A Character

William Wordsworth (1770–1850) · 1798–1807

iambic pentameter · AABB · 50 lines · from The Poetical Works, Volume II

I marvel how Nature could ever find spaceFor so many strange contrasts in one human face:There's thought and no thought, and there's paleness and bloomAnd bustle and sluggishness, pleasure and gloom.

There's weakness, and strength both redundant and vain;Such strength as, if ever affliction and painCould pierce through a temper that's soft to disease,Would be rational peace--a philosopher's ease.

There's indifference, alike when he fails or succeeds,And attention full ten times as much as there needs;Pride where there's no envy, there's so much of joy;And mildness, and spirit both forward and coy.

There's freedom, and sometimes a diffident stareOf shame scarcely seeming to know that she's there,There's virtue, the title it surely may claim,Yet wants heaven knows what to be worthy the name.

This picture from nature may seem to depart,Yet the Man would at once run away with your heart;And I for five centuries right gladly would beSuch an odd such a kind happy creature as he.

Rude is this Edifice, and Thou hast seenBuildings, albeit rude, that have maintainedProportions more harmonious, and approachedTo closer fellowship with ideal grace.But take it in good part:--alas! the poorVitruvius of our village had no helpFrom the great City; never, upon leavesOf red Morocco folio saw displayed,In long succession, pre-existing ghostsOf Beauties yet unborn--the rustic LodgeAntique, and Cottage with verandah graced,Nor lacking, for fit company, alcove,Green-house, shell-grot, and moss-lined hermitage.Thou see'st a homely Pile, yet to these wallsThe heifer comes in the snow-storm, and hereThe new-dropped lamb finds shelter from the wind.And hither does one Poet sometimes rowHis pinnace, a small vagrant barge, up-piledWith plenteous store of heath and withered fern,(A lading which he with his sickle cuts,Among the mountains) and beneath this roofHe makes his summer couch, and here at noonSpreads out his limbs, while, yet unshorn, the Sheep,Panting beneath the burthen of their wool,Lie round him, even as if they were a partOf his own Household: nor, while from his bedHe looks, through the open door-place, toward the lakeAnd to the stirring breezes, does he wantCreations lovely as the work of sleep--Fair sights, and visions of romantic joy!

Words in this poem

needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
diffident a.
Wanting confidence in others; distrustful. [L. diffidens, -entis, p. pr. of diffidere; dif- = dis + fidere to trust; akin to fides faith. See Faith, and cf. Defy.]
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
gladly adv.
Preferably; by choice. [From Glad, a.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
albeit conj.
Even though; although; notwithstanding. [OE. al be although it be, where al is our all. Cf. Although.]
closer n.
One who, or that which, closes; specifically, a boot closer. See under Boot.
morocco n.
A fine kind of leather, prepared commonly from goatskin (though an inferior kind is made of sheepskin), and tanned with sumac and dyed of various colors; -- said to have been first made by the Moors. [Named from Morocco, the country. Cf. Morris the dance.]
unborn a.
Not born; no yet brought into life; being still to appear; future.
graced a.
Endowed with grace; beautiful; full of graces; honorable.
alcove n.
A recessed portion of a room, or a small room opening into a larger one; especially, a recess to contain a bed; a lateral recess in a library. [F. alcôve, Sp. or Pg. alcoba, from Ar. al-quobbah arch, vault, tent.]
hermitage n.
The habitation of a hermit; a secluded residence. [OE. hermitage, ermitage, F. hermitage, ermitage. See Hermit.]
homely a.
Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
piled a.
Having a pile or point; pointed. [From 2d Pile.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Character is in the public domain. This text is taken from The Poetical Works of William Wordsworth — Volume 2 (of 8), Project Gutenberg ebook #12145; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Wordsworth, A Character, in The Poetical Works, Volume II (1798–1807), text of Project Gutenberg ebook #12145, Laurel, https://laurelpoetry.com/poem/wordsworth-vol2/a-character-2.html, id L17330.

