The Artilleryman’s Vision
While my wife at my side lies slumbering, and the wars are over long,And my head on the pillow rests at home, and the vacant midnight passes,And through the stillness, through the dark, I hear, just hear, thebreath of my infant,There in the room as I wake from sleep this vision presses upon me;The engagement opens there and then in fantasy unreal,The skirmishers begin, they crawl cautiously ahead, I hear theirregular snap! snap!I hear the sounds of the different missiles, the short t-h-t! t-h-t!of the rifle-balls,I see the shells exploding leaving small white clouds, I hear thegreat shells shrieking as they pass,The grape like the hum and whirr of wind through the trees,(tumultuous now the contest rages,)All the scenes at the batteries rise in detail before me again,The crashing and smoking, the pride of the men in their pieces,The chief-gunner ranges and sights his piece and selects a fuse ofthe right time,After firing I see him lean aside and look eagerly off to note the effect;Elsewhere I hear the cry of a regiment charging, (the young colonelleads himself this time with brandish’d sword,)I see the gaps cut by the enemy’s volleys, (quickly fill’d up, no delay,)I breathe the suffocating smoke, then the flat clouds hover lowconcealing all;Now a strange lull for a few seconds, not a shot fired on either side,Then resumed the chaos louder than ever, with eager calls andorders of officers,While from some distant part of the field the wind wafts to my earsa shout of applause, (some special success,)And ever the sound of the cannon far or near, (rousing even indreams a devilish exultation and all the old mad joy in thedepths of my soul,)And ever the hastening of infantry shifting positions, batteries,cavalry, moving hither and thither,(The falling, dying, I heed not, the wounded dripping and redheed not, some to the rear are hobbling,)Grime, heat, rush, aide-de-camps galloping by or on a full run,With the patter of small arms, the warning s-s-t of the rifles,(these in my vision I hear or see,)And bombs bursting in air, and at night the vari-color’d rockets.
Words in this poem
- stillness n.
- The quality or state of being still; quietness; silence; calmness; inactivity.
- fantasy n.
- Fancy; imagination; especially, a whimsical or fanciful conception; a vagary of the imagination; whim; caprice; humor. [See Fancy.]
- crawl v. i.
- To move slowly by drawing the body along the ground, as a worm; to move slowly on hands and kness; to creep. [Dan. kravle, or Icel. krafla, to paw, scrabble with the hands; akin to Sw. kr to crawl; cf. LG. krabbeln, D. krabbelen to scratch.]
- ahead adv.
- In or to the front; in advance; onward. [Pref. a- + head.]
- whirr v. i.
- To whirl round, or revolve, with a whizzing noise; to fly or more quickly with a buzzing or whizzing sound; to whiz.
- crashing n.
- The noise of many things falling and breaking at once.
- hover n.
- A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
- lull v. t.
- To cause to rest by soothing influences; to compose; to calm; to soothe; to quiet. [Akin to OD. lullen to sing to sleep, G. lullen, Dan. lulle, Sw. lulla; all of imitative origin. Cf. Loll, Lollard.]
- chaos n.
- An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
- infantry n.
- A body of children. B. Jonson. [F. infanterie, It. infanteria, fr. infante infant, child, boy servant, foot soldier, fr. L. infans, -antis, child; foot soldiers being formerly the servants and]
- dripping n.
- A falling in drops, or the sound so made.
- grime n.
- Foul matter; dirt, rubbed in; sullying blackness, deeply ingrained. [Cf. Dan. grim, griim, lampblack, soot, grime, Icel. gr mask, sort of hood, OD. grijmsel, grimsel, soot, smut, and E. grimace.]
- galloping a.
- Going at a gallop; progressing rapidly; as, a galloping horse.
- patter v. i.
- To strike with a quick succession of slight, sharp sounds; as, pattering rain or hail; pattering feet. [Freq. of pat to strike gently.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Artilleryman’s Vision is in the public domain. This text is taken from Leaves of Grass, Project Gutenberg ebook #1322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Walt Whitman, The Artilleryman’s Vision, in Leaves of Grass (1855–1892), text of Project Gutenberg ebook #1322, Laurel, https://laurelpoetry.com/poem/whitman-leaves/the-artilleryman-s-vision.html, id L03960.
