Book XIII: Song of the Exposition
(Ah little recks the laborer,How near his work is holding him to God,The loving Laborer through space and time.)
After all not to create only, or found only,But to bring perhaps from afar what is already founded,To give it our own identity, average, limitless, free,To fill the gross the torpid bulk with vital religious fire,Not to repel or destroy so much as accept, fuse, rehabilitate,To obey as well as command, to follow more than to lead,These also are the lessons of our New World;While how little the New after all, how much the Old, Old World!
Long and long has the grass been growing,Long and long has the rain been falling,Long has the globe been rolling round.
Come Muse migrate from Greece and Ionia,Cross out please those immensely overpaid accounts,That matter of Troy and Achilles’ wrath, and AEneas’, Odysseus’ wanderings,Placard “Removed” and “To Let” on the rocks of your snowy Parnassus,Repeat at Jerusalem, place the notice high on jaffa’s gate and onMount Moriah,The same on the walls of your German, French and Spanish castles,and Italian collections,For know a better, fresher, busier sphere, a wide, untried domainawaits, demands you.
Responsive to our summons,Or rather to her long-nurs’d inclination,Join’d with an irresistible, natural gravitation,She comes! I hear the rustling of her gown,I scent the odor of her breath’s delicious fragrance,I mark her step divine, her curious eyes a-turning, rolling,Upon this very scene.
The dame of dames! can I believe then,Those ancient temples, sculptures classic, could none of them retain her?Nor shades of Virgil and Dante, nor myriad memories, poems, oldassociations, magnetize and hold on to her?But that she’s left them all--and here?
Yes, if you will allow me to say so,I, my friends, if you do not, can plainly see her,The same undying soul of earth’s, activity’s, beauty’s, heroism’sexpression,Out from her evolutions hither come, ended the strata of her former themes,Hidden and cover’d by to-day’s, foundation of to-day’s,Ended, deceas’d through time, her voice by Castaly’s fountain,Silent the broken-lipp’d Sphynx in Egypt, silent all those century-baffling tombs,Ended for aye the epics of Asia’s, Europe’s helmeted warriors, endedthe primitive call of the muses,Calliope’s call forever closed, Clio, Melpomene, Thalia dead,Ended the stately rhythmus of Una and Oriana, ended the quest of theholy Graal,Jerusalem a handful of ashes blown by the wind, extinct,The Crusaders’ streams of shadowy midnight troops sped with the sunrise,Amadis, Tancred, utterly gone, Charlemagne, Roland, Oliver gone,Palmerin, ogre, departed, vanish’d the turrets that Usk from itswaters reflected,Arthur vanish’d with all his knights, Merlin and Lancelot andGalahad, all gone, dissolv’d utterly like an exhalation;Pass’d! pass’d! for us, forever pass’d, that once so mighty world,now void, inanimate, phantom world,Embroider’d, dazzling, foreign world, with all its gorgeous legends, myths,Its kings and castles proud, its priests and warlike lords andcourtly dames,Pass’d to its charnel vault, coffin’d with crown and armor on,Blazon’d with Shakspere’s purple page,And dirged by Tennyson’s sweet sad rhyme.
I say I see, my friends, if you do not, the illustrious emigre, (having itis true in her day, although the same, changed, journey’d considerable,)Making directly for this rendezvous, vigorously clearing a path forherself, striding through the confusion,By thud of machinery and shrill steam-whistle undismay’d,Bluff’d not a bit by drain-pipe, gasometers, artificial fertilizers,Smiling and pleas’d with palpable intent to stay,She’s here, install’d amid the kitchen ware!
But hold--don’t I forget my manners?To introduce the stranger, (what else indeed do I live to chantfor?) to thee Columbia;In liberty’s name welcome immortal! clasp hands,And ever henceforth sisters dear be both.
Fear not O Muse! truly new ways and days receive, surround you,I candidly confess a queer, queer race, of novel fashion,And yet the same old human race, the same within, without,Faces and hearts the same, feelings the same, yearnings the same,The same old love, beauty and use the same.
We do not blame thee elder World, nor really separate ourselves from thee,(Would the son separate himself from the father?)Looking back on thee, seeing thee to thy duties, grandeurs, throughpast ages bending, building,We build to ours to-day.
Mightier than Egypt’s tombs,Fairer than Grecia’s, Roma’s temples,Prouder than Milan’s statued, spired cathedral,More picturesque than Rhenish castle-keeps,We plan even now to raise, beyond them all,Thy great cathedral sacred industry, no tomb,A keep for life for practical invention.
As in a waking vision,E’en while I chant I see it rise, I scan and prophesy outside and in,Its manifold ensemble.
Around a palace, loftier, fairer, ampler than any yet,Earth’s modern wonder, history’s seven outstripping,High rising tier on tier with glass and iron facades,Gladdening the sun and sky, enhued in cheerfulest hues,Bronze, lilac, robin’s-egg, marine and crimson,Over whose golden roof shall flaunt, beneath thy banner Freedom,The banners of the States and flags of every land,A brood of lofty, fair, but lesser palaces shall cluster.
Somewhere within their walls shall all that forwards perfect humanlife be started,Tried, taught, advanced, visibly exhibited.
Not only all the world of works, trade, products,But all the workmen of the world here to be represented.
Here shall you trace in flowing operation,In every state of practical, busy movement, the rills of civilization,Materials here under your eye shall change their shape as if by magic,The cotton shall be pick’d almost in the very field,Shall be dried, clean’d, ginn’d, baled, spun into thread and clothbefore you,You shall see hands at work at all the old processes and all the new ones,You shall see the various grains and how flour is made and thenbread baked by the bakers,You shall see the crude ores of California and Nevada passing on andon till they become bullion,You shall watch how the printer sets type, and learn what acomposing-stick is,You shall mark in amazement the Hoe press whirling its cylinders,shedding the printed leaves steady and fast,The photograph, model, watch, pin, nail, shall be created before you.
In large calm halls, a stately museum shall teach you the infinitelessons of minerals,In another, woods, plants, vegetation shall be illustrated--inanother animals, animal life and development.
One stately house shall be the music house,Others for other arts--learning, the sciences, shall all be here,None shall be slighted, none but shall here be honor’d, help’d, exampled.
