Mannahatta

Walt Whitman (1819–1892) · 1855–1892

Free verse · 30 lines · from Leaves of Grass

I was asking for something specific and perfect for my city,Whereupon lo! upsprang the aboriginal name.

Now I see what there is in a name, a word, liquid, sane, unruly,musical, self-sufficient,I see that the word of my city is that word from of old,Because I see that word nested in nests of water-bays, superb,Rich, hemm’d thick all around with sailships and steamships, anisland sixteen miles long, solid-founded,Numberless crowded streets, high growths of iron, slender, strong,light, splendidly uprising toward clear skies,Tides swift and ample, well-loved by me, toward sundown,The flowing sea-currents, the little islands, larger adjoiningislands, the heights, the villas,The countless masts, the white shore-steamers, the lighters, theferry-boats, the black sea-steamers well-model’d,The down-town streets, the jobbers’ houses of business, the housesof business of the ship-merchants and money-brokers, the river-streets,Immigrants arriving, fifteen or twenty thousand in a week,The carts hauling goods, the manly race of drivers of horses, thebrown-faced sailors,The summer air, the bright sun shining, and the sailing clouds aloft,The winter snows, the sleigh-bells, the broken ice in the river,passing along up or down with the flood-tide or ebb-tide,The mechanics of the city, the masters, well-form’d,beautiful-faced, looking you straight in the eyes,Trottoirs throng’d, vehicles, Broadway, the women, the shops and shows,A million people--manners free and superb--open voices--hospitality--the most courageous and friendly young men,City of hurried and sparkling waters! city of spires and masts!City nested in bays! my city!

Words in this poem

whereupon adv.
Upon which; in consequence of which; after which.
sane a.
Being in a healthy condition; not deranged; acting rationally; -- said of the mind. [L. sanus; cf. Gr. Sound, a.]
superb a.
Grand; magnificent; august; stately; as, a superb edifice; a superb colonnade. [F. superbe, L. superbus, fr. super over. See Super-.]
numberless a.
Innumerable; countless.
splendidly adv.
In a splendid manner; magnificently.
uprising n.
Act of rising; also, a steep place; an ascent.
sundown n.
The setting of the sun; sunset.
countless a.
Incapable of being counted; not ascertainable; innumerable.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Mannahatta is in the public domain. This text is taken from Leaves of Grass, Project Gutenberg ebook #1322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Walt Whitman, Mannahatta, in Leaves of Grass (1855–1892), text of Project Gutenberg ebook #1322, Laurel, https://laurelpoetry.com/poem/whitman-leaves/mannahatta.html, id L04044.

Form and metre

Mannahatta is 30 lines in 2 stanzas. 74% of its stressed syllables fall where the metre puts the beat. The lines average 13.3 syllables. 12 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 ------AB-ABC----C-----B----- unruly · sufficient · old · superb · an · founded · strongA · skiesB · sundown · adjoiningA · villasB · theC · model'd · houses · streets · week · theC · sailors · aloft · river · tide · form'd · eyesB · shows · hospitality · men · masts · city
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
I was asking for something specific and perfect for my city,17··/˘·/˘˘/˘·˘/··/˘
Whereupon lo! upsprang the aboriginal name.13/˘/·····˘/˘˘·
Now I see what there is in a name, a word, liquid, sane, unruly,17···········/˘·˘/˘
musical, self-sufficient,7/˘˘·˘/˘
I see that the word of my city is that word from of old,15·······/˘······
Because I see that word nested in nests of water-bays, superb,16······/˘···/˘·˘/
Rich, hemm’d thick all around with sailships and steamships, an13··········/··
island sixteen miles long, solid-founded,10/˘˘/··/˘/˘
Numberless crowded streets, high growths of iron, slender, strong,14/˘˘/˘····/˘/˘·
light, splendidly uprising toward clear skies,11·/˘˘˘/˘····
Tides swift and ample, well-loved by me, toward sundown,13···/˘······/·
The flowing sea-currents, the little islands, larger adjoining16·/˘·/˘·/˘/˘/˘˘/˘
islands, the heights, the villas,7/˘···/˘
The countless masts, the white shore-steamers, the lighters, the13·/˘····/˘·/˘·
ferry-boats, the black sea-steamers well-model’d,11/˘····/˘·/˘
The down-town streets, the jobbers’ houses of business, the houses15·····/˘/˘·/˘·/˘
of business of the ship-merchants and money-brokers, the river-streets,17·/˘···/˘·/˘/˘·/˘·
Immigrants arriving, fifteen or twenty thousand in a week,16/˘˘˘/˘˘/·/˘/˘···
The carts hauling goods, the manly race of drivers of horses, the16··/˘··/˘··/˘·/˘·
brown-faced sailors,4··/˘
The summer air, the bright sun shining, and the sailing clouds aloft,16·/˘····/˘··/˘·˘/
The winter snows, the sleigh-bells, the broken ice in the river,15·/˘·····/˘···/˘
passing along up or down with the flood-tide or ebb-tide,14/˘˘/··········
The mechanics of the city, the masters, well-form’d,13·˘/˘··/˘·/˘··
beautiful-faced, looking you straight in the eyes,11/˘˘·/˘·····
Trottoirs throng’d, vehicles, Broadway, the women, the shops and shows,15···/˘˘/··/˘····
A million people--manners free and superb--open voices--hospitality--20·/˘/˘/˘··˘//˘/˘·˘/˘˘
the most courageous and friendly young men,10··˘/˘·/˘··
City of hurried and sparkling waters! city of spires and masts!16/˘·/˘·/˘/˘/˘····
City nested in bays! my city!9/˘/˘···/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Walt Whitman