To a Friend Concerning Several Ladies
You know there is not muchthat I desire, a few crysanthemumshalf lying on the grass, yellowand brown and white, thetalk of a few people, the trees,an expanse of dried leaves perhapswith ditches among them.But there comesbetween me and these thingsa letteror even a look--well placed,you understand,so that I am confused, twistedfour ways and--left flat,unable to lift the food tomy own mouth:Here is what they say: Come!and come! and come! And ifI do not go I remain stale tomyself and if I go--I have watchedthe city from a distance at nightand wondered why I wrote no poem.Come! yes,the city is ablaze for youand you stand and look at it.
And they are right. There isno good in the world except out ofa woman and certain women alonefor certain things. But what ifI arrive like a turtlewith my house on my back ora fish ogling from under water?It will not do. I must besteaming with love, coloredlike a flamingo. For what?To have legs and a silly headand to smell, pah! like a flamingothat soils its own feathers behind.Must I go home filledwith a bad poem?And they say:Who can answer these thingstill he has tried? Your eyesare half closed, you are a child,oh, a sweet one, ready to playbut I will make a man of you andwith love on his shoulder--!
And in the marshesthe crickets runon the sunny dike's top andmake burrows there, the waterreflects the reeds and the reedsmove on their stalks and rattle drily.
Words in this poem
- wondered a.
- Having performed wonders; able to perform wonderful things.
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- ablaze adv.
- On fire; in a blaze, gleaming. Milman. [Pref. a- + blaze.]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
To a Friend Concerning Several Ladies is in the public domain. This text is taken from Sour Grapes: A Book of Poems, Project Gutenberg ebook #35667; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Carlos Williams, To a Friend Concerning Several Ladies, in Sour Grapes (1921), text of Project Gutenberg ebook #35667, Laurel, https://laurelpoetry.com/poem/williams-sour-grapes/to-a-friend-concerning-several-ladies.html, id L01179.
Form and metre
To a Friend Concerning Several Ladies is 54 lines in 3 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 79%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 6.6 syllables. 13 lines end on an unstressed syllable, a feminine ending. 65% of the lines run on without a stop at the line end.
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---A--B-------A-B-A------- much · crysanthemums · yellow · theA · trees · perhaps · themB · comes · things · letter · placed · understand · twisted · flat · toA · mouth · comeB · if · toA · go · watched · night · poem · yes · you · it
- 2 --------A-A----B---B-- is · of · alone · if · turtle · or · water · be · coloredA · what · headA · flamingo · behind · filled · poem · sayB · things · eyes · child · playB · and · shoulder
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| You know there is not much | 6 | ······ |
| that I desire, a few crysanthemums | 11 | ··˘/˘······ |
| half lying on the grass, yellow | 8 | ·/˘···/˘ |
| and brown and white, the | 5 | ····· |
| talk of a few people, the trees, | 8 | ····/˘·· |
| an expanse of dried leaves perhaps | 8 | ·˘/···˘/ |
| with ditches among them. | 6 | ·/˘··· |
| But there comes | 3 | ··· |
| between me and these things | 6 | ······ |
| a letter | 3 | ·/˘ |
| or even a look--well placed, | 7 | ·/˘···· |
| you understand, | 4 | ··˘/ |
| so that I am confused, twisted | 8 | ····˘//˘ |
| four ways and--left flat, | 5 | ····· |
| unable to lift the food to | 8 | ˘/˘····· |
| my own mouth: | 3 | ··· |
| Here is what they say: Come! | 6 | ······ |
| and come! and come! And if | 6 | ······ |
| I do not go I remain stale to | 9 | ·····˘/·· |
| myself and if I go-- | 6 | ·/···· |
| I have watched | 3 | ··· |
| the city from a distance at night | 9 | ·/˘··/˘·· |
| and wondered why I wrote no poem. | 9 | ·/˘····/˘ |
| Come! yes, | 2 | ·· |
| the city is ablaze for you | 8 | ·/˘·˘/·· |
| and you stand and look at it. | 7 | ······· |
| And they are right. There is | 6 | ······ |
| no good in the world except out of | 9 | ········· |
| a woman and certain women alone | 10 | ·/˘·/˘/˘˘/ |
| for certain things. But what if | 7 | ·/˘···· |
| I arrive like a turtle | 7 | ·˘/··/˘ |
| with my house on my back or | 7 | ······· |
| a fish ogling from under water? | 9 | ·······/˘ |
| It will not do. I must be | 7 | ······· |
| steaming with love, colored | 6 | /˘··/˘ |
| like a flamingo. For what? | 7 | ··˘/˘·· |
| To have legs and a silly head | 8 | ·····/˘· |
| and to smell, pah! like a flamingo | 9 | ······˘/˘ |
| that soils its own feathers behind. | 8 | ····/˘·· |
| Must I go home filled | 5 | ····· |
| with a bad poem? | 5 | ···/˘ |
| And they say: | 3 | ··· |
| Who can answer these things | 6 | ··/˘·· |
| till he has tried? Your eyes | 6 | ······ |
| are half closed, you are a child, | 7 | ······· |
| oh, a sweet one, ready to play | 8 | ····/˘·· |
| but I will make a man of you and | 9 | ········· |
| with love on his shoulder--! | 6 | ····/˘ |
| And in the marshes | 5 | ···/˘ |
| the crickets run | 4 | ·/˘· |
| on the sunny dike's top and | 7 | ··/˘··· |
| make burrows there, the water | 7 | ·/˘··/˘ |
| reflects the reeds and the reeds | 7 | ˘/····· |
| move on their stalks and rattle drily. | 9 | ·····/˘/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.