(This, this and these, America, shall be your pyramids and obelisks,Your Alexandrian Pharos, gardens of Babylon,Your temple at Olympia.)
The male and female many laboring not,Shall ever here confront the laboring many,With precious benefits to both, glory to all,To thee America, and thee eternal Muse.
And here shall ye inhabit powerful Matrons!In your vast state vaster than all the old,Echoed through long, long centuries to come,To sound of different, prouder songs, with stronger themes,Practical, peaceful life, the people’s life, the People themselves,Lifted, illumin’d, bathed in peace--elate, secure in peace.
Away with themes of war! away with war itself!Hence from my shuddering sight to never more return that show ofblacken’d, mutilated corpses!That hell unpent and raid of blood, fit for wild tigers or forlop-tongued wolves, not reasoning men,And in its stead speed industry’s campaigns,With thy undaunted armies, engineering,Thy pennants labor, loosen’d to the breeze,Thy bugles sounding loud and clear.
Away with old romance!Away with novels, plots and plays of foreign courts,Away with love-verses sugar’d in rhyme, the intrigues, amours of idlers,Fitted for only banquets of the night where dancers to late music slide,The unhealthy pleasures, extravagant dissipations of the few,With perfumes, heat and wine, beneath the dazzling chandeliers.
To you ye reverent sane sisters,I raise a voice for far superber themes for poets and for art,To exalt the present and the real,To teach the average man the glory of his daily walk and trade,To sing in songs how exercise and chemical life are never to be baffled,To manual work for each and all, to plough, hoe, dig,To plant and tend the tree, the berry, vegetables, flowers,For every man to see to it that he really do something, for every woman too;To use the hammer and the saw, (rip, or cross-cut,)To cultivate a turn for carpentering, plastering, painting,To work as tailor, tailoress, nurse, hostler, porter,To invent a little, something ingenious, to aid the washing, cooking,cleaning,And hold it no disgrace to take a hand at them themselves.
I say I bring thee Muse to-day and here,All occupations, duties broad and close,Toil, healthy toil and sweat, endless, without cessation,The old, old practical burdens, interests, joys,The family, parentage, childhood, husband and wife,The house-comforts, the house itself and all its belongings,Food and its preservation, chemistry applied to it,Whatever forms the average, strong, complete, sweet-blooded man orwoman, the perfect longeve personality,And helps its present life to health and happiness, and shapes its soul,For the eternal real life to come.
With latest connections, works, the inter-transportation of the world,Steam-power, the great express lines, gas, petroleum,These triumphs of our time, the Atlantic’s delicate cable,The Pacific railroad, the Suez canal, the Mont Cenis and Gothard andHoosac tunnels, the Brooklyn bridge,This earth all spann’d with iron rails, with lines of steamshipsthreading in every sea,Our own rondure, the current globe I bring.
And thou America,Thy offspring towering e’er so high, yet higher Thee above all towering,With Victory on thy left, and at thy right hand Law;Thou Union holding all, fusing, absorbing, tolerating all,Thee, ever thee, I sing.
Thou, also thou, a World,With all thy wide geographies, manifold, different, distant,Rounded by thee in one--one common orbic language,One common indivisible destiny for All.
And by the spells which ye vouchsafe to those your ministers in earnest,I here personify and call my themes, to make them pass before ye.
Behold, America! (and thou, ineffable guest and sister!)For thee come trooping up thy waters and thy lands;Behold! thy fields and farms, thy far-off woods and mountains,As in procession coming.
Behold, the sea itself,And on its limitless, heaving breast, the ships;See, where their white sails, bellying in the wind, speckle thegreen and blue,See, the steamers coming and going, steaming in or out of port,See, dusky and undulating, the long pennants of smoke.
Behold, in Oregon, far in the north and west,Or in Maine, far in the north and east, thy cheerful axemen,Wielding all day their axes.
Behold, on the lakes, thy pilots at their wheels, thy oarsmen,How the ash writhes under those muscular arms!
There by the furnace, and there by the anvil,Behold thy sturdy blacksmiths swinging their sledges,Overhand so steady, overhand they turn and fall with joyous clank,Like a tumult of laughter.
Mark the spirit of invention everywhere, thy rapid patents,Thy continual workshops, foundries, risen or rising,See, from their chimneys how the tall flame-fires stream.
Mark, thy interminable farms, North, South,Thy wealthy daughter-states, Eastern and Western,The varied products of Ohio, Pennsylvania, Missouri, Georgia, Texas,and the rest,Thy limitless crops, grass, wheat, sugar, oil, corn, rice, hemp, hops,Thy barns all fill’d, the endless freight-train and the bulging store-house,The grapes that ripen on thy vines, the apples in thy orchards,Thy incalculable lumber, beef, pork, potatoes, thy coal, thy goldand silver,The inexhaustible iron in thy mines.
All thine O sacred Union!Ships, farms, shops, barns, factories, mines,City and State, North, South, item and aggregate,We dedicate, dread Mother, all to thee!
Protectress absolute, thou! bulwark of all!For well we know that while thou givest each and all, (generous as God,)Without thee neither all nor each, nor land, home,Nor ship, nor mine, nor any here this day secure,Nor aught, nor any day secure.
And thou, the Emblem waving over all!Delicate beauty, a word to thee, (it may be salutary,)Remember thou hast not always been as here to-day so comfortablyensovereign’d,In other scenes than these have I observ’d thee flag,Not quite so trim and whole and freshly blooming in folds ofstainless silk,But I have seen thee bunting, to tatters torn upon thy splinter’d staff,Or clutch’d to some young color-bearer’s breast with desperate hands,Savagely struggled for, for life or death, fought over long,’Mid cannons’ thunder-crash and many a curse and groan and yell, andrifle-volleys cracking sharp,And moving masses as wild demons surging, and lives as nothing risk’d,For thy mere remnant grimed with dirt and smoke and sopp’d in blood,For sake of that, my beauty, and that thou might’st dally as nowsecure up there,Many a good man have I seen go under.
Now here and these and hence in peace, all thine O Flag!And here and hence for thee, O universal Muse! and thou for them!And here and hence O Union, all the work and workmen thine!None separate from thee--henceforth One only, we and thou,(For the blood of the children, what is it, only the blood maternal?And lives and works, what are they all at last, except the roads tofaith and death?)
