Soothsay

William Carlos Williams (1883–1963) · 1917

iambic tetrameter · 116 lines · from Al Que Quiere!

Eight days went by, eight daysComforted by no nights, until finally:“Would you behold yourself old, beloved?”I was pierced, yet I consented gladlyFor I knew it could not be otherwise.And she--“Behold yourself old!Sustained in strength, wielding might in gript surges!Not bodying the sun in weak leapsBut holding way over rockish menWith fern free fingers on their little crags,Their hollows, the new Atlas, to bear themFor pride and for mockery! BeholdYourself old! winding with slow might--A vine among oaks--to the thin tops:Leaving the leafless leaved,Bearing purple clusters! BeholdYourself old! birds are behind you.You are the wind coming that stills birds,Shakes the leaves in booming polyphony--Slow, winning high way amid the knockingOf boughs, evenly crescendo,The din and bellow of the male wind!Leap then from forest into foam!Lash about from low into high flamesTipping sound, the female chorus--Linking all lions, all twitteringsTo make them nothing! Behold yourself old!”As I made to answer she continued,A little wistfully yet in a voice clear cut:“Good is my over lip and evilMy underlip to you henceforth:For I have taken your soul between my two handsAnd this shall be as it is spoken.”

And so it came to that last dayWhen, she leading by the hand, we went outEarly in the morning, I heavy of heartFor I knew the novitiate was endedThe ecstasy was over, the life begun.

In my woolen shirt and the pale blue necktieMy grandmother gave me, there I wentWith the old queen right past the housesOf my friends down the hill to the riverAs on any usual day, any errand.Alone, walking under trees,I went with her, she with me in her wild hair,By Santiago Grove and presentlyShe bent forward and knelt by the river,The Passaic, that filthy river.And there dabbling her mad hands,She called me close beside her.Raising the water then in the cupped palmShe bathed our brows wailing and laughing:“River, we are old, you and I,We are old and by bad luck, beggars.Lo, the filth in our hair, our bodies stink!Old friend, here I have brought youThe young soul you long asked of me.Stand forth, river, and give meThe old friend of my revels!Give me the well-worn spirit,For here I have made a room for it,And I will return to you forthwithThe youth you have long asked of me:Stand forth, river, and give meThe old friend of my revels!”And the filthy Passaic consented!

Then she, leaping up with a fierce cry:“Enter, youth, into this bulk!Enter, river, into this young man!”Then the river began to enter my heart,Eddying back cool and limpidInto the crystal beginning of its days.But with the rebound it leaped forward:Muddy, then black and shrunkenTill I felt the utter depth of its rottennessThe vile breadth of its degradationAnd dropped down knowing this was me now.But she lifted me and the water took a new tideAgain into the older experiences,And so, backward and forward,It tortured itself within meUntil time had been washed finally under,And the river had found its levelAnd its last motion had ceasedAnd I knew all--it became me.And I knew this for double certainFor there, whitely, I saw myselfBeing borne off under the water!I could have shouted out in my agonyAt the sight of myself departingForever--but I bit back my despairFor she had averted her eyesBy which I knew well what she was thinking--And so the last of me was taken.

Then she, “Be mostly silent!”And turning to the river, spoke again:“For him and for me, river, the wandering,But by you I leave for happinessDeep foliage, the thickest beeches--Though elsewhere they are all dying--Tallest oaks and yellow birchesThat dip their leaves in you, mourning,As now I dip my hair, immemorialOf me, immemorial of himImmemorial of these our promises!Here shall be a bird’s paradise,They sing to you remembering my voice:Here the most secluded spacesFor miles around, hallowed by a stenchTo be our joint solitude and temple;In memory of this clear marriageAnd the child I have brought you in the late years.Live, river, live in luxurianceRemembering this our son,In remembrance of me and my sorrowAnd of the new wandering!”

