannot be."
We rose up from the fountain-side;And down the smooth descentOf the green sheep-track did we glide;And through the wood we went;
And, ere we came to Leonard's rock,He sang those witty rhymesAbout the crazy old church-clock,And the bewildered chimes.
Words in this poem
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- witty a.
- Possessed of wit; knowing; wise; skillful; judicious; clever; cunning. [AS. witig, wittig. See Wit, n.]
- glee n.
- Music; minstrelsy; entertainment.
- streamlet n.
- A small stream; a rivulet; a rill.
- brink n.
- The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- wage v. i.
- To bind one's self; to engage.
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- yore adv.
- In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
- bemoan v. t.
- To express deep grief for by moaning; to express sorrow for; to lament; to bewail; to pity or sympathize with. [OE. bimenen, AS. bem; pref. be- + m to moan. See Moan.]
- went n.
- Course; way; path; journey; direction.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Conversation is in the public domain. This text is taken from The Poetical Works of William Wordsworth — Volume 2 (of 8), Project Gutenberg ebook #12145; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Wordsworth, A Conversation, in The Poetical Works, Volume II (1798–1807), text of Project Gutenberg ebook #12145, Laurel, https://laurelpoetry.com/poem/wordsworth-vol2/a-conversation.html, id L17305.
Form and metre
A Conversation is 72 lines in 18 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 17 of its 18 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 92%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 7.1 syllables. 3 lines end on an unstressed syllable, a feminine ending. 31% of the lines run on without a stop at the line end.
See other poems in common measure.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB tongueA · trueB · youngA · twoB
- 2 ABAB oakA · seatB · brokeA · feetB
- 3 ABAB matchA · tuneB · catchA · noonB
- 4 ABAB chimesA · shadeB · rhymesA · madeB
- 5 ABAB eyedA · treeB · repliedA · gleeB
- 6 ABAB fearsA · goesB · yearsA · flowsB
- 7 ABAB dayA · thinkB · layA · brinkB
- 8 ABAB tearsA · stirredB · earsA · heardB
- 9 ABAB decayA · mindB · awayA · behindB
- 10 ABAB treesA · hillB · pleaseA · willB
- 11 ABAB wageA · seeB · ageA · freeB
- 12 ABAB lawsA · moreB · becauseA · yoreB
- 13 ABAB bemoanA · earthB · ownA · mirthB
- 15 ABAB wrongsA · complainsB · songsA · plainsB
- 16 ABAB deadA · theeB · saidA · beB
- 17 ABAB sideA · descentB · glideA · wentB
- 18 ABAB rockA · rhymesB · clockA · chimesB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| We talked with open heart, and tongue | 8 | ···/˘··· |
| Affectionate and true, | 6 | ˘/˘˘·· |
| A pair of friends, though I was young, | 8 | ········ |
| And Matthew seventy-two. | 7 | ·/˘/˘˘· |
| We lay beneath a spreading oak, | 8 | ·····/˘· |
| Beside a mossy seat; | 6 | ˘/·/˘· |
| And from the turf a fountain broke, | 8 | ·····/˘· |
| And gurgled at our feet. | 8 | ·/˘˘·/˘· |
| "Now, Matthew!" said I, "let us match | 8 | ·/˘····· |
| This water's pleasant tune | 6 | ·/˘/˘· |
| With some old border-song, or catch | 8 | ···/˘··· |
| That suits a summer's noon; | 6 | ···/˘· |
| "Or of the church-clock and the chimes | 8 | ········ |
| Sing here beneath the shade, | 6 | ······ |
| That half-mad thing of witty rhymes | 8 | ·····/˘· |
| Which you last April made!" | 6 | ···/˘· |
| In silence Matthew lay, and eyed | 8 | ·/˘/˘··· |
| The spring beneath the tree; | 6 | ······ |
| And thus the dear old Man replied, | 8 | ······˘/ |
| The grey-haired man of glee: | 7 | ···˘··· |
| "No check, no stay, this Streamlet fears; | 8 | ·····/˘· |
| How merrily it goes! | 6 | ·/˘˘·· |
| 'Twill murmur on a thousand years, | 8 | ·/˘··/˘· |
| And flow as now it flows. | 6 | ······ |
| "And here, on this delightful day, | 8 | ····˘/˘· |
| I cannot choose but think | 6 | ·/˘··· |
| How oft, a vigorous man, I lay | 8 | ···/˘··· |
| Beside this fountain's brink. | 6 | ˘/·/˘· |
| "My eyes are dim with childish tears, | 8 | ·····/˘· |
| My heart is idly stirred, | 7 | ···/˘·˘ |
| For the same sound is in my ears | 8 | ········ |
| Which in those days I heard. | 6 | ······ |
| "Thus fares it still in our decay: | 8 | ·····/˘/ |
| And yet the wiser mind | 6 | ···/˘· |
| Mourns less for what age takes away | 8 | ······˘/ |
| Than what it leaves behind. | 6 | ······ |
| "The blackbird amid leafy trees, | 8 | ·/˘˘//˘· |
| The lark above the hill, | 6 | ······ |
| Let loose their carols when they please, | 8 | ···/˘··· |
| Are quiet when they will. | 6 | ·/˘··· |
| "With Nature never do they wage | 8 | ·/˘/˘··· |
| A foolish strife; they see | 6 | ·/˘··· |
| A happy youth, and their old age | 8 | ·/˘····· |
| Is beautiful and free: | 6 | ·/˘˘·· |
| "But we are pressed by heavy laws; | 8 | ·····/˘· |
| And often, glad no more, | 6 | ·/˘··· |
| We wear a face of joy, because | 8 | ········ |
| We have been glad of yore. | 6 | ······ |
| "If there be one who need bemoan | 8 | ······˘/ |
| His kindred laid in earth, | 7 | ·/˘˘··· |
| The household hearts that were his own; | 8 | ·/······ |
| It is the man of mirth. | 6 | ······ |
| "My days, my Friend, are almost gone, | 8 | ·····/·· |
| My life has been approved, | 7 | ····˘/˘ |
| And many love me; but by none | 8 | ·/˘····· |
| Am I enough beloved." | 7 | ··˘/˘/˘ |
| "Now both himself and me he wrongs, | 8 | ··˘/···· |
| The man who thus complains! | 6 | ····˘/ |
| I live and sing my idle songs | 8 | ·····/˘· |
| Upon these happy plains; | 6 | ···/˘· |
| "And, Matthew, for thy children dead | 8 | ·/˘··/˘· |
| I'll be a son to thee!" | 6 | ······ |
| At this he grasped my hand, and said, | 8 | ········ |
| "Alas! that cannot be." | 6 | ˘/·/˘· |
| We rose up from the fountain-side; | 8 | ·····/˘· |
| And down the smooth descent | 6 | ····˘/ |
| Of the green sheep-track did we glide; | 8 | ········ |
| And through the wood we went; | 6 | ······ |
| And, ere we came to Leonard's rock, | 8 | ·····/˘· |
| He sang those witty rhymes | 6 | ···/˘· |
| About the crazy old church-clock, | 8 | ···/˘··· |
| And the bewildered chimes. | 7 | ··˘/˘˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.