While we rehearse our measureless wealth, it is for thee, dear Mother,We own it all and several to-day indissoluble in thee;Think not our chant, our show, merely for products gross or lucre--it is for thee, the soul in thee, electric, spiritual!Our farms, inventions, crops, we own in thee! cities and States in thee!Our freedom all in thee! our very lives in thee!
Words in this poem 76
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- limitless a.
- Having no limits; unbounded; boundless. Davies (Wit's Pilgr.).
- immensely adv.
- In immense manner or degree.
- snowy a.
- White like snow.
- parnassus n.
- A mountain in Greece, sacred to Apollo and the Muses, and famous for a temple of Apollo and for the Castalian spring. Grass of Parnassus. (Bot.) See under Grass, and Parnassia.
- responsive a.
- That responds; ready or inclined to respond. [Cf. F. resposif.]
- curious a.
- Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
- dame n.
- A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
- classic a.
- Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
- myriad n.
- The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
- magnetize v. t.
- To communicate magnetic properties to; as, to magnetize a needle. [Cf. F. magnétiser.]
- undying a.
- Not dying; imperishable; unending; immortal; as, the undying souls of men.
- heroism n.
- The qualities characteristic of a hero, as courage, bravery, fortitude, unselfishness, etc.; the display of such qualities. [F. héroïsme.]
- helmeted a.
- Wearing a helmet; furnished with or having a helmet or helmet- shaped part; galeate.
- clio n.
- The Muse who presided over history.
- melpomene n.
- The Muse of tragedy.
- handful n.
- As much as the hand will grasp or contain. [AS. handfull.]
- oliver n.
- Etym: [OF. oliviere.]
- merlin n.
- A small European falcon (Falco lithofalco, or F. æsalon). [OE. merlion, F. émerillon ; cf. OHG. smirl, G. schmerl ; prob. fr. L. merula blackbird. Cf. Merle.]
- gorgeous a.
- Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
- courtly a.
- Relating or belonging to a court. [From Court.]
- emigre n.
- One of the natives of France who were opposed to the first Revolution, and who left their country in consequence. [F., emigrant.]
- rendezvous n.
- A place appointed for a meeting, or at which persons customarily meet.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- columbia n.
- America; the United States; -- a poetical appellation given in honor of Columbus, the discoverer. Dr. T. Dwight.
- henceforth adv.
- From this time forward; henceforward.
- candidly adv.
- In a candid manner.
- yearnings n.
- The maws, or stomachs, of young calves, used a rennet for curdling milk. [Cf. AS. geirnan, geyrnan, to rum. See 4th Earn.]
- statued a.
- Adorned with statues.
- spired a.
- Having a spire; being in the form of a spire; as, a spired steeple. Mason.
- rhenish a.
- Of or pertaining to the river Rhine; as, Rhenish wine. [L. Rhenus the Rhine.]
- scan v. t.
- To mount by steps; to go through with step by step. [L. scandere, scansum, to climb, to scan, akin to Skr. skand to spring, leap: cf. F. scander. Cf. Ascend, Descend, Scale a ladder.]
- ensemble n.
- The whole; all the parts taken together. [F.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- flaunt n.
- Anything displayed for show.
- somewhere adv.
- In some place unknown or not specified; in one place or another.
- bullion n.
- Uncoined gold or silver in the mass. [Cf. OE. bullyon a hook used for fastening the dress, a button, stud, an embossed ornament of various kinds, e.g., on the cover of a book, on bridles or poitrels]
- amazement n.
- The condition of being amazed; bewilderment ; overwhelming wonder, as from surprise, sudden fear, horror, or admiration.
- alexandrian a.
- Of or pertaining to Alexandria in Egypt; as, the Alexandrian library.
- pharos n.
- A lighthouse or beacon for the guidance of seamen.
- laboring a.
- That labors; performing labor; esp., performing coarse, heavy work, not requiring skill also, set apart for labor; as, laboring days.
- confront v. t.
- To stand facing or in front of; to face; esp. to face hostilely; to oppose with firmness.
- elate a.
- Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
- undaunted a.
- Not daunted; not subdued or depressed by fear.
- sane a.
- Being in a healthy condition; not deranged; acting rationally; -- said of the mind. [L. sanus; cf. Gr. Sound, a.]
- carpentering n.
- The occupation or work of a carpenter; the act of workingin timber; carpentry.
- tailoress n.
- A female tailor.
- hostler n.
- An innkeeper. See Hosteler. [OE. hosteler, osteler, innkeeper, OF. hostelier, F. hôtelier. See Hostel, and cf. Hospitaler, Hosteler.]
- invent v. t.
- To come or light upon; to meet; to find. [L. inventus, p. p. of invenire to come upon, to find, invent; pref. in- in + venire to come, akin to E. come: cf. F. inventer. See Come.]
- parentage n.
- Descent from parents or ancestors; parents or ancestors considered with respect to their rank or character; extraction; birth; as, a man of noble parentage. [Cf. F. parentage relationship.]
- childhood n.
- The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
- rondure n.
- A round; a circle. [Cf. F. rondeur roundness.]
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- orbic a.
- Spherical; orbicular; orblike; circular. [L. orbicus, or orbitus, fr. orbis orb.]
- vouchsafe v. t.
- To condescend to grant; to concede; to bestow. [Vouch + safe, that is, to vouch or answer for safety.]
- personify v. t.
- To regard, treat, or represent as a person; to represent as a rational being. [Person + -fy: cf. F. personnifier.]
- speckle n.
- A little or spot in or anything, of a different substance or color from that of the thing itself. [Dim. of speck; cf. D. spikkel.]
- wielding n.
- Power; authority; rule.
- overhand n.
- The upper hand; advantage; superiority; mastery.
- clank n.
- A sharp, brief, ringing sound, made by a collision of metallic or other sonorous bodies; -- usually expressing a duller or less resounding sound than clang, and a deeper and stronger sound than clink. [Akin to clink, and of imitative origin; cf. G. klang sound, D. klank. Cf. Clang.]
- incalculable a.
- Not capable of being calculated; beyond calculation; very great. [Pref. in- not + calculable: cf. F. incalculable.]
- protectress n.