Form and metre

A Character is 50 lines in 6 stanzas. The rhyme scheme is AABB, complete in 5 of its 6 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 76%). 89% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 1 line ends on an unstressed syllable, a feminine ending. 46% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB spaceA · faceA · bloomB · gloomB
  2. 2 AABB vainA · painA · diseaseB · easeB
  3. 3 AABB succeedsA · needsA · joyB · coyB
  4. 4 AABB stareA · thereA · claimB · nameB
  5. 5 AABB departA · heartA · beB · heB
  6. 6 ---------A--A---------B---CCBC seen · maintained · approached · grace · poor · help · leaves · displayed · ghosts · lodgeA · graced · alcove · hermitageA · walls · here · wind · row · piled · fern · cuts · roof · noon · sheepB · wool · part · bed · lakeC · wantC · sleepB · joyC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
I marvel how Nature could ever find space10·/˘·/˘·/··
For so many strange contrasts in one human face:11··/·/˘··/˘·
There's thought and no thought, and there's paleness and bloom11·······/˘··
And bustle and sluggishness, pleasure and gloom.10·/˘·/˘/˘··
There's weakness, and strength both redundant and vain;11·/˘···˘/˘··
Such strength as, if ever affliction and pain10····/˘/˘··
Could pierce through a temper that's soft to disease,11····/˘···˘/
Would be rational peace--a philosopher's ease.10··/˘··˘/˘·
There's indifference, alike when he fails or succeeds,12·˘/˘˘/····˘/
And attention full ten times as much as there needs;12·˘/˘········
Pride where there's no envy, there's so much of joy;11····/˘·····
And mildness, and spirit both forward and coy.10·/˘·/·/˘··
There's freedom, and sometimes a diffident stare11·/˘·˘/·/˘˘·
Of shame scarcely seeming to know that she's there,11··/˘/˘·····
There's virtue, the title it surely may claim,11·/˘·/˘·/˘··
Yet wants heaven knows what to be worthy the name.11··/····/˘··
This picture from nature may seem to depart,11·/˘·/˘···˘/
Yet the Man would at once run away with your heart;12·······˘/···
And I for five centuries right gladly would be11····/˘·/˘··
Such an odd such a kind happy creature as he.12······/˘/˘··
Rude is this Edifice, and Thou hast seen9···/˘····
Buildings, albeit rude, that have maintained10/˘˘/˘···˘/
Proportions more harmonious, and approached10˘/˘·˘/˘·˘/
To closer fellowship with ideal grace.10·/˘/˘··˘/·
But take it in good part:--alas! the poor10······˘/··
Vitruvius of our village had no help10˘/˘·//˘···
From the great City; never, upon leaves9···/˘/···
Of red Morocco folio saw displayed,10··˘/˘/˘·˘/
In long succession, pre-existing ghosts10··˘/˘·˘/˘·
Of Beauties yet unborn--the rustic Lodge10·/˘·//·/˘·
Antique, and Cottage with verandah graced,10˘/·/˘·····
Nor lacking, for fit company, alcove,9·/˘··/˘/·
Green-house, shell-grot, and moss-lined hermitage.9·······/˘
Thou see'st a homely Pile, yet to these walls10···/˘·····
The heifer comes in the snow-storm, and here9·/·······
The new-dropped lamb finds shelter from the wind.10·····/˘···
And hither does one Poet sometimes row10·/˘··/˘/··
His pinnace, a small vagrant barge, up-piled10·/˘··/˘···
With plenteous store of heath and withered fern,11·/˘˘····/˘·
(A lading which he with his sickle cuts,10·/˘····/˘·
Among the mountains) and beneath this roof10···/˘·····
He makes his summer couch, and here at noon10···/˘·····
Spreads out his limbs, while, yet unshorn, the Sheep,10··········
Panting beneath the burthen of their wool,10/˘···/˘···
Lie round him, even as if they were a part10···/······
Of his own Household: nor, while from his bed10···/······
He looks, through the open door-place, toward the lake12····/˘······
And to the stirring breezes, does he want10···/˘/˘···
Creations lovely as the work of sleep--10˘/˘/˘·····
Fair sights, and visions of romantic joy!10···/˘·˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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