Words in this poem 18
went n.
Course; way; path; journey; direction.
gladly adv.
Preferably; by choice. [From Glad, a.]
wielding n.
Power; authority; rule.
polyphony n.
Multiplicity of sounds, as in the reverberations of an echo.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
tipping n.
A distinct articulation given in playing quick notes on the flute, by striking the tongue against the roof of the mouth; double- tonguing.
henceforth adv.
From this time forward; henceforward.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
novitiate n.
The state of being a novice; time of initiation or instruction in rudiments. [LL. novitiatus: cf. F. noviciat.]
necktie n.
A scarf, band, or kerchief of silk, etc., passing around the neck or collar and tied in front; a bow of silk, etc., fastened in front of the neck.
presently adv.
At present; at this time; now.
forthwith adv.
Immediately; without delay; directly.
whitely a.
Like, or coming near to, white.
averted a.
Turned away, esp. as an expression of feeling; also, offended; unpropitious.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
immemorial a.
Extending beyond the reach of memory, record, or tradition; indefinitely ancient; as, existing from time immemorial. [Pref. im- not + memorial: cf. F. immémorial.]
stench v. t.
To stanch. Harvey.
luxuriance n.
The state or quality of being luxuriant; rank, vigorous growth; excessive abundance produced by rank growth. [Cf. F. luxuriance.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Soothsay is in the public domain. This text is taken from A Book of Poems, Al Que Quiere!, Project Gutenberg ebook #51997; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Carlos Williams, Soothsay, in Al Que Quiere! (1917), text of Project Gutenberg ebook #51997, Laurel, https://laurelpoetry.com/poem/williams-al-que-quiere/soothsay.html, id L01143.