- A woman who protects. [NL. protectrix.]
- bulwark n.
- A rampart; a fortification; a bastion or outwork. [Akin to D. bolwerk, G. bollwerk, Sw. bolwerk, Dan. bolvärk, bulvärk, rampart; akin to G. bohle plank, and werk work, defense. See Bole stem, and Work, n., and c]
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- comfortably adv.
- In a comfortable or comforting manner.
- stainless a.
- Free from stain; immaculate.
- desperate a.
- Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
- savagely adv.
- In a savage manner.
- dally v. i.
- To waste time in effeminate or voluptuous pleasures, or in idleness; to fool away time; to delay unnecessarily; to tarry; to trifle. [OE. , dailien; cf. Icel. pylja to talk, G. dallen, dalen, dahlen, to trifle, talk nonsense, OSw. tule a droll or funny man; or AS. dol foolish, E. dull.]
- maternal a.
- Of or pertaining to a mother; becoming to a mother; motherly; as, maternal love; maternal tenderness. [F. maternel, L. maternus, fr. mater mother. See Mother.]
- measureless a.
- Without measure; unlimited; immeasurable.
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- indissoluble a.
- Not dissoluble; not capable of being dissolved, melted, or liquefied; insoluble; as few substances are indissoluble by heat, but many are indissoluble in water. Boyle. [L. indissolubilis: cf. F. indissoluble. See In- not, and Dissoluble, and cf. Indissolvable.]
- lucre n.
- Gain in money or goods; profit; riches; -- often in an ill sense. [F. lucre, L. lucrum.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Book XIII: Song of the Exposition is in the public domain. This text is taken from Leaves of Grass, Project Gutenberg ebook #1322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Walt Whitman, Book XIII: Song of the Exposition, in Leaves of Grass (1855–1892), text of Project Gutenberg ebook #1322, Laurel, https://laurelpoetry.com/poem/whitman-leaves/book-xiii-song-of-the-exposition.html, id L03901.
Form and metre
Book XIII: Song of the Exposition is 277 lines in 42 stanzas. 80% of its stressed syllables fall where the metre puts the beat. The lines average 12.6 syllables. 99 lines end on an unstressed syllable, a feminine ending. 12% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 -A---ABB only · foundedA · free · fire · rehabilitate · leadA · worldB · worldB
- 5 -AAA--A summons · inclinationA · gravitationA · gownA · fragrance · rolling · sceneA
- 6 -A-A- then · herA · old · herA · here
- 7 --A-A----B-B----C--DCEE-D-C-- so · her · heroism'sA · expression · themesA · day's · fountain · century · tombs · endedB · muses · deadB · the · graal · extinct · sunrise · goneC · its · reflected · andD · exhalationC · worldE · worldE · myths · andD · dames · onC · page · rhyme
- 10 ---AA you · fashion · without · sameA · sameA
- 12 --A-A-- tombs · temples · cathedralA · keeps · allA · tomb · invention
- 17 AA---B-CD-C-DD-B operationA · civilizationA · magic · field · cloth · youB · ones · thenC · bakersD · and · bullionC · a · isD · cylindersD · fast · youB
- 24 --A--A romance · courts · idlersA · slide · few · chandeliersA
- 28 -A--A america · toweringA · law · all · singA
- 37 --A--A---- south · western · texasA · rest · hops · houseA · orchards · gold · silver · mines
- 39 ---AA all · god · home · secureA · secureA
- 42 -A--AA mother · theeA · lucre · spiritual · theeA · theeA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| (Ah little recks the laborer, | 8 | ·/˘··/˘˘ |
| How near his work is holding him to God, | 10 | ·····/˘··· |
| The loving Laborer through space and time.) | 10 | ·/˘/˘˘···· |
| After all not to create only, or found only, | 13 | ·····˘//˘··/˘ |
| But to bring perhaps from afar what is already founded, | 15 | ···˘/·˘/··˘/˘/˘ |
| To give it our own identity, average, limitless, free, | 17 | ···/˘·˘/˘˘/˘˘/˘˘· |
| To fill the gross the torpid bulk with vital religious fire, | 16 | ·····/˘··/˘˘/˘/˘ |
| Not to repel or destroy so much as accept, fuse, rehabilitate, | 18 | ··˘/·˘/···˘/··˘/˘· |
| To obey as well as command, to follow more than to lead, | 15 | ·˘/···˘/·/˘···· |
| These also are the lessons of our New World; | 12 | ·/˘··/˘·/˘·· |
| While how little the New after all, how much the Old, Old World! | 15 | ··/˘··········· |
| Long and long has the grass been growing, | 9 | ·······/˘ |
| Long and long has the rain been falling, | 9 | ·······/˘ |
| Long has the globe been rolling round. | 8 | ·····/˘· |
| Come Muse migrate from Greece and Ionia, | 9 | ··/······ |
| Cross out please those immensely overpaid accounts, | 12 | ····˘/˘/˘/˘/ |
| That matter of Troy and Achilles’ wrath, and AEneas’, Odysseus’ wanderings, | 21 | ·/˘···˘/˘··/˘˘˘/˘˘/˘˘ |
| Placard “Removed” and “To Let” on the rocks of your snowy Parnassus, | 17 | /˘˘/········/˘·/˘ |
| Repeat at Jerusalem, place the notice high on jaffa’s gate and on | 18 | ˘/·˘/˘˘··/˘··/˘··· |