Form and metre
The Artilleryman’s Vision is 40 lines in a single stanza. 80% of its stressed syllables fall where the metre puts the beat. The lines average 13.1 syllables. 11 lines end on an unstressed syllable, a feminine ending. 28% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ----A---A---BB-B---C---C---------------- long · passes · the · infant · meA · unreal · the · snap · tA · balls · the · pass · treesB · ragesB · again · piecesB · of · time · effect · colonelC · sword · delay · low · allC · side · and · officers · ears · success · in · the · soul · batteries · thither · red · hobbling · run · rifles · see · rockets
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| While my wife at my side lies slumbering, and the wars are over long, | 17 | ·······/˘˘······· |
| And my head on the pillow rests at home, and the vacant midnight passes, | 18 | ·····/˘·····/˘/·/˘ |
| And through the stillness, through the dark, I hear, just hear, the | 13 | ···/˘········ |
| breath of my infant, | 5 | ···/˘ |
| There in the room as I wake from sleep this vision presses upon me; | 17 | ··········/˘/˘··· |
| The engagement opens there and then in fantasy unreal, | 15 | ·˘/˘/˘····/˘˘˘/ |
| The skirmishers begin, they crawl cautiously ahead, I hear the | 16 | ····˘/··/˘˘˘/··· |
| irregular snap! snap! | 6 | ˘/˘˘·· |
| I hear the sounds of the different missiles, the short t-h-t! t-h-t! | 19 | ······/˘˘/˘········ |
| of the rifle-balls, | 5 | ··/˘· |
| I see the shells exploding leaving small white clouds, I hear the | 15 | ····˘/˘/˘······ |
| great shells shrieking as they pass, | 7 | ··/˘··· |
| The grape like the hum and whirr of wind through the trees, | 12 | ············ |
| (tumultuous now the contest rages,) | 10 | ·/˘˘··/˘/˘ |
| All the scenes at the batteries rise in detail before me again, | 17 | ·····/˘˘··˘/···˘/ |
| The crashing and smoking, the pride of the men in their pieces, | 15 | ·/˘·/˘·······/˘ |
| The chief-gunner ranges and sights his piece and selects a fuse of | 16 | ··/˘/˘·····˘/··· |
| the right time, | 3 | ··· |
| After firing I see him lean aside and look eagerly off to note the effect; | 21 | ··/˘····˘/··/˘˘····˘/ |
| Elsewhere I hear the cry of a regiment charging, (the young colonel | 17 | /·······/˘˘/˘··/˘ |
| leads himself this time with brandish’d sword,) | 9 | ·˘/···/˘· |
| I see the gaps cut by the enemy’s volleys, (quickly fill’d up, no delay,) | 19 | ·······/˘˘/˘/˘···˘/ |
| I breathe the suffocating smoke, then the flat clouds hover low | 15 | ···/˘·˘·····/˘· |
| concealing all; | 4 | ˘/˘· |
| Now a strange lull for a few seconds, not a shot fired on either side, | 18 | ·······/˘···/˘·/˘· |
| Then resumed the chaos louder than ever, with eager calls and | 16 | ·˘/·/˘/˘·/˘·/˘·· |
| orders of officers, | 6 | /˘·/˘˘ |
| While from some distant part of the field the wind wafts to my ears | 15 | ···/˘·········· |
| a shout of applause, (some special success,) | 10 | ···˘/·/˘˘/ |
| And ever the sound of the cannon far or near, (rousing even in | 17 | ·/˘····/˘···/˘/˘· |
| dreams a devilish exultation and all the old mad joy in the | 16 | ··/˘············ |
| depths of my soul,) | 4 | ···· |
| And ever the hastening of infantry shifting positions, batteries, | 19 | ·/˘·/˘˘·/˘˘/˘˘/˘/˘˘ |
| cavalry, moving hither and thither, | 10 | /˘˘/˘/˘·/˘ |
| (The falling, dying, I heed not, the wounded dripping and red | 15 | ·/˘/˘····/˘/˘·· |
| heed not, some to the rear are hobbling,) | 10 | ·······/˘˘ |
| Grime, heat, rush, aide-de-camps galloping by or on a full run, | 15 | ······/˘˘······ |
| With the patter of small arms, the warning s-s-t of the rifles, | 17 | ··/˘····/˘·····/˘ |
| (these in my vision I hear or see,) | 9 | ···/˘···· |
| And bombs bursting in air, and at night the vari-color’d rockets. | 16 | ··/˘······/˘/˘/˘ |
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