In Cabin’d Ships at Sea
In cabin’d ships at sea,The boundless blue on every side expanding,With whistling winds and music of the waves, the large imperious waves,Or some lone bark buoy’d on the dense marine,Where joyous full of faith, spreading white sails,She cleaves the ether mid the sparkle and the foam of day, or undermany a star at night,By sailors young and old haply will I, a reminiscence of the land, be read,In full rapport at last.
Here are our thoughts, voyagers’ thoughts,Here not the land, firm land, alone appears, may then by them be said,The sky o’erarches here, we feel the undulating deck beneath our feet,We feel the long pulsation, ebb and flow of endless motion,The tones of unseen mystery, the vague and vast suggestions of thebriny world, the liquid-flowing syllables,The perfume, the faint creaking of the cordage, the melancholy rhythm,The boundless vista and the horizon far and dim are all here,And this is ocean’s poem.
Then falter not O book, fulfil your destiny,You not a reminiscence of the land alone,You too as a lone bark cleaving the ether, purpos’d I know notwhither, yet ever full of faith,Consort to every ship that sails, sail you!Bear forth to them folded my love, (dear mariners, for you I fold ithere in every leaf;)Speed on my book! spread your white sails my little bark athwart theimperious waves,Chant on, sail on, bear o’er the boundless blue from me to every sea,This song for mariners and all their ships.
Words in this poem
- imperious a.
- Commanding; ascendant; imperial; lordly; majestic. [L. imperiosus: cf. F. impérieux. See Imperial.]
- lone n.
- A lane. See Loanin.
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- reminiscence n.
- The act or power of recalling past experience; the state of being reminiscent; remembrance; memory. [F. réminiscence, L. reminiscentia.]
- rapport n.
- Relation; proportion; conformity; correspondence; accord. [F., fr. rapporter to bring again or back, to refer; pref. re- re- + apporter to bring, L. apporter to bring, L. apportare. Cf. Report.]
- unseen a.
- Not seen or discovered.
- briny a.
- Of or pertaining to brine, or to the sea; partaking of the nature of brine; salt; as, a briny taste; the briny flood. [From Brine.]
- vista n.
- A view; especially, a view through or between intervening objects, as trees; a view or prospect through an avenue, or the like; hence, the trees or other objects that form the avenue. [It., sight, view, fr. vedere, p. p. visto, veduto, to see, fr. L. videre, visum. See View, Vision.]
- falter v. t.
- To thrash in the chaff; also, to cleanse or sift, as barley.
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
In Cabin’d Ships at Sea is in the public domain. This text is taken from Leaves of Grass, Project Gutenberg ebook #1322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Walt Whitman, In Cabin’d Ships at Sea, in Leaves of Grass (1855–1892), text of Project Gutenberg ebook #1322, Laurel, https://laurelpoetry.com/poem/whitman-leaves/in-cabin-d-ships-at-sea.html, id L03826.
Form and metre
In Cabin’d Ships at Sea is 29 lines in 3 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. 78% of its stressed syllables fall where the metre puts the beat. The lines average 12.5 syllables. 6 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 3 -------A-A- destiny · alone · not · faith · you · it · leaf · theA · waves · seaA · ships
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In cabin’d ships at sea, | 6 | ······ |
| The boundless blue on every side expanding, | 12 | ·/˘··/˘˘·˘/˘ |
| With whistling winds and music of the waves, the large imperious waves, | 17 | ·/˘··/˘·····˘/˘˘· |
| Or some lone bark buoy’d on the dense marine, | 11 | ····/˘···˘/ |
| Where joyous full of faith, spreading white sails, | 10 | ·/˘···/˘·· |
| She cleaves the ether mid the sparkle and the foam of day, or under | 17 | ···/˘··/˘········ |
| many a star at night, | 6 | /˘···· |
| By sailors young and old haply will I, a reminiscence of the land, be read, | 20 | ·/˘···/˘····˘/˘····· |
| In full rapport at last. | 6 | ··˘/·· |
| Here are our thoughts, voyagers’ thoughts, | 9 | ··/˘·/˘˘· |
| Here not the land, firm land, alone appears, may then by them be said, | 16 | ······˘/˘/······ |
| The sky o’erarches here, we feel the undulating deck beneath our feet, | 19 | ·········/˘·˘···/˘· |
| We feel the long pulsation, ebb and flow of endless motion, | 15 | ····˘/˘····/˘/˘ |
| The tones of unseen mystery, the vague and vast suggestions of the | 17 | ···˘//˘˘····˘/˘·· |
| briny world, the liquid-flowing syllables, | 11 | /˘··/˘/˘/˘˘ |
| The perfume, the faint creaking of the cordage, the melancholy rhythm, | 18 | ·˘/··/˘··/˘·/˘·˘/˘ |
| The boundless vista and the horizon far and dim are all here, | 16 | ·/˘/˘··˘/˘······ |
| And this is ocean’s poem. | 7 | ···/˘/˘ |
| Then falter not O book, fulfil your destiny, | 12 | ·/˘······/˘˘ |
| You not a reminiscence of the land alone, | 12 | ····˘/˘···˘/ |
| You too as a lone bark cleaving the ether, purpos’d I know not | 16 | ······/˘·/˘····· |
| whither, yet ever full of faith, | 8 | /˘·/˘··· |
| Consort to every ship that sails, sail you! | 11 | ˘/·/˘˘····· |
| Bear forth to them folded my love, (dear mariners, for you I fold it | 17 | ····/˘···/˘˘····· |
| here in every leaf;) | 6 | ··/˘˘· |
| Speed on my book! spread your white sails my little bark athwart the | 15 | ·········/˘·˘/· |
| imperious waves, | 5 | ˘/˘˘· |
| Chant on, sail on, bear o’er the boundless blue from me to every sea, | 17 | ·······/˘····/˘˘· |
| This song for mariners and all their ships. | 10 | ···/˘˘···· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.