| Mount Moriah, | 3 | ··· |
| The same on the walls of your German, French and Spanish castles, | 15 | ·······/˘··/˘/˘ |
| and Italian collections, | 7 | ·˘/˘˘/˘ |
| For know a better, fresher, busier sphere, a wide, untried domain | 17 | ···/˘/˘/˘˘···˘/˘/ |
| awaits, demands you. | 5 | ˘/˘/· |
| Responsive to our summons, | 8 | ˘/˘·/˘/˘ |
| Or rather to her long-nurs’d inclination, | 11 | ·/˘·····˘/˘ |
| Join’d with an irresistible, natural gravitation, | 15 | ····˘/˘˘/˘˘·˘/˘ |
| She comes! I hear the rustling of her gown, | 10 | ·····/˘··· |
| I scent the odor of her breath’s delicious fragrance, | 13 | ···/˘···˘/˘/˘ |
| I mark her step divine, her curious eyes a-turning, rolling, | 16 | ····˘/·/˘˘··/˘/˘ |
| Upon this very scene. | 6 | ···/˘· |
| The dame of dames! can I believe then, | 9 | ······˘/· |
| Those ancient temples, sculptures classic, could none of them retain her? | 16 | ·/˘/˘/˘/˘····˘/· |
| Nor shades of Virgil and Dante, nor myriad memories, poems, old | 18 | ···/˘·/˘·/˘˘/˘˘/˘· |
| associations, magnetize and hold on to her? | 13 | ˘·˘/˘/˘˘····· |
| But that she’s left them all--and here? | 8 | ········ |
| Yes, if you will allow me to say so, | 10 | ····˘/···· |
| I, my friends, if you do not, can plainly see her, | 12 | ········/˘·· |
| The same undying soul of earth’s, activity’s, beauty’s, heroism’s | 18 | ··˘/˘···˘/˘˘/˘/˘·˘ |
| expression, | 3 | ˘/˘ |
| Out from her evolutions hither come, ended the strata of her former themes, | 20 | ····˘/˘/˘·/˘·/˘··/˘· |
| Hidden and cover’d by to-day’s, foundation of to-day’s, | 14 | /˘·/˘···˘/˘··· |
| Ended, deceas’d through time, her voice by Castaly’s fountain, | 14 | /˘˘/········/˘ |
| Silent the broken-lipp’d Sphynx in Egypt, silent all those century- | 17 | /˘·/˘···/˘/˘··/˘˘ |
| baffling tombs, | 4 | /˘˘· |
| Ended for aye the epics of Asia’s, Europe’s helmeted warriors, ended | 20 | /˘···/˘·/˘/˘/˘˘/˘˘/˘ |
| the primitive call of the muses, | 9 | ·/˘˘···/˘ |
| Calliope’s call forever closed, Clio, Melpomene, Thalia dead, | 18 | ˘/˘··˘/˘·/˘˘/˘˘/˘· |
| Ended the stately rhythmus of Una and Oriana, ended the quest of the | 21 | /˘·/˘/˘·/˘·˘˘/˘/˘···· |
| holy Graal, | 3 | /˘· |
| Jerusalem a handful of ashes blown by the wind, extinct, | 16 | ˘/˘˘·/··/˘····˘/ |
| The Crusaders’ streams of shadowy midnight troops sped with the sunrise, | 17 | ·˘/˘··/˘˘/·····/· |
| Amadis, Tancred, utterly gone, Charlemagne, Roland, Oliver gone, | 17 | ····/˘˘·/˘·/˘/˘˘· |
| Palmerin, ogre, departed, vanish’d the turrets that Usk from its | 17 | ···/˘˘/˘/˘·/˘···· |
| waters reflected, | 5 | /˘˘/˘ |
| Arthur vanish’d with all his knights, Merlin and Lancelot and | 15 | /˘/˘····/˘·/˘·· |
| Galahad, all gone, dissolv’d utterly like an exhalation; | 16 | /˘···˘//˘˘···˘/˘ |
| Pass’d! pass’d! for us, forever pass’d, that once so mighty world, | 14 | ····˘/˘····/˘· |
| now void, inanimate, phantom world, | 9 | ··˘/˘˘/˘· |
| Embroider’d, dazzling, foreign world, with all its gorgeous legends, myths, | 17 | ˘/˘/˘˘/˘····/˘/˘· |
| Its kings and castles proud, its priests and warlike lords and | 13 | ···/˘····/··· |
| courtly dames, | 3 | /˘· |
| Pass’d to its charnel vault, coffin’d with crown and armor on, | 14 | ···/˘······/˘· |
| Blazon’d with Shakspere’s purple page, | 8 | ·····/˘· |
| And dirged by Tennyson’s sweet sad rhyme. | 9 | ···/˘˘··· |
| I say I see, my friends, if you do not, the illustrious emigre, (having it | 21 | ···········˘/˘˘/˘·/˘· |
| is true in her day, although the same, changed, journey’d considerable,) | 17 | ··········/˘˘/˘˘˘ |
| Making directly for this rendezvous, vigorously clearing a path for | 19 | /˘˘/˘··/˘·/˘˘˘/˘··· |
| herself, striding through the confusion, | 9 | ˘//˘··˘/˘ |
| By thud of machinery and shrill steam-whistle undismay’d, | 15 | ···˘/˘˘···/˘··· |
| Bluff’d not a bit by drain-pipe, gasometers, artificial fertilizers, | 19 | ············˘/˘/˘·˘ |
| Smiling and pleas’d with palpable intent to stay, | 12 | /˘···/˘˘˘/·· |
| She’s here, install’d amid the kitchen ware! | 10 | ··˘/˘/·/˘· |
| But hold--don’t I forget my manners? | 9 | ····˘/·/˘ |
| To introduce the stranger, (what else indeed do I live to chant | 16 | ··˘/·/˘··˘/····· |
| for?) to thee Columbia; | 7 | ···˘/˘˘ |
| In liberty’s name welcome immortal! clasp hands, | 12 | ·/˘˘·/˘˘/˘·· |
| And ever henceforth sisters dear be both. | 10 | ·/˘///˘··· |
| Fear not O Muse! truly new ways and days receive, surround you, | 15 | ····/˘····˘/˘/· |
| I candidly confess a queer, queer race, of novel fashion, | 15 | ·/˘˘˘/·····/˘/˘ |
| And yet the same old human race, the same within, without, | 14 | ·····/˘······· |
| Faces and hearts the same, feelings the same, yearnings the same, | 14 | /˘····/˘··/˘·· |
| The same old love, beauty and use the same. | 10 | ····/˘···· |
