Broadway

William Carlos Williams (1883–1963) · 1917

iambic pentameter · 50 lines · from Al Que Quiere!

It was then she struck--from behind,In mid air, as with the edge of a great wing!And instantly down the mists of my eyesThere came crowds walking--- men as visionsWith expressionless, animate faces;Empty men with shell-thin bodiesJostling close above the gutter,Hasting--nowhere! And then for the first timeI really saw her, really scented the sweatOf her presence and--fell back sickened!Ominous, old, painted--With bright lips, and lewd Jew’s eyesHer might strapped in by a corsetTo give her age youth, perfectIn her will to be young she had coveredThe godhead to go beside me.Silent, her voice entered at my eyesAnd my astonished thought followed her easily:“Well, do their eyes shine, do their clothes fit?These live I tell you! Old men with red cheeks,Young men in gay suits! See them!Dogged, quivering, impassive--Well--are these the ones you envied?”At which I answered her, “Marvelous old queen,Grant me power to catch something of this day’sAir and sun into your service!That these toilers after peace and after pleasureMay turn to you, worshippers at all hours!”But she sniffed upon the words warily--Yet I persisted, watching for an answer:“To you, horrible old woman,Who know all fires out of the bodiesOf all men that walk with lust at heart!To you, O mighty, crafty prowlerAfter the youth of all cities, drunkWith the sight of thy archness! All the youthThat come to you, you having the knowledgeRather than to those uninitiate--To you, marvelous old queen, give me alwaysA new marriage--”But she laughed loudly--“A new grip upon those garments that brushed meIn days gone by on beach, lawn, and in forest!May I be lifted still, up and out of terror,Up from before the death living around me--Tom up continually and carriedWhatever way the head of your whim is,A burr upon those streaming tatters--”But the night had fallen, she stilled meAnd led me away.

Words in this poem

expressionless a.
Destitute of expression.
nowhere adv.
Not anywhere; not in any place or state; as, the book is nowhere to be found. [AS. nahwær. See No, and Where.]
lewd a.
Not clerical; laic; laical; hence, unlearned; simple. [OE.lewed, lewd, lay, ignorant, vile, AS. l laical, belonging to the laity.]
corset n.
In the Middle Ages, a gown or basque of which the body was close fitting, worn by both men and women. [F., dim. of OF. cors, F. corps, body. See Corse.]
dogged a.
Sullen; morose. [Fron. Dog.]
impassive a.
Not susceptible of pain or suffering; apathetic; impassible; unmoved.
warily adv.
In a wary manner.
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
prowler n.
One that prowls. Thomson.
archness n.
The quality of being arch; cleverness; sly humor free from malice; waggishness. Goldsmith.
streaming a.
Sending forth streams.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Broadway is in the public domain. This text is taken from A Book of Poems, Al Que Quiere!, Project Gutenberg ebook #51997; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Carlos Williams, Broadway, in Al Que Quiere! (1917), text of Project Gutenberg ebook #51997, Laurel, https://laurelpoetry.com/poem/williams-al-que-quiere/broadway.html, id L01140.

Form and metre

Broadway is 50 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 75%). 87% of its stressed syllables fall where the metre puts the beat. The lines average 9.2 syllables. 26 lines end on an unstressed syllable, a feminine ending. 42% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --A-AA--B---B-----------C--C------------------DD-- behind · wing · eyesA · visions · facesA · bodiesA · gutter · time · sweatB · sickened · painted · eyes · corsetB · perfect · covered · me · eyes · easily · fit · cheeks · them · impassive · envied · queen · day'sC · service · pleasure · hoursC · warily · answer · woman · bodies · heart · prowler · drunk · youth · knowledge · uninitiate · always · marriage · loudly · me · forest · terror · me · carried · isD · tattersD · me · away
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
It was then she struck--from behind,8········
In mid air, as with the edge of a great wing!11···········
And instantly down the mists of my eyes10·/˘˘······
There came crowds walking--- men as visions9···/˘··/˘
With expressionless, animate faces;10·˘·˘˘/˘˘/˘
Empty men with shell-thin bodies8/˘····/˘
Jostling close above the gutter,9/˘˘····/˘
Hasting--nowhere! And then for the first time10/˘/·······
I really saw her, really scented the sweat11·/˘··/˘/˘··
Of her presence and--fell back sickened!9··/˘···/˘
Ominous, old, painted--6/˘˘·/˘
With bright lips, and lewd Jew’s eyes7·······
Her might strapped in by a corset8······/˘
To give her age youth, perfect7·····˘/
In her will to be young she had covered10········/˘
The godhead to go beside me.8·/···˘/·
Silent, her voice entered at my eyes9/˘··/˘···
And my astonished thought followed her easily:12··˘/˘·/˘·/˘˘
“Well, do their eyes shine, do their clothes fit?9·········
These live I tell you! Old men with red cheeks,10··········
Young men in gay suits! See them!7·······
Dogged, quivering, impassive--7·/˘˘˘/˘
Well--are these the ones you envied?”8······/˘
At which I answered her, “Marvelous old queen,11···/˘·/˘˘··
Grant me power to catch something of this day’s11··/˘··/˘···
Air and sun into your service!8······/˘
That these toilers after peace and after pleasure12··········/˘
May turn to you, worshippers at all hours!”11····/˘˘··/˘
But she sniffed upon the words warily--10·······/˘˘
Yet I persisted, watching for an answer:11··˘/˘/˘··/˘
“To you, horrible old woman,8··/˘˘·/˘
Who know all fires out of the bodies10···/˘···/˘
Of all men that walk with lust at heart!9·········
To you, O mighty, crafty prowler9···/˘/˘/˘
After the youth of all cities, drunk9······/˘·
With the sight of thy archness! All the youth10·····/˘···
That come to you, you having the knowledge10·····/˘·/˘
Rather than to those uninitiate--9/˘·······
To you, marvelous old queen, give me always11··/˘˘····/·
A new marriage--”4··/˘
But she laughed loudly--5···/˘
“A new grip upon those garments that brushed me11······/˘···
In days gone by on beach, lawn, and in forest!11·········/˘
May I be lifted still, up and out of terror,12···/˘·····/˘
Up from before the death living around me--11······/˘···
Tom up continually and carried10··˘/˘˘˘·/˘
Whatever way the head of your whim is,10·/˘·······
A burr upon those streaming tatters--”9·····/˘/˘
But the night had fallen, she stilled me9····/˘···
And led me away.5···˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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