Form and metre

Soothsay is 116 lines in 5 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 74%). 83% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 50 lines end on an unstressed syllable, a feminine ending. 43% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ----A-A-------------------------- days · finally · beloved · gladly · otherwiseA · old · surgesA · leaps · men · crags · them · behold · might · tops · leaved · behold · you · birds · polyphony · knocking · crescendo · wind · foam · flames · chorus · twitterings · old · continued · cut · evil · henceforth · hands · spoken
  2. 3 A-BC-B--CC----A---DDEFF-DDE- necktieA · went · housesB · riverC · errand · treesB · hair · presently · riverC · riverC · hands · her · palm · laughing · iA · beggars · stink · you · meD · meD · revelsE · spiritF · itF · forthwith · meD · meD · revelsE · consented
  3. 4 ------A----A-AB---B--------- cry · bulk · man · heart · limpid · days · forwardA · shrunken · rottenness · degradation · now · tideA · experiences · forwardA · meB · under · level · ceased · meB · certain · myself · water · agony · departing · despair · eyes · thinking · taken
  4. 5 --A------------------A silent · again · wanderingA · happiness · beeches · dying · birches · mourning · immemorial · him · promises · paradise · voice · spaces · stench · temple · marriage · years · luxuriance · son · sorrow · wanderingA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Eight days went by, eight days6······
Comforted by no nights, until finally:11/˘˘·····/˘˘
“Would you behold yourself old, beloved?”9··˘/˘/·˘/
I was pierced, yet I consented gladly10·····˘/˘/˘
For I knew it could not be otherwise.10·······/˘·
And she--“Behold yourself old!7··˘/˘/·
Sustained in strength, wielding might in gript surges!11˘/··/˘···/˘
Not bodying the sun in weak leaps9·/˘˘·····
But holding way over rockish men9·/˘······
With fern free fingers on their little crags,10···/˘··/˘·
Their hollows, the new Atlas, to bear them10·/˘··/˘···
For pride and for mockery! Behold9····/˘˘˘/
Yourself old! winding with slow might--8˘/·/˘···
A vine among oaks--to the thin tops:9·········
Leaving the leafless leaved,6/˘·/˘·
Bearing purple clusters! Behold8/˘/˘/˘˘/
Yourself old! birds are behind you.8˘/······
You are the wind coming that stills birds,9····/˘···
Shakes the leaves in booming polyphony--10····/˘˘/˘˘
Slow, winning high way amid the knocking10·/˘··˘/·/˘
Of boughs, evenly crescendo,8··/˘˘˘/˘
The din and bellow of the male wind!9···/˘····
Leap then from forest into foam!8···/˘···
Lash about from low into high flames9·········
Tipping sound, the female chorus--8/˘··/·/˘
Linking all lions, all twitterings9/˘·/˘····
To make them nothing! Behold yourself old!”10···/˘˘/˘/·
As I made to answer she continued,10····/˘·˘/˘
A little wistfully yet in a voice clear cut:12·/˘/˘˘······
“Good is my over lip and evil9·······/˘
My underlip to you henceforth:8·/˘˘··//
For I have taken your soul between my two hands12···/˘·······
And this shall be as it is spoken.”9·······/˘
And so it came to that last day8········
When, she leading by the hand, we went out10··/˘······
Early in the morning, I heavy of heart11/˘··/˘·/˘··
For I knew the novitiate was ended11····˘/˘˘·/˘
The ecstasy was over, the life begun.11·/˘˘·····˘/
In my woolen shirt and the pale blue necktie11··/˘·····/·
My grandmother gave me, there I went9·/·˘·····
With the old queen right past the houses9·······/˘
Of my friends down the hill to the river10········/˘
As on any usual day, any errand.12··/˘/˘˘·/˘/˘
Alone, walking under trees,7˘//˘···
I went with her, she with me in her wild hair,11···········
By Santiago Grove and presently10··˘/˘··/˘˘
She bent forward and knelt by the river,10··/˘····/˘
The Passaic, that filthy river.9·˘/˘·/˘/˘
And there dabbling her mad hands,8··/˘˘···
She called me close beside her.7····˘/·
Raising the water then in the cupped palm10/˘·/˘·····
She bathed our brows wailing and laughing:10··/˘·/˘·/˘
“River, we are old, you and I,8/˘······
We are old and by bad luck, beggars.9·······/˘
Lo, the filth in our hair, our bodies stink!12····/˘·/˘/˘·
Old friend, here I have brought you7·······
The young soul you long asked of me.8········
Stand forth, river, and give me7··/˘···
The old friend of my revels!7·····/˘
Give me the well-worn spirit,7·····/˘
For here I have made a room for it,9·········
And I will return to you forthwith9···˘/··//
The youth you have long asked of me:8········
Stand forth, river, and give me7··/˘···
The old friend of my revels!”7·····/˘
And the filthy Passaic consented!10··/˘˘/˘˘/˘
Then she, leaping up with a fierce cry:9··/˘·····
“Enter, youth, into this bulk!7/˘·····
Enter, river, into this young man!”9/˘/˘·····
Then the river began to enter my heart,11··/˘˘/·/˘··
Eddying back cool and limpid8/˘˘···/˘
Into the crystal beginning of its days.11···/˘˘/˘···
But with the rebound it leaped forward:9···˘/··/˘
Muddy, then black and shrunken7/˘···/˘
Till I felt the utter depth of its rottenness12····/˘······
The vile breadth of its degradation9······˘/˘
And dropped down knowing this was me now.9···/˘····
But she lifted me and the water took a new tide13··/˘···/˘····
Again into the older experiences,12˘/···/˘˘/˘˘˘
And so, backward and forward,7··/˘·/˘
It tortured itself within me8·/˘˘/···
Until time had been washed finally under,11······/˘˘··
And the river had found its level9··/˘···/˘
And its last motion had ceased7···/˘··
And I knew all--it became me.8·····˘/·
And I knew this for double certain9·····/˘/˘
For there, whitely, I saw myself8··/˘···/
Being borne off under the water!9/˘·····/˘
I could have shouted out in my agony11···/˘···/˘˘
At the sight of myself departing9·····/˘/˘
Forever--but I bit back my despair10˘/˘·····˘/
For she had averted her eyes8···˘/˘··
By which I knew well what she was thinking--10········/˘
And so the last of me was taken.9·······/˘
Then she, “Be mostly silent!”7···/˘/˘
And turning to the river, spoke again:10·/˘··/˘·˘/
“For him and for me, river, the wandering,11·····/˘·/˘˘
But by you I leave for happiness9······/˘˘
Deep foliage, the thickest beeches--8·/˘·/˘/˘
Though elsewhere they are all dying--8·/····/˘
Tallest oaks and yellow birches8/˘··/˘/˘
That dip their leaves in you, mourning,8······/˘
As now I dip my hair, immemorial11·······˘/˘˘
Of me, immemorial of him9···˘/˘˘··
Immemorial of these our promises!12·˘/˘˘··/˘/˘˘
Here shall be a bird’s paradise,8·····/˘·
They sing to you remembering my voice:10····˘/˘˘··
Here the most secluded spaces8···˘/˘/˘
For miles around, hallowed by a stench9····/˘···
To be our joint solitude and temple;11··/˘·/˘··/˘
In memory of this clear marriage9·/˘˘···/˘
And the child I have brought you in the late years.11···········
Live, river, live in luxuriance9·/˘··˘/˘˘
Remembering this our son,8˘/˘˘·/˘·
In remembrance of me and my sorrow10·˘/˘····/˘
And of the new wandering!”7····/˘˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by William Carlos Williams