| We do not blame thee elder World, nor really separate ourselves from thee, | 19 | ·····/˘··/˘/˘·˘˘/·· |
| (Would the son separate himself from the father?) | 12 | ···/˘·˘/··/˘ |
| Looking back on thee, seeing thee to thy duties, grandeurs, through | 15 | /˘···/˘···/˘˘/· |
| past ages bending, building, | 7 | ·/˘/˘/˘ |
| We build to ours to-day. | 7 | ···/˘·· |
| Mightier than Egypt’s tombs, | 7 | /˘˘·/˘· |
| Fairer than Grecia’s, Roma’s temples, | 9 | /˘···/˘/˘ |
| Prouder than Milan’s statued, spired cathedral, | 11 | /˘·˘//··˘/˘ |
| More picturesque than Rhenish castle-keeps, | 10 | ·/˘˘·/˘/˘· |
| We plan even now to raise, beyond them all, | 11 | ··/˘······· |
| Thy great cathedral sacred industry, no tomb, | 12 | ··˘/˘/˘/˘˘·· |
| A keep for life for practical invention. | 11 | ·····/˘˘˘/˘ |
| As in a waking vision, | 7 | ···/˘/˘ |
| E’en while I chant I see it rise, I scan and prophesy outside and in, | 18 | ···········/˘˘//·· |
| Its manifold ensemble. | 7 | ·/˘·˘/˘ |
| Around a palace, loftier, fairer, ampler than any yet, | 16 | ···/˘/˘˘/˘···/˘· |
| Earth’s modern wonder, history’s seven outstripping, | 13 | ·/˘/˘/˘˘/˘˘/˘ |
| High rising tier on tier with glass and iron facades, | 13 | ·/˘······/˘˘/ |
| Gladdening the sun and sky, enhued in cheerfulest hues, | 13 | /˘˘······/˘˘· |
| Bronze, lilac, robin’s-egg, marine and crimson, | 11 | ·/·/˘·˘/·/˘ |
| Over whose golden roof shall flaunt, beneath thy banner Freedom, | 15 | ···/˘······/˘/˘ |
| The banners of the States and flags of every land, | 13 | ·/˘······/˘˘· |
| A brood of lofty, fair, but lesser palaces shall cluster. | 15 | ···/˘··/˘/˘˘·/˘ |
| Somewhere within their walls shall all that forwards perfect human | 15 | /········/˘˘//˘ |
| life be started, | 4 | ··/˘ |
| Tried, taught, advanced, visibly exhibited. | 11 | ··˘//˘˘˘/˘˘ |
| Not only all the world of works, trade, products, | 11 | ·/˘······/˘ |
| But all the workmen of the world here to be represented. | 15 | ···/˘·······˘/˘ |
| Here shall you trace in flowing operation, | 11 | ·····/˘·˘/˘ |
| In every state of practical, busy movement, the rills of civilization, | 21 | ·/˘˘··/˘˘/˘/˘····˘˘/˘ |
| Materials here under your eye shall change their shape as if by magic, | 18 | ˘/˘˘············/˘ |
| The cotton shall be pick’d almost in the very field, | 13 | ·/˘···/···/˘· |
| Shall be dried, clean’d, ginn’d, baled, spun into thread and cloth | 12 | ············ |
| before you, | 3 | ··· |
| You shall see hands at work at all the old processes and all the new ones, | 18 | ··········/˘˘····· |
| You shall see the various grains and how flour is made and then | 16 | ····/˘˘···/˘···· |
| bread baked by the bakers, | 6 | ····/˘ |
| You shall see the crude ores of California and Nevada passing on and | 19 | ········˘/˘·˘/˘/˘·· |
| on till they become bullion, | 7 | ···˘//˘ |
| You shall watch how the printer sets type, and learn what a | 13 | ·····/˘······ |
| composing-stick is, | 5 | ˘/˘·· |
| You shall mark in amazement the Hoe press whirling its cylinders, | 16 | ····˘/˘···/˘·/˘˘ |
| shedding the printed leaves steady and fast, | 10 | /˘·/˘·/˘·· |
| The photograph, model, watch, pin, nail, shall be created before you. | 17 | ·/˘·/˘·····˘/˘··· |
| In large calm halls, a stately museum shall teach you the infinite | 17 | ·····/˘˘/˘····/˘˘ |
| lessons of minerals, | 6 | /˘·/˘˘ |
| In another, woods, plants, vegetation shall be illustrated--in | 17 | ·˘/˘···˘/˘··/˘·˘· |
| another animals, animal life and development. | 15 | ˘/˘/˘˘/˘˘··˘/˘˘ |
| One stately house shall be the music house, | 10 | ·/˘····/˘· |
| Others for other arts--learning, the sciences, shall all be here, | 16 | /˘·/˘·/˘·/˘˘···· |
| None shall be slighted, none but shall here be honor’d, help’d, exampled. | 16 | ···/˘·····/˘·˘/˘ |
| (This, this and these, America, shall be your pyramids and obelisks, | 18 | ····˘/˘˘···/˘˘···· |
| Your Alexandrian Pharos, gardens of Babylon, | 13 | ·····/·/˘·/˘· |
| Your temple at Olympia.) | 8 | ·/˘·˘/˘˘ |
| The male and female many laboring not, | 11 | ···/·/˘/˘˘· |
| Shall ever here confront the laboring many, | 12 | ·/˘·˘/·/˘˘/˘ |
| With precious benefits to both, glory to all, | 12 | ·/˘/˘˘··/˘·· |
| To thee America, and thee eternal Muse. | 12 | ··˘/˘˘··˘/˘· |
| And here shall ye inhabit powerful Matrons! | 12 | ····˘/˘/˘˘/˘ |
| In your vast state vaster than all the old, | 10 | ·········· |
| Echoed through long, long centuries to come, | 10 | /˘···/˘˘·· |
| To sound of different, prouder songs, with stronger themes, | 13 | ···/˘˘/˘··/˘· |
| Practical, peaceful life, the people’s life, the People themselves, | 15 | /˘˘/˘··/˘··/˘˘/ |
| Lifted, illumin’d, bathed in peace--elate, secure in peace. | 14 | /˘˘/˘···˘/˘/·· |
| Away with themes of war! away with war itself! | 12 | ˘/····˘/··˘/ |
| Hence from my shuddering sight to never more return that show of | 16 | ···/˘˘··/˘·˘/··· |
| blacken’d, mutilated corpses! | 8 | /˘/˘·˘/˘ |
| That hell unpent and raid of blood, fit for wild tigers or for | 15 | ···········/˘·· |
| lop-tongued wolves, not reasoning men, | 8 | ····/˘˘· |
| And in its stead speed industry’s campaigns, | 10 | ·····/˘˘˘/ |
| With thy undaunted armies, engineering, | 11 | ··˘/˘/˘/˘/˘ |
| Thy pennants labor, loosen’d to the breeze, | 10 | ·/˘/˘/˘··· |
| Thy bugles sounding loud and clear. | 8 | ·/˘/˘··· |
| Away with old romance! | 6 | ˘/··˘/ |
| Away with novels, plots and plays of foreign courts, | 12 | ˘/·/˘····/˘· |
| Away with love-verses sugar’d in rhyme, the intrigues, amours of idlers, | 19 | ˘/··/˘/˘···˘//˘·/˘˘ |
| Fitted for only banquets of the night where dancers to late music slide, | 18 | /˘·/˘/˘····/˘··/˘· |
| The unhealthy pleasures, extravagant dissipations of the few, | 17 | ·˘/˘/˘˘/˘˘·˘/˘··· |
| With perfumes, heat and wine, beneath the dazzling chandeliers. | 15 | ·˘/······/˘˘·˘/ |
| To you ye reverent sane sisters, | 9 | ···/˘˘·/˘ |
| I raise a voice for far superber themes for poets and for art, | 16 | ···········/˘··· |
| To exalt the present and the real, | 9 | ·˘/·/˘··· |
| To teach the average man the glory of his daily walk and trade, | 17 | ···/˘˘··/˘··/˘··· |
| To sing in songs how exercise and chemical life are never to be baffled, | 20 | ·····/˘··/˘˘··/˘··/˘ |
| To manual work for each and all, to plough, hoe, dig, | 13 | ·/˘˘········· |
| To plant and tend the tree, the berry, vegetables, flowers, | 14 | ·······/˘/˘˘/˘ |
| For every man to see to it that he really do something, for every woman too; | 23 | ·/˘˘·······/˘·/˘·/˘˘/˘· |
| To use the hammer and the saw, (rip, or cross-cut,) | 12 | ···/˘······· |
| To cultivate a turn for carpentering, plastering, painting, | 16 | ·/˘····/˘˘˘/˘˘/˘ |
| To work as tailor, tailoress, nurse, hostler, porter, | 13 | ···/˘/˘˘·/˘/˘ |
| To invent a little, something ingenious, to aid the washing, cooking, | 18 | ·˘/·/˘/˘˘/˘···/˘/˘ |
| cleaning, | 2 | /˘ |
| And hold it no disgrace to take a hand at them themselves. | 14 | ····˘/······˘/ |
| I say I bring thee Muse to-day and here, | 10 | ·········· |
| All occupations, duties broad and close, | 10 | ··˘/˘/˘··· |
| Toil, healthy toil and sweat, endless, without cessation, | 13 | ·/˘···/˘···/˘ |
| The old, old practical burdens, interests, joys, | 11 | ···/˘˘/˘/˘· |
| The family, parentage, childhood, husband and wife, | 13 | ·/˘˘/˘˘/·/˘·· |
| The house-comforts, the house itself and all its belongings, | 14 | ··/˘··˘/···˘/˘ |
| Food and its preservation, chemistry applied to it, | 14 | ····˘/˘/˘˘˘/·· |
| Whatever forms the average, strong, complete, sweet-blooded man or | 16 | ·/˘··/˘˘·˘/·/˘·· |
| woman, the perfect longeve personality, | 12 | /˘·˘/···˘/˘˘ |
| And helps its present life to health and happiness, and shapes its soul, | 16 | ···/˘····/˘˘···· |
| For the eternal real life to come. | 9 | ··˘/˘···· |
| With latest connections, works, the inter-transportation of the world, | 17 | ·/˘˘/˘··˘/·˘/˘··· |
| Steam-power, the great express lines, gas, petroleum, | 13 | ·/˘··˘/··˘/˘˘ |
| These triumphs of our time, the Atlantic’s delicate cable, | 16 | ·/˘·/˘··˘/˘/˘˘/˘ |
| The Pacific railroad, the Suez canal, the Mont Cenis and Gothard and | 19 | ·˘/˘/··/˘˘/·····/˘· |
| Hoosac tunnels, the Brooklyn bridge, | 8 | ··/˘·/˘· |
| This earth all spann’d with iron rails, with lines of steamships | 13 | ·····/˘····/· |
| threading in every sea, | 7 | /˘·/˘˘· |
| Our own rondure, the current globe I bring. | 11 | /˘·/˘·/˘··· |
| And thou America, | 6 | ··˘/˘˘ |
| Thy offspring towering e’er so high, yet higher Thee above all towering, | 19 | ·/·/˘˘····/˘····/˘˘ |
| With Victory on thy left, and at thy right hand Law; | 13 | ·/˘˘········· |
| Thou Union holding all, fusing, absorbing, tolerating all, | 16 | ·/˘/˘·/˘˘/˘/˘·˘· |
| Thee, ever thee, I sing. | 6 | ·/˘··· |
| Thou, also thou, a World, | 6 | ·/˘··· |
| With all thy wide geographies, manifold, different, distant, | 16 | ····˘/˘˘/˘·/˘˘/˘ |
| Rounded by thee in one--one common orbic language, | 13 | /˘·····/˘··/˘ |
| One common indivisible destiny for All. | 13 | ·/˘·˘/˘˘/˘˘·· |
| And by the spells which ye vouchsafe to those your ministers in earnest, | 17 | ······˘/···/˘˘·/˘ |
| I here personify and call my themes, to make them pass before ye. | 17 | ··˘/˘············ |
| Behold, America! (and thou, ineffable guest and sister!) | 16 | ˘/˘/˘˘··˘/˘˘··/˘ |
| For thee come trooping up thy waters and thy lands; | 12 | ···/˘··/˘··· |
| Behold! thy fields and farms, thy far-off woods and mountains, | 13 | ˘/·········/˘ |
| As in procession coming. | 7 | ··˘/˘/˘ |
| Behold, the sea itself, | 6 | ˘/··˘/ |
| And on its limitless, heaving breast, the ships; | 11 | ···/˘˘/˘··· |
| See, where their white sails, bellying in the wind, speckle the | 14 | ·····/˘˘···/˘· |
| green and blue, | 3 | ··· |
| See, the steamers coming and going, steaming in or out of port, | 16 | ··/˘/˘·/˘/˘····· |
| See, dusky and undulating, the long pennants of smoke. | 14 | ·/˘·/˘·˘··/˘·· |
| Behold, in Oregon, far in the north and west, | 12 | ˘/·/˘˘······ |
| Or in Maine, far in the north and east, thy cheerful axemen, | 15 | ··········/˘··· |
| Wielding all day their axes. | 7 | /˘···/˘ |
| Behold, on the lakes, thy pilots at their wheels, thy oarsmen, | 14 | ˘/····/˘······ |
| How the ash writhes under those muscular arms! | 11 | ·······/˘˘· |
| There by the furnace, and there by the anvil, | 11 | ···/˘····/˘ |
| Behold thy sturdy blacksmiths swinging their sledges, | 12 | ˘/·/˘/·/˘·/˘ |
| Overhand so steady, overhand they turn and fall with joyous clank, | 17 | /˘˘·/˘/˘˘·····/˘· |
| Like a tumult of laughter. | 7 | ··/˘·/˘ |
| Mark the spirit of invention everywhere, thy rapid patents, | 16 | ··/˘·˘/˘/˘··/˘/˘ |
| Thy continual workshops, foundries, risen or rising, | 14 | ·˘/˘˘/·/˘/˘·/˘ |
| See, from their chimneys how the tall flame-fires stream. | 12 | ···/˘····/˘· |
| Mark, thy interminable farms, North, South, | 10 | ··˘/˘˘˘··· |
| Thy wealthy daughter-states, Eastern and Western, | 11 | ·/˘/˘·/˘·/˘ |
| The varied products of Ohio, Pennsylvania, Missouri, Georgia, Texas, | 20 | ·/˘/˘·˘/˘·˘/˘˘/˘/˘/˘ |
| and the rest, | 3 | ··· |
| Thy limitless crops, grass, wheat, sugar, oil, corn, rice, hemp, hops, | 14 | ·/˘˘···/˘····· |
| Thy barns all fill’d, the endless freight-train and the bulging store-house, | 15 | ·····/˘····/˘·· |
| The grapes that ripen on thy vines, the apples in thy orchards, | 15 | ···/˘····/˘··/˘ |
| Thy incalculable lumber, beef, pork, potatoes, thy coal, thy gold | 17 | ·˘/˘˘˘/˘··˘/˘···· |
| and silver, | 3 | ·/˘ |
| The inexhaustible iron in thy mines. | 11 | ·˘˘/˘˘/˘··· |
| All thine O sacred Union! | 7 | ···/˘/˘ |
| Ships, farms, shops, barns, factories, mines, | 8 | ····/˘˘· |
| City and State, North, South, item and aggregate, | 12 | /˘····/˘·/˘˘ |
| We dedicate, dread Mother, all to thee! | 10 | ·/˘··/˘··· |
| Protectress absolute, thou! bulwark of all! | 11 | ···/˘··/˘·· |
| For well we know that while thou givest each and all, (generous as God,) | 17 | ············/˘˘·· |
| Without thee neither all nor each, nor land, home, | 11 | ···/˘······ |
| Nor ship, nor mine, nor any here this day secure, | 12 | ·····/˘···˘/ |
| Nor aught, nor any day secure. | 8 | ···/˘·˘/ |
| And thou, the Emblem waving over all! | 10 | ···/˘/˘··· |
| Delicate beauty, a word to thee, (it may be salutary,) | 16 | /˘˘/˘·······/˘·˘ |
| Remember thou hast not always been as here to-day so comfortably | 18 | ˘/˘···/·······/˘˘˘ |
| ensovereign’d, | 4 | ···· |
| In other scenes than these have I observ’d thee flag, | 12 | ·/˘·····˘/·· |
| Not quite so trim and whole and freshly blooming in folds of | 14 | ·······/˘/˘··· |
| stainless silk, | 3 | /˘· |
| But I have seen thee bunting, to tatters torn upon thy splinter’d staff, | 17 | ·····/˘·/˘····/˘· |
| Or clutch’d to some young color-bearer’s breast with desperate hands, | 14 | ·····/˘/˘··/˘· |
| Savagely struggled for, for life or death, fought over long, | 14 | /˘˘/˘········· |
| ’Mid cannons’ thunder-crash and many a curse and groan and yell, and | 16 | ·/˘/˘··/˘······· |
| rifle-volleys cracking sharp, | 7 | /˘/˘/˘· |
| And moving masses as wild demons surging, and lives as nothing risk’d, | 17 | ·/˘/˘··/˘/˘···/˘· |
| For thy mere remnant grimed with dirt and smoke and sopp’d in blood, | 14 | ···/˘········· |
| For sake of that, my beauty, and that thou might’st dally as now | 15 | ·····/˘····/˘·· |
| secure up there, | 4 | ˘/·· |
| Many a good man have I seen go under. | 11 | /˘········· |
| Now here and these and hence in peace, all thine O Flag! | 12 | ············ |
| And here and hence for thee, O universal Muse! and thou for them! | 16 | ········˘/˘····· |
| And here and hence O Union, all the work and workmen thine! | 14 | ·····/˘····/˘· |
| None separate from thee--henceforth One only, we and thou, | 14 | ·/˘···//·/˘··· |
| (For the blood of the children, what is it, only the blood maternal? | 17 | ·····/˘···/˘··˘/˘ |
| And lives and works, what are they all at last, except the roads to | 15 | ··············· |
| faith and death?) | 3 | ··· |
| While we rehearse our measureless wealth, it is for thee, dear Mother, | 17 | ··˘//˘/˘˘······/˘ |
| We own it all and several to-day indissoluble in thee; | 16 | ·····/˘··˘/˘˘˘·· |
| Think not our chant, our show, merely for products gross or lucre-- | 17 | ··/˘·/˘·/˘·/˘··/˘ |
| it is for thee, the soul in thee, electric, spiritual! | 15 | ········˘/˘/˘˘˘ |
| Our farms, inventions, crops, we own in thee! cities and States in thee! | 17 | /˘·˘/˘·····/˘···· |
| Our freedom all in thee! our very lives in thee! | 14 | /˘/˘···